VNRs and Air Checks: A Content Analysis of the Use of Video News Releases in Television Newscasts

1996 ◽  
Vol 73 (4) ◽  
pp. 890-904 ◽  
Author(s):  
Glen T. Cameron ◽  
David Blount

Forty-seven television news stories generated by a video news release (VNR) were content analyzed to determine how television gatekeepers use various elements included in VNRs. A survey was also done to obtain station resource data that might predict greater use of packaged elements from a VNR. Results suggest that the production costs for a packaged story in a VNR may be wasted. Extensive use was made of B-roll, public service announcements (PSAs), and footage from planned events like news conferences that reporters are accustomed to covering. When the packaged story was used, it was heavily edited or truncated. Contrary to common wisdom, resource-poor stations did not make greater use of the packaged story in the VNR.

EDIS ◽  
2021 ◽  
Vol 2021 (3) ◽  
Author(s):  
Ricky Telg ◽  
Lisa Lundy

This publication about news release and public service announcement writing is the third of a four-part series on media relations. This series also covers media relations strategies, working with the media, and media interview skills. This is a revision with Lisa Lundy of the following original publication: Telg, Ricky. 2011. “News Releases and Public Service Announcements”. EDIS 2011 (8). https://doi.org/10.32473/edis-wc113-2011.


EDIS ◽  
2011 ◽  
Vol 2011 (8) ◽  
Author(s):  
Ricky Telg

You may be called upon to write a news release or public service announcements about your organization’s activities, interesting news, or important events. This 2-page fact sheet provides tips about how to write news releases and PSAs. Written by Ricky Telg and published by the UF Department of Agricultural Education and Communication, August 2011. (Image: Tom Nordlie, IFAS news writer, works on a story. Photo by Tara Piasio) https://edis.ifas.ufl.edu/wc113


Journalism ◽  
2020 ◽  
pp. 146488491989931
Author(s):  
Mark Boukes ◽  
Natalie P Jones ◽  
Rens Vliegenthart

The presence of news factors in journalistic products has been abundantly researched, but investigations into their actual impact on the news production process are scarce. This study provides a large-scale analysis of why news factors matter: Whether, how, and which news factors affect the prominence of news items and does this differ per outlet type? A manual content analysis of print, online, and television news demonstrates that a larger total number of news factors in a story positively predict an item’s length and likelihood of front-page publication or likelihood of being a newscast’s opening item. News factors ‘conflict’ and ‘eliteness’ have the strongest impact, mixed evidence was found for ‘proximity’ and ‘personification’, whereas relationships with ‘negativity’, ‘influence and relevance’, and ‘continuity’ were mostly insignificant. Fewer differences than expected emerged between outlet types (popular vs quality press). Especially for television news, outlet type (public vs commercial broadcaster) hardly mattered.


2016 ◽  
Vol 31 (6) ◽  
pp. 642-660 ◽  
Author(s):  
Laura Jacobs ◽  
Cecil Meeusen ◽  
Leen d’Haenens

Public and commercial news follow distinct logics. We evaluate this duality in television news coverage on immigration. First, by means of a large-scale content analysis of Flemish television news ( N = 1630), we investigate whether immigration coverage diverges between both broadcasters. Results show that, despite an overall negativity bias and relative homogeneity between the broadcasters, commercial news contains slightly more sensational and tabloid characteristics than public news. The latter promotes a more balanced view of immigration. These differences are stable over time. Second, using cross-sectional and panel data, we assess whether a preference for public versus commercial news is associated with an attitudinal gap in anti-immigrant attitudes. Findings demonstrate that individuals who prefer commercial news are more negative towards immigrants. We suggest that differences in news content may explain this attitudinal gap. In light of the debate around ‘public value’ offered by public service media across Europe, we tentatively conclude that public broadcasters have the potential to foster tolerance and provide balanced information by prioritizing a normative view over a market logic. The linkage between news coverage and the gap in attitudes between commercial and public news viewers warrants closer investigation in the future.


1992 ◽  
Vol 69 (3) ◽  
pp. 724-742 ◽  
Author(s):  
K. Tim Wulfemeyer ◽  
Barbara Mueller

A content analysis of a sample of advertisements on Whittle Communication's commercially sponsored daily 12-minute television program for high school students shows that 86% of the commercials were for products and 14% were public service announcements. Values stressed in commercials were those emphasizing leisure/pleasure, appearance/sexuality, wisdom and independence. Dominant themes were being popular, having friends, having fun and being attractive. The commercials were the same as those on regular television and emphasized whites as characters. Public service ads stressed staying away from drugs and driving safely.


Author(s):  
Dmytro Telenkov

The study clarifies the narrative features of the TV layout of Ukrainian TV channels in the period 2013-2020. The first stage of the study – 2015-2018, the initial expert survey – 35 interviews with graduates and editors-in-chief of Ukrainian TV channels. The second stage of the study – 2018-2020, rhetorical analysis of 80 news programs «Podrobyci» («Inter»), «TSN» («1+1»), «Sobytija», «Sjoghodni» («Ukrajina»), «Vikna» («STB»), «Fakty» («ICTV»), «Abzac» («Novyj»), «Novyny» («Pershyj»), «Pidsumky» («Era»), «Chas. Pidsumky dnja» («5 kanal»), «Novyny» («112-Ukrajina»). The third stage of the research is 2020, modeling of TV layout of Ukrainian TV channels, clarification of narrative principles, methods, techniques. Rhetorical analysis and modeling of TV layout were associated with the search for the collected data of the most important topics, compositional schemes, forms of TV stories, etc. (according to the theory of «agenda»). Based on the analysis of the collected and ordered empirical data, standardized approaches in the formation of news releases used by Ukrainian TV channels are revealed – narrative features of news releases as information constructs correlated with social reality. During the research the general scientific methods were also used: analysis and synthesis, comparison, classification: with their help the secondary and primary data were arranged and understood, the results and conclusions were formulated. It was found that the television industry is a sphere of socio-communicative action, a slice of social reality, through which texts are broadcast to the audience, encouraging them to internalize certain ideas, values, to believe in meanings. Because of this, news releases can be interpreted as editorial narratives – plot, dramatic, audiovisual stories about events that happened recently in the life of the country, of the world, of the people. News stories are compiled in accordance with editorial standards, adopted layout model, as well as with typical principles of selection and ranking of topics, ways of presenting information. This encourages us to talk about a special «narrative realism» – an approach in the reflection / construction of the picture of the day. Thus, adequate storytelling is a professional challenge for news channels and a promising research subject in the theory of social communications.


Author(s):  
Miriam Steiner

Impartiality is a journalistic norm that requires journalists to not express their opinions within factual-based news stories and to report fairly and balanced on opinions and viewpoints from others (e.g., Bentele, 1988; Donsbach & Klett, 1993; Hackett, 2008). Based on the impartiality standard, journalists should only express their own opinions in news formats that are intended for this purpose and appropriately labelled (e.g., commentaries). Field of application/theoretical foundation: The journalistic norm of impartiality is often analysed in the context of studies on media performance (e.g., Fahr, 2001; Maurer, 2005; Seethaler, 2015). Here, elite media outlets are often compared with popular media outlets. An increasing convergence between these types of media may also be a sign of an increasing tabloidization of elite media. However, increasingly opinionated news stories can also be regarded as an indicator of a more interpretive journalism. References/combination with other methods of data collection: Content analyses can be combined with survey data on the editorial policy/ ideological orientation of the respective media outlets (e.g., see Kepplinger, 2011 with his research on instrumental actualization). Example study: Seethaler, 2015   Information on Seethaler, 2015 Authors: Josef Seethaler Research question: The study is a cross-media analysis of media performance in Austria. Furthermore, media performance indicators are evaluated from the standpoint of different models of democracy (representative liberal, deliberative, participatory). Object of analysis: 1) newspapers (paid press: Standard, Presse, Kleine Zeitung, Kronen Zeitung, Kurier, Oberösterreichische Nachrichten, Salzburger Nachrichten, Tiroler Tageszeitung, Vorarlberger Nachrichten); 2) newspapers (free dailies: Heute, Österreich); 3) public service/commercial and national/regional radio stations (Ö1, Ö3, FM4, KRONEHIT, ORF – Radio Niederösterreich, Radio Oberösterreich, Radio Steiermark, Radio Wien, 88.6 Wien, Antenne Steiermark, Life Radio Oberösterreich, Radio Arabella Wien, Radio Energy Wien); 4) national public service (ORF eins, ORF 2, ORF III) and commercial (ATV I, ATV II, PULS 4, ServusTV) TV stations; 5) online (derstandard.at, krone.at, oe24.at, orf.at, gmx.at) Time frame of analysis: four artificial weeks (without Sundays) in 2014   Info about the Variable The degree of the appearance of the journalist’s point of view (in factual news formats) is evaluated on a 5-point-scale ranging from “explicitly personal” (1) to “purely distanced-impartial” (5). Variable name: Unparteilichkeit "Impartiality" Level of analysis: article Values (in German): 11) explizit persönlich gefärbt; 2) eher persönlich gefärbt; 3) sowohl persönlich gefärbt als auch distanziert-unparteiisch; 4) eher distanziert-unparteiisch; 5) ausschließlich distanziert-unparteiisch Level of measurement: ordinal Reliability: six coders, Fleiss’ Kappa: 0.97 Codebook (in German) available under: https://www.rtr.at/de/inf/SchriftenreiheNr12015/Band1-2015.pdf see also DFG-Project “Media Performance and Democracy” (https://en.mediaperformance.uni-mainz.de/)   References Bentele, G. (1988). Wie objektiv können Journalisten sein? [How objective can journalists be?]. In L. Erbring (Ed.), Medien ohne Moral. Variationen über Journalismus und Ethik (pp. 196–225). Berlin: Argon. Donsbach, W., & Klett, B. (1993). Subjective objectivity: How journalists in four countries define a key term of their profession. Gazette, 51(1), 53–83. Fahr, A. (2001). Katastrophale Nachrichten? Eine Analyse der Qualität von Fernsehnachrichten [Disastrous news? An analysis of the quality of television news]. München: R. Fischer. Hackett, R. A. (2008). Objectivity in reporting. In W. Donsbach (Ed.), The International Encyclopedia of Communication (pp. 3345–3350). Malden et al.: Blackwell. Kepplinger, H. M. (2011). Journalismus als Beruf. Wiesbaden: VS. Maurer, T. (2005). Fernsehnachrichten und Nachrichtenqualität: Eine Längsschnittstudie zur Nachrichtenentwicklung in Deutschland [Television news and news quality: A longitudinal study on the development of news in Germany]. München: R. Fischer. Seethaler, J. (2015). Qualität des tagesaktuellen Informationsangebots in den österreichischen Medien. Eine crossmediale Untersuchung [News media quality in Austria: A crossmedia analysis]. Rundfunk und Telekom Regulierungs-GmbH. Retrieved from https://www.rtr.at/de/inf/SchriftenreiheNr12015/Band1-2015.pdf


2008 ◽  
Vol 29 (1) ◽  
pp. 29-44
Author(s):  
Kristina Riegert

Abstract Television news narratives are sites where national and transnational identities are cultivated and mobilised. The question is not whether Swedish, Danish or British news stories about Europe are domesticated to fit national news bulletins, but how events are domesticated and how ‘we’ are made European by the programmes’ producers. The analysis of all European stories between 15-21 November 1999 in three national public service news bulletins indicate that viewers are offered different images of Europe during this week, and that journalists play active roles in constructing ‘themes’ which link together different types of news stories into narratives about ‘us’ and ‘them’. From these there emerged a Swedish ‘moralising global villager’, slightly superior but willing to adapt to changing international realities, an anxious and conscientious Danish ‘we’, trying to do its share despite its self-imposed limitations on EU cooperation, and an engaged humanitarian British ‘we’, who is global in scope but prefers to keep a distance from time consuming Euro-squabbles.


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