scholarly journals Difference-attuned witnessing: Risks and potentialities of arts-based research

2020 ◽  
pp. 095935352095514
Author(s):  
Carla Rice ◽  
Katie Cook ◽  
K. Alysse Bailey

In this paper, we interrogate notions of affect, vulnerability and difference-attuned empathy, and how they relate to bearing witness across difference—specifically, connecting through creativity, experiencing the risks and rewards of vulnerability, and witnessing the expression of difficult emotions and the recounting of affect-imbued events within an arts-based process called digital/multi-media storytelling (DST). Data for this paper consists of 63 process-oriented interviews conducted before and after participants engaged with DST in a research project focused on interrogating negative concepts of disability that create barriers to healthcare. These retrospective reflections on DST coalesce around experiences of vulnerability, relationality, and the risks associated with witnessing one’s own and others’ selective disclosures of difficult emotions and affect-laden aspects of experiences of difference. Through analysing findings from our process-oriented interviews, we offer a framework for understanding witnessing as a necessarily affective, difference-attuned act that carries both risk and transformative potential. Our analysis draws on feminist Indigenous (Maracle), Black (Nash) and affect (Ahmed) theories to frame emerging concepts of affective witnessing across difference, difference-attuned empathy, and asymmetrical vulnerability within the arts-based research process.

Author(s):  
Chris Gibson ◽  
Ben Gallan ◽  
Andrew Warren

This article discusses the politics and practicalities of research process in a major government-funded, academic/community collaborative research project on cultural assets in Wollongong, a regional industrial city 85 km south of Sydney, Australia. It does so through the theoretical concept of ‘enclosure’, which helps illuminate how policy discourses are framed, and reveals capacities to challenge and reframe policy imaginations through research. The setting is pivotal: Wollongong has a legacy of steel and coal industries that dominates contemporary discourses about the city’s future prosperity. Cultural industries such as music, film, art, circus and theatre have at various times been either marginalised as insignificant to economic futures or, when they have been noticed, have been worked into city planning in very particular ways – as cultural pastimes, as prospects for economic diversification or as means to renew socioeconomically disadvantaged neighbourhoods. Such visions have rested on notions of what constitutes ‘culture’ and ‘creativity’, with a focus on the performing arts, while other forms of vernacular creativity have remained largely unnoticed. Our research project has sought to respond to this, identifying and engaging with people involved in forms of vernacular creativity outside the arts orthodoxy among Wollongong’s blue-collar and youth populations (including surfboard shapers, Aboriginal rappers, custom car designers and alternative music subcultures). Our hope is that such engagement can better inform future planning for cultural industries in Wollongong. However, engaging with such creative communities is complicated, and in different times and places research strategies confronted apathy, suspicion, absence of representative organisation and ‘consultation fatigue’. We discuss our efforts at engagement with creative communities beyond the arts orthodoxy, and appraise some of the prospects and difficulties of the research methodologies adopted. Keywords: Cultural industries, engagement, enclosure, community, vernacular creativity, Wollongong, Australia


2017 ◽  
Vol 3 (3) ◽  
pp. 563
Author(s):  
Arno Böhler ◽  
Eva-Maria Aigner ◽  
Elisabeth Schäfer

This special issue of the Performance Philosophy journal—the first bilingual edition in German and English—is one output of the research project “Artist-Philosophers. Philosophy AS Arts-based Research”, funded by the Austrian Science Fund (FWF): AR275-G21 in the context of the Programme for Arts-based Research (PEEK). A main question of the project was: “What happens to the traditional image of philosophy, once philosophers start to stage philosophy and implement arts-based practices into their discipline?” Starting from the philosophical assumption that meanings and possibilities are generated immanently out of the differential relations somebody shares with others within a concrete earthly milieu, we realised two main events in the course of the above-mentioned research project, on which this publication is based: The research festival Philosophy on Stage #4 „Artist-Philosophers. Nietzsche et cetera“ at Tanzquartier Wien in November 2015 and the conference “The Concept of Immanence in Philosophy and the Arts” at Angewandte Innovation Lab (AIL) Vienna. This issue of the Performance Philosophy Journal comprises texts by: Arno Böhler, Laura Cull Ó Maoilearca, Paulo de Assis, Susanne Valerie Granzer, Alice Lagaay, Dieter Mersch, John Ó Maoilearca, Freddie Rokem, Elisabeth Schäfer, Andreas Urs Sommer, Marcus Steinweg, Tanja Traxler, Stephen Zepke.


2021 ◽  
Vol 20 ◽  
pp. 160940692098795
Author(s):  
Mandy Archibald ◽  
John Blines

Background: The potentials of arts-based health research are increasingly being realized as an approach to understanding and communicating the complexities of the human experience of health and illness. Despite this, arts-based health research often remains shrouded in obscurity, limiting its potential utility. Arts-based health research offers unique opportunities to integrate evidence of patients’ lived experience with other forms of research evidence to improve understanding and knowledge translation, but transparent descriptions of this praxis are generally lacking. In response, this article offers methodological insight and guidance through an in-depth case exemplar of an arts-based health research process linking qualitative research with diverse evidence sources in the context of frailty research. Methods: Responding to research data generated within a Centre of Research Excellence in Frailty and Healthy Ageing, we adopted a researcher-as-practitioner stance to produce research-based artworks to integrate and communicate conflicting research findings. We structure this process according to Ecker’s seven domains of qualitative inquiry, demonstrating parallels between the arts-based research and qualitative inquiry processes and offering opportunities for engaging with “evidence misalignments” resulting from incongruent evidence sources. Findings: Arts-based health research can enable meaningful reflection upon, integration, and communication of “evidence-misalignments” in research spanning the health and social sciences. Such misalignments are problematic when the lived experience of health and illness conflicts with other empirical evidence, including gold standard evidence guiding treatment decisions. These in turn, can function as plausible barriers to self management and to achievement of health outcomes. Interpretation: Through the researcher-as-practitioner lens, and with an orientation to production, this work engaged with a new means of materiality—one that extends beyond text and numerical representations—and whose meaning and connections may not be immediately apparent. These relationships change how the researchers-practitioner engages with, understands, explores, and represents concepts, enabling epistemological and ontological gains of benefit to the health and social sciences.


2019 ◽  
Vol 12 (1) ◽  
pp. 19-27
Author(s):  
Katherine Boydell

In this commentary, educator and author Katherine Boydell reflects on her journey to incorporate art genres in the research process as a knowledge translation strategy for producing and disseminating research-informed knowledge. She highlights the need to move beyond descriptions of form and content to grapple with the unique methodological, theoretical, and ethical challenges of working with research participants, artists, and audience members engaging in this work. She describes some of her current arts-based research and identifies the current pressures to conform to expectations regarding “what counts” in academia and concludes with future suggestions to advance arts-based knowledge translation.


Author(s):  
Deborah Melissa Seabrook ◽  
Carolyn Arnason

The process of engaging in arts-based research is unique; it draws upon the creative essence of the researcher to work with artistic forms which carry intangible information that is perhaps unknowable by other means.  In this process, the researcher is engaged wholly; all faculties of the person are drawn into the artistic world.  This article explores the experiences of two music therapists conducting arts-based research studies, weaving together distinct narratives with common themes.  The reader is taken along the journey of two separate music therapy research projects: one whose participants are a group of music therapists, one whose participant is a child living with mental health challenges.  Thinking retrospectively, the researchers discuss links between their personal artistry and the arts-based research process, exploring issues such as trust, creativity, and the credibility of information carried in artistic media.  Visual art, musical excerpts and creative writing are included.  By exploring the professional and personal journeys as music therapists in the arts-based research process we highlight the strengths and challenges of this approach that shaped our studies and gave light to emergent understandings through the arts.


2020 ◽  
Vol 81 (6) ◽  
pp. 23-31
Author(s):  
M. I. Vasileva

The aim of the study was to investigate approaches to the formation of general educational skills. A survey examining the design and research process was carried out by 6th-grade Russian students over the course of an extracurricular project entitled «Names of Modern Professions». In the paper, the selection of the «Lexicology» section for such activities carried out by school pupils is substantiated and stages of work on the project are described. The applied methodology involves theoretical analysis of scientific literature, formative experimentation, analysis of products of educational activities, observation and description. It is concluded that the design of extracurricular research activities in the Russian language contributes to the formation of general educational competencies in conducting surveys and searching for information on the basis of subject skills.


Author(s):  
Xue Li ◽  
Hongmei Hu

The family education responsibilities of rural left-behind children are not fully implemented, and school education is weak, which has caused a series of problems. The education of rural left-behind children has gradually attracted people's attention. In this context, this article studies the current situation and countermeasures of rural LBC education and teaching. This article combines research methods such as questionnaire survey method and on-site interview method for research. In order to better explain the problems of local government, this article first defines the definition of local government, expounds the theory of personality development, and uses scientific sampling methods in the research process to extract research results from some rural areas in our province.了Analysis. Based on the performance of LBC and non-LBC schools, learning guidance and learning, the current situation of LBC education in China was studied. In addition, this article also studied the performance of LBC parents before and after they went abroad, and made some suggestions. The study found that before the parents went out, LBC's academic performance was mainly concentrated at the intermediate level and above, accounting for 78%. After the parents went out, LBC's academic performance decreased significantly, and the results were mainly concentrated in the intermediate and above. Below, accounting for 84%. It can be seen that the role of parents in children's growth education is essential.


2017 ◽  
Vol 6 (1) ◽  
Author(s):  
Tony Valberg

Being-with is an artistically based research project aimed at applying and studying participatory and relational practices within the arts as well as addressing the esthetical and ethical questions that such practices generate. The participants in Being-with – researchers and artists as well as children, parents, grandparents, siblings and other residents in the small town of Høvåg in Norway – gathered weekly for half a year to experience how aesthetic production may interact with social space and vice versa. The article reflects on what consequences such interaction may have for the conception of art, and its arenas and agendas … when we consider art not only as a reflection of our lives, but also as an agent shaping our lives and changing the social surroundings we are part of. The article relates discourses of aesthetics penned by continental philosophers over the last 50 years to a specific setting in a Nordic contemporary art practice.


Journalism ◽  
2017 ◽  
Vol 19 (6) ◽  
pp. 762-781 ◽  
Author(s):  
Jacqui Ewart ◽  
Kate O’Donnell ◽  
April Chrzanowski

The problematic nature of news media framing of Islam and Muslims by Western news media has been well established by researchers. While research has focused on the ways such representations occur and to a lesser extent their effects on individuals and communities, we know little about why journalists frame Islam and Muslims in the Western news media in the ways they do. While studies point to a lack of knowledge about Islam and Muslims in non-Muslim populations, we know very little about how this translates to news media practitioners. This study draws from a far broader research project focused on encouraging more informed reporting of Islam and Muslims by the Australian news media. In this study, we establish the baseline knowledge of a purposive sample of Australian news media practitioners and journalism students about Islam and reporting stories about Islam and Muslims before and after targeted training. We find a relatively small investment in time significantly shifts this knowledge in both areas. Targeted training that includes a focus on basic facts about Islam as well as raising awareness of the resources that are now available to journalists may go some way towards improving reportage of Islam and Muslims.


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