scholarly journals Social Theory, Photography and the Visual Aesthetic of Cultural Modernity

2020 ◽  
Vol 14 (2) ◽  
pp. 139-159 ◽  
Author(s):  
Larry Ray

Social theory and photographic aesthetics both engage with issues of representation, realism and validity, having crossed paths in theoretical and methodological controversies. This discussion begins with reflections on the realism debate in photography, arguing that beyond the polar positions of realism and constructivism the photographic image is essentially ambivalent, reflecting the ways in which it is situated within cultural modernity. The discussion draws critically on Simmel’s sociology of the visual to elucidate these issues and compares his concept of social forms and their development with the emergence of the photograph. Several dimensions of ambivalence are elaborated with reference to the politics and aesthetics socially engaged photography in the first half of the 20th century. It presents a case for the autonomy of the photographic as a social form that nonetheless has the potential to point beyond reality to immanent possibilities. The discussion exemplifies the processes of aesthetic formation with reference to the ‘New Vision’ artwork of László Moholy-Nagy and the social realism of Edith Tudor Hart.

2017 ◽  
Vol 6 (1) ◽  
pp. 153-168
Author(s):  
Celal Hayir ◽  
Ayman Kole

When the Turkish army seized power on May 27th, 1960, a new democratic constitution was carried into effect. The positive atmosphere created by the 1961 constitution quickly showed its effects on political balances in the parliament and it became difficult for one single party to come into power, which strengthened the multi-party-system. The freedom initiative created by 1961’s constitution had a direct effect on the rise of public opposition. Filmmakers, who generally steered clear from the discussion of social problems and conflicts until 1960, started to produce movies questioning conflicts in political, social and cultural life for the first time and discussions about the “Social Realism” movement in the ensuing films arose in cinematic circles in Turkey. At the same time, the “regional managers” emerged, and movies in line with demands of this system started to be produced. The Hope (Umut), produced by Yılmaz Güney in 1970, rang in a new era in Turkish cinema, because it differed from other movies previously made in its cinematic language, expression, and use of actors and settings. The aim of this study is to mention the reality discussions in Turkish cinema and outline the political facts which initiated this expression leading up to the film Umut (The Hope, directed by Yılmaz Güney), which has been accepted as the most distinctive social realist movie in Turkey. 


2020 ◽  
pp. 198-214
Author(s):  
Thomas Nail

This chapter argues that since the fetish of value is something produced kinetically, its alternative, communism, must also be something understood kinetically, that is, having its own form of motion. In particular, the previous chapters have aimed to show that what is fundamentally at stake in the difference between material production and fetishism is the transparency and direction of the form of motion. Only when the social form of motion is left fully uncovered by coats, mirrors, and fogs can it be collectively organized without devalorization, appropriation, and mystical domination. Communism is the material social condition in which production is treated not as if it were coming from what is produced but as a threefold metabolic process itself. The thesis of this chapter then is that previous social forms of motion have always relied on a certain degree of fetishism of this motion.


Humanities ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 90 ◽  
Author(s):  
Susan Brantly

This essay proposes a narrative of the Nordic countries’ relationship to modernism and other major literary trends of the late 19th and 20th centuries, that situates them in conjunction with the rest of Europe. “Masterpieces of Scandinavian Literature: the 20th Century” is a course that has been taught to American college students without expertise in literature or Scandinavia for three decades. This article describes the content and methodologies of the course and how Nordic modernisms are explained to this particular audience of beginners. Simple definitions of modernism and other related literary movements are provided. By focusing on this unified literary historical narrative and highlighting the pioneers of Scandinavian literature, the Nordic countries are presented as solid participants in European literary and cultural history. Further, the social realism of the Modern Breakthrough emerges as one of the Nordic countries distinct contributions to world literature.


2021 ◽  
Vol V (2) ◽  
pp. 55-78
Author(s):  
Andrey Teslya

Nikolai Konstantinovich Mikhaylovsky (1842–1904) is one of the most well-known and influential Russian publicists of the last third of the 19th and the beginning of 20th century, ideologist of the Narodniki movement, the author of the conception known as “subjective sociology” and the editor of journal Russian wealth at the end of his life. Yet, while his role in the history of Russian social movement or literary-aesthetic views have been quite fully studied, his social theory has rarely become the object of the special analysis during the last century. On the one hand, it was shadowed by the theories which appeared earlier and had more influence even abroad (outside the Russian empire) as, for example, the ideas of Herzen, Bakunin, Chernyshevsky, Lavrov. On the other hand, Mikhaylovsky, who was severely criticized by Russian social democrats in 1894–1901, was perceived as a rather weak theorist. In this article, we demonstrate the essential differences between the early conceptual advances of Mikhaylovsky and P.L. Lavrov and assert that the conception of the former was influenced both by the rethinking of the Darwinism from a viewpoint of understanding of nature and by the conclusions for social theory. Unlike Lavrov, Mikhaylovsky, as well as Herzen, was an advocate of non-teleological understanding of progress and favored the interpretation of history as logical yet free from strict determinism. In conclusion, Mikhaylovsky’s opinion about the society, which was formed at the end of 1860s – first quarter of 1870s, appears as a quite consistent and elaborated system, an answer to the theoretical challenges. Firstly, on the part of the Darwinism and the attempt to apply it to the analysis of the society. Secondly, on the part of the organicism. Lastly, we give an interpretation to the decline of the public interest to the social theory of Mikhaylovsky at the end of the 19th – beginning of 20th century.


Author(s):  
Eric Fisbach

Since the end of the 20th century, Bolivian literature has started liberating itself from social realism to favour subjectivism and formal experimentation. There is no more denouncing of exploitation, injustice, inequality but an interest in the confusion experienced by individuals in today’s globalised world. One of the most prominent characteristics of this narrative is the change in the perception of space which used to predetermine the plot, the characters’ psychology or the social relationships. Space now becomes the space of the characters’ transformation, changeable spaces which follow individual dramas. First, this essay defines the orientations of this literature of the end of last century, then it analyses the narrative paradigm in the writings published since the 1990s.


2008 ◽  
Vol 26 (4) ◽  
pp. 344-362 ◽  
Author(s):  
Eduardo de la Fuente

This article examines the sociology-aesthetics nexus in Georg Simmel's thought. The article suggests that it is useful to divide Simmel's linking of sociology and aesthetics into three distinct types of propositions: (1) claims regarding the parallels between art and social form (the “art of social forms”); (2) statements regarding principles of sociological ordering in art and aesthetic objects (the “social forms of art”); and (3) analytical propositions where aesthetic and social factors are shown to work in combination. In the latter case, the sociology-aesthetic nexus moves beyond mere analogy. It is argued that in those instances where Simmel shows that aesthetic factors are central to the social bond the linking of aesthetics and sociology is theoretically most insightful.


2021 ◽  
Vol 10 (3) ◽  
pp. 283-298
Author(s):  
A.I. Krasilo

The article attempts to determine its socio-psychological essence through the analysis of the social form of psychological trauma, as well as to identify the psychological nature of the pathological neoplasms that have arisen as a result of it, the specificity of which largely determines the methods and technology of personalistic counseling. These neoplasms are both individual psychological, including the sphere of experiences, and socio-psychological, affecting the relationship of the victims. The integration of the dominant parasitic "Ego" into the depth of the victim's personality, up to the very first level of the primary trusting relationship between the all-powerful and loving mother and a helpless child, we called the introjection of the personifier. As a result of the analysis, we come to the need for a specific restructuring of the irrational relationships of the victim with two other participants in the traumatic situation: the beneficiary, who receives personal benefits from this situation, and the reference group of the victim, who is traumatically personified by him in the image of an impersonal social personifier. The main methods of victims’ examination during the thirty years of counseling were: clinical conversation and projective methods of personality research.


2015 ◽  
Vol 41 (4) ◽  
pp. 655-674 ◽  
Author(s):  
PATRICIA OWENS

AbstractInternational theory has a social problem. Twenty years after the so-called ‘social turn’, the historical origins of distinctly social forms of thought are not subject to scrutiny, let alone well understood. Indeed, the problem of the ahistorical social is an issue not only for predominant liberal, realist, and constructivist appropriations of social theory, but also the broad spectrum of critical and Marxist modes of theorising. In contrast to practicing sociolatry, the worship of things ‘socio’, this article addresses the historicity of the social as both a mode of thought – primarily in social theories and sociology – against the background of the emergence of the social realm as a concrete historical formation. It highlights problems with the social theoretic underpinnings of liberalism, social constructivism, and Marxism and advances an original claim for why the rise of the social was accompanied by attacks on things understood (often erroneously) as political. To fully understand these phenomena demands a closer examination of the more fundamental governance form the modern social realm was purported to replace, but which it scaled up and transformed.


2017 ◽  
Author(s):  
Joanne Gaudet

The main goal of this paper is to construct journal peer review as a scientific object of study based on historical research into the shaping of its structural properties. This paper is a second in a two-part series. Journal peer review performed in the natural sciences has been an object of study since at least 1830. Researchers mostly implicitly frame it as a rational system with expectations of rational decision-making. This in spite of research debunking rationality where journal peer review can yield low inter-rater reliability, be purportedly biased and conservative, and cannot readily detect fraud or misconduct. Furthermore, journal peer review is consistently presented as a process started in 1665 at the first journals and as holding a gatekeeper function for quality science. In contrast, socio-historical research portrays journal peer review as emulating previous social processes regulating what is to be considered as scientific knowledge (or not) (cf., inquisition, censorship) and early learned societies as engaged in peer review with a legal obligation under censorship. However, to date few researchers have sought to investigate journal peer review beyond a pre-constructed process or self-evident object of study. I construct journal peer review as a scientific object of study with key analytical dimensions: structural properties. I use the concept of social form to capture how individuals relate around a particular content. For the social form of ‘boundary judgement’, content refers to decisions from the judgement of scientific written texts held to account to an overarching knowledge system. Given its roots in censorship with its function of bounding science, I frame journal peer review as following precursor forms of inquisition and censorship. The main implication from insights in the paper is that structural properties in boundary judgement social forms are understood as dynamic when looked at through a historical lens.


2007 ◽  
Vol 62 (3) ◽  
pp. 407-420
Author(s):  
Magda Ritoókné Ádám ◽  
Olivér Nagybányai Nagy ◽  
Csaba Pléh ◽  
Attila Keresztes

VárinéSzilágyiIbolya: Építészprofilok, akik a 70-es, 80-as években indultak(Ritoókné Ádám Magda)      407RacsmányMihály(szerk.): Afejlődés zavarai és vizsgálómódszerei(Nagybányai Nagy Olivér)     409Új irányzatok és a bejárt út a pszichológiatörténet-írásban (Mandler, G.: Interesting times. An encounter with the 20th century; Hergenhahn, B. N.: An introduction to the history of psychology; Schultz, D. P.,Schultz, S. E.: A history of modern psychology; Greenwood, J. D.: The disappearance of the social in American social psychology;Bem, S.,LoorendeJong, H.: Theoretical issues in psychology. An introduction; Sternberg, R. J. (ed.)Unity in psychology: Possibility or pipedream?;Dalton, D. C.,Evans, R. B. (eds): __


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