Remembering Changi: Public Memory and the Popular Media

2009 ◽  
Vol 131 (1) ◽  
pp. 136-146
Author(s):  
Paula Hamilton

Media arenas are increasingly the place where most of our negotiation over the meaning of the past is carried out. Indeed, many commentators argue that television plays a particularly central role in the shaping of social memory. This paper seeks to examine how the various forms of media are changing the relationship between personal (and often silent) memories and public ones by asking what happens when personal memories of experience, which are not passed on within families — or only in a limited way — finally become public. I argue here that television and the internet, as increasingly interdependent cultural forms, have an important role in mediating between the personal experience and the public memory of events, as well as between genders and generations. As a case study, I examine the audience response to the television series Changi, aired on the ABC in 2001, using comments posted on the Changi guestbook internet forum. From this example, I examine how technologies of popular culture — especially new digital media — interact to create new ‘publics’, thus both increasing democratisation and access for individuals and also encompassing much larger collectives than in former times.

2015 ◽  
Vol 11 (1) ◽  
Author(s):  
Serge Noiret

RESUMO A virada digital na história reformulou nossa documentação, transformou as ferramentas usadas para armazenar, tratar e acessar a informação, e, por vezes, adiantou novas questões epistemológicas juntamente com novas ferramentas criadas para responder por elas. Ainda assim, no momento, não há uma metodologia sistemática desenvolvida para abordar de forma crítica essas ferramentas digitais, analisar o deslocamento dos “big data” e compreender a nova capacidade pública para todos trabalharem com o passado. Todas essas transformações afetam profundamente o relacionamento entre os historiadores e seu público, suas abordagens visando novas fontes digitais e, finalmente, o registro escrito da história. A perturbadora virada digital questiona a profissão de historiador globalmente, e levanta as incertezas acerca do futuro da historiografia tradicional e as narrativas sobre o passado para diferentes públicos. As narrativas da história digital (pública) requerem que os métodos e códigos profissionais sejam reescritos e reinterpretados e novas práticas sobre o passado sejam dominadas na era digital. O mundo digital condicionou profundamente a presença do passado em nossas sociedades e favoreceu novas percepções do público para a passagem do tempo na história e a presença de lembranças. O domínio digital permite a criação de novas interconexões entre o passado, nosso presente e nosso futuro. Portanto, podemos nos perguntar se, à luz da disseminação pública das novas tecnologias digitais interativas, necessitamos rever em profundidade o relacionamento desenvolvido hoje em dia com o passado, nossa memória e nossa história. Mudanças metodológicas no ofício de historiadores são de tal ordem que devíamos dedicar mais tempo a elas, analisar o que a história digital (pública) ou história por meios digitais representa atualmente no século XXI para a história acadêmica e as profissões relacionadas à história pública.Palavras-chave: História Pública; História Digital; Memória; Humanidades Digitais; Web.       ABSTRACT The Digital Turn in history has reformulated our documentation processes, transformed the ways we archive, treat and access information and has sometimes anticipated new epistemological questions together with new tools created to respond to them. Yet there is still no systematic methodology developed to critically approach these new digital tools, to analyze the transit of "big data" and understand the new public capaity to deal with the past. All this change deeply affects the relationship between historians and their public, their approaches to new digital sources and, finally, the written recording of history. This disturbing digital turn questions professional historians globally and raises uncertainties as to the future of traditional historiography and narratives of the past for diverse publics. The narratives of (public) digital history require that professional methods and codes be rewritten and reinterpretated and that new practices be mastered. The digital world has deeply influenced  the presence of the past in our societiesand favours new public perceptions of the passage of time in history as well as the presence of memories. The digital domain allows for the creation of new interconexions between the past, our present, and our future. Thus we might ask ourselves if, given the public dissemination of new interactive digital technologies, we must deeply review the current relationship with the past, our memory and our history. Methodological changes in historians' craft are such that we should dedicate more time to them and analyze what (public) digital history, or history in digital media, now means for academic history and related professions.Keywords: Public History; Digital History; Memory; Digital Humanities, The Web.  


1985 ◽  
Vol 15 (2) ◽  
pp. 165-186 ◽  
Author(s):  
John Hudson

The past decade has seen the growth of a considerable literature on the link between government popularity, as reflected by the proportion of the public indicating their intention to vote for the government in opinion polls, and the state of the economy, as represented by certain key variables. The work began in the early 1970s with articles by Goodhart and Bhansali, Mueller, and Kramer. It continued through the decade; some of the more recent contributions can be found in a set of readings edited by Hibbs and Fassbender. However, despite the amount and quality of this work, problems remain. Principal amongst these, as Chrystal and Alt have pointed out, is the inability to estimate a relationship which exhibits any degree of stability either over time or between researchers. Nearly all the studies have been successful in finding a significant relationship for specific time periods, but when these are extended, or when the function is used to forecast outside the original estimation period, the relationship appears to break down.


2011 ◽  
Vol 15 (1, 2 & 3) ◽  
pp. 2006
Author(s):  
Benjamin L. Berger

The relationship between law and religion in contemporary civil society has been a topic of increasing social interest and importance in Canada in the past many years. We have seen the practices and commitments of religious groups and individuals become highly salient on many issues of public policy, including the nature of the institution of marriage, the content of public education, and the uses of public space, to name just a few. As the vehicle for this discussion, I want to ask a straightforward question: When we listen to our public discourse, what is the story that we hear about the relationship between law and religion? How does this topic tend to be spoken about in law and politics – what is our idiom around this issue – and does this story serve us well? Though straightforward, this question has gone all but unanswered in our political and academic discussions. We take for granted our approach to speaking about – and, therefore, our way of thinking about – the relationship between law and religion. In my view, this is most unfortunate because this taken-for-grantedness is the source of our failure to properly understand the critically important relationship between law and religion.


2020 ◽  
Vol 8 (4) ◽  
pp. 351-360
Author(s):  
Matthew D. Howland ◽  
Brady Liss ◽  
Thomas E. Levy ◽  
Mohammad Najjar

AbstractArchaeologists have a responsibility to use their research to engage people and provide opportunities for the public to interact with cultural heritage and interpret it on their own terms. This can be done through hypermedia and deep mapping as approaches to public archaeology. In twenty-first-century archaeology, scholars can rely on vastly improved technologies to aid them in these efforts toward public engagement, including digital photography, geographic information systems, and three-dimensional models. These technologies, even when collected for analysis or documentation, can be valuable tools for educating and involving the public with archaeological methods and how these methods help archaeologists learn about the past. Ultimately, academic storytelling can benefit from making archaeological results and methods accessible and engaging for stakeholders and the general public. ArcGIS StoryMaps is an effective tool for integrating digital datasets into an accessible framework that is suitable for interactive public engagement. This article describes the benefits of using ArcGIS StoryMaps for hypermedia and deep mapping–based public engagement using the story of copper production in Iron Age Faynan, Jordan, as a case study.


2017 ◽  
Vol 27 (14) ◽  
pp. 2201-2210 ◽  
Author(s):  
Elsie Breet ◽  
Jason Bantjes

Few qualitative studies have explored the relationship between substance use and self-harm. We employed a multiple-case study research design to analyze data from 80 patients who were admitted to a hospital in South Africa following self-harm. Our analysis revealed, from the perspective of patients, a number of distinct ways in which substance use is implicated in self-harm. Some patients reported that substance intoxication resulted in poor decision making and impulsivity, which led to self-harm. Others said substance use facilitated their self-harm. Some participants detailed how in the past their chronic substance use had served an adaptive function helping them to cope with distress, but more recently, this coping mechanism had failed which precipitated their self-harm. Some participants reported that substance use by someone else triggered their self-harm. Findings suggest that there are multiple pathways and a host of variables which mediate the relationship between substance use and self-harm.


2021 ◽  
pp. 78-107
Author(s):  
Lizeth Benavides ◽  
Natasha Cabrera_Jara ◽  
Belén Campoverde_Bermeo

El cambio de modelo urbano asumido durante el siglo XX, trajo un sinnúmero de problemas como la priorización del vehículo, por lo que en la última década han surgido esfuerzos para dotar de importancia al ciudadano de a pie, en el espacio público. Esta investigación estudió las condiciones físico-espaciales de un corredor urbano donde el modelo centrado en el vehículo se acentúa, con la fnalidad de generar posibles estrategias que reviertan esta situación. Se tomó como caso de estudio a la Av. 24 de Mayo, en Azogues, y se lo analizó mediante una metodología mixta, que evaluó, detalladamente, tres zonas de estudio, determinando que la falta de accesibilidad y conectividad y el modelo de movilidad defendido por la ciudadanía, en general, infuyen directamente en las condiciones del espacio público peatonal y por ende en la habitabilidad urbana, perjudicando los desplazamientos a pie. Palabras clave: Espacio público; habitabilidad urbana; conectividad; accesibilidad; percepción. AbstractThe change of urban model assumed during the 20th century, brought countless problems such as the prioritization of vehicles, so in the last decade eforts have emerged to give importance to the citizen on foot in the public space. This original research studied the relationship of urban habitability with the physical-spatial conditions of an urban corridor, where the vehicle-centered model is accentuated, to generate possible strategies to reverse this situation. The Av. 24 de Mayo in Azogues was taken as a case study and analyzed using a mixed methodology that evaluated in detail three study areas, determining that the lack of accessibility and connectivity and the mobility model defended by citizens in general have a direct infuence on the conditions of the pedestrianpublic space and, therefore, on urban habitability, which afects walking Keywords: Public space; urban habitability; connectivity; accessibility; perception.


Author(s):  
Joy Damousi

It is in the US that the case study genre is reinvented within a politicised psychiatric-psychoanalytical framework in the work of Viola Bernard. Bernard’s writings pose enduring questions about the relationship between activism and US psychiatry, politics and race relations. This chapter traces Bernard’s efforts to develop a new, authoritative and politically effective narrative through her case notes and advocacy about black subjects. This involved mobilising the case study genre in the public domain at large, for political as well as medical purposes, in the context of a turbulent period in US history.


2017 ◽  
Vol 3 (1) ◽  
pp. 1-12 ◽  
Author(s):  
Christopher Moore ◽  
Kim Barbour ◽  
Katja Lee

Before Facebook, Twitter, and most of the digital media platforms that now form routine parts of our online lives, Jay Bolter (2000) anticipated that online activities would reshape how we understand and produce identity: a ‘networked self’, he noted, ‘is displacing Cartesian printed self as a cultural paradigm’ (2000, p. 26). The twenty-first century has not only produced a proliferation and mass popularisation of platforms for the production of public digital identities, but also an explosion of scholarship investigating the relationship between such identities and technology. These approaches have mainly focussed on the relations between humans and their networks of other human connections, often neglecting the broader implications of what personas are and might be, and ignoring the rise of the non-human as part of social networks. In this introductory essay, we seek to both trace the work done so far to explore subjectivity and the public presentation of the self via networked technologies, and contribute to these expanding accounts by providing a brief overview of what we consider to be five important dimensions of an online persona. In the following, we identify and explicate the five dimensions of persona as public, mediatised, performative, collective and having intentional value and, while we acknowledge that these dimensions are not exhaustive or complete, they are certainly primary.


2018 ◽  
Vol 2 (04) ◽  
pp. 372-387
Author(s):  
Nabila Qirala Sukada ; Purnama Salura

Abstract- Many of high-rise office buildings in Indonesia applies efficiency and effectivity of building form,cost, and time for construction as a number one priority. As a result, high-rise office buildings appears with aminimum-articulated form, and show the dominance by using glass materials as a facade. However, there arealso high-rise office buildings that have an articulated form and its facades that are not dominated by glass,although they appear in small numbers. Wisma Dharmala Sakti Jakarta and Wisma Dharmala Sakti Surabayaare one of them. Moreover, both buildings were designed by foreign architect, Paul Rudolph. Based on thepotentials of both buildings, this research focused on Paul Rudolph’s principles in designing high-rise officebuildings in Wisma Dharmala Sakti Jakarta and Wisma Dharmala Sakti SurabayaLooking at the phenomena of high-rise office buildings in Indonesia as described earlier, this smallnumber and the articulated form of high-rise office buildings designed by Paul Rudolph in Indonesia areinteresting to be understood even more. The main purpose of this research is to reveal the relationship betweenPaul Rudolph’s design principles with buildings, which are Wisma Dharmala Sakti Jakarta and WismaDharmala Sakti Surabaya.Using an interpretative method in a qualitative research, this research utilized theories that helpsunderstanding of an office building, theories that related to Paul Rudolph’s background and common thoughtabout architecture, and also Paul Rudolph’s theory about determinants of architectural form as a literaturestudy. Building’s Anatomy Theory is used as a surgical tool to disect the study cases, which happens to beWisma Dharmala Sakti Jakarta and Wisma Dharmala Sakti Surabaya.Result of this research are six points of Paul Rudolph’s principles in designing high-rise office buildingwhich are: repetition, space, scale, rotation, light, and context. Implementation of Paul Rudolph’s designprinciples in both study cases can be seen in the dominance of rotation and repetition of building elements. Theapplication of these two principles can fulfill all the three aspects of Paul Rudolph’s design ideal, which areform, context, and cycle.Benefit of this research is to enrich architectural vocabulary about design principles of a high-riseoffice buildings in Indonesia for the concerned educational institution, as a consideration and input toarchitects and the stakeholders to be more sensitive and critical in designing high-rise buildings in Indonesia,as a reference and study case about design principles of a high-rise office buildings for students, academics,architects, and the public with the focus of study concerned, and enrich the knowledge about Paul Rudolph’sdesign principles especially in designing high-rise office buildings in Indonesia for researcher.Keywords: Paul Rudolph, Design Principles, Office, Wisma Dharmala Sakti Jakarta, Wisma Dharmala SaktiSurabaya.


Temida ◽  
2012 ◽  
Vol 15 (3) ◽  
pp. 5-21
Author(s):  
Vesna Nikolic-Ristanovic

This paper aims to present German experiences in documenting the crimes of the past using Berlin as a case study. The first part provides a brief overview of the history and the broader social context in which the process of dealing with the past took place in Germany in general, and in Berlin in particular, as well as the most important characteristics of data on crimes that were presented to the public. The second part provides an overview and analysis of the data presented in two memorials: the Topography of Terror and the Memorial to the Murdered Jews of Europe. These two memorials are examples of presenting information about war crimes that can be considered as fairly inclusive, thus the goal of their presentation is to highlight the potential that these approaches may have in creating a social memory and the overall attitude of society toward the past. The findings presented in this paper are the result of the research carried out by the author in Berlin in June 2011.


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