“One Piece of Land to Cling on To”

2018 ◽  
pp. 224-254
Author(s):  
Jenny Hale Pulsipher

This concluding chapter studies the Hassanamisco Reservation. Edward Pratt, the executor of John Wompas's will, wasted no time attempting to cash in on his acquaintance with the land-rich Indian sailor. On November 3, 1679, safely landed in New England, Pratt registered his deed for eight miles square of Nipmuc land with the Middlesex County clerk. However, Pratt and the other Englishmen who held deeds to Wompas's land and benefited from his will battled with colony authorities and Wompas's Nipmuc kin for nearly a quarter of a century, interrupted by wars and several changes of government. Despite the self-serving efforts of Pratt and his associates, Hassanamesit remained in Indian possession well into the eighteenth century. A few acres of Hassanamesit—the Hassanamisco Reservation—are still held by Nipmucs in the twenty-first century, and the legal documentation of that possession leads directly back to the will of John Wompas.

2020 ◽  
Vol 7 (1) ◽  
pp. 114-120
Author(s):  
Dmitry Bulgakovsky ◽  
Nick Mayhew

Abstract Xenia the Servant of God, or Andrey Fyodorovich the Holy Fool is a hagiography written by Russian Orthodox priest and publicist Dmitry Bulgakovsy (1843–ca. 1918). Published in Russia in 1890, it is one of the first full accounts of the life of a saint variably referred to by two names: one feminine, Xenia, and the other masculine, Andrey. The saint ostensibly lived in St. Petersburg in the eighteenth century. Identified female at birth and named Xenia, after the death of their husband Andrey, at the age of twenty-six the saint took on the identity of their deceased husband. The saint is popular in Russia today, and stories about their life are disseminated widely. Although they were canonized in 1988 as St. Xenia and are now venerated as a holy woman, accounts of their life always include the story of their gender transformation. In twenty-first-century narratives, this episode tends to be glossed over briefly as proof of the saint's extraordinary love for their husband, serving to embellish their role as a devoted wife. However, in the original nineteenth-century stories of the saint's life—such as the one translated below—there is greater ambiguity in the depiction of their gender.


Food Fights ◽  
2019 ◽  
pp. 100-123
Author(s):  
Charles C. Ludington

On the one hand people like to say that “there is no accounting for taste.” On the other hand, people constantly make judgments about their own and other people’s taste (gustatory and aesthetic). Charles Ludington examines the taste for wine in eighteenth-century England and Scotland, and the taste for beer in twenty-first century America, to argue that taste can in fact be accounted for because it is a reflection of custom, “tribal” identity, gender, political beliefs, and conceptions of authenticity, which are mostly but not entirely conditioned by class status and aspirations. And rightly or wrongly, we judge other people’s taste because taste positions us in society.


2017 ◽  
Vol 52 ◽  
pp. 1-18

The opening decades of the twenty-first century have seen a notable revival of interest in the records of the medieval English parliament. In 2004–2005 a team of scholars funded by the Leverhulme Trust and led by Chris Given-Wilson published The Parliament Rolls of Medieval England (PROME), a new electronic and print edition, with full translation, of the extant parliament rolls for the reigns of Edward I to Henry VII. Because PROME focuses on those aspects of parliamentary business that were committed to permanent record on the parliament rolls, it does not consider systematically the other available records associated with the medieval parliament. In particular, it does not reproduce the substantial numbers of unenrolled petitions submitted in parliament that were printed in the eighteenth-century edition of the rolls, Rotuli Parliamentorum (RP), though it does include introductory materials and appendices providing summaries and transcripts of these and other ancillary documents.


2009 ◽  
Vol 27 (3) ◽  
pp. 549-584
Author(s):  
John M. Lund

In February 1704, a Boston laborer named Thomas Lea found himself surrounded by townspeople as he lay on his deathbed. These spectators had gathered hoping to hear a much anticipated confession of the crimes they believed Lea had committed fifteen years earlier during the Dominion of New England. In Suffolk County, many townspeople had long maintained that Lea and others had used the confusion and chaos generated by the unsettling political and legal transformations introduced to New England during the 1680s to surreptitiously gain legal title to the estate of a prosperous Braintree, Massachusetts, landowner named William Penn. Standing by Lea's bedside, one witness, who believed Lea had perjured himself at the 1689 probate administration of Penn's estate, demanded: “Thomas can you as you are going out of the World answer at the Tribunal of God to the Will of Mr Penns, which you have sworn to[?]” “Was Mr Penn living or Dead when this Will was Made?” In the presence of assembled witnesses, Lea acknowledged, “he was dead.” Other townspeople pressed Lea to reveal the role he played in what many believed had been a murder for inheritance scheme. They reminded Lea that Penn's corpse had been found covered “in blood, in his own dung” with “a hole in his back, that you might turn your two fingers into it” and, even more disturbing, “one of his [Penn's] stones in his codd [scrotum] was broken all to pieces.” Averting the onlookers' gaze, Lea “turned his head aside the other way, saying what I did I was hired to do.” For these witnesses, the death-bed confession confirmed the rumors of Lea's crimes and strengthened their belief that a wave of corruption introduced in the 1680s had sabotaged New England's distinctive Puritan jurisprudence. Indeed, townspeople had labored for years to overturn the 1689 probate of Penn's estate in an effort forestall the crown's efforts to bring New England into political and legal conformity with the dictates of the growing English empire.


2018 ◽  

What does it mean to be a good citizen today? What are practices of citizenship? And what can we learn from the past about these practices to better engage in city life in the twenty-first century? Ancient and Modern Practices of Citizenship in Asia and the West: Care of the Self is a collection of papers that examine these questions. The contributors come from a variety of different disciplines, including architecture, urbanism, philosophy, and history, and their essays make comparative examinations of the practices of citizenship from the ancient world to the present day in both the East and the West. The papers’ comparative approaches, between East and West, and ancient and modern, leads to a greater understanding of the challenges facing citizens in the urbanized twenty-first century, and by looking at past examples, suggests ways of addressing them. While the book’s point of departure is philosophical, its key aim is to examine how philosophy can be applied to everyday life for the betterment of citizens in cities not just in Asia and the West but everywhere.


1970 ◽  
Vol 41 (116) ◽  
pp. 33-48
Author(s):  
Dennis Meyhoff Brink

DANTE’S LITERARY ATMOSPHEROLOGY | The article argues that recent theories on affect and atmosphere by, for instance, Teresa Brennan, Lauren Berlant, and Peter Sloterdijk, can enter into an extraordinarily fruitful interchange with Dante’s Divine Comedy. On the one hand, these theories can direct our attention to the hitherto overlooked atmospheric phenomena that occur ubiquitously in Dante’s Comedy and provide us with concepts that render them legible as products of human emissions. On the other hand, the numerous descriptions of different atmospheres in Dante’s Comedy can contribute to overcoming the lack of linguistic specifications and distinctions which – according to theorists such as Brian Massumi and Peter Sloterdijk – characterizes today’s Western understanding of affective atmospheres and impedes its ongoing theorization. Based on readings of a selected number of atmospheres in Dante’s Comedy, the article argues that the Comedy not only anticipated insights that were not articulated theoretically until the twentieth and twenty-first century, butalso makes up an exceptional encyclopedia of affective atmospheres that have not yet been examined, neither by Dante researchers, nor by theorists of affects and atmospheres. Therefore, both camps have much to learn from Dante’s literary atmospherology, which the article aims to make explicit.


2020 ◽  
Vol 29 ◽  
Author(s):  
Tiina Mahlamäki ◽  
Tomas Mansikka

This article discusses the relationship between Western esotericism and literature. As an example of a secular author who uses and benefits from esoteric texts, ideas and thoughts as resources in creating a literary artwork, the article analyses Laura Lindstedt’s novel Oneiron. A Fantasy About the Seconds After Death (2015). It contextualises the novel within the frames of Western esotericism and literature, focusing on Emanuel Swedenborg’s impact on discourses of the afterlife in literature. Laura Lindstedt’s postmodern novel indicates various ways that esoteric ideas, themes, and texts can work as resources for authors of fiction in twenty-first century Finland. Since the late eighteenth century Swedenborg’s influence has been evident in literature and among artists, especially in providing resources for other-worldly imagery. Oneiron proves that the ideas of Swedenborg are still part of the memory of Western culture and literature.


Authorship ◽  
2012 ◽  
Vol 1 (2) ◽  
Author(s):  
Josephine Dougal

Robert Burns, the eighteenth-century Scottish poet and song writer, continues to maintain a substantial cultural ‘afterlife’ in the twenty first century, both within Scotland and beyond. Achieving cult status in the nineteenth century, the power of Burns as a popular cultural icon remains undiminished. Where the appropriation of Burns as national icon in the nineteenth century was made manifest in statuary, commemorative objects, and painted portraits, the twenty-first century has been marked by the proliferation of the image of Burns in new forms and  technologies, with Burns as product and brand logo, museum and heritage attraction, and tourism industry selling point. This recent flourishing of interest and engagement raises questions about why and how an eighteenth-century poet continues to be the object of such extensive cultural elaboration at this time. In approaching this question, some fruitful lines of enquiry are being suggested in recent discussions that have looked at the nineteenth-century Burns as a ‘mobilizing agent in collective memory production’ (Rigney 2011, 81). One such appraisal points to how the construction of Burns in the nineteenth century as an iconic figure of Scottish cultural memory has the potential to ‘be resignified as necessary in subsequent chronological and geographical sites’ (Davis 2010, 14). It is this potential for the resignification of Burns as a symbolic site for the nation’s memory that this paper explores. In pointing to Burns’ representation in a variety of popular forms and in public discourse, the paper examines how a writer comes to be invested and reinvested as the voice and persona of the nation.


Author(s):  
Mark Juergensmeyer

The case of the 2015 attack on the offices of the Charlie Hebdo satirical magazine in Paris illustrates the imagined war between secularism and religion that is in the background of many incidents of violence at the turn of the twenty-first century. The Enlightenment idea that there are two different worldviews—two distinctly different spheres of understanding about reality, one of them secular and the other religious—is inherently problematic. This dichotomy creates an arena of discord that is easily exploited by people who feel isolated and marginalized for whatever reason and look for someone to blame and some battle to join. It is a false conflict that extremists on both sides, religious and secular, have exacerbated.


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