Cinematic Search for Identity in the Shade of Turkey’s 1960 Coup: The Social Realism Debate and The Hope

2017 ◽  
Vol 6 (1) ◽  
pp. 153-168
Author(s):  
Celal Hayir ◽  
Ayman Kole
Keyword(s):  
Party System ◽  
Social Realism ◽  
New Era ◽  
Cultural Life ◽  
The Social ◽  
Turkish Cinema ◽  
To Come ◽  
First Time ◽  
Democratic Constitution ◽  
Realism Debate

When the Turkish army seized power on May 27th, 1960, a new democratic constitution was carried into effect. The positive atmosphere created by the 1961 constitution quickly showed its effects on political balances in the parliament and it became difficult for one single party to come into power, which strengthened the multi-party-system. The freedom initiative created by 1961’s constitution had a direct effect on the rise of public opposition. Filmmakers, who generally steered clear from the discussion of social problems and conflicts until 1960, started to produce movies questioning conflicts in political, social and cultural life for the first time and discussions about the “Social Realism” movement in the ensuing films arose in cinematic circles in Turkey. At the same time, the “regional managers” emerged, and movies in line with demands of this system started to be produced. The Hope (Umut), produced by Yılmaz Güney in 1970, rang in a new era in Turkish cinema, because it differed from other movies previously made in its cinematic language, expression, and use of actors and settings. The aim of this study is to mention the reality discussions in Turkish cinema and outline the political facts which initiated this expression leading up to the film Umut (The Hope, directed by Yılmaz Güney), which has been accepted as the most distinctive social realist movie in Turkey. 

Small Parties and the 2013 Bundestag Election: End of the Upward Trend?

2014 ◽  
Vol 32 (3) ◽  
pp. 26-45 ◽  
Author(s):  
David F. Patton
Keyword(s):  
Party System ◽  
Election Campaign ◽  
Upward Trend ◽  
Federal Election ◽  
To Come ◽  
And Performance ◽  
First Time

In the 2009 German federal election, the small parties together captured 43.2 percent of the vote; three small parties boasted a result in the double digits. Four years later, none of the small parties finished above 8.6 percent and only two reentered the Bundestag. Notably, the FDP, one of the original West German parties, dropped out of the federal parliament for the first time. Yet, any talk of catch-all party revival and party system concentration needs qualification. As a group, the small parties received nearly a third of all votes cast—the second highest share in six decades. Those that did not make it into the Bundestag won 15.7 percent, a higher share than in any other federal election. This article examines the positioning of the leading small parties in the 2013 Bundestag election campaign and their respective electoral results; highlights party systemic as well as internal party factors to explain small party performance; reassesses the commonplace classification of small parties by whether there is an established legislative presence or not; and considers the positioning and performance of small parties in the years to come.

scholarly journals Organization Of Leisure In The Cities Of Karakalpakstan In 1960-1980

2021 ◽  
Vol 03 (05) ◽  
pp. 175-182
Author(s):  
Gulnara Seydametova ◽  
Keyword(s):  
Industrial Enterprises ◽  
Cultural Life ◽  
Data Archives ◽  
The Social ◽  
The Republic ◽  
The Government ◽  
Leisure And Recreation ◽  
First Time ◽  
Local Materials ◽  
Recreation Activities

Organization of leisure of the population in the cities of Karakalpakstan in 1960-1980sis analyzed in the article as well as the meaning of the ‘leisure’ term is determined. The cultural leisure of townspeople was sufficiently divorced. The organization of the leisure was based not only on the party and state directions, but on active amateur involvement of the population groups in cultural life of the regions. Development of city infrastructure and increase of living standards of the population required improvement in all fields of industry and livelihood of the society. The peculiarity of leisure organization for Soviet citizens is uncovered in the article. It differs by its ideological purpose and intension to involve citizens into achievement of the goals stated by the government for the industrial enterprises. The methodology of the research is based on local materials. In this research we focused on specifics and problems of leisure and recreation activities of Karakalpak region during the studied period of time. The scientific novelty of the research is that the research of the leisure and recreation activities within the period from 1960’s to 1980’s has been studied for the first time in Karakalpakstan. The social problems of the region and ways to solve these problems by the government of the Republic were studied on the basis of statistic data, archives and articles of that period.

Re-imagining the Rural: The Mystical and the Mythical

2019 ◽  
pp. 116-153
Author(s):  
Yasmine Ramadan
Keyword(s):  
Magical Realism ◽  
Daily Life ◽  
Political Mobilization ◽  
Fantastic Literature ◽  
The Social ◽  
To Come ◽  
Literary Output ◽  
First Time ◽  
The Village ◽  
Literary Techniques

Chapter Three centers around works by Abd al-Hakim Qasim, Yahya Taher Abdullah, and Yusuf al-Qaid. Here we move to the villages of the Delta and Upper Egypt, the latter appearing in Egyptian novels for the first time. These novels are read in opposition to the social realist works of the previous generation, with their concentration upon the countryside as the space of revolutionary struggle and political mobilization. The rural here is transformed into a space of suffering and degradation, in which the villagers struggle to contend with the difficulties of their daily life. The village is thus represented as mystical and mythical space, with the writers employing literary techniques from fantastic literature and magical realism, in order to represent the ongoing marginalization of the Egyptian village and its separation from the rest of the nation. These works of fiction are situated within the broader socio-economic context of the period, particularly Abdel Nasser’s agricultural reforms begun in the 1950s. The failure of the policies is reflected in the literary output of the generation, who grappled to come to terms with the continued marginalization and exclusion of the Egyptian village.

Protesting in a Cultural Frame

2014 ◽  
pp. 296-318
Author(s):  
António Rosas
Keyword(s):  
Virtual Worlds ◽  
Economic Performance ◽  
Political Organization ◽  
The Political ◽  
The Internet ◽  
New Era ◽  
Political Cultures ◽  
The Social ◽  
National Governments ◽  
First Time

ICTs and particularly the Internet are changing national and international politics. International organizations, activists, and even national governments are now extending their organizational resources and apparatuses to the digital virtual worlds, thus expanding the horizons of politics to new levels and challenges. In this chapter, the author concentrates on a surprising and unprecedented initiative that took place in Portugal in March 12th, 2011, the “Geração à Rasca” protests, as well as on the March 12th Movement (M12M), the social movement that followed it. More precisely, the chapter examines how Internet-enabled technologies, like social media, were used as tactics for political organization and mobilization, and how several political cultures were activated. In a country where non-conventional politics was limited to unions and to well-demarcated interests, those two initiatives inaugurated a new era of political participation and democratic opposition. For the first time, 4 young graduates, who never participated in politics before, were able to mobilize more than 500,000 people in several cities of the country, while adapting their messages to the particular political cultures of their “natural” constituencies, the young unemployed or underpaid seasonable workers, to the overall population, dissatisfied with the economic performance of successive governments, and to the more radical groups still committed to the political cultures of the 1974 Carnations Revolution. Besides those tactical and discursive uses, political and economic contexts, contingent events, and the support of symbolic elites were also important factors in both initiatives.

scholarly journals Social Theory, Photography and the Visual Aesthetic of Cultural Modernity

2020 ◽  
Vol 14 (2) ◽  
pp. 139-159 ◽  
Author(s):  
Larry Ray
Keyword(s):  
20Th Century ◽  
Social Theory ◽  
Social Realism ◽  
Social Form ◽  
Photographic Image ◽  
Social Forms ◽  
The Social ◽  
New Vision ◽  
Realism Debate

Social theory and photographic aesthetics both engage with issues of representation, realism and validity, having crossed paths in theoretical and methodological controversies. This discussion begins with reflections on the realism debate in photography, arguing that beyond the polar positions of realism and constructivism the photographic image is essentially ambivalent, reflecting the ways in which it is situated within cultural modernity. The discussion draws critically on Simmel’s sociology of the visual to elucidate these issues and compares his concept of social forms and their development with the emergence of the photograph. Several dimensions of ambivalence are elaborated with reference to the politics and aesthetics socially engaged photography in the first half of the 20th century. It presents a case for the autonomy of the photographic as a social form that nonetheless has the potential to point beyond reality to immanent possibilities. The discussion exemplifies the processes of aesthetic formation with reference to the ‘New Vision’ artwork of László Moholy-Nagy and the social realism of Edith Tudor Hart.

Politični položaj na Slovenskem leta 1919

2020 ◽  
Vol 20 (2020) (2) ◽  
pp. 359-394
Author(s):  
Jurij Perovšek
Keyword(s):  
State Government ◽  
The State ◽  
The Political ◽  
Liberal Party ◽  
New Era ◽  
Party Organisation ◽  
Western Border ◽  
Historical Phenomenon ◽  
First Time ◽  
Similar Development

For Slovenes in the Kingdom of the Serbs, Croats and Slovenes the year 1919 represented the final step to a new political beginning. With the end of the united all-Slovene liberal party organisation and the formation of separate liberal parties, the political party life faced a new era. Similar development was showing also in the Marxist camp. The Catholic camp was united. For the first time, Slovenes from all political camps took part in the state government politics and parliament work. They faced the diminishing of the independence, which was gained in the State of Slovenes, Croats and Serbs, and the mutual fight for its preservation or abolition. This was the beginning of national-political separations in the later Yugoslav state. The year 1919 was characterized also by the establishment of the Slovene university and early occurrences of social discontent. A declaration about the new historical phenomenon – Bolshevism, had to be made. While the region of Prekmurje was integrated to the new state, the questions of the Western border and the situation with Carinthia were not resolved. For the Slovene history, the year 1919 presents a multi-transitional year.

A Moment to Come Together: Personal Reflections on Trayvon Martin

2013 ◽  
Vol 5 (1) ◽  
pp. 131-137
Author(s):  
Roxanne Christensen ◽  
LaSonia Barlow ◽  
Demetrius E. Ford
Keyword(s):  
Civil Rights ◽  
Doctoral Students ◽  
Professional Psychology ◽  
Direct Effects ◽  
The Social ◽  
To Come ◽  
Professional Responses ◽  
The Individual ◽  
Personal Reflections ◽  
Unique Individual

Three personal reflections provided by doctoral students of the Michigan School of Professional Psychology (Farmington Hills, Michigan) address identification of individual perspectives on the tragic events surrounding Trayvon Martin’s death. The historical ramifications of a culture-in-context and the way civil rights, racism, and community traumatization play a role in the social construction of criminals are explored. A justice orientation is applied to both the community and the individual via internal reflection about the unique individual and collective roles social justice plays in the outcome of these events. Finally, the personal and professional responses of a practitioner who is also a mother of minority young men brings to light the need to educate against stereotypes, assist a community to heal, and simultaneously manage the direct effects of such events on youth in society. In all three essays, common themes of community and growth are addressed from varying viewpoints. As worlds collided, a historical division has given rise to a present unity geared toward breaking the cycle of violence and trauma. The authors plead that if there is no other service in the name of this tragedy, let it at least contribute to the actualization of a society toward growth and healing.

Founding Gods, Inventing Nations

2011 ◽  
Author(s):  
William F. McCants
Keyword(s):  
Near East ◽  
Cultural Orientation ◽  
Primary Sources ◽  
Islamic Culture ◽  
Political Consequences ◽  
The Social ◽  
Islamic Empire ◽  
First Time ◽  
Vast Range

From the dawn of writing in Sumer to the sunset of the Islamic empire, this book traces four thousand years of speculation on the origins of civilization. Investigating a vast range of primary sources, some of which are translated here for the first time, and focusing on the dynamic influence of the Greek, Roman, and Arab conquests of the Near East, the book looks at the ways the conquerors and those they conquered reshaped their myths of civilization's origins in response to the social and political consequences of empire. The Greek and Roman conquests brought with them a learned culture that competed with that of native elites. The conquering Arabs, in contrast, had no learned culture, which led to three hundred years of Muslim competition over the cultural orientation of Islam, a contest reflected in the culture myths of that time. What we know today as Islamic culture is the product of this contest, whose protagonists drew heavily on the lore of non-Arab and pagan antiquity. The book argues that authors in all three periods did not write about civilization's origins solely out of pure antiquarian interest—they also sought to address the social and political tensions of the day. The strategies they employed and the postcolonial dilemmas they confronted provide invaluable context for understanding how authors today use myth and history to locate themselves in the confusing aftermath of empire.

Conclusion

2018 ◽  
Author(s):  
Stefan Winter
Keyword(s):  
Middle Eastern ◽  
Rich Diversity ◽  
The Social ◽  
Local Contexts ◽  
History Of ◽  
Religious Oppression ◽  
The Rich ◽  
To Come

This concluding chapter summarizes key themes and presents some final thoughts. The book has shown that the multiplicity of lived ʻAlawi experiences cannot be reduced to the sole question of religion or framed within a monolithic narrative of persecution; that the very attempt to outline a single coherent history of “the ʻAlawis” may indeed be misguided. The sources on which this study has drawn are considerably more accessible, and the social and administrative realities they reflect consistently more mundane and disjointed, than the discourse of the ʻAlawis' supposed exceptionalism would lead one to believe. Therefore, the challenge for historians of ʻAlawi society in Syria and elsewhere is not to use the specific events and structures these sources detail to merely add to the already existing metanarratives of religious oppression, Ottoman misrule, and national resistance but rather to come to a newer and more intricate understanding of that community, and its place in wider Middle Eastern society, by investigating the lives of individual ʻAlawi (and other) actors within the rich diversity of local contexts these sources reveal.

Popularitas Tari Piring sebagai Identitas Budaya Minangkabau

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda
Keyword(s):  
Cultural Heritage ◽  
Life Style ◽  
Social Life ◽  
Attitudes And Behaviors ◽  
Cultural Life ◽  
The People ◽  
The Social ◽  
West Sumatra ◽  
And Behaviors ◽  
Origin Area

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau

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