Struggling for legitimate meaning: Agent–structure dynamics in German filmmaking

2020 ◽  
Vol 16 (3) ◽  
pp. 291-308
Author(s):  
Thomas Wiedemann

Given the state sponsorship of film production in Germany, this article examines general mechanisms in the formation of meaning in German filmmaking. With reference to Schimank’s framework of agent–structure dynamics and based on a constructivist understanding of the world, the results of 97 expert interviews with screenwriters, directors, producers, distributors, cinema theatre operators, funding representatives and public television editors, as well as document analyses, show that the medium’s construction of reality is anything but unconditioned. On the contrary, due to the fundamental role of film funding and public television in the agent constellations intertwined with social structures that shape the film production process in Germany, the medium’s key communicators are confronted with expectations that go far beyond economic parameters. More precisely, the article reveals that German filmmaking reflects a political dimension, and expresses hierarchies and constraints that prompt struggles for legitimate meaning and challenge any autonomous practice in the field.

Author(s):  
Lamia Askar Guliyeva

The article examines the role of UNESCO in the modern global cultural processes, with the specific focus on Azerbaijan. The mankind owes awakening of a genuine interest in key global problems of a new rank at the turn of the 20th–21st centuries primarily to the leading social structures. While the entire civil society of the world today is being challenged, it is gratifying to know that some structures accept and respond to such challenges. In our opinion, UNESCO, being a representative, authoritative, and prestigious organization, isthe most striking example ofsuch effective response. The paper examines the permanent public forums in the field ofscience, culture, and education that are directly supervised by the largest international non-governmental organizations, namely, UNESCO.


2021 ◽  
Vol 16 (1) ◽  
pp. 79-102
Author(s):  
N. V. Veselkova

The article provides an experience of reflexive reading of the autobiographical book of the Ural “peasant – worker” Agrippina Korevanova “My Life”, published in 1936 by the Moscow publishing house “History of Plants”, using the method of analyzing the narrative through ‘four readings’, focusing attention step by step on the plot and the reader’s reaction, the narrator’s I and the voices of Others, on cultural contexts and social structures. Press responses, Korevanova’s correspondence with publishers and other archival materials are used as context. A special place in this large hypertext is occupied by the revised work within the educational student project of the Ural Federal University, published in 2020 under the title “Her Life”. It focuses on the relevance of trauma talk and Agrippina’s purely personal life story, which gives a basis for polemical discussion. The peculiarity of the narrative, which at one time “did not give in” to such venerable editors as A. Tikhonov and M. Gorky, and which modern publishers are trying to eliminate, is the lack of coherence and consistency. According to the author of the article, this characteristic incoherence highlights the desire inherent in the construction of the text to combine the passive role of the heroine with her inexhaustible activity. The main and most interesting topic seems to be writing and, more broadly, mastery of the word. Korevanova struggled to enter the world of literature and it is in this field that the rejection of her auto heroine and her own are most dramatic: unrequited requests for help in “writing” (preserved in her archival fund), and difficult relations with the local writing community, and, finally, the multiple edits and shortenings that haunt the work today as well as in 1930s.


2019 ◽  
pp. 227-237
Author(s):  
Olga Zotova ◽  
Lyudmila Tarasova

The paper demonstrates the role of psychological security in the process of cross-national interaction. The condition of psychological security can reduce barriers, giving people an opportunity of interacting freely with the world around them. Criteria and indicators of ethnic identity formation were developed, depending on the degree of intensity of individual’s psychological security; these were classified into cognitive, affective and behavioral components and considered at two levels: in relation to oneself and to others. A series of expert interviews was conducted based on the developed system of criteria and indicators of ethnic identity transformation. During this interview series, experts were offered to identify the most significant criteria of individual’s ethnic identity transformation, in their view, depending on the degree of his/her psychological security. To identify the most relevant criteria in experts’ opinion, a variation coefficient was calculated for each of the criteria, and its weight was identified based on experts’ estimates. Contentbased, procedural and discursive features of ethnic identity transformation under condition of cross-national relations were identified, along with their dependency on psychological security.


Comunicar ◽  
2005 ◽  
Vol 13 (25) ◽  
pp. 33-44 ◽  
Author(s):  
Agustín García-Matilla

In 2005, the current socialist government has set out to undertake the greatest update in broadcasting policy since 1956, the moment in which television was born in Spain. This transformation is related to the quick digital reconversion that television has suffered in the latest years. Despite the changes in the law and some reasons to be optimistic about technological development in a recent future the television of the 21st century can not do without being profitable in a social, cultural and educative sense. This is a challenge which many countries have not faced yet and Spain is among these countries. Some models of public television in the world have consolidated proposals of broadcasting contents that make a priority out of the cultural and educative role of television. España inició el siglo XXI con un sistema televisivo sometido a una evidente dispersión legislativa, denunciado por infinidad de instancias por la baja calidad de los contenidos ofrecidos por las diversas ofertas televisivas, una televisión pública exageradamente endeudada y que relegaba los objetivos de servicio público a un papel secundario frente a la utilización partidista de los espacios informativos y un irregular desarrollo de las ofertas de televisión de pago. En 2005, el gobierno socialista ha asumido la mayor actualización legislativa coordinada en materia audiovisual. Han pasado casi 50 años desde el inicio de las emisiones televisivas. Este cambio no afecta sólo al ámbito de la televisión pública sino que además lleva aparejada una transformación global del marco de leyes que contribuirá al desarrollo de la radiotelevisión digital que se impondrá tras el apagón analógico previsto para 2010. Los cambios se ven guiados por la convergencia tecnológica y también por la imperiosa necesidad de atajar ese gran lastre que ha significado tener que pensar hasta hace poco tiempo en una radiotelevisión del pasado. La televisión que ya deberíamos estar viviendo en presente continuo debe concebirse desde las potencialidades que abre la transformación digital y el desarrollo de estrategias multimedia.


2012 ◽  
pp. 109-115
Author(s):  
Farhanaz Rabbani

As the world sails into the second decade of the new millennium, more and more people are beginning to realize the importance of folk art, their elegance and beauty. Contemporary art is a reflection of the seeds sown by folk art in different cultures hundreds of years ago. But apart from just being traditional, folk art has a significant socio-political dimension. In this paper, folk art stands as a representation of the mass public which expresses itself as popular culture. According to Ang, the ‘populist aesthetic’ is “based on an affirmation of the continuity of cultural forms and daily life, and on a deep- rooted desire for participation, and on emotional involvement” (274). This paper will focus on the distinctive nature and role of popular folk art- the Bangladeshi Jatra and the Japanese Kabuki, which originated from the populist aesthetic of two very different cultures. Although Bangladeshi and Japanese cultures are varied, they have some common grounds on which oral or “dialogue drama” flourished as ‘performance’ among the underprivileged masses. DOI: http://dx.doi.org/10.3329/afj.v4i0.12935 The Arts Faculty Journal Vol.4 July 2010-June 2011 pp.109-115


2020 ◽  
Vol 210 ◽  
pp. 16025
Author(s):  
Tatyana Bespalova ◽  
Maxim Bakhtin ◽  
Elena Sviridkina ◽  
Vladimir Lepekhin

The need to form a new political philosophy is associated with modern challenges and threats that require large-scale ordering of the world of chaos and absurdity, an adequate response to the era of "post-truth" in order to preserve the national identity of peoples, cultures, civilizations, as well as the essential features of the person himself. The instability of international relations caused by the collapse of the bipolar world has given rise to the need to create a more stable polycentric world. Countering terrorism led to the formation of anti-terrorist coalitions at the international level and for a certain time brought the world community together in the fight against a common threat. However, no one expected that the new type of war would become another test for the development of a common strategy of counteraction by mankind, requiring a rethinking of the role of man in modern political processes. Schmitt's "friend-foe" confrontation may acquire a different content in the 21st century, when man himself becomes his own enemy, since the products of his military-political and scientific activities endanger the life of all mankind. Russia's response to new political threats can be the development of a new value role of man in the emerging world order, which is possible on condition of world recognition of the civilizational originality of the Russian historical path, building a dialogue of civilizations, as well as the implementation of three ideologies in the new political dimension - patriotism, socialism, environmentalism.


1998 ◽  
pp. 124-127
Author(s):  
V. Tolkachenko

One of the most important reasons for such a clearly distressed state of society was the decline of religion as a social force, the external manifestation of which is the weakening of religious institutions. "Religion," Baha'u'llah writes, "is the greatest of all means of establishing order in the world to the universal satisfaction of those who live in it." The weakening of the foundations of religion strengthened the ranks of ignoramuses, gave them impudence and arrogance. "I truly say that everything that belittles the supreme role of religion opens way for the revelry of maliciousness, inevitably leading to anarchy. " In another Tablet, He says: "Religion is a radiant light and an impregnable fortress that ensures the safety and well-being of the peoples of the world, for God-fearing induces man to adhere to the good and to reject all evil." Blink the light of religion, and chaos and distemper will set in, the radiance of justice, justice, tranquility and peace. "


1997 ◽  
pp. 3-8
Author(s):  
Borys Lobovyk

An important problem of religious studies, the history of religion as a branch of knowledge is the periodization process of the development of religious phenomenon. It is precisely here, as in focus, that the question of the essence and meaning of the religious development of the human being of the world, the origin of beliefs and cult, the reasons for the changes in them, the place and role of religion in the social and spiritual process, etc., are converging.


2005 ◽  
pp. 72-89 ◽  
Author(s):  
Ya. Pappe ◽  
Ya. Galukhina

The paper is devoted to the role of the global financial market in the development of Russian big business. It proves that terms and standards posed by this market as well as opportunities it offers determine major changes in Russian big business in the last three years. The article examines why Russian companies go abroad to attract capital and provides data, which indicate the scope of this phenomenon. It stresses the effects of Russian big business’s interaction with the world capital market, including the modification of the principal subject of Russian big business from integrated business groups to companies and the changes in companies’ behavior: they gradually move away from the so-called Russian specifics and adopt global standards.


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