Gender moderation and moderating gender: Sexual content policies in Twitch’s community guidelines

2020 ◽  
pp. 146144482094248
Author(s):  
Andrew Zolides

With the rise in prominence of live-streaming as a cultural production, a form of socialization, and an economic marketplace, this article is concerned with the ways content moderation policies and community guidelines implicitly foster harmful understandings of gender. Looking at Twitch specifically, I demonstrate through discourse analysis of platform policy documents as well as community discourse in relation to a 2018 update to the Twitch Community Guidelines as to how gender is understood, constructed, and ultimately reinforced through dominant ideological frames. I argue that the sexual politics of Twitch (and other streaming sites) resulting in marginalized and hegemonic patriarchal gender relations is a consequence of more than misogynistic culture but is in fact reinforced through the platform and the enacted policies associated with that platform. This results in cultural, social, and economic disadvantages for women online and is reflective of platform moderation’s impact on larger gendered divides across digital media spaces.

2020 ◽  
pp. 146144482092075
Author(s):  
Bonnie Ruberg

This article articulates and critiques the ways that Twitch, currently the most popular platform for video game live streaming, defines sexual content through its community guidelines, terms of service, and other policy documents. On Twitch, both streamers and viewers are prohibited from posting sexually explicit or suggestive content. This includes images that appear in games as well as on-camera performances. Twitch presents defining sexual content as a matter of common sense and community protection; however, what counts as “sexual content” is far from objective. This analysis reveals that Twitch’s definition of sexual content is in fact vague, subjective, and contradictory and enables discrimination. These policy documents reflect problematic social biases, such as those against women in gaming spaces. Twitch’s policies also reflect anxieties about the relationship between live streaming and webcam-based sex work. This article challenges the sexist cultural logics that shape these policy documents and, by extension, Twitch’s platform politics.


Author(s):  
Göran Bolin

Media production in late capitalism is often measured in terms of economic value. If value is defined as the worth of a thing, a standard or measure, being the result of social praxis and negotiation between producers and consumers in various combinations, it follows that this worth can be of other kinds than the mere economic. This is, for example, the reasoning behind field theory (Bourdieu), where the generation of field-specific capital (value) is deeply dependent on the belief shared by the competing agents within the field. The full extent of the consequences of such a theory of convertibility between fields of cultural production, centred on different forms of value, is, however yet to be explored. This is the task of this article. It especially focuses on how value is constructed differently depending on the relations of the valuing subject to the production process, something that becomes highly relevant in digital media environments, where users are increasingly drawn into the production process.


Author(s):  
Lynn Schofield Clark ◽  
Ioana Literat ◽  
Neta Kligler-Vilenchik ◽  
Ashley Lee ◽  
Ellen Middaugh ◽  
...  

We are living through a highly politicized time, with deep divisions foregrounding the significance and importance of political expression and dialogue. Youth have been at the forefront of these important conversations, in both academic research and in the popular press. On the one hand, we are seeing a resurgence of activism and engagement among youth (Bond, Chenoweth & Pressman 2018; Deal 2019), who are using online platforms to express themselves politically in rich and creative ways (Graef 2016; Jenkins et al., 2016). On the other hand, deep concerns have emerged about “some of the darker sides of networked media engagement” (boyd, 2017, n.p.), including the spread of misinformation, increased polarization and politically motivated bullying among youth (Rogers, 2017). If we see youth as active agents in their own political socialization (Youniss, McLellan & Yates, 1997), the ways they actively express and negotiate their civic identities online (Jenkins et al., 2016) offer rich possibilities for understanding how we can best support them as civic actors. The research presented in this panel aims to move beyond a simplified depiction of youth as either idealized political role models (e.g. Greta Thunberg or the Parkland Youth) or, conversely, as apathetic and politically disengaged. In light of the conference theme exploring what it means to have a Life mediated by the internet, we place emergent and senior scholars studying youth and online political expression in dialogue with one another to discuss both findings and particular considerations brought up by internet research (franzke et al., 2020), and especially internet research involving youth (Livingstone & Third, 2017). By encouraging researchers and audience members to reflect on the epistemological, ethical, and practical aspects of their own research, we aim to identify new questions for further study as we seek to understand the evolution of youth and online political expression. The first presentation reviews findings from a cross-platform study utilizing a mixed methods approach to explore youth online political expression and cross-cutting political talk on TikTok, Instagram, and YouTube. These presenters discuss their findings in relation to the challenges and opportunities they encountered when identifying and analyzing youth-generated cross-platform data. The second presentation highlights findings from a social discourse analysis of Twitter and Reddit threads on youth-centric issues of immigration (DACA) and environmental issues (plastic pollution) to identify how the intersection of issue, platform and aims of discourse shape the characteristics of online civic discourse. This presenter discusses the challenges she encountered when creating both a codebook and coding scheme for data analysis. The third presentation considers the role of gender and intersectional identity in online humorous political expression through a case study of a U.S. Black Muslim teen’s TikTok posts. This presenter discusses the challenges of placing critical technocultural discourse analysis into dialogue with digital media literacy and youth participatory action research endeavors. The fourth presentation highlights findings emerging from a series of ethnographic interviews with young people in a comparative study exploring online youth political expression in democratic and non-democratic contexts. This presenter discusses challenges of qualitative research when working with young people, especially marginalized youth, who utilize hidden forms of expression to engage in politics. Finally, our respondent will invite audience members into the discussion by offering a reflection on the four presentations and asking session attendees to comment on their own research experiences and larger implications they see for the study of youth political expression online.


2021 ◽  
Vol 19 (2) ◽  
pp. 266-304
Author(s):  
Mohamad Sobirin

In Ramadan, kiai in various pondok pesantren (Indonesian Islamic Boarding Schools) conduct lecturing activities known as "Ngaji Pasanan". This tradition has been going on for a long time ago till today. However, since 2017 up to now, it has been seen to be held by taking advantage of digital information technology through live streaming via Facebook, YouTube or other media platforms. In 2020, online “Ngaji Pasanan” has become a trend nationwide. This study aims to reveal the context of the online “Ngaji Pasanan phenomenon, which is carried out by the ulama' in pondok pesantren, by taking two samples, namely K.H. Mustofa Bisri and K.H. Said Aqil Siradj. Data collection and analysis used a netnographic approach. This study found that: First, Ngaji Pasanan of the two traditional Ulama' who used digital media were actually conducted offline, but were mediated by the internet and broadcast online. Second, through the online “Ngaji Pasanan”, the two traditional Ulama' not only convey the teachings in the kitab kuning but also contextualize them into socio-religious issues within the digital world, beside they also produce religious discourses and actual nationalities that are being debated by the public, whether in the online or offline context. Third, the presence of traditional Ulama' in the digital space, on the other hand, has been used by netizens to support their opinions by framing their positions on controversial religious and political issues. Fourth, the presence of traditional ulama' in the digital space is more driven by their insistence on addressing the flow of religious and national discourse in the digital space compared to their affirmation of the use of digital technology to carry out the academic tradition of pondok pesantren in Ramadan, namely "Ngaji Pasanan".


2021 ◽  
pp. 107780122110680
Author(s):  
James Rowlands

In England and Wales, Domestic Homicide Reviews (DHRs) examine domestic abuse-related deaths to identify lessons to be learned. However, their emergence as a policy initiative has been little considered. To address this gap, a thematic discourse analysis of policy documents to 2011 was undertaken, examining the justification for, and conceptualization of, DHRs before their implementation. It is argued that DHRs were constructed as a taken-for-granted good, through which multi-agency partners would generate learning while the (gendered) subject was silenced. Attending to aspirations, contradictions, and tensions in the emergence of DHRs has implications for their understanding and operationalization in the present.


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