Physically absent, visually present: Joachim Schumacher’s photographs of Germany’s Ruhr Valley

2017 ◽  
Vol 47 (4) ◽  
pp. 392-410
Author(s):  
Frances Guerin

This article examines the photographs of Joachim Schumacher for their vision of a landscape haunted by the forgotten, the silenced and the increasingly invisible lives erased by the re-articulation of Germany’s Ruhr region. The article places Schumacher’s work in relationship to post-war German photography, both that which imagines the memories of World War II and the Holocaust, as well as the 1980s urban photographs of the Düsseldorf School photographers. Within this context, Schumacher’s photographs are understood for their location of place and history on the revitalized Ruhr landscape. In addition, the article considers the photographs in relationship to the New Topographics to demonstrate their simultaneous placelessness. In this international context, Schumacher’s photographs can be seen as indicative of a European placelessness that has emerged in the wake of the closure of mining and industry.

2021 ◽  
Vol 14 (1) ◽  
pp. 80-94
Author(s):  
Anja Tippner

The last two decades have seen a rising interest in the Holocaust and the expulsion of ethnic Germans after World War II in Czech literature. Novels by Hana Androníková, Radka Denemarková, Magdalena Platzová, Kateřina Tučková, and Jáchym Topol share a quest for a new poetics of remembrance. Informed by contemporary discussions about Czech memory politics, these novels are characterised by spectral visions of Germans and Jews alike, a dichotomy of trauma and nostalgia, and an understanding of Czech history as postcatastrophically entangled and thus calling for multidirectional forms of remembrance. In this respect, literary memorial forms compensate for the absence of other memorial forms addressing these topics through a transnational lens. The interaction of different historical points of view is achieved by a time frame extending from the war to the present day and stressing the intercultural dynamics of Czechs, Jews, and Germans retroactively. In order to illustrate this entanglement, authors make use of popular genres, such as romance, and create texts shaped by genre fluidity, memory theory, documentary practices, and concepts of transnationality.


2016 ◽  
Vol 9 (3) ◽  
pp. 325-331 ◽  
Author(s):  
James E Young

Without direct reference to the Holocaust or its contemporary “counter-monuments,” Michael Arad’s design for the National 9/11 Memorial at Ground Zero is nonetheless inflected by an entire post-war generation’s formal preoccupation with loss, absence, and regeneration. This is also a preoccupation they share with post-Holocaust poets, philosophers, artists, and composers: how to articulate a void without filling it in? How to formalize irreparable loss without seeming to repair it? In this article, I imagine an arc of memorial forms over the last 70 years or so and how, in fact, post-World War I and World War II memorials have evolved along a discernible path, all with visual and conceptual echoes of their predecessors. As Maya Lin’s design for the Vietnam Veterans’ Memorial was informed by earlier World War I and even World War II memorial vernaculars, her design also broke the mold that made Holocaust counter-memorials and other negative-form memorials possible.


2014 ◽  
Vol 7 (1) ◽  
pp. 11-25
Author(s):  
Katarzyna Sztop-Rutkowska ◽  
Maciej Białous

The article presents the results of empirical research concerning the collective memory in Białystok and Lublin – two largest cities in the Eastern Poland. Before World War II they were multi-ethnic cities with big and important communities of Poles, Jews, Germans, Ukrainians and Belarusians. Their contemporary ethnic structure was formed as a result of World War II, in particular the Holocaust, post-war border shifts and intense migration from the countryside to the city in the next decades. Both Białystok and Lublin are an example of the typical cities in Central and Eastern Europe, which after World War II the memory politics was built on in the completely new political and social circumstances. We aim to confront the contemporary official memory of the cities, transmitted by major public institutions and the vernacular memories of their present inhabitants. Straipsnyje pristatomi Balstogės ir Liublino – dviejų didžiausių Rytų Lenkijos miestų kolektyvinės atminties empirinio tyrimo rezultatai. Prieš Antrąjį pasaulinį karą tai buvo daugiaetniniai miestai, turintys dideles ir svarbias lenkų, žydų, vokiečių, ukrainiečių ir baltarusių bendruomenes. Šių miestų šiuolaikinė struktūra susiformavo kaip Antrojo pasaulinio karo, ypač holokausto, sienų persislinkimų pokario metu ir vėlesniais dešimtmečiais vykusios intensyvios migracijos iš kaimo į miestus, rezultatas. Tiek Balstogė, tiek Liublinas yra tipiški Vidurio ir Rytų Europos miestų pavyzdžiai, kurių atminties politika po Antrojo pasaulinio karo buvo kuriama visiškai naujomis politinėmis ir socialinėmis aplinkybėmis. Straipsnyje siekiama palyginti šiuolaikinę oficialią šių miestų atmintį, kurios reguliavimas perduotas pagrindinėms viešosioms institucijoms, ir dabartinių miestų gyventojų vietines atmintis.


2020 ◽  
Vol 10 (1) ◽  
pp. 11-17

The study deals with existential motifs in selected fiction and memoir works of Slovak literature, which thematically focus on World War II. and the Holocaust of the Slovak Jewish minority. As we considered the fact that many works of Slovak provenance with this issue were published (especially after 1989), we focused only on a selection of those works, which contains fiction and non-fiction literature and memoir works written by surviving Jews, in which they gave valuable testimony about the Holocaust and anti-Semitism of the war-torn Slovak state and post-war society. Based on the interpretation and analysis of Shoah-themed works, we detect recurring existential motifs: degradation of human dignity, feelings of guilt for one's own survival, Auschwitz traumas, and the motif of The Lost Generation.


1998 ◽  
Vol 28 (4) ◽  
pp. 755-760 ◽  
Author(s):  
I. LEVAV ◽  
R. KOHN ◽  
S. SCHWARTZ

Numerous studies conducted in clinical and community settings by researchers from different countries over a period of almost five decades, have conclusively shown protracted and disabling psychiatric effects among World War II Holocaust victims, formerly known as the concentration camp syndrome (e.g. Matussek, 1975; Eitinger & Krell, 1985; Eitinger & Major, 1993; Levav, 1998). The multiple and brutal trauma endured by the survivors during the war years were further compounded by earlier systematic discrimination, and by exhausting socio-political events and pogroms that followed liberation by the Allies. In this latter period survivors had to learn the fate of their spouses, children, parents, other relatives and friends. Hastily contracted post-war marriages were likely intended both to cope with feelings of extreme loneliness and to recreate a social support group that would buttress survival.Given the above, many observers hypothesized that, among other impaired abilities, survivors would evidence a deficit in their parenting functions. As one author noted 25 years ago: ‘Survivors are now beginning to bring their children to our clinics. In retrospect one should not be surprised at this because of the nature and severity of the psychological effects of the persecution, and because the emotional state of the parents has some bearing on the development of the child …’ (Sigal, 1971). Several mediating mechanisms that affected the survivors' family as a functioning unit were postulated by the examining clinicians, such as over-involvement, withdrawal, inability to exert control, parental affective unavailability, undue degree of preoccupation with past experiences, and an inability to cope with mourning and bereavement (Klein, 1973; Levine, 1982; Sigal & Weinfeld, 1989). Other imputed mechanisms referred to psychological processes taking place during child development, such as difficulties in the individuation-separation phase (Freyberg, 1980).


2008 ◽  
pp. 177-205
Author(s):  
Adam Kopciowski

In the early years following World War II, the Lublin region was one of the most important centres of Jewish life. At the same time, during 1944-1946 it was the scene of anti-Jewish incidents: from anti-Semitic propaganda, accusation of ritual murder, economic boycott, to cases of individual or collective murder. The wave of anti-Jewish that lasted until autumn of 1946 resulted in a lengthy and, no doubt incomplete, list of 118 murdered Jews. Escalating anti-Jewish violence in the immediate post-war years was one of the main factors, albeit not the only one, to affect the demography (mass emigration) and the socio-political condition of the Jewish population in the Lublin region


Author(s):  
C. Claire Thomson

This chapter traces the early history of state-sponsored informational filmmaking in Denmark, emphasising its organisation as a ‘cooperative’ of organisations and government agencies. After an account of the establishment and early development of the agency Dansk Kulturfilm in the 1930s, the chapter considers two of its earliest productions, both process films documenting the manufacture of bricks and meat products. The broader context of documentary in Denmark is fleshed out with an account of the production and reception of Poul Henningsen’s seminal film Danmark (1935), and the international context is accounted for with an overview of the development of state-supported filmmaking in the UK, Italy and Germany. Developments in the funding and output of Dansk Kulturfilm up to World War II are outlined, followed by an account of the impact of the German Occupation of Denmark on domestic informational film. The establishment of the Danish Government Film Committee or Ministeriernes Filmudvalg kick-started aprofessionalisation of state-sponsored filmmaking, and two wartime public information films are briefly analysed as examples of its early output. The chapter concludes with an account of the relations between the Danish Resistance and an emerging generation of documentarists.


2017 ◽  
Vol 19 (1) ◽  
pp. 55-75 ◽  
Author(s):  
Katherine Jenness

This paper explores the way American intellectuals depicted Sigmund Freud during the peak of popularity and prestige of psychoanalysis in the US, roughly the decade and a half following World War II. These intellectuals insisted upon the unassailability of Freud's mind and personality. He was depicted as unsusceptible to any external force or influence, a trait which was thought to account for Freud's admirable comportment as a scientist, colleague and human being. This post-war image of Freud was shaped in part by the Cold War anxiety that modern individuality was imperilled by totalitarian forces, which could only be resisted by the most rugged of selves. It was also shaped by the unique situation of the intellectuals themselves, who were eager to position themselves, like the Freud they imagined, as steadfastly independent and critical thinkers who would, through the very clarity of their thought, lead America to a more robust democracy.


2007 ◽  
Vol 7 (4) ◽  
pp. 26-29
Author(s):  
mayer kirshenblatt ◽  
barbara kirshenblatt-gimblett

Mayer Kirshenblatt remembers in words and paintings the daily diet of Jews in Poland before the Holocaust. Born in 1916 in Opatóów (Apt in Yiddish), a small Polish city, this self-taught artist describes and paints how women bought chickens from the peasants and brought them to the shoykhet (ritual slaughterer), where they plucked the feathers; the custom of shlogn kapores (transferring one's sins to a chicken) before Yom Kippur; and the role of herring and root vegetables in the diet, especially during the winter. Mayer describes how his family planted and harvested potatoes on leased land, stored them in a root cellar, and the variety of dishes prepared from this important staple, as well as how to make a kratsborsht or scratch borsht from the milt (semen sack) of a herring. In the course of a forty-year conversation with his daughter, Barbara Kirshenblatt-Gimblett, who also interviewed Mayer's mother, a picture emerges of the daily, weekly, seasonal, and holiday cuisine of Jews who lived in southeastern Poland before World War II.


2020 ◽  
Vol 13 (4) ◽  
pp. 142-156
Author(s):  
A. Yu. Timofeev

The article considers the perception of World War II in modern Serbian society. Despite the stability of Serbian-Russian shared historical memory, the attitudes of both countries towards World wars differ. There is a huge contrast in the perception of the First and Second World War in Russian and Serbian societies. For the Serbs the events of World War II are obscured by the memories of the Civil War, which broke out in the country immediately after the occupation in 1941 and continued several years after 1945. Over 70% of Yugoslavs killed during the Second World War were slaughtered by the citizens of former Kingdom of Yugoslavia. The terror unleashed by Tito in the first postwar decade in 1944-1954 was proportionally bloodier than Stalin repressions in the postwar USSR. The number of emigrants from Yugoslavia after the establishment of the Tito's dictatorship was proportionally equal to the number of refugees from Russia after the Civil War (1,5-2% of prewar population). In the post-war years, open manipulations with the obvious facts of World War II took place in Tito's Yugoslavia. In the 1990s the memories repressed during the communist years were set free and publicly debated. After the fall of the one-party system the memory of World War II was devalued. The memory of the Russian-Serbian military fraternity forged during the World War II began to revive in Serbia due to the foreign policy changes in 2008. In October 2008 the President of Russia paid a visit to Serbia which began the process of (re) construction of World War II in Serbian historical memory. According to the public opinion surveys, a positive attitude towards Russia and Russians in Serbia strengthens the memories on general resistance to Nazism with memories of fratricide during the civil conflict events of 1941-1945 still dominating in Serbian society.


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