Crawford Long, Alfred Blalock, Louis Wright, and Georgia's Surgical Heritage

2016 ◽  
Vol 82 (2) ◽  
pp. 89-94
Author(s):  
Don K. Nakayama
Keyword(s):  
African American ◽  
Civil Rights ◽  
Jim Crow ◽  
Small Towns ◽  
History Of Surgery ◽  
American Medicine ◽  
History Of ◽  
The 1960S ◽  
Jim Crow South ◽  
Blalock Taussig Shunt

Georgia and the Atlanta area are associated with three important figures in the history of surgery. Crawford Long (1815–1878) discovered the anesthetic effects of ether while in practice in Jefferson. Born in Culloden, Alfred Blalock (1899–1964) was a pioneer researcher in shock and resuscitation, and developed the Blalock–Taussig shunt for Tetralogy of Fallot. His technician, African-American Vivien Thomas (1910–1985), was a full partner in the landmark advances. Louis T. Wright (1891–1952) was born in LaGrange and grew up in the Jim Crow South. As the country's leading black surgeon, he led the integration of major hospitals and helped lay the groundwork for the landmark civil rights legislation of the 1960s that integrated American medicine. Their stories, with roots in small towns in Georgia, reveal the deep surgical traditions of the South.

Race Women

2019 ◽  
pp. 70-100
Author(s):  
Jelani M. Favors
Keyword(s):  
African American ◽  
Civil Rights ◽  
African American Women ◽  
Civil Rights Movement ◽  
Jim Crow ◽  
Vital Role ◽  
New Negro ◽  
American Women ◽  
Single Sex ◽  
History Of

This chapter examines the fascinating history of Bennett College – one of only two single sex colleges dedicated to educating African American women. Although Bennett would not make that transition until 1926, the institution played a vital role in educating African American women in Greensboro, North Carolina from the betrayal of the Nadir to the promises of a New Negro Era. The latter period witnessed Bennett, under the leadership of David Dallas Jones, mold scores of young girls into politically conscious race women who were encouraged to resist Jim Crow policies and reject the false principals of white supremacy. Their politicization led to a massive boycott of a theatre in downtown Greensboro and helped to set the tone for Greensboro’s evolution into a critical launching point for the modern civil rights movement.

“Deplorable Exegesis”: Dick Gregory's Irreverent Scriptural Authority in the 1960s and 1970s

2020 ◽  
Vol 30 (2) ◽  
pp. 187-236
Author(s):  
Vaughn A. Booker
Keyword(s):  
African American ◽  
Religious Belief ◽  
Jim Crow ◽  
Religious Writings ◽  
Religious Liberalism ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
Social Teachings

ABSTRACTThis article examines comedian Richard Claxton “Dick” Gregory's comical articulation of religious belief and belonging through his speeches and religious writings during the 1960s and 1970s. It argues that, during his most visible public presence as an activist and comedic entertainer, Gregory bore an irreverent scriptural authority for his readers and comedy audiences who sought a prominent, public affirmation of their suspicion and criticism of religious authorities and conventional religious teachings. This suspicion would allow them to grapple with the oppressive presence of religion in the long history of Western colonialism, in the U.S. context of slavery, and in the violence and segregation of Jim Crow America. Following this religious suspicion, however, Gregory's consistent goal was to implement just social teachings stemming from socially and theologically progressive readings of the Hebrew Bible and of the teachings of Jesus in the Gospels. Gregory's irreverence modeled, and reflected, the maintenance of belief in both the divine and in the justness of remaking an oppressive, violent, unequal world through nonviolent activism in accordance with his understanding of the teachings of the King James scriptures that he read throughout his life. This study of comedy uses one African American male's production of irreverent, authoritative religious rhetoric to display a noteworthy mode of mid-century African American religious liberalism. It is also a case study highlighting the complexity of religious belief and affiliation. Despite acknowledged ambivalences about his commitments to religion, Gregory also modeled ways for audiences to reframe religious commitments to produce social change.

scholarly journals ‘Let no one say the past is dead’: History wars and the poetry of Oodgeroo Noonuccal and Sonia Sanchez

2018 ◽  
Vol 25 (1) ◽  
pp. 163-176
Author(s):  
Ameer Chasib Furaih
Keyword(s):  
African American ◽  
Civil Rights ◽  
English Language ◽  
Minor Literature ◽  
Black Resistance ◽  
Global Movement ◽  
History Of ◽  
Shared Awareness ◽  
The 1960S

AbstractThe histories of Australian Aboriginal and African American peoples have been disregarded for more than two centuries. In the 1960s, Aboriginal and African American civil rights activists addressed this neglect. Each endeavoured to write a critical version of history that included their people(s). This article highlights the role of Aboriginal Australian poet Oodgeroo Noonuccal (formerly Kath Walker) (1920–93) and African American poet Sonia Sanchez (born 1934) in reviving their peoples’ history. Using Deleuze and Guattari's concept of ‘minor literature’, the essay shows how these poets deterritorialise the English language and English poetry and exploit their own poetries as counter-histories to record milestone events in the history of their peoples. It will also highlight the importance of these accounts in this ‘history war’. It examines selected poems from Oodgeroo's My People: A Kath Walker Collection and Sanchez's Home Coming and We A BaddDDD People to demonstrate that similarities in their poetic themes are the result of a common awareness of a global movement of black resistance. This shared awareness is significant despite the fact that the poets have different ethnicities and little direct literary impact upon each other.

“The cry of the Negro should not be remember the Maine, but remember the hanging of Bush”

2017 ◽  
Author(s):  
Sundiata Keita Cha-Jua
Keyword(s):  
African American ◽  
Civil Rights ◽  
Jim Crow ◽  
Early Years ◽  
Race Riots ◽  
Slave Resistance ◽  
Jim Crow Era ◽  
Significant Area ◽  
The 1960S ◽  
Central Illinois

This chapter analyzes lynching scholars' treatment of African American resistance, and traces African American responses to that racially inspired mob murder in central Illinois in the early years of the Jim Crow era. Academic interest in slavery, especially in slave resistance, escalated after the civil rights and Black Power movements. Moreover, race riots became a major topic of scholarly inquiry only after the 1960s urban insurrections. Scholarly attention to lynching has followed a similar pattern as historians' interest coincided with the 1980s-era resurgence in private racial violence. Consequently, lynching only emerged as a key concern among historians in the 1980s. By the late 1990s, lynching had become a significant area of historical research.

Not as It Is Written

2020 ◽  
Vol 42 (2) ◽  
pp. 78-100
Author(s):  
Benjamin Houston
Keyword(s):  
African American ◽  
Civil Rights ◽  
Oral History ◽  
Civil Rights Movement ◽  
International Exhibition ◽  
Black Experience ◽  
American Perspective ◽  
History Of ◽  
Black Life ◽  
Made In

This article discusses an international exhibition that detailed the recent history of African Americans in Pittsburgh. Methodologically, the exhibition paired oral history excerpts with selected historic photographs to evoke a sense of Black life during the twentieth century. Thematically, showcasing the Black experience in Pittsburgh provided a chance to provoke among a wider public more nuanced understandings of the civil rights movement, an era particularly prone to problematic and superficial misreadings, but also to interject an African American perspective into the scholarship on deindustrializing cities, a literature which treats racism mostly in white-centric terms. This essay focuses on the choices made in reconciling these thematic and methodological dimensions when designing this exhibition.

The Surprising Career of Federal Fair Housing Law

2000 ◽  
Vol 12 (2) ◽  
pp. 215-232 ◽  
Author(s):  
Hugh Davis Graham
Keyword(s):  
Civil Rights ◽  
Policy Development ◽  
Educational Opportunity ◽  
Jim Crow ◽  
National Policy ◽  
Marshall Plan ◽  
Voting Rights Act ◽  
Fair Housing ◽  
The 1960S ◽  
Open Housing

Unlike the breakthrough civil rights legislation of 1964–65, which dismantled the South's Jim Crow system and led to rapid advances in job access and educational opportunity for minorities throughout the nation, the federal fair housing legislation of the 1960s produced little substantive change. The Civil Rights Act of 1964 and the Voting Rights Act of 1965 quickly became case studies in the dominant tradition of presidential leadership in legislative reform, joining such modern classics as Social Security and the Marshall Plan. The Open Housing Act of 1968, however, belongs to a different era of national policy development.

Response to Ken Mack—and New Questions for the History of African American Legal Liberalism in the Age of Obama

2009 ◽  
Vol 27 (3) ◽  
pp. 671-679 ◽  
Author(s):  
Nancy Maclean
Keyword(s):  
African American ◽  
Civil Rights ◽  
Related Field ◽  
Critical Engagement ◽  
History Of ◽  
The Relationship

I so appreciate Professor Mack's generous comments onFreedom Is Not Enough—and even more his critical engagement with it. It's an author's dream to have a leading scholar in a related field read with such care and insight, and I am very grateful for this opportunity to converse about the intriguing issues he has raised. I first encountered some of Ken's articles about civil rights lawyering beforeBrownafterFreedom Is Not Enoughwas in press, and I thought then that my discussion of the earlier history would have been enhanced by them because his portrayal was so rich while our perspectives on the relationship between law and activism were so congruent. Now, reading his comments on the work as published, I wish I had studied law with him! His challenges would have made it a better book.

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