Introduction

Author(s):  
Mark Newman

As an institution, the Catholic Church in the South did not challenge prevailing race relations in the United States until the second half of the twentieth century. The southern Catholic Church participated in slavery and defended the practice while urging masters to manage their slaves with compassion. When the South adopted segregation laws in the late nineteenth and early twentieth centuries, southern prelates began establishing churches and schools for African Americans. Although the Vatican permitted these racially separate institutions, in the 1930s it exerted growing pressure on the southern Catholic hierarchy to address racial discrimination and foster black evangelism. The papacy also endorsed the doctrine of the Mystical Body of Christ, which heavily influenced American Catholic advocates of racial equality, including some active in the Catholic Committee of the South that focused on the region’s economic, social and political problems.

Author(s):  
Mark Newman

The chapter compares the response of the Catholic Church in the South to desegregation with that of the region’s larger white denominations: the Southern Baptist Convention, the Methodist Church, the Presbyterian Church in the United States, the Protestant Episcopal Church, and the Presbyterian Church in the United States of America. It also makes comparisons with Catholics outside the South and with southern Jews, a minority, like Catholics, subject to suspicion and even hostility from the Protestant majority, and with the Northern (later American) Baptist Convention and the Disciples of Christ, both of which had a substantial African American membership. The comparison suggests that white lay sensibilities, more than polity or theology, influenced the implementation of desegregation in the South by the major white religious bodies. Like the major white Protestant denominations, Catholic prelates and clergy took a more progressive approach to desegregation in the peripheral than the Deep South.


1967 ◽  
Vol 24 (2) ◽  
pp. 107-121 ◽  
Author(s):  
Kenneth J. Grieb

The administration of Warren G. Harding found itself facing the issue of Central American Union when it assumed office in March, 1921. Central Americans had debated combination since independence, and the question came to the fore periodically, resulting in numerous attempts to reunite the isthmus. But the previous proposals had all faltered when governments favoring confederation were overthrown. The issue was periodically revived whenever renewed coups returned pro-union regimes to power in several of the countries. In this way the debate continued throughout the late nineteenth and early twentieth century, ebbing and flowing with the frequent revolutions, coups, and counter coups that constituted Central American politics.


Author(s):  
Robert Jackson

Chapter 5 examines lynching, a longstanding practice in the United States that became more regionally associated with the South in the late nineteenth century, as a force in film history from the earliest days of the medium through a cycle of anti-lynching films during the years around midcentury. Paradoxically, the Western genre is important here, absorbing many of the common rituals and generating a powerful ideological defense of lynching. During different periods across this half-century, different attitudes about lynching led to a variety of film representations, culminating with a number of films in the late 1930s and beyond questioning both lynching and its cinematic traces.


2005 ◽  
Vol 30 (1) ◽  
pp. 49-59 ◽  
Author(s):  
CHARLOTTE CANNING

The emergence of the director is usually seen as a crucial moment in late nineteenth-, early twentieth-century theatre history. Traditionally, the narrative of that emergence has focused on the director as a sole heroic individual, usually male. This article questions how that figure and those practices have been historicized. That historicization process has been (and continues to be) a disciplinary demonstration of power marked by the concomitant political operations of personal, geographical, and institutional identifications and affiliations. The specific political operation explored here is that of gender as the primary identification of the figures, institutions, and arguments. The thirty-year collaboration of Edith Isaacs and Rosamond Gilder on Theatre Arts, the primary voice in the United States for the reform of the theatre during the era that saw both the emergence of the director and the celebration of that emergence as the pinnacle of theatrical achievement is the example on which the article focuses. Gilder was Isaacs's assistant and successor, and she was also the author of Enter the Actress, the first book to create a history for women in the theatre. In three parts the article demonstrates how focusing on the journal, the collaboration, and the book offer a new conception of the director's history.


Author(s):  
Yatsiv I. V.

The article is devoted to the evaluation of scientific works of the well - known in the Ukrainian diaspora musicologist and publicist Myron Fedoriv in the context of the preservation of national song traditions outside the ethnic territory. The information on the most important theoretical achievements of the scientist is given, the place and value of activity of the cultural public figure in the history of musical and choral culture of Ukraine and the western diaspora is defined. The author notes that Myron Fedoriv lived most of his life in the United States. He left a large amount of musical material and theoretical works in the history of Ukrainian choral culture, so he stopped the destruction of song traditions and examples of canonical liturgical singing in Ukrainian churches of the diaspora. In his works, Myron Fedoriv wrote that the singing tradition is the basis of the Ukrainian national spiritual culture, and therefore it should be preserved in the Ukrainian Catholic Church in America. As a result, the musicological heritage of Myron Fedoriv is very valuable for the Ukrainian musical culture of the twentieth century. Thus, its activities deserve more detailed study.


Author(s):  
Duncan Bell

This chapter sketches a synoptic intellectual history of the attempt to unify the constituent elements of the “Anglo-world” into a single globe-spanning community, and to harness its purported world-historical potential as an agent of order and justice. Since the late nineteenth century numerous commentators have preached the benefits of unity, though they have often disagreed on the institutional form it should assume. These are projects for the creation of a new Anglo century. The first two sections of the chapter explore overlapping elements of the fin de siècle Anglo-world discourse. The third section traces the echoes of debates over the future relationship between the empire and the United States through the twentieth century, discussing the interlacing articulation of imperial-commonwealth, Anglo-American, democratic unionist, and world federalist projects. The final section discusses contemporary accounts of Anglo-world supremacy.


2020 ◽  
pp. 1-20
Author(s):  
Katherine D. Moran

This chapter begins with an overview of George Everett Adams's and Helen Taft's speeches, which they delivered as Protestants in a country that was increasingly home to a large and growing Catholic minority. It argues that Adams's and Taft's speeches were part of a much larger religious pattern in the late nineteenth and early twentieth centuries. In the ongoing currents of anti-Catholicism in U.S. culture, many late nineteenth- and early twentieth-century Protestants joined their Catholic compatriots in speaking with nostalgia and admiration about the figures and institutions of Roman Catholic exploration and evangelization. The chapter also describes how men and women celebrated idealized versions of Catholic imperial pasts as the United States grew into a global power. It traces Catholic origin stories that emerged in three different sites and circumstances: the upper Midwest, Southern California, and the U.S. colonial Philippines.


Author(s):  
Wendy Kline

In the late nineteenth century, as fears of contamination latched onto eugenic anxieties about racial degeneration, the medical regulation of foreigners attempting to enter the United States became particularly intense. Ideas about contagion and degeneration characterized the medical regulation of immigrants around the turn of the twentieth century, and many of these ideas remain with us today.


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