The Exploration of a “Tactile Aesthetic”
To investigate whether blind children have a “tactile aesthetic” qualitatively different from that of their sighted and partially sighted peers, a group of scrap wood sculptures created by blind, partially sighted, and sighted children were presented to judges who were children also blind, partially sighted, and sighted. The study suggested not a lack of aesthetic sensitivity in the blind, but rather a different aesthetic influenced as much by associative response to shape, form, structure, and stability relating to the individual's life experiences as by any “objective” standard of formal beauty. The potential usefulness of tactual stimuli for projective testing was implied, as well as a suggestion for modification in attitude and perception by sighted individuals who teach or present art to blind children.