“They Have Invaded the Whole River”: Boundary Negotiations in Anglo-Dutch Colonial Discourse

2011 ◽  
Vol 9 (2) ◽  
pp. 324-347
Author(s):  
Sabine Klein
Keyword(s):  
Colonial Discourse ◽  
Dutch Colonial

scholarly journals Deconstruction of the colonial discourse on the erpangir ku lau ritual in karo society

2019 ◽  
Vol 5 (6) ◽  
pp. 102-107
Author(s):  
Vanesia Amelia Sebayang
Keyword(s):  
Qualitative Research ◽  
Research Method ◽  
Social Reality ◽  
Colonial Discourse ◽  
Colonial Era ◽  
Qualitative Research Method ◽  
Qualitative Descriptive ◽  
Dutch Colonial ◽  
Descriptive Qualitative

Erpangir ku lau is a ritual of cleansing based on Hindu Pemena teachings. This ritual teaches the Karo people to maintain harmonious relations between humans, the forces of nature, and the Creator. However, in the Dutch colonial era, erpangir lau was stopped because it was part of the worship and the practice of magic. The method used in this article is a descriptive qualitative research method that uses theory as a basis. This qualitative descriptive design format embraces phenomenology and post-positivism. This study aims to describe, summarize the various situations or phenomena of social reality in a society that are the object of research, and try to pull that reality to the surface as a description of certain conditions, situations, or phenomena. The findings obtained are that the colonial influence still imprinted on the person of the Karo people even though the occupation had long since ended. Concerning the Dutch colonial discourse, it is necessary to carry out a deconstruction practice to reverse the Karo people's perspective on the erpangir ku lau rites.

‘A Conglomeration of […] often Conflicting Ideas’: Resolving the ‘Native Question’ in Java and the Outer Islands in the Dutch East Indies, 1900-1925

Itinerario ◽  
2003 ◽  
Vol 27 (3-4) ◽  
pp. 160-188 ◽  
Author(s):  
Joost Coté
Keyword(s):  
Twentieth Century ◽  
Colonial Rule ◽  
Colonial Discourse ◽  
Colonial State ◽  
East Indies ◽  
Colonial Policy ◽  
History Of ◽  
Dutch East Indies ◽  
Dutch Colonial

This paper examines Dutch colonial discourse as it was developing at the beginning of the twentieth century. I argue that colonial circumstances were changing at the beginning of the twentieth century in many aspects - economic, political, social - and that these changes required new policy and administrative responses. I take as examples of these changing colonial conditions and responses, two episodes in the history of ‘the late colonial state’, which I argue are both representative of and formative in shaping, colonial policy in the last decades of Dutch colonial rule in Indonesia.

East of the Cape in 1832: The Old Indies World, Empire Families and “Colonial Women” in Nineteenth-century Java

Itinerario ◽  
2012 ◽  
Vol 36 (1) ◽  
pp. 22-48 ◽  
Author(s):  
G. Roger Knight
Keyword(s):  
Nineteenth Century ◽  
Social History ◽  
Colonial Discourse ◽  
Colonial Society ◽  
Netherlands Indies ◽  
Recent Debate ◽  
Dutch Colonial

This paper deals with several themes central to recent debate about Dutch colonial society in Java, the key island of the erstwhile Netherlands Indies. Primarily, these themes relate to the colonial-metropolitan nexus, and my discussion seeks to illuminate these themes with particular reference to the documented experiences of three women who were either on their way to the Indies—or making their way back from there—early in the 1830s. The paper's fundamental argument concerns the importance of the concept of “Empire Families” to an understanding of Dutch colonial communities in the Indies. It is an understanding that serves to correct some misconceptions about the dynamics of those societies in the early to mid-nineteenth-century period. Among other things, building on the work of others and drawing on unpublished documentation, it seeks to locate some aspects of colonial “discourse,” particularly those relating to “colonial women,” in the broader framework of social history.

scholarly journals Njoo Cheong Seng: An Artist in the Fight between Liberalism and Eastern Traditions

2021 ◽  
Vol 20 ◽  
pp. 15-26
Author(s):  
Dwi Susanto ◽  
◽  
Deny Tri Ardianto ◽  
Keyword(s):  
Cultural Nationalism ◽  
Colonial Discourse ◽  
Cultural Resistance ◽  
Chinese Characteristics ◽  
Film Producer ◽  
Eastern Traditions ◽  
Interpretation Method ◽  
Dutch Colonial

As an artist, Njoo Cheong Seng (writer, playwright, film producer, and director) made efforts to respond to colonial discourse through his works and activities from the mid-1920s to the 1940s. His responses manifested in the forms of resistance and counter discourse. This paper seeks to explore the ideas and forms expressed in the counter discourse by Njoo Cheong Seng, an artist of Chinese Indonesian ethnicity. The perspective applied in this research is the postcolonial approach, particularly with regard to the concepts of hybridity and resistance. The deconstructive reading framework interpretation method was applied to determine the opposing relationship between the colonised and the coloniser discourses. The results show that Njoo Cheong Seng supported the movement to restore Chinese characteristics as a form of cultural resistance to the idea of Dutch colonial liberalism. The strategy that he used seemed to support the colonial discourse while simultaneously masking the hybridity that he promoted through ideas such as cultural nationalism. In addition, Njoo Cheong Seng and other similar collective artists developed a strategy that seemed to be of a puritan nature; however, it was, in fact, a simultaneous hybridity that consistently responded to modernity values. Njoo Cheong Seng actually opposed modernity born of liberalism. Essentially, he opposed the concept of the human as the centre of everything, or anthropocentrism.

Sasak People’s Resistance Against Mataram-Karangasem and Dutch Colonial Rulers: The Role of Tuan Guru Umar Kelayu

2020 ◽  
Vol 2 (1) ◽  
pp. 73-90
Author(s):  
Ahmad Tohri ◽  
H. Habibuddin ◽  
Abdul Rasyad
Keyword(s):  
Data Analysis ◽  
19Th Century ◽  
Economic Factors ◽  
Historical Method ◽  
The 19Th Century ◽  
Historical Methods ◽  
Depth Interviews ◽  
Dutch Colonial ◽  
Dutch Colonialism

This article discusses the Sasak people’s resistance against MataramKarangasem and Dutch colonial rulers in the 19th century in Lombok, Indonesia. It particularly focuses on Tuan Guru Umar Kelayu and his central role in the emergence of Sasak people’s resistance which transformed into Sasak physical revolution local and global imperialismcolonialism. Using the historical method, this article collected data through observation, in-depth interviews, and documentation. The data analysis involved the historical methods of heuristics, verification or criticism, interpretation, and historiography. The findings show that Sasak people’s resistance was not only caused by economic factors but also related to other factors such as social, cultural, and religious ones. Tuan Guru Umar Kelayu played a key role in the Sasak people’s resistance in that it was under his leadership and influence that the resistance transformed into a physical struggle against MataramKarangasem and Dutch colonialism as seen in Sakra War and Praya War which were led by his students and friends.

Wacana Kolonial dalam Novel Max Havelaar: Sebuah Kajian Poskolonial

Metahumaniora ◽  
2017 ◽  
Vol 7 (3) ◽  
pp. 411
Author(s):  
Abu Bakar Ramadhan Muhamad
Keyword(s):  
Point Of View ◽  
The Other ◽  
The Novel ◽  
Colonial Discourse ◽  
The Impact ◽  
The Voice

AbstrakHegemoni kolonialisme dalam budaya poskolonial merupakan alasan penelitian inikemudian mengkaji wacana kolonial dalam novel Max Havellar (MH) khususnya dampakditimbulkannya. Dampak dimaksud adalah posisi keberpihakan pemikiran tersirat darikarya tersebut. Hasil pembahasan menunjukkan, secara temporal maupun permanen MHmenyuarakan ketidakadilan dalam kondisi-kondisi kolonial menyangkut penindasan sangpenjajah terhadap terjajah. Hanya saja, upaya mengatasnamakan atau mewakili suarakaum terjajah terbukti mengimplikasikan ciri ideologis statis kerangka kolonialisme(orientalisme); yakni cara pandang Eropasentris, di mana “Barat” sebagai self adalah superior,dan “Timur” sebagai other adalah inferior. Dalam konteks poskolonialisme, MH dengan sifatkritisnya yang berupaya “menyuarakan” nasib pribumi terjajah, justru menampilkan stigmapenguatan kolonialitas itu sendiri secara hegemonik. Artinya, “menyuarakan” nasib pribumidimaknai sebagai keberpihankan kolonial yang kontradiktif, di mana stigma penguatankolonialitas justru lebih terasa, ujung-ujungnya melanggengkan hegemoni kolonial. Tidakmembela yang terjajah, tetapi memperhalus cara kerja mesin kolonial.AbstractThe hegemony of colonialism in the culture of postcolonial society is the reason this studythen examines the colonial discourse in the novel Max Havellar (MH) in particular the impactit brings. The impact in question is the implied position of thought in the work. The resultsof the discussion show that, temporarily or permanently, MH voiced injustice in the colonialconditions regarding the oppression of the colonist against the colonized. However, the effort toname or represent the voice of the colonized has proven to imply a static ideological characterin the framework of colonialism (orientalism); ie Eropacentric point of view, in which “West” asself is superior, and “East” as the other is the inferior. In the context of postcolonialism, MH withits critical nature that seeks to “voice” the fate of the colonized natives, actually presents thestigma of strengthening coloniality itself hegemonicly. That is, “voicing” the fate of the pribumiis interpreted as a contradictory colonial flare, where the stigma of strengthening colonialityis more pronounced, which ultimately perpetuates the hegemony of colonialism. No longerdefending the colonized, but refining the workings of the colonial machinery.

STUDY OF ORNAMENTS IN HUNTO SULTAN AMAY MOSQUE GORONTALO

ARTic ◽  
2019 ◽  
Vol 4 ◽  
pp. 167-176
Author(s):  
Risti Puspita Sari Hunowu
Keyword(s):  
Qualitative Method ◽  
The Other ◽  
Visual Form ◽  
Research Material ◽  
Other Hand ◽  
The World ◽  
Existing Form ◽  
The City ◽  
Dutch Colonial

This research is aimed at studying the Hunto Sultan Amay Mosque located in Gorontalo City. Hunto Sultan Amay Mosque is the oldest mosque in the city of Gorontalo The Hunto Sultan Amay Mosque was built as proof of Sultan Amay's love for a daughter and is a representation of Islam in Gorontalo. Researchers will investigate the visual form of the Hunto Sultan Amay Mosque which was originally like an ancient mosque in the archipelago. can be seen from the shape of the roof which initially used an overlapping roof and then converted into a dome as well as mosques in the world, we can be sure the Hunto Sultan Amay Mosque uses a dome roof after the arrival of Dutch Colonial. The researcher used a qualitative method by observing the existing form in detail from the building of the mosque with an aesthetic approach, reviewing objects and selecting the selected ornament giving a classification of the shapes, so that the section became a reference for the author as research material. Based on the analysis of this thesis, the form  of the Hunto Sultan Amay mosque as well as the mosques located in the archipelago and the existence of ornaments in the Hunto Sultan Amay Mosque as a decorative structure support the grandeur of a mosque. On the other hand, Hunto Mosque ornaments reveal a teaching. The form of a teaching is manifested in the form of motives and does not depict living beings in a realist or naturalist manner. the decorative forms of the Hunto Sultan Sultan Mosque in general tend to lead to a form of flora, geometric ornaments, and ornament of calligraphy dominated by the distinctive colors of Islam, namely gold, white, red, yellow and green.

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