Dead is not better: The multiple resurrections of Stephen King’s Revival

2021 ◽  
Vol 12 (2) ◽  
pp. 189-203 ◽  
Author(s):  
Jeffrey Andrew Weinstock

Stephen King’s 2014 novel, Revival, plays with its title in several respects. It is first a familiar Frankenstein-esque narrative about a mad scientist who seeks to revive the dead. It is also, however, about religious revivals, both in the specific sense of the religious gatherings held by minister and main antagonist Charles Jacobs, and in the more general sense of attempting to find something in which to place one’s faith in a world where accidents can claim the lives of loved ones. Beyond this, Revival plays with its title in two more senses. First, it elaborates on the recurring theme in King of existentialist angst precipitated by the death of a child or loved one, which King uses to question God’s benevolence or existence. In order to ask these questions, King also resurrects the spirit of Mary Shelley, taking from Frankenstein the theme of reanimation of the dead. The narrative’s conclusion, however, offers yet another revival as it transitions us from the horror of Shelley to the weird fiction of Arthur Machen and H. P. Lovecraft. Thus, through these various revivals, King’s novel charts the evolution of twentieth- and twenty-first-century horror from Shelley to Lovecraft and our contemporary ‘weird’ moment.

2013 ◽  
Vol 40 (2) ◽  
pp. 115-143 ◽  
Author(s):  
David N. Herda ◽  
Stephen A. Reed ◽  
William F. Bowlin

This study explores the Dead Sea Scrolls to demonstrate how Essene socio-religious values shaped their accounting and economic practices during the late Second Temple period (ca. first century BCE to 70 CE). Our primary focus is on the accounting and commercial responsibilities of a leader within their community – the Examiner. We contend that certain sectarian accounting practices may be understood as ritual/religious ceremony and address the performative roles of the Essenes' accounting and business procedures in light of their purity laws and eschatological beliefs. Far from being antithetical to religious beliefs, we find that accounting actually enabled the better practice and monitoring of religious behavior. We add to the literature on the interaction of religion with the structures and practices of accounting and regulation within a society.


Author(s):  
Lawrence H. Schiffman

This chapter argues that the Writings was an evolving collection of scripture used in a wide variety of ways by the Dead Sea Scrolls community at Qumran (second century bce to first century ce). Though the Hebrew word Ketuvim (Writings) does not occur in the Scroll material, all but one (Esther) of the books contained therein are found. The plentiful and varied textual evidence at Qumran, and occasionally other Judean desert sites, is presented with special attention to the number of biblical and other manuscripts and place found; textual comparisons with the biblical Masoretic text and others (e.g., Septuagint); citations; and other interpretive uses in sectarian documents. The importance of the books in the Writings for the life of the late postexilic community of Qumran and the nature of the Dead Sea Scrolls biblical collection are, together, a constant focus of the study.


2020 ◽  
Vol 69 (2) ◽  
pp. 224-240
Author(s):  
Nita Mathur

The plethora of M. N. Srinivas’s articles and books covering a wide range of subjects from village studies to nation building, from dominant caste in Rampura village to nature and character of caste in independent India, and from prospects of sociological research in Gujarat to practicing social anthropology in India have largely influenced the understanding of society and culture for well over five decades. Additionally, he meticulously wrote itineraries, memoirs and personal notes that provide a glimpse of his inner being, influences, ideologies, thought all of which have inspired a large number of and social anthropologists and sociologists across the world. It is then only befitting to explore the major concerns in the life and intellectual thought of one whose pioneering contributions have been the milestones in the fields of social anthropology and sociology in a specific sense and of social sciences in India in a general sense. This article centres around/brings to light the academic concerns that Srinivas grappled with the new avenues of thought and insights that developed consequently, and the extent of his rendition their relevance in framing/understanding contemporary society and culture in India.


Author(s):  
Peter Schäfer

This chapter focuses on the Self-Glorification Hymn from Qumran, which is among the many writings of the community that had withdrawn from Jerusalem to the Dead Sea and dedicated itself to apocalyptic fantasies of the end of days. The Hymn was written in the late Hasmonaean or early Herodian period, which is, the second half of the first century BCE. In it, an unidentified hero boasts that he was elevated among and even above the angels in heaven. The chapter describes the two parallel fragments of the hymn that take the superior, angel-like status of its author yet further. It analyzes the line, “Who is like me among the divine beings?” which is a rhetorical question that evidently means, “Who else is like me among the angels? Is there anyone else who is as elevated as I am among the angels or above them?”


Author(s):  
Lawrence H. Schiffman

This study examines a number of specific examples of halakhic (Jewish legal) matters discussed in the New Testament that are also dealt with in the Dead Sea Scrolls. This paper compares and contrasts the rulings of these two traditions, as well as the Pharisaic views, showing that the Jewish legal views of the Gospels are for the most part lenient views to the left of those of the Pharisees, whereas those of the Dead Sea Scrolls represent a stricter view, to the right of the Pharisaic views. Ultimately, in the halakhic debate of the first century ce, the self-understanding of the earliest Christians was very different from that of the sect of the Dead Sea Scrolls.


Author(s):  
Duncan Fairgrieve ◽  
Richard Goldberg

The conflict of laws is one of the names given to the subject that deals with the resolution of private law disputes between private law parties where the facts have a connection to more than one legal system. Such situations arise frequently in product liability. For example, a product is assembled in State A using different components manufactured in States B, C, and D. Alternatively, a product is manufactured in State A, placed upon the market in State B, and consumed by the purchaser in State C, causing him injury which requires treatment in State D. In product liability litigation the fact that there are foreign issues means that a lawyer presented with such a case by the claimant must consider additionally three basic and interrelated questions. First, can the desired court hear the case the claimant would present to it? This is the jurisdiction question. If the answer is ‘No’, the claimant’s case will not proceed in that forum but may be able to be presented in another forum. If the answer is ‘Yes’, this means that the rules of jurisdiction may allow the claimant’s case to proceed as desired. The question of jurisdiction has a general and a specific aspect: the court must have the jurisdiction to hear the claim considered both in a general sense and in the specific sense involving the specific parties that the claimant would involve in the litigation he hopes to conduct before it.


Augustinianum ◽  
2019 ◽  
Vol 59 (1) ◽  
pp. 161-197
Author(s):  
Alberto Ferreiro ◽  

Braulio of Zaragoza (c. 585/595-651) was one of the most prolific writers of seventh century Visigothic Spain. The collection of 44 letters that he wrote are a unique and rich depository of information for that era and region of western Christendom. He was a personal adviser to three Visigothic kings, Chinthila and Chindasvinth and Reccesvinth, and he correspondended with his renowned contemporary Isidore of Seville. This study focuses on the letters that he directed at people who had lost a loved one and who needed consolation in their moment of mourning. The letters do not reveal anything about funerary burial practices, but they do yield a rare personal glimpse of what the Church taught about mourning the dead. Personal letters by their very nature are a literary means where peopleexpress their intimate feelings, in this case both those who were the recipients and Braulio who wrote to them. We see the Bishop of Zaragoza at his pastoral best in the letters of consolation written to family and friends who were mourning.


2019 ◽  
Vol 19 (1) ◽  
pp. 107-122
Author(s):  
Máire Áine Ní Mhainnín

Annie Ernaux discovered, at the age of ten, that her sister, Ginette Marie Thérèse Duchesne, had died of diphtheria in 1938, two years prior to Ernaux's birth. Ernaux relates the circumstances of her sister's death and parents' grief in Une femme and in several subsequent texts, culminating in L'Autre fille, a letter addressed to her deceased sister. In the latter text, Ernaux poignantly describes her parents' grief and this article examines Ernaux's perception of her father's mourning processes as depicted across a range of texts. The analysis of Ernaux's writing is informed by Freudian concepts of mourning and grief. According to Freudian theory, when one enters the melancholic stage of grieving, the lost loved one causes a diminishment of the ego. Ginette's death was clearly a profound loss for her father. Ernaux's mother, Blanche, recalls Alphonse Duchesne's reaction: 'mon mari était fou quand il t'a trouvée morte en rentrant de son travail.' (L'Autre fille, p. 16). It is significant, therefore, to note that Alphonse Duchesne, as described by Ernaux, particularly in La Place and La Honte, displays many of the behavioural elements which Freud considered melancholic including a decrease in self-regard – as can be seen through many examples in Ernaux's corpus of her father's abasement, humiliation and emasculation. Our reading of Ernaux's texts will be enhanced by Cathy Caruth's conception of trauma as 'the story of a wound that cries out'. By combining both of these approaches – the melancholia of grief and the trauma of loss – this article engages in a close reading of paternal experience of the death of a child, as related by Ernaux, with a focus on how this impacts on both the physiological and physical self.


1957 ◽  
Vol 4 (1) ◽  
pp. 65-71
Author(s):  
L. E. Toombs

The vigorous discussion to which the discovery of the Dead Sea Scrolls has given rise has usually proceeded on the assumption that documents such as the Manual of Discipline and the War Scroll represent specific nd distinctive teachings of the Qumrân Community. If this is so, we are in possession of an important witness to the life and thought of one relatively small segment of first-century Judaism. But is the horizon of the scrolls necessarily so limited? There are at least two alternatives. (a) Assuming that the Qumrân Community were Essenes, Essenism may still be regarded, even after Qumrân, as a widespread phenomenon with many varied modes of expression, of which the Community at Qumrân was but one. Its library then lets us look at an Essenism which did not come into existence when the buildings at Qumrân were erected, nor perish with their destruction. (b) Even though the documents themselves are sectarian and Essene, many of the ideas contained in them may well have been the objects of common belief outside the sect and outside the wider areas of Essenism. If the type of thought which the Dead Sea Scrolls represent was widely diffused among the general population, we have in these parchments an entry, not into the mind of a small company of recluses alone, but into an important phase of religious thought in the Judaism of the Graeco-Roman period. Should this prove to be true, we shall be able with more confidence to get behind the transforming effect of two unsuccessful revolts against Roman rule, and to see more clearly the true features of popular religion before the wars.


2018 ◽  
Vol 21 (2) ◽  
pp. 31-41
Author(s):  
Richard Shusterman

Somaestetyka i gastronomia Kilka myśli o sztuce jedzeniaRozpatrując estetykę gastronomii, można skupić się na co najmniej trzech odrębnych, choć powiązanych nawzajem elementach. Pierwszym są złożone procesy, doświadczenia i  względy cele i  kryteria przygotowywania pożywienia, do których zaliczyć można dbałość o  sposób podawania jedzenia na talerzu i  stole. Drugim elementem są obiekty spożywcze, jako takie, rozważane pod kątem swych własności — nie tylko w  sensie właściwości odbieranych przez różne narządy zmysłów, lecz także w  sensie szerszych społecznych i  symbolicznych znaczeń pokarmów, a  wśród nich ich wartości odżywczych. Trzecim elementem są rozmaite procesy składające się na konsumpcję pożywienia. Ten trzeci wymiar gastronomii dotyczący spożywania jedzenia można rozumieć jako sztukę jedzenia w  bardziej specyficznym sensie węższym od ogólnego pojęcia sztuki gastronomicznej. To na sztuce jedzenia właśnie skupia się mój artykuł. Co odróżnia zwykły akt jedzenia od sztuki jedzenia? Jakie cechy musi mieć podmiot praktykujący jedzenie jako wyrafinowaną sztukę i  jakim wartościom służy sztuka jedzenia? Jakie elementy przynależą do sztuki jedzenia i  w  jakie sposoby sztuka ta angażuje somatyczny podmiot, wymagając somatycznych umiejętności i  wrażliwości? Jak do lepszego zrozumienia sztuki jedzenia może przyczynić się somaestetyka? W  moim artykule staram się odpowiedzieć na te pytania. Somaesthetics and gastronomy: Reflections on the art of eatingIn considering the aesthetics of gastronomy, one can focus on at least three distinct, though related, elements. First, the complex processes, experiences, and considerations aims and criteria in preparing food, which can include also the preparations for the presentation of food on the plate and table; second, the food objects themselves in terms or their qualities — not only the qualities they present to our various senses but also in terms of their larger social and symbolic meanings which can also include meanings related to nutritional qualities; and third, the various processes involved in the consumption of the food. This third dimension of gastronomy, which concerns the ingestion of food, can be construed as the art of eating in the narrower, more specific sense rather than its general sense of gastronomical art, and it is the focus of my paper. What distinguishes the mere act of eating from an art of eating? What qualities are demanded of the subject who practices eating as a  refined art and what values does the art of eating serve? What are the different elements of the art of eating, and what are the different ways in such art engages the somatic subject and requires somatic skill and sensitivity? How can somaesthetics contribute to a  better understanding of the art of eating? My paper addresses these questions.


Sign in / Sign up

Export Citation Format

Share Document