Empathy as a critical methodological tool in peace research

Author(s):  
Sinéad Walsh

This chapter discusses the politics and practice of empathy in peace research. Based on ethnographic fieldwork in Armenia and Azerbaijan, it shows how empathetic research relations impacted the methodological design for a study of women's nongovernmental organisations and peacebuilding. Although developing friendships with some participants led to important insights and broadened the scope of the research, there were ethical risks associated with power relations and emotionally and politically sensitive information. Drawing on feminist methodologies, the chapter argues for reflexivity as a way of navigating relationships responsibly and making sense of the researcher's changing subjective position. On leaving the field, reflexivity is required in order to analyse and represent information ethically, and to understand the implications of power and empathy in the politics of knowledge production.

Author(s):  
Mara Mărginean

Building on several international professional meetings of architects organized in Romania or abroad, this article details how various modernist principles, traditionally subsumed to Western European culture, were gradually reinterpreted as an object of policy and professional knowledge on urban space in the second and third world countries. The article analyses the dialogue between Romanian architects and their foreign colleagues. It highlights how these conversations adjusted the hierarchies and power relations between states and hegemonic centres of knowledge production. In this sense, it contributes to the recent research on the means by which the "trans- nationalization of expertise" "transformed various (semi)peripheral states into new centres of knowledge and thus outlines a new analytical space where domestic actions of the Romanian state in the area of urban policies are to be analysed not as isolated practices of a totalitarian regime, but as expressions of the entanglements between industrialization models, knowledge flows and models of territoriality that were not only globally relevant, but they also often received specific regional, national and local forms.


2021 ◽  
pp. 1-45
Author(s):  
Susan Elizabeth Gagliardi ◽  
Constantine Petridis

Abstract Mapping Senufo: Art, Evidence, and the Production of Knowledge – an in-progress, collaborative, born-digital publication – will offer a model for joining theories about the construction of identities and the politics of knowledge production with research and publication practice. In this article, we examine how computational methods have led us to reframe research questions, reevaluate sources, and reimagine the form of a digital monograph. We also demonstrate how our use of digital technologies, attention to iteration, and collaborative mode of working have generated fresh insights into a corpus of arts identified as Senufo, the nature of evidence for art-historical research, and digital publication. We posit that the form of a digital publication itself can bring processes of knowledge construction to the fore and unsettle expectations of a tidy, authoritative narrative.


2020 ◽  
Vol 6 (1) ◽  
Author(s):  
Amelia Fiske

While chemicals are often described and acted upon in technoscientific forums as isolated, discrete entities, vernacular experience points to possibilities of experiencing, speaking about, and imagining chemical exposures that have otherwise been rendered politically obsolete. Drawing from ethnographic fieldwork in the Ecuadorian Amazon, this article invokes accounts of daily life in order to argue that vernacular experience is necessary for understanding what it means to live in a place of environmental hazard, and for building a more inclusive politics of knowledge production in models and assessments of toxicity. Descriptions such as “naked in the face of contamination,” “swimming in oil,” “smoke thick like marmalade,” or exclamations of pain re-lived “tsaac!” refuse hegemonic assumptions about how chemicals alter and enable life. To take these descriptions of life seriously is to recognize the ways that chemical concentrations often far exceed the ‘normal’ forms and quantities modeled in risk assessments of standard oil operations. The chemically saturated present demands a reconfiguration of toxicity – as a socio-material process, epistemic concept, and embodied experience – in order to work towards political and environmental, as well as epistemological, justice.


2017 ◽  
Vol 40 (2) ◽  
pp. 175
Author(s):  
Jean François Y Deluchey

Resumo: Neste artigo, busco refletir as potencialidades e dificuldades metodológicas relativas ao uso do “dispositivo” como ferramenta de investigação nas ciências sociais e sociais aplicadas. Sugiro pensar a relação entre dispositivos normativos e sujeitos de direito, a partir da analítica do poder de Michel Foucault, para quem o poder existe como feixe de relações dissimétricas coordenadas por estratégias que impactam os sujeitos em suas dimensões inter e intraindividuais. Para tanto, o uso do dispositivo – em especial no caso do dispositivo normativo – apresenta-se como importante ferramenta metodológica, na medida em que funciona como grade de análise das relações de poder, de identificação das estratégias e de seus efeitos nos sujeitos. Nas conclusões, observo que a identificação da estratégia de um dispositivo deve perpassar pela análise da lógica das relações que o compõem, para, em um segundo momento, ver de que forma e em que medida esta estratégia impacta as formas de vida dos atores que compõem o nosso campo de estudo.Abstract: In this article, I try to interrogate the potentialities and methodological difficulties related to the use of the "dispositive" as a tool for research in the social sciences and applied social. I suggest to think the relation between normative dispositives and subjects to law from the Michel Foucault´s analytics of power, philosopher for whom the power exists as a beam of dissymmetrical relations coordinated by strategies that impact the subjects in their dimensions inter and intraindividuals. The use of the dispositives – especially of the normative ones - presents itself as an important methodological tool, to the extent that works as analytic framework of power relations, identification of strategies and their effects on the subjects. Finally, I observe that the identification of a dispositive strategy should pass by analysis of the logic of relations that compose it, for, in a second moment, see how and to what extent this strategy impacts the ways of life of the actors that compose our field of study. 


Author(s):  
Maxime Polleri

This article explores the similarities between a memoir and an ethnographic work. A memoir stands as an historical account written from personal knowledge. It is a form of writing that should resonate deeply within the heart of the anthropologist, whose very own specificity is to be, first and foremost, an ethnographer. That is, anthropologists are individuals full of (hi) stories, contingence, and subjectivity, who nevertheless struggle to bring “objective” accounts of what had happened under their eyes during fieldwork. I use this short comparative act as a jumping board to examine the politics of knowledge in the history of anthropological inquiry since the Enlightenment. More precisely, this comparison represents an opportunity to look at what is silently invested in the practices of ethnographical writing. In a brief discussion, I highlight the political implications that surround issues of knowledge production, expert voices, and translation amidst the discourse and narrative of anthropologists.


Focaal ◽  
2015 ◽  
Vol 2015 (71) ◽  
pp. 29-39 ◽  
Author(s):  
Cris Shore ◽  
Susanna Trnka

In the context of rapid neoliberal reform, both anthropology as a discipline and the social and cultural phenomena it studies are undergoing profound changes. In this article we develop June Nash's concept of “peripheral vision” to show how peripheries, and the politics of “peripheralization”, can illuminate processes of neoliberalization and the implications that this has for anthropological knowledge production. We argue that anthropology is uniquely situated to examine the conceptual blind spots produced by capitalism. By recasting “peripheral vision” as an analytic concept and methodological tool, we show how cultivating our ethnographic sensibilities to identify and hone in on events and processes that lie beyond our immediate field of vision can provide a useful antidote to the seductive fantasies of contemporary capitalism. In doing so, we also suggest how this approach can help counter some of the increasing strictures on knowledge production and narrowing of the research imagination that neoliberal reforms impose.


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