Constructivism’s Vešč, Objet, Gegenstand and the New Art of the “Object”

2017 ◽  
Vol 13 (2) ◽  
pp. 145-159
Author(s):  
Slobodanka Vladiv-Glover
Keyword(s):  
New World ◽  
Close Reading ◽  
One Dimensional ◽  
Avant Garde ◽  
Socialist State ◽  
Phenomenology Of Perception ◽  
Artistic Inquiry ◽  
The Relationship

There is no doubt that the Futurists, Constructivists, Productionists – all the Russian avant-garde groups – wanted to represent the “new world” of socialism in and through art. However, the relationship between art and life, or art and work in the new socialist state was not one-dimensional. This can be seen from a close reading of one of the major Constructivist manifestoes, published in Ilya Erenburg’s and El Lisitzky’s short-lived journal “Vešč, Objet, Gegenstand” 1922–23 (Berlin). What emerges from the militaristic jargon and the metaphors with which the new art platform announced in “Vešč, Objet, Gegenstand” comes to expression is that the Constructivist movement is focused on structures which it calls “the object” and that this emerging Structuralism constitutes not just a method of artistic inquiry but a new mode of perception. This paper attempts to show, by a close reading of the lexicon of this Constructivist manifesto, how the concept of the ‘object’ had a metaphysical dimension in that it was raised into a phenomenology of perception by the Constructivist artist but also a new artistic paradigm of international, collective art.

Dualism and Its Discontents II: Philosophical Tinctures

2016 ◽  
Author(s):  
Craig Irvine ◽  
Danielle Spencer
Keyword(s):  
Lived Experience ◽  
Close Reading ◽  
Cartesian Dualism ◽  
Phenomenology Of Perception ◽  
Edmund Pellegrino ◽  
The Rich ◽  
Richard Zaner ◽  
The Relationship ◽  
Insight Into ◽  
Philosophical Understanding

Part II of II: This chapter explores philosophical responses to Cartesian dualism—notably Maurice Merleau-Ponty’s elaboration of phenomenology—and its relevance to medicine. With close reading of Merleau-Ponty’s Phenomenology of Perception, phenomenology’s attentiveness to lived experience and to embodiment is described. Next, discussion of the work of philosophers, clinicians, ethicists and patients—including Havi Carel, S. Kay Toombs, Richard Baron, Edmund Pellegrino, Richard Zaner, and Fredrik Svenaeus—demonstrates the influence of phenomenological perspectives in healthcare, addressing the dissociation and alienation often experienced by clinicians and patients alike. Counter-examples to the philosophical narrative presented here are then offered, demonstrating the rich complexity of philosophical enquiry. The chapter closes with a brief discussion of the poem “Soul” by David Ferry, which offers a means of approaching the age-old issue of the relationship between body, mind, and spirit. Thus the authors argue that philosophical understanding—particularly in combination with literature—offers particular insight into the challenges and possibilities of healthcare today.

Misreading Egypt

2018 ◽  
Author(s):  
Jesse Schotter
Keyword(s):  
New Media ◽  
Narrative Form ◽  
Experimental Film ◽  
Tower Of Babel ◽  
Avant Garde ◽  
Sergei Eisenstein ◽  
History Of ◽  
The One ◽  
The Relationship ◽  
Modern Technologies

The first chapter of Hieroglyphic Modernisms exposes the complex history of Western misconceptions of Egyptian writing from antiquity to the present. Hieroglyphs bridge the gap between modern technologies and the ancient past, looking forward to the rise of new media and backward to the dispersal of languages in the mythical moment of the Tower of Babel. The contradictory ways in which hieroglyphs were interpreted in the West come to shape the differing ways that modernist writers and filmmakers understood the relationship between writing, film, and other new media. On the one hand, poets like Ezra Pound and film theorists like Vachel Lindsay and Sergei Eisenstein use the visual languages of China and of Egypt as a more primal or direct alternative to written words. But Freud, Proust, and the later Eisenstein conversely emphasize the phonetic qualities of Egyptian writing, its similarity to alphabetical scripts. The chapter concludes by arguing that even avant-garde invocations of hieroglyphics depend on narrative form through an examination of Hollis Frampton’s experimental film Zorns Lemma.

‘Each Song Was Just Like a Little Sermon’

2018 ◽  
Author(s):  
Isaac Land
Keyword(s):  
Nineteenth Century ◽  
Golden Age ◽  
Military Training ◽  
One Dimensional ◽  
National Pride ◽  
Recent Scholarship ◽  
The Relationship

This chapter is central to the volume’s chronological contentions, as its argument accounts for the specialized, one-dimensional Dibdin of ‘Tom Bowling’ that has endured into recent scholarship. Focusing on Dibdin’s posthumous reception, it examines the moral and rhetorical difficulties of repackaging Dibdin’s works for a Victorian sensibility; it explores the specifics of mid-century concert culture previously highlighted by Derek Scott and William Weber as central to changes in nineteenth-century taste and programming; and it develops the theme of nostalgia into a revelatory consideration of the relationship between new naval technologies, national pride, and military training, and the songs, people, and language of a remembered Napoleonic ‘golden age’—to which Dibdin proves to have been as central, in the Victorian imagination, as Nelson.

Effect of mechanical restraint on the rate of corrosion in concrete

1998 ◽  
Vol 25 (1) ◽  
pp. 81-86 ◽  
Author(s):  
N Hearn ◽  
J Aiello
Keyword(s):  
Mix Design ◽  
Concrete Repair ◽  
Accelerated Corrosion ◽  
One Dimensional ◽  
Mechanical Restraint ◽  
Corrosion Rates ◽  
Accelerated Corrosion Tests ◽  
The Matrix ◽  
The Relationship

Experimental work on prismatic concrete specimens was conducted to determine the relationship between mechanical restraint and the rate of corrosion. The current together with the changes in strain of the confining frame were monitored during the accelerated corrosion tests. The effect of mix design and cracking on the corrosion rates was also investigated. The results show that one-dimensional mechanical restraint retards the corrosion process, as indicated by the reduction in the steel loss. Improved quality of the matrix, with and without cracking, reduces the rate of steel loss. In the inferior quality concrete, the effect of cracking on the corrosion rate is minimal.Key words: corrosion, concrete, repair.

A Reading of Westcott's Gospel of Creation: An Early Venture into Ecological Theology?

2013 ◽  
Vol 12 (2) ◽  
pp. 185-202
Author(s):  
Duncan Reid
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Natural World ◽  
Close Reading ◽  
Ecological Theology ◽  
Late Twentieth ◽  
Science And Theology ◽  
Doctrine Of Creation ◽  
The Relationship ◽  
Late Twentieth Century

AbstractIn response to the contemporary ecological movement, ecological perspectives have become a significant theme in the theology of creation. This paper asks whether antecedents to this growing significance might predate the concerns of our times and be discernible within the diverse interests of nineteenth-century Anglican thinking. The means used here to examine this possibility is a close reading of B. F. Westcott's ‘Gospel of Creation’. This will be contextualized in two directions: first with reference to the understanding of the natural world in nineteenth-century English popular thought, and secondly with reference to the approach taken to the doctrine of creation by three late twentieth-century Anglican writers, two concerned with the relationship between science and theology in general, and a third concerned more specifically with ecology.

Philosophers in the New World: Montaigne and the Tradition of Epideictic Rhetoric

2012 ◽  
Vol 30 (1) ◽  
pp. 22-36 ◽  
Author(s):  
Eric MacPhail
Keyword(s):  
New World ◽  
Michel De Montaigne ◽  
Epideictic Rhetoric ◽  
Ethical Norms ◽  
The Relationship

This article studies the essays of Michel de Montaigne in the context of the tradition of epideictic rhetoric from antiquity to the Renaissance, with particular attention to the humanist reception of Aristotle's Rhetoric. The focus of this attention is the relationship between epideictic and consensus, which proves to be more problematic than Aristotle seems to have anticipated. If we read Montaigne's essay “Des Cannibales” as a paradoxical encomium and compare it to Plutarch's declamation on the fortune of Alexander, we can see how epideictic works to undermine consensus and even to challenge the very impulse to conform to social and ethical norms.

scholarly journals ‘There Must Be a Poetry of Sound That None of Us Knows…’: Early British documentary film and the prefiguring of musique concrète

2017 ◽  
Vol 22 (2) ◽  
pp. 172-186
Author(s):  
Geoffrey Cox
Keyword(s):  
Case Studies ◽  
Electronic Music ◽  
Documentary Film ◽  
Post Office ◽  
Coal Face ◽  
Avant Garde ◽  
History Of ◽  
Relationship Of ◽  
The Relationship ◽  
Musique Concrete

Standard histories of electronic music tend to trace the lineage of musique concrète as lying mainly in the Futurists’ declarations of the 1910s, through Cage’s ‘emancipation’ of noise in the 1930s, to Schaeffer’s work and codifications of the late 1940s and early 1950s. This article challenges this narrative by drawing attention to the work of filmmakers in the 1930s that foreshadowed the sound experiments of Pierre Schaeffer and thus offers an alternative history of their background. The main focus of the article is on the innovations within documentary film and specifically the sonic explorations in early British documentary that prefigured musique concrète, an area ignored by electronic music studies. The theoretical and philosophical underpinnings of the documentary movement’s members, particularly their leader John Grierson, will be compared with those of Pierre Schaeffer, and the important influence of Russian avant-garde filmmaking on the British (and musique concrète) will be addressed. Case studies will focus on the groundbreaking soundtracks of two films made by the General Post Office Film Unit that feature both practical and theoretical correspondences to Schaeffer: 6.30 Collection (1934) and Coal Face (1935). Parallels between the nature and use of technologies and how this affected creative outputs will also be discussed, as will the relationship of the British documentary movement’s practice and ideas to post-Schaefferian ‘anecdotal music’ and the work of Luc Ferrari.

scholarly journals A Novel Approach to the Analysis of the Soil Consolidation Problem by Using Non-Classical Rheological Schemes

2021 ◽  
Vol 11 (5) ◽  
pp. 1980
Author(s):  
Kazimierz Józefiak ◽  
Artur Zbiciak ◽  
Karol Brzeziński ◽  
Maciej Maślakowski
Keyword(s):  
Constitutive Models ◽  
Organic Soil ◽  
Organic Soils ◽  
Soil Consolidation ◽  
Flexible Tool ◽  
One Dimensional ◽  
Novel Approach ◽  
Soil Skeleton ◽  
The One ◽  
The Relationship

The paper presents classical and non-classical rheological schemes used to formulate constitutive models of the one-dimensional consolidation problem. The authors paid special attention to the secondary consolidation effects in organic soils as well as the soil over-consolidation phenomenon. The systems of partial differential equations were formulated for every model and solved numerically to obtain settlement curves. Selected numerical results were compared with standard oedometer laboratory test data carried out by the authors on organic soil samples. Additionally, plasticity phenomenon and non-classical rheological elements were included in order to take into account soil over-consolidation behaviour in the one-dimensional settlement model. A new way of formulating constitutive equations for the soil skeleton and predicting the relationship between the effective stress and strain or void ratio was presented. Rheological structures provide a flexible tool for creating complex constitutive relationships of soil.

scholarly journals Estimation for Two-Dimensional Nonsymmetric Coherently Distributed Source in L-Shaped Arrays

2018 ◽  
Vol 2018 ◽  
pp. 1-16
Author(s):  
Tao Wu ◽  
Zhenghong Deng ◽  
Qingyue Gu ◽  
Jiwei Xu
Keyword(s):  
Expectation Maximization ◽  
Two Dimensional ◽  
Signal Distribution ◽  
Distributed Source ◽  
One Dimensional ◽  
Least Squares Estimators ◽  
Iterative Calculation ◽  
Symmetric Source ◽  
Relationship Of ◽  
The Relationship

We explore the estimation of a two-dimensional (2D) nonsymmetric coherently distributed (CD) source using L-shaped arrays. Compared with a symmetric source, the modeling and estimation of a nonsymmetric source are more practical. A nonsymmetric CD source is established through modeling the deterministic angular signal distribution function as a summation of Gaussian probability density functions. Parameter estimation of the nonsymmetric distributed source is proposed under an expectation maximization (EM) framework. The proposed EM iterative calculation contains three steps in each cycle. Firstly, the nominal azimuth angles and nominal elevation angles of Gaussian components in the nonsymmetric source are obtained from the relationship of rotational invariance matrices. Then, angular spreads can be solved through one-dimensional (1D) searching based on nominal angles. Finally, the powers of Gaussian components are obtained by solving least-squares estimators. Simulations are conducted to verify the effectiveness of the nonsymmetric CD model and estimation technique.

scholarly journals On the Exception of Hannah Arendt

2015 ◽  
Vol 15 (3) ◽  
pp. 684-704 ◽  
Author(s):  
Ayça Çubukçu
Keyword(s):  
Hannah Arendt ◽  
Close Reading ◽  
Banality Of Evil ◽  
The Relationship

This article offers a close reading of Hannah Arendt’s Eichmann in Jerusalem: A Report on the Banality of Evil. It argues that in this text, Arendt consistently, even obsessively, evaluates the legal and moral challenges posed by Eichmann’s trial through the relationship between exception and rule. The article contends that the analytical lens of the exception allows us to appreciate the perplexities that Eichmann in Jerusalem presents – some fifty years after the book’s publication – from a still uncommon perspective, and enables us to attend in new ways to Arendt’s own suppositions, propositions, and contradictions in this text.

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