scholarly journals Channelling discomfort through the arts: A Covid-19 case study through an intercultural telecollaboration project

2021 ◽  
pp. 136216882110582
Author(s):  
Melina Porto ◽  
Irina Golubeva ◽  
Michael Byram

In this article we argue, in the context of the current dominance of the performative and instrumental drives characterizing the accountable university, that language and intercultural communication education in universities should also be humanistic, addressing ‘discomforting themes’ to sensitize students to issues of human suffering and engage them in constructive and creative responses to that suffering. We suggest that arts-based methods can be used and illustrate this with an intercultural telecollaboration project created in response to the Covid-19 pandemic of 2020. In this way language and intercultural communication education can become a site of personal and social transformation albeit modest and piecemeal as part of a longer process. Through arts-based methodologies and pedagogies of discomfort, Argentinian and US undergraduates explored how the theme of the Covid-19 crisis has been expressed artistically in their countries, and then communicated online, using English as their lingua franca, to design in mixed international groups artistic multimodal creations collaboratively to channel their suffering and trauma associated with the pandemic. This article analyses and evaluates the project. Data comprise the students’ artistic multimodal creations, their written statements describing their creations, and pre and post online surveys. Our findings indicate that students began a process of transformation of disturbing affective responses by creating artwork and engaging in therapeutic social and civic participation transnationally, sharing their artistic creations using social media. We highlight the powerful humanistic role of education involving artistic expression, movement, performativity, and community engagement in order to channel discomforting feelings productively at personal and social levels.

Urban Studies ◽  
2009 ◽  
Vol 46 (5-6) ◽  
pp. 1041-1061 ◽  
Author(s):  
Andy C. Pratt

This paper seeks to examine critically the role of culture in the continued development, or regeneration, of `post-industrial' cities. First, it is critical of instrumental conceptions of culture with regard to urban regeneration. Secondly, it is critical of the adequacy of the conceptual framework of the `post-industrial city' (and the `service sector') as a basis for the understanding and explanation of the rise of cultural industries in cities. The paper is based upon a case study of the transformation of a classic, and in policy debates a seminal, `cultural quarter': Hoxton Square, North London. Hoxton, and many areas like it, are commonly presented as derelict parts of cities which many claim have, through a magical injection of culture, been transformed into dynamic destinations. The paper suggests a more complex and multifaceted causality based upon a robust concept of the cultural industries as industry rather than as consumption.


2016 ◽  
Vol 5 (1) ◽  
pp. 70 ◽  
Author(s):  
Gisela Redondo

<p>Leadership plays a relevant role in the improvement of organisations and its study has influenced the analysis of dynamics of social change in current societies. There is a trend to analyse leadership considering issues such as its distribution or transformative dimension. According to recent developments in this field, dialogic leadership implies the whole community in the process of creation, development and consolidation of leadership practices. However, less is known about the role of dialogic leadership in relation to men´s movements and masculinities, particularly in the field of the New Alternative Masculinities (NAM). This article presents the results of a qualitative case study developed in an adult school being part of the Learning Communities project. It illustrates existing synergies between dialogic leadership and the NAM movement. It is explored in which ways the school influence transformative processes beyond its organisation and contributes to make more visible the NAM movement. The paper shows evidence on how dialogic leadership contributes to create an environment in which emerging leadership practices of the community in relation to the NAM movement have flourished. </p>


Author(s):  
Peter E Jones ◽  
Maria Cecília C Magalhães

ABSTRACT This paper offers a Marxist grounding for a liberatory, critical-collaboratory dialogic praxis in educational contexts and examines the implications of such praxis for an understanding of the potential role of the school as a site of critical thinking. Aligning with Stetsenko’s ‘Transformative-Activist Stance’, the discussion centres on clarifying the methodological rationale for approaching language as a means of cultural action and social transformation based on Marx’s materialist conception of history and the educationally based dialogical approaches of Vygotsky and Freire.


2021 ◽  
Author(s):  
Miranda Feasey

This Major Research Paper investigates Street Voices Magazine as an instrument and communications tool to engage and empower street youth in Toronto. The following questions guided my study: What are the ways in which Street Voices Magazine gives voice to the marginalized and silenced? Why is Street Voices Magazine an appropriate medium for connecting with street youth? A mixed-method approach was used to analyze the texts and images in three issues of the magazine to determine the effectiveness of the print medium, what these texts and images suggest about the motivations of the contributors, and whether the magazine meets its objective of serving street youth. The study suggests that the transformative potential of the arts, the role of the magazine in fostering in the contributors the identity of an artist, and the lack of other spaces for expression are significant themes that underpin Street Voices Magazine’s appeal and effectiveness. The study also leads to suggestions for further research, which could improve an understanding of this diverse demographic and confirm the impact of Street Voices Magazine.


2016 ◽  
Vol 9 (2) ◽  
pp. 337-363 ◽  
Author(s):  
Joseph Kaggwa Ssegawa ◽  
Mark Muzinda

Purpose – Result-based management (RBM) is common approach used in the development sector to initiate, plan and implement projects. However, to the knowledge of the authors the approach has hardly been used in delivering projects in other sectors, for example, information technology, infrastructure or business. The purpose of this paper is to document a case study in which the RBM approach was used to guide the delivery of a business project in Botswana. Design/methodology/approach – A case study strategy was used to document the delivery process of the project. Data were collected from a variety of sources that included review of documents, interviews, focus discussions and a site visit. The content analysis technique was used to analyse the collected data. Findings – The case illustrates the possibility of using the RBM approach to initiate, plan and implement a project in the business sector. Research limitations/implications – Being a case study, the approach needs to be tested with more case studies. Practical implications – Apart from illustrating the possible use of RBM approach, the paper illustrates systematic processes used in the case study for project delivery. It also outlines some of the resultant challenges which may be appreciated by practitioners, academics and trainees. Originality/value – The use of RBM approach in guiding the delivery of a business project.


2017 ◽  
Vol 14 (2) ◽  
pp. 183-195
Author(s):  
Ahmad Muwafiq ◽  
Samsuri Samsuri

This research aimed to analyze the pesantren as a site of citizenship and its role in shaping civic culture in Madura. This research was qualitative with a case study The results of this study indicate that: 1) Pesantren as a site of citizenship was a place of sowing identity and spirit of religion and nationality for citizens who are participative, active, caring, sensitive and responsible. 2) The role of pesantren as a site of citizenship in shaping civic culture in Madura, appears in the field of education, social, and politics through the inculcation of religious and national values, community empowerment, and political involvement. All of that were voiced on the religious values that characterize pesantren as an institution of Islamic education. Pesantren with traditional managerial patterns was guided by an open and moderate religious understanding. In the pesantren with modern managerial patterns, the programs were based on Islami, Tarbawi, Ma'hadi, and Indonesiawi. The forms of overcoming the problem were the empowerment of alumni and cooperation with the community.


Philosophy ◽  
2018 ◽  
Author(s):  
Filippo Contesi

The study of the arts in philosophy has often concentrated on the role that emotions (and affective responses more generally) play in art’s creation and value. Philosophical theories of art have sometimes even defined art in terms of its capacity to elicit or express emotions. Philosophers have debated such questions as what it is to express an emotion in art; whether emotions form part of the value of an artwork; whether the emotions involved in art appreciation are of the same kind as those that we experience in real life, or of a different, even sui generis kind (i.e., aesthetic emotions); whether it is rational or appropriate to experience emotions in response to art; and what value, if any, there is in art that evokes unpleasant emotions. Although the focus here will be on what, to a first approximation, can be characterized as the “Western mainstream philosophical tradition,” discussion of the role of emotions in art can also be found in different approaches and traditions of thought: from Indian philosophy to cognitive science, to so-called Continental philosophy.


2016 ◽  
Vol 18 (4) ◽  
pp. 336-350 ◽  
Author(s):  
Larissa Hjorth

This article explores the unofficial role of camera phone practices in visualizing everyday forms of play as part of emergent urban cartographies. I argue that camera phone practices—especially in an age of timestamping—are creating their own cartographies of place that overlay the visual with the ambient, social with the geographic, emotional with the electronic, in new ways. By focusing upon the playful qualities of camera phone practices, we can begin to understand places as sites for ambient meandering and co-presence. Having outlined the notion of performative cartography as part of what has been defined as “critical cartography,” I consider how camera phone practices can be understood through ambient, co-present play. I turn to a site-specific mobile game, keitai mizu (mobile water), made for a post-Tokyo tsunami and Fukushima disaster context (known as 3/11), to explore the ways in which cartography can be performed.


2020 ◽  
Vol 43 (3) ◽  
pp. 302-336
Author(s):  
Xiaofang Yao ◽  
Paul Gruba

Abstract Increased attention to urban diversity as a site of study has fostered the recent development of linguistic landscape studies. To date, however, much of the research in this area has concerned the use and spread of English to the exclusion of other global languages. In a case study situated in Box Hill, a large suburb of Melbourne, we adopted a layered approach to investigate the role of Chinese language in Australia. Our data set consisted of hundreds of photographs of street signage in one square block area of the shopping district. Results of our analyses show that signage portrays a variety of code preferences and semiotic choices that in turn reveal insights into the identities, ideologies, and strategies that help to structure the urban environment. As demonstrated in our study, such complexity requires a renewed and situated understanding of key principles of linguistic landscape research (Ben-Rafael & Ben-Rafael, 2015).


2018 ◽  
Vol 45 ◽  
pp. 245-274 ◽  
Author(s):  
Katherine Bruce-Lockhart

Abstract:Africans historians have recently paid more attention to postcolonial archives, trying to locate these elusive collections as well as thinking more critically about how to use them. Uganda, in particular, has been an important site for reconsidering the role of postcolonial archives in historical research. Using the archives of Uganda Prisons Service as a case study, this article explores how official records can illuminate the social histories of public servants and the postcolonial state. Along with surveying the state of Uganda’s official archives – particularly those of the Uganda Prisons Service – it explores how these documents provide insight into the everyday experiences and concerns of prison officers after independence. Beyond its bureaucratic functions, paperwork served as a site in which officers could negotiate their responsibilities and relationships. Through the archives of the Uganda Prisons Service, we learn about the social worlds of prison officers within and beyond the prison walls, thus better understanding their experience of public service beyond narratives of corruption and brutality. Ultimately, this article demonstrates the ways in which official archives can be used to study the postcolonial state from a social history perspective.


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