William Faulkner at Twentieth Century-Fox: The Annotated Screenplays by Sarah Gleeson-White

2017 ◽  
Vol 31 (2) ◽  
pp. 229-231
Author(s):  
D. Matthew Ramsey
2006 ◽  
Vol 41 (1) ◽  
pp. 67-82 ◽  
Author(s):  
ANTHONY HUTCHISON

Aside from William Faulkner it is difficult to think of a white twentieth-century American writer who has negotiated the issue of race in as sustained, unflinching and intelligent a fashion as Russell Banks. Whilst the impulse to produce novels on the grand scale shows little sign of diminishing, authors opting to place race at the very centre of their great American fictions remain relatively rare. With a couple of notable exceptions, most of the major works produced by white American authors over the past decade – whether by elder statesmen such as Updike, DeLillo or Pynchon or younger writers such as Jonathan Franzen and David Foster Wallace – appear to quarantine the topic.


2020 ◽  
pp. 630-634

Born in Fayetteville, North Carolina, Wiley Cash grew up in Gastonia, North Carolina. He earned a BA from the University of North Carolina at Asheville, an MA from the University of North Carolina at Greensboro, and a PhD from the University of Louisiana at Lafayette. At Louisiana, he studied with Ernest Gaines, an influence on his thinking about the importance of place in fiction. Cash identifies early twentieth-century Appalachian author Thomas Wolfe and southern authors William Faulkner, Flannery O’Connor, and Bobbie Ann Mason as other sources of his interest in place....


Author(s):  
George Blaustein

As “American dream” became a cliché in the twentieth century, the contrary refrain of American nightmare was probably inevitable. This book adopts the phrase “nightmare envy” to capture an atmosphere of transatlantic disparity, projection, recrimination, and longing. But the phrase’s ambiguity is deliberate: it isn’t always clear who is envying whom, or for what reason. Examples from Margaret Mead, David Potter, Mary McCarthy, Simone de Beauvoir, and William Faulkner offer variations on the theme. Nightmare Envy and Other Stories proposes an “Americanist century” that stands in curious tension with the American Century heralded by Henry Luce in 1941. The protagonists are the Americanists who negotiated the imperatives of military occupation and cultural diplomacy in Europe, as well as Japan. The introduction closes with one of the paradigmatic figures of the Americanist century, Ralph Ellison, and offers an interpretation of his European fictions, as well as previously unpublished manuscripts.


Tekstualia ◽  
2016 ◽  
Vol 1 (44) ◽  
pp. 9-36
Author(s):  
Edward Kasperski

The article contextualizes William Faulkner’s fi ction in reference to the major twentieth-century tendencies in literary interpretation. Faulkner’s work is characterized by the presence of a series of inherent contradictions: between form and content, puritanism and Nietzschean nihilism, literary achievement and public recognition. This accounts for a variety of interpretative possibilities: Faulkner’s fi ction can be read in different generic contexts, e.g. the Victorian convention of the novel, modernism and postmodernism, as well as through the lenses of a spectrum of theories, including post-colonial studies and Marxism.


2021 ◽  
Vol 3 ◽  
pp. 53-61
Author(s):  
Katarzyna Olewińska

In The Sound and the Fury William Faulkner writes: “Time is dead as long as it is being clicked off by little wheels; only when the clock stops, does time come to life.” The following words relate to the role of memory frames in human life. They also begin the analysis of the ideas of twentieth and twenty-first century philosophers such as Henri Bergson, Martin Heidegger, Paul Ricoeur and David Farrell Krell. Even though there is a strict reference to the Modernist thinkers, the author goes slightly deeper, reminding earlier concepts of Plato, Socrates, Aristotle and Protagoras. The second part of the article has been devoted to the notions connected with time frames and memory such as experiencing of the passage of time, reminding, forgetting, forgiving as well as postmemory.


Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.


2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor

2009 ◽  
Author(s):  
Rajiva Wijesinha
Keyword(s):  

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