Diasporic Convergences: Tracing Knowledge Production and Transmission among Enslaved Chinos in New Spain

Ethnohistory ◽  
2021 ◽  
Vol 68 (2) ◽  
pp. 291-310
Author(s):  
Diego Javier Luis
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Cultural Production ◽  
Knowledge Production ◽  
Social Practice ◽  
New Spain ◽  
Central Mexico ◽  
Colonial Society ◽  
The Social ◽  
Diverse Communities

Abstract During the seventeenth century, transatlantic and transpacific diasporas created one of the world’s most globalized early modern societies in New Spain. As the slave trades to the colonial centers of central Mexico reached frenetic levels after the turn of the seventeenth century, processes of encounter, exchange, and transmission began to characterize these diverse communities. For “chinos” arriving in Acapulco, careful observation and experience coalesced into mobile bodies of knowledge ranging from the social practice of blasphemy to spiritual ritual. These varied modes of cultural production facilitated negotiation of enslaver/enslaved relations and represented a kaleidoscope of responses to power relations in colonial society. Through these forms of contestation, knowledge production in enslaved communities became central to the rhythms of daily life in New Spain.

scholarly journals Books as social currency: Robert Coupland Harding and the field of book collecting in New Zealand 1880-1920

2021 ◽  
Author(s):  
◽  
M.A. Hughes
Keyword(s):  
New Zealand ◽  
Cultural Production ◽  
Social Practice ◽  
Trade Journal ◽  
Jean Baudrillard ◽  
Highly Active ◽  
The Social ◽  
Book Collecting ◽  
Social Currency ◽  
Book Collectors

<p>“Here, indeed, lies the whole miracle of collecting,” Jean Baudrillard asserted, “it is invariably oneself that one collects” (“Systems of Collecting” 12). If Baudrillard's premise that a collection is itself a representation of the collector, then how can we read a person through his/her private library? There have been several large and important studies produced on the three preeminent figures in New Zealand book collecting: Sir George Grey, Dr Thomas Hocken and Alexander Turnbull. However, to understand book collecting as a whole during the highly active period at the turn of the twentieth century, it is vital that we investigate 'minor' book collectors alongside our esteemed 'major three'.  This thesis explores the private library of Robert Coupland Harding (1849-1916), an internationally recognised expert on printing and typography, whose trade journal Typo: A Monthly Newspaper and Literary Review (1887-1897) was celebrated as a remarkable achievement. Very little documentation of Harding's life exists. However, one tantalising artefact discovered in a Wellington antiquarian bookshop is the basis for this research: the auction catalogue of Harding's extensive private library. Focusing on the New Zealand-related section of the catalogue, this thesis examines the book collecting field in New Zealand 1880-1920. Applying Bourdieu's theories of capital, habitus and the field of cultural production, the thesis examines the social practice of book collecting during this period. Three case studies from Harding's library illustrate some key trends in the book collecting market, and help to build a picture of Harding's social networks and the influence this had on his collecting habits. The thesis also describes the collecting identity of Robert Coupland Harding, placing him in his circle of fellow book collectors. Describing a model of book collecting practise and presenting a method for categorising book collectors, this thesis argues for the recognition of lesser known book collectors and the contribution that they made to the field of New Zealand book collecting.</p>

The Making of a Success Story

2021 ◽  
pp. 18-32
Author(s):  
Stefania Tutino
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Historical Context ◽  
Power Dynamics ◽  
High Ranking ◽  
The Social ◽  
Kingdom Of Naples ◽  
High Ranking Official ◽  
Main Protagonist ◽  
Political Economic

This chapter introduces the main protagonist of the book: Carlo Calà Duke of Diano, a jurist and high-ranking official in the viceregal administration. This chapter also sets the historical context of the story of the forgery by describing the main political, economic, social, and religious characteristics of the Kingdom of Naples in the seventeenth century. More specifically, this chapter explains the social, cultural, and intellectual advantages that a noble pedigree conferred to the Neapolitan non-aristocratic elites; explores the main sources of tension between the papacy and the Neapolitan viceroy; sheds light on the power dynamics between the Roman Inquisition and the local ecclesiastical leaders; and introduces the complexities of the liturgical and devotional life of early modern Catholics.

Divine Illumination, Mechanical Calculators, and the Roots of Modern Reason

2010 ◽  
Vol 23 (3) ◽  
pp. 351-366 ◽  
Author(s):  
Peter Dear
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Early Modern Period ◽  
Modern World ◽  
Inferential Reasoning ◽  
Modern Period ◽  
The Social ◽  
Mechanical Reasoning ◽  
Divine Illumination ◽  
Natural Philosophers

ArgumentTalk of “reason” and “rationality” has been perennial in the philosophy and sciences of the European, Latin tradition since antiquity. But the use of these terms in the early-modern period has left especial marks on the specialties and disciplines that emerged as components of “science” in the modern world. By examining discussions by seventeenth-century philosophers, including natural philosophers such as Descartes, Pascal, and Hobbes, the practical meanings of, specifically, inferential reasoning can be seen as reducing, for most, to intellectual processes deriving from foundations that required intuitional insight that was owing to God. Mechanical reasoning, or artificial intelligence, was a contradiction in terms for such as Pascal, whose views of his own arithmetical machine illustrate the issue well. Hobbes’ analysis of reason, however, replaced the ineffable authority of God with the authority of the civil power, to reveal the social reality of “reason” as nothing other than authorized judgment.

Piety and Poisoning in Restoration Plymouth

2006 ◽  
Vol 42 ◽  
pp. 261-271 ◽  
Author(s):  
Peter Marshall
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Early Modern England ◽  
Literary Source ◽  
The People ◽  
The Social ◽  
True Crime ◽  
Cheap Print ◽  
Convicted Felons ◽  
The Church

Can we identify a pre-eminent physical location for the encounter between elite and popular religious mentalities in seventeenth-century England? A once fashionable and almost typological identification of ‘elite’ with the Church, and ‘popular’ with the alehouse, is now qualified or rejected by many historians. But there has been growing scholarly interest in a third, less salubrious, locale: the prison. Here, throughout the century and beyond, convicted felons of usually low social status found themselves the objects of concern and attention from educated ministers, whose declared purpose was to bring them to full and public repentance for their crimes. The transcript of this process is to be found in a particular literary source: the murder pamphlet, at least 350 of which were published in England between 1573 and 1700. The last two decades have witnessed a mini-explosion of murder-pamphlet studies, as historians and literary scholars alike have become aware of the potential of ‘cheap print’ for addressing a range of questions about the culture and politics of early modern England. The social historian James Sharpe has led the way here, in an influential article characterizing penitent declarations from the scaffold in Foucauldian terms, as internalizations of obedience to the state. In a series of studies, Peter Lake has argued that the sensationalist accounts of ‘true crime’ which were the pamphlets’ stock-in-trade also allowed space for the doctrines of providence and predestination, providing Protestant authors with an entry point into the mental world of the people.

Morisco Prophecies at the French Court (1602-1607)

2018 ◽  
Vol 61 (1-2) ◽  
pp. 91-123
Author(s):  
Mayte Green-Mercado
Keyword(s):  
Seventeenth Century ◽  
Political Culture ◽  
Early Modern ◽  
Social Life ◽  
Political Activity ◽  
The Social ◽  
French Court

Abstract This article presents a case study of a rebellion conspiracy organized by a group of Moriscos—Spanish Muslims forcibly converted to Catholicism—in the early seventeenth century. In order to carry out their plans, these Moriscos sought assistance from the French king Henry iv (r. 1589-1610). Analyzing a Morisco letter remitted to Henry iv and multiple archival sources, this article argues that prophecy served as a diplomatic language through which Moriscos communicated with the most powerful Mediterranean rulers of their time. A ‘connected histories’ approach to the study of Morisco political activity underscores the ubiquity of prophecies and apocalyptic expectations in the social life and political culture of the early modern Mediterranean. As a language of diplomacy, apocalyptic discourse allowed for minor actors such as the Moriscos to engage in politics in a language that was deemed mutually intelligible, and thus capable of transcending confessional boundaries.

scholarly journals Early Modern Herbals and the Book Trade

2021 ◽  
Author(s):  
Sarah Neville
Keyword(s):  
Seventeenth Century ◽  
Open Access ◽  
Early Modern ◽  
Book Trade ◽  
Scientific Authority ◽  
Renaissance England ◽  
The Social ◽  
The World ◽  
Rich Material ◽  
Material Artifacts

Between 1525 and 1640, a remarkable phenomenon occurred in the world of print: England saw the production of more than two dozen editions identified by their imprints or by contemporaries as 'herbals'. Sarah Neville explains how this genre grew from a series of tiny anonymous octavos to authoritative folio tomes with thousands of woodcuts, and how these curious works quickly became valuable commodities within a competitive print marketplace. Designed to serve readers across the social spectrum, these rich material artifacts represented both a profitable investment for publishers and an opportunity for authors to establish their credibility as botanists. Highlighting the shifting contingencies and regulations surrounding herbals and English printing during the sixteenth and early seventeenth century, the book argues that the construction of scientific authority in Renaissance England was inextricably tied up with the circumstances governing print. This title is also available as Open Access on Cambridge Core at doi.org/10.1017/9781009031615.

International Law's Invisible Frames

2021 ◽  
Keyword(s):  
International Law ◽  
Cognitive Processes ◽  
Knowledge Production ◽  
Social Practice ◽  
Social Process ◽  
Cultural Factors ◽  
Human Beings ◽  
Legal Process ◽  
The Social ◽  
Cognition And Knowledge

Law as a social process carried out by human beings is a stimulating object of investigation for those who would like to analyse social cognition and knowledge production processes. Humans acquire and form their knowledge through cognitive processes and in turn form a representation of reality by processing and using this knowledge through different mental channels. To better conceive the invisible frames within which international law moves and performs, we must understand how psychological and socio-cultural factors can affect decision-making in an international legal process, identify the groups of people and institutions that may shape and alter the prevailing discourse in international law at any given time, and unearth the hidden meaning of the various mythologies that populate and influence our normative world. Through illustrations across different areas of international law and insights from various fields of knowledge, this book seeks to investigate the mechanisms that allow us to apprehend and intellectually represent the social practice of international law, to unveil the hidden or often unnoticed processes by which our understanding of international law is formed, and to make us unlearn some of the presuppositions that activate automatic cognitive processes and inform our largely unquestioned beliefs about international law.

The Perraults

2018 ◽  
Author(s):  
Oded Rabinovitch
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Social History ◽  
French Language ◽  
Kinship Networks ◽  
The Social ◽  
The Family ◽  
History Of ◽  
Academy Of Sciences ◽  
Family Strategies

Through the story of the Perraults, a family of literary and scientific authors active in seventeenth-century Paris, the book argues that kinship networks played a crucial yet unexamined role in shaping the cultural and intellectual ferment of seventeenth-century France, while showing how culture in its turn shaped kinship and the social history of the family. The book examines the world of letters as means of social mobility and revises our understanding of prominent early modern institutions, such as the Academy of Sciences, Versailles, and the salons, as well as authorship and court capitalism. Put together, this project serves as a catalyst for rethinking early modern cultural and intellectual institutions more broadly. In this view, institutions no longer appear as rigid entities that embody or define intellectual or literary styles, such as “Cartesianism,” “empiricism” or “the purity of the French language.” Rather, they emerge as nodes that connect actors, intellectual projects, family strategies and practices of writing, thereby reframing their relation to the state.

AN OPEN ELITE: THE PECULIARITIES OF CONNOISSEURSHIP IN EARLY MODERN ENGLAND

2004 ◽  
Vol 1 (2) ◽  
pp. 151-183 ◽  
Author(s):  
BRIAN COWAN
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Early Modern ◽  
Visual Arts ◽  
Royal Society ◽  
Royal Academy ◽  
Early Modern England ◽  
Modern Approach ◽  
The Arts ◽  
The Social

Seventeenth-century English virtuoso attitudes to the visual arts have often been contrasted with a putative eighteenth-century culture of connoisseurship, most notably in a still influential 1942 article by Walter Houghton. This essay revisits Houghton's thesis and argues that English virtuoso culture did indeed allow for an incipient notion of artistic connoisseurship but that it did so in a manner different from the French model. The first section details a virtuoso aesthetic in which a modern approach to the cultural heritage of antiquity was central. The instructive ethical and historical attributes of an art work were deemed more important than attribution to a master artist, although one can discern an incipient notion of a virtuoso canon of great artists. The second section examines the social and institutional position of the English virtuosi and argues that the lack of a Royal Academy of Arts in the French manner made virtuoso attitudes to the arts unusually receptive to outside influences such as the Royal Society and other private clubs and academies. It concludes by considering the ways in which some eighteenth-century concepts of taste and connoisseurship defined themselves in contrast to an earlier and wider-ranging virtuosity even if they failed to fully supplant it.

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