scholarly journals MEDIA REPRESENTATIONS of the NOUVEAUX RICHES and the CULTURAL CONSTITUTION of the GLOBAL MIDDLE CLASS

2019 ◽  
Vol 15 (1) ◽  
pp. 29-47
Author(s):  
Jennifer Smith Maguire

The article offers a distinctive account of how the nouveaux riches serve as an anchor for a range of upper- middle- class ambivalences and anxieties associated with transformations of capitalism and shifting global hierarchies. Reflecting the long- term association of middle- class symbolic boundaries with notions of refinement and respectability, it examines how the discourse of civility shapes how the nouveaux riches are represented to the upper middle class, identifying a number of recurrent media frames and narrative tropes related to vulgarity, civility, and order. The author argues that these representations play a central role in the reproduction of the Western professional middle class, and in the cultural constitution of a global middle class — professional, affluent, urban, and affiliated by an aesthetic regime of civility that transcends national borders. The findings underline the significance of representations of the new super- rich as devices through which the media accomplish the global circulation of an upper- middle- class repertoire of cultural capital, which is used both to police shifting class boundaries and to establish a legitimate preserve for univorous snobbishness.

2021 ◽  
Vol 5 (Supplement_1) ◽  
pp. 134-134
Author(s):  
Jasmin Tahmaseb McConatha ◽  
Jordan Broussard ◽  
Jacki Magnerelli

Abstract Media representations of the Covid-19 pandemic and its devastating consequences have shaped people’s fears, anxiety, and perceptions of vulnerability. Social scientists have examined the consequences of how information is “framed.” Framing theory asserts that issues can be portrayed differently by emphasizing or de-emphasizing aspects and information. According to Lakoff (2004) the impact of a message is not based on what is said but how it is said. Theories of framing focus on how the media frames issues, which then structure and shape attitudes and policies. A news article serves as a frame for an intended message. The purpose of this project is to analyze the ways that “age” has been framed during the Covid-19 pandemic. One of the most dominant frames in terms of COVID-19 coverage is how the pandemic has been analyzed through the lens of age and framed in terms of age discrimination. Method: A thematic analysis of New York Times and Washington Post news articles addressing older adults and illness vulnerability was conducted. The results of news articles appearing in these prominent newspapers indicated that the perceptions of older men and women tended to focus on the relationship between age and vulnerabilities to severe consequences from Covid-19. The frames in which these new articles were presented indicated ageist tones and messages that had the potential to either reinforce or lead to age stereotyping and discrimination.


Urban Studies ◽  
2016 ◽  
Vol 54 (14) ◽  
pp. 3178-3198 ◽  
Author(s):  
Beatriz Garcia

This paper looks into the European Capital of Culture (ECoC) programme as a leading example of culture-led regeneration intervention aimed at renewing or diversifying the economic base and positioning of host cities. One of the key claims associated with the programme is that it can transform the ‘image’ of a city. These image transformation claims are often supported by evidence of heightened or more positive media coverage in the short term. However, little evidence has generally been gathered to determine long-term, sustained image change. The paper seeks to at least partly address this lacuna by presenting evidence on the media representation of Glasgow and Liverpool over three decades. These two cities are widely perceived to be paradigmatic not only of successful culture-led regeneration but also of the power of the ECoC title to transform city image. The paper looks at the importance of the media narrative arc surrounding major cultural events in solidifying ‘image change’ processes, regardless of the existence of evidence to suggest a change in perceptions by local communities at the time the event is taking place. The core argument is that if media coverage about a particular place shows a significant change in focus and attitude over time, is voluminous enough and cuts across geographical and journalistic variations, then it effectively becomes a key source of evidence of de facto image change. The key proposition in this paper is that evidenceable and sustained change in media representations of place can be taken as tantamount to image change. This is based on the assumption that widespread and longitudinal trends in media representation have the capacity to both reflect and influence public attitudes and perceptions.


2016 ◽  
Vol 23 (4) ◽  
pp. 287-299 ◽  
Author(s):  
Carolyn Ellis

This article includes autoethnographic vignettes that explore the emotional, embodied, relational, communal, and ritualized aspects of sleeping. As a Western, White, upper-middle-class professional woman in a long-term relationship with a partner who has similar characteristics, I describe sleeping in the familiar environment of our primary and vacation homes, where we both define ourselves as sleeping well together. To tease out important aspects of what counts as a good night’s sleep, I contrast sleeping at home to sleeping in other places, such as in an airplane, hotel in a foreign country, and a hospital, and then compare my experience of sleeping in a modern Western environment with sleeping practices in preindustrial society. I examine my definition of “a good night’s sleep” and how it is affected by historical and cultural narratives of normative sleep. Questioning my original conceptions of good sleeping and sleeping ritual, I explore and put into practice alternative storylines regarding how to accomplish a good night’s slumber.


Author(s):  
Tanya Serisier

In media representations the term sex crimes most frequently refers to rape and child sexual abuse, although it can include a wider range of acts such as exhibitionism and voyeurism. While the majority of these crimes receive little media attention, certain sensational sex crimes are prominent topics in news and entertainment media. Media attention tends to focus on violent crimes committed by “dangerous” strangers, largely defined as poor men of color, and crimes committed against white and middle-class victims. These representations provide a distorted image of the reality of sex crimes, which most frequently occur in private settings, by someone known to the victim. Media coverage has also been criticized for focusing on the actions and responsibility of victims, suggesting that victim behavior, such as drinking, flirting, or being in the “wrong place at the wrong time” precipitates sexual violence. Again, these representations vary significantly according to race and class, with white and middle-class victims more likely to receive sympathetic coverage, particularly if their assailant is from a lower-class or more marginal racial or ethnic background. The emergence of the second-wave feminist movement in the 1970s, however, has led to some changes in media representations of sex crimes. Subsequent decades have seen an increase in sympathetic reporting around victims and increased reporting of crimes perpetrated by acquaintances and family members. There has been a growth in feminist voices and views in media reporting, as well as increased focus on the responsibilities and failings of criminal justice systems. Recent years have seen several examples of media coverage or “rediscovery” of previously ignored allegations against celebrities. Sex crimes have become a highly controversial and contested area, and media coverage reflects this, sometimes supporting progressive social and cultural change and sometimes providing a vehicle for “backlash” sentiments. Social media has been a driver of changes in the media landscape around sexual violence in recent years has provided a new forum for survivors to disseminate their stories but has also been marked by online harassment and abuse.


2021 ◽  
Vol 8 (2) ◽  
pp. 170-177
Author(s):  
Frauke Schnell ◽  
Jasmin Tahmaseb McConatha ◽  
Jaqueline Magnarelli ◽  
Jordan Broussard

Media representations of the Covid-19 pandemic and its devastating consequences have shaped people’s fears, anxiety, and perceptions of vulnerability. Social scientists have examined the consequences of how information is “framed.” Framing theory asserts that issues can be portrayed differently by emphasizing or de-emphasizing aspects and information. According to Lakoff (2004) the impact of a message is not based on what is said but how it is said. Theories of framing focus on how the media frames issues, which then structure and shape attitudes and policies. A news article serves as a frame for an intended message. This paper examines the ways that “age” has been framed during the Covid-19 pandemic. One of the most dominant frames in terms of COVID-19 coverage is how the pandemic has been analyzed through the lens of age and framed in terms of age discrimination.  The results of news articles appearing in several prominent newspapers indicate that the perceptions of elders and their vulnerabilities to severe consequences from Covid-19 are likely to help perpetuate or create age discrimination.


2020 ◽  
pp. 174804852092866
Author(s):  
Christian Pentzold ◽  
Vivien Sommer

This article analyzes the media representations circulating around the trials of the accused Nazi collaborator John/Ivan Demjanjuk. It examines the American, Dutch, German, Russian, Jewish-Dutch, and Jewish-American discourses that framed the consecutive legal proceedings in Israel, the U.S., and Germany. Our study interrogates the convergences and divergences in the transcultural translations as well as the local appropriations of the events that formed part of the cosmopolitan remembrance of the Holocaust. We reconstructed inclusive media frames which were able to traverse different languages and cultures. We also found exclusive frames in our study that did not travel across these boundaries. The palette of views on Demjanjuk’s personal guilt and on the capacity of the trials were informed by culturally restricted or culturally resonative mnemonic tropes and were sponsored by different groups of memory agents.


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