‘Like Shakespeare it's a Good Thing’: Cultural Value in the Classroom

2006 ◽  
Vol 120 (1) ◽  
pp. 130-141
Author(s):  
Sara Bragg

Questions of cultural value, aesthetics and evaluative judgments have vexed media education since its inception. Whilst they continue to count heavily both in teachers' conceptions of the work they do, and in students' responses to it, they have become increasingly problematic in contemporary society. The diverse environments of contemporary schools and the capacity of new media technologies to foster different taste communities have contributed to the dispersal of cultural authority and undermined traditional judgments. This article addresses how we might approach cultural value through a case study approach, exploring multiple value judgments deployed by teachers and students in post-16 classroom practice. It shows how current pedagogical thinking about cultural value does not take into account the complexity of classroom life, particularly its social relations and young people's awareness of the valorised identities and ‘supervisory discourses’ that circulate there. It explores specific educational practices that might make it possible for students to enter into debates about value, taste and preference.

2016 ◽  
Vol 31 (3) ◽  
pp. 387-411 ◽  
Author(s):  
Lisa Poggiali

This article focuses on how the recent proliferation of digital technologies in Nairobi, Kenya—a place many refer to as Silicon Savannah—is shaping the aspirations and anxieties of the city’s poor. Taking as its point of departure an NGO project that enlisted settlement residents to digitally map their own neighborhood, I explore how geospatial technologies came to embody the shared dreams that animated Kenya’s ambitious development plans and became implicated in debates about expertise, transparency, visibility, and truth. In particular, I discuss how utopian ideologies about technology, transparency, and mediation structured beliefs about the maps and mapmakers, and how the symbolic and material qualities of the digital form alternately enabled and challenged settlement residents’ self-actualization. By foregrounding the ways in which subjectivity and social relations of power inform understandings of transparency, I suggest that settlement residents invoked transparency discourse as a form of claim-making about technological expertise; through making their neighborhood visible through digital mapping, the mappers also attempted to make themselves visible as technical experts. In their struggle to become socially visible, however, the mapmakers’ status as technical experts was thrown into question. I argue that to see the inequalities (re)produced through technological imaginaries and sociotechnical engagements, we must analyze new media technologies as both potential vectors of sociopolitical recognition—that is, as technologies that make social relations of power visible—and as battlegrounds on which the urban poor’s claims to transparency and expertise are affirmed or ignored, heeded or disregarded.


2017 ◽  
Vol 39 (6) ◽  
pp. 930-941 ◽  
Author(s):  
Aaron Shapiro

Conventional narratives frame flash mobs as exemplary of the broader changes in politics, culture, and social relations brought on by new media technologies. Missing from these stories is an account of the mob itself. How do we make sense of the mob’s intensities, of the sublime power that emanates from the congregation of bodies together in space, and the ambiguities with which those intensities are received – without reducing these dimensions to the overdetermined power of a new medium? Using a broader theorization of mediation, I argue that the mob needs to be accounted for as a medium unto itself, that flash mobs present a complex ‘intermedium’ relationship between new media and the mob as a powerful but ambiguous social mediation, and that by attributing the apparent power to new media technologies, we risk undermining the efficacy of the mob as a political figuration.


Author(s):  
Vincent Mosco

Political economy approaches examine the power relations that comprise the production, distribution, and exchange of resources. They are distinguished from economics by a deeper concern for history, the social totality, moral philosophy, and praxis. Numerous schools of thought mark the political economy approach including early conservative, communitarian, and Marxian perspectives. Today, neoconservative, institutional, neo-Marxian, feminist, environmental, and social movement based approaches offer a wide variety of political economies. Communication scholars have drawn on political economy approaches to carry out research on media technologies, including broadcasting, telecommunications, and computer communication. In doing so they have developed distinctive geographic perspectives covering North America, Europe, and the less developed world. Political economy approaches are built on specific philosophical assumptions including a range of epistemologies that, on one end of a continuum, accept the reality of both concepts and observations and, at the other, claim that all explanations can be reduced to one essential cause, such as the economy or culture. Political economy approaches also range from perspectives that emphasize social change, social processes, and social relations to those that focus on social structures and institutions. Political economy approaches tend to concentrate on three processes that make up the main starting points for political economy research on media technologies. Commodification is the process of transforming things valued for their use into marketable products that are valued for what they can bring in exchange. This can be seen, for example, in the process of turning a story that friends tell one another into a film or a book to be sold in the marketplace. Spatialization is the process of overcoming the constraints of geographical space with media and technologies. For example, social media surmounts distance by bringing images of world events to every part of the globe and companies use media technologies, now often comprised of cloud computing, big data analytics, the Internet of Things, and telecommunications networks, to build global supply chains. Finally, structuration is the process of creating social relations, mainly those organized around social class, gender, and race. With respect to social class, political economy approaches describe how access to the mass media and new communication technologies is influenced by inequalities in income and wealth, which enable some to afford access and others to be left out. Political economy approaches are evolving in response to challenges from cultural studies approaches. Political economies of media technologies are now placing greater emphasis on international communication, on communication history, on standpoints of resistance, on new media technologies, and on new media activism.


Author(s):  
Jesse Schotter

Hieroglyphs have persisted for so long in the Western imagination because of the malleability of their metaphorical meanings. Emblems of readability and unreadability, universality and difference, writing and film, writing and digital media, hieroglyphs serve to encompass many of the central tensions in understandings of race, nation, language and media in the twentieth century. For Pound and Lindsay, they served as inspirations for a more direct and universal form of writing; for Woolf, as a way of treating the new medium of film and our perceptions of the world as a kind of language. For Conrad and Welles, they embodied the hybridity of writing or the images of film; for al-Hakim and Mahfouz, the persistence of links between ancient Pharaonic civilisation and a newly independent Egypt. For Joyce, hieroglyphs symbolised the origin point for the world’s cultures and nations; for Pynchon, the connection between digital code and the novel. In their modernist interpretations and applications, hieroglyphs bring together writing and new media technologies, language and the material world, and all the nations and languages of the globe....


2016 ◽  
Vol 12 (2-3) ◽  
Author(s):  
Wyke Stommel ◽  
Fleur Van der Houwen

In this article, we examine problem presentations in e-mail and chat counseling. Previous studies of online counseling have found that the medium (e.g., chat, email) impacts the unfolding interaction. However, the implications for counseling are unclear. We focus on problem presentations and use conversation analysis to compare 15 chat and 22 e-mail interactions from the same counseling program. We find that in e-mail counseling, counselors open up the interactional space to discuss various issues, whereas in chat, counselors restrict problem presentations and give the client less space to elaborate. We also find that in e-mail counseling, clients use narratives to present their problem and orient to its seriousness and legitimacy, while in chat counseling, they construct problem presentations using a symptom or a diagnosis. Furthermore, in email counseling, clients close their problem presentations stating completeness, while in chat counseling, counselors treat clients’ problem presentations as incomplete. Our findings shed light on how the medium has implications for counseling.


Author(s):  
Christo Sims

In New York City in 2009, a new kind of public school opened its doors to its inaugural class of middle schoolers. Conceived by a team of game designers and progressive educational reformers and backed by prominent philanthropic foundations, it promised to reinvent the classroom for the digital age. This book documents the life of the school from its planning stages to the graduation of its first eighth-grade class. It is the account of how this “school for digital kids,” heralded as a model of tech-driven educational reform, reverted to a more conventional type of schooling with rote learning, an emphasis on discipline, and traditional hierarchies of authority. Troubling gender and racialized class divisions also emerged. The book shows how the philanthropic possibilities of new media technologies are repeatedly idealized even though actual interventions routinely fall short of the desired outcomes. It traces the complex processes by which idealistic tech-reform perennially takes root, unsettles the worlds into which it intervenes, and eventually stabilizes in ways that remake and extend many of the social predicaments reformers hope to fix. It offers a nuanced look at the roles that powerful elites, experts, the media, and the intended beneficiaries of reform—in this case, the students and their parents—play in perpetuating the cycle. The book offers a timely examination of techno-philanthropism and the yearnings and dilemmas it seeks to address, revealing what failed interventions do manage to accomplish—and for whom.


Author(s):  
Matylda Szewczyk

The article presents a reflection on the experience of prenatal ultrasound and on the nature of cultural beings, it creates. It exploits chosen ethnographic and cultural descriptions of prenatal ultrasounds in different cultures, as well as documentary and artistic reflections on medical imagery and new media technologies. It discusses different ways of defining the role of ultrasound in prenatal care and the cultural contexts build around it. Although the prenatal ultrasounds often function in the space of enormous tensions (although they are also supposed to give pleasure), it seems they will accompany us further in the future. It is worthwhile to find some new ways of describing them and to invent new cultural practices to deal with them.


Sign in / Sign up

Export Citation Format

Share Document