scholarly journals PRESERVATION THE TRADITIONS OF UKRAINIAN SPIRITUAL CHOIR CULTURE IN MUSIC SCIENTIFIC RESEARCH BY MYRON FEDORIV

2021 ◽  
Author(s):  
Yatsiv I. V.
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Catholic Church ◽  
Scientific Research ◽  
The United States ◽  
Musical Culture ◽  
Public Figure ◽  
Spiritual Culture ◽  
History Of ◽  
Ukrainian Catholic

The article is devoted to the evaluation of scientific works of the well - known in the Ukrainian diaspora musicologist and publicist Myron Fedoriv in the context of the preservation of national song traditions outside the ethnic territory. The information on the most important theoretical achievements of the scientist is given, the place and value of activity of the cultural public figure in the history of musical and choral culture of Ukraine and the western diaspora is defined. The author notes that Myron Fedoriv lived most of his life in the United States. He left a large amount of musical material and theoretical works in the history of Ukrainian choral culture, so he stopped the destruction of song traditions and examples of canonical liturgical singing in Ukrainian churches of the diaspora. In his works, Myron Fedoriv wrote that the singing tradition is the basis of the Ukrainian national spiritual culture, and therefore it should be preserved in the Ukrainian Catholic Church in America. As a result, the musicological heritage of Myron Fedoriv is very valuable for the Ukrainian musical culture of the twentieth century. Thus, its activities deserve more detailed study.

scholarly journals PRESERVATION OF THE TRADITIONS OF RELIGIOUS-RITIAL ART OF THE UKRAINIAN WESTERN DIASPORA IN THE OBJECT OF MUSICAL RESEARCHES BY MYRON FEDORIV

2020 ◽  
Vol 1 ◽  
pp. 226-231
Author(s):  
Iryna Yatsiv
Keyword(s):  
United States ◽  
Choral Music ◽  
Catholic Church ◽  
Research Problem ◽  
The United States ◽  
Evidence Base ◽  
Musical Culture ◽  
History Of ◽  
The Guardian ◽  
First Time

The article is devoted to the analysis of scientific works of the well-known in the Ukrainian diaspora musicologist and publicist Myron Fedoriv in the context of preservation of the national song traditions outside ethnic territory. It provides information about the most important theoretical achievements of the scientist in the field of musicology, and defines the place and significance of activity of the cultural public figure and scientist in the history of musical and choral culture of Ukraine and the western diaspora. The aim of the article is the analysis of Myron Fedoriv’s musicological heritage in the context of conservation problems of the national song and choral tradition in the cultural environment of the Ukrainian emigration. Research methods аrе based on biographical, culturological, and musicological approaches, with the help of which theoretical analysis, synthesis and systematization of data from archival sources and literature were carried out within the framework of the research problem, as an evidence base for solving the goal Results. Myron Fedorіv is a Ukrainian composer, publicist and musicologist who lived in the United States most of his life. He left a large amount of musical material and theoretical works in the history of Ukrainian choral culture, so he stopped the destruction of song traditions and samples of canonical liturgical singing in the Ukrainian churches in the diaspora. In his works, M. Fedorіv wrote that the singing tradition is the basis of the Ukrainian national spiritual culture, and therefore it should be preserved in the Ukrainian Catholic Church in America. As a result, the musicological heritage of M. Fedoriv is very valuable for the history of the Ukrainian musical culture of the twentieth century. M. Fedoriv was the guardian of the traditions of Ukrainian song culture and choral music in the art of the Ukrainian diaspora in the United States. Thus, his activity deserves a more detailed study. Novelty. For the first time scientific musicological works by M. Fedoriv are presented as a theoretical and methodological basis in the process of preserving the national singing traditions in the Ukrainian Western Diaspora.

A Century of America on Chinese Screens

2010 ◽  
Vol 17 (4) ◽  
pp. 305-323 ◽  
Author(s):  
Zhiwei Xiao
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Print Media ◽  
The United States ◽  
Sharp Contrast ◽  
American People ◽  
Early Twentieth Century ◽  
History Of ◽  
Chinese Films ◽  
New Millennium

AbstractNo serious study has been published on how Chinese filmmakers have portrayed the United States and the American people over the last century. The number of such films is not large. That fact stands in sharp contrast not only to the number of "China pictures" produced in the United States, which is not surprising, but also in contrast to the major role played by Chinese print media. This essay surveys the history of Chinese cinematic images of America from the early twentieth century to the new millennium and notes the shifts from mostly positive portrayal in the pre-1949 Chinese films, to universal condemnation during the Mao years and to a more nuanced, complex, and multi-colored presentation of the last few decades.

Versatile and cheap: a global history of soy in the first half of the twentieth century

2013 ◽  
Vol 8 (3) ◽  
pp. 461-482 ◽  
Author(s):  
Ines Prodöhl
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Second World War ◽  
Cash Crop ◽  
The Great Depression ◽  
Production And Consumption ◽  
Transnational Actors ◽  
History Of ◽  
Second World

AbstractThis article traces the complex and shifting organization of soy's production and consumption from Northeast China to Europe and the United States. It focuses on a set of national and transnational actors with differing interests in the global and national spread of soybeans. The combination of these actors in certain spatiotemporal contexts enabled a fundamental change in soy from an Asian to an American cash crop. At the beginning of the twentieth century, soy rapidly became Northeast China's cash crop, owing to steadily increasing Western demand. However, the versatility of soy – and soy oil in particular – offered a highly successful response to the agricultural and industrial challenges that the United States faced during the Great Depression and the Second World War. By the end of the war, American farmers in the Midwest cultivated more soybeans than their Chinese counterparts.

The Cambridge History of America and the World

2021 ◽  
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Military Power ◽  
American Empire ◽  
Global Power ◽  
Cultural Terms ◽  
The World ◽  
Fourth Volume ◽  
History Of

The fourth volume of The Cambridge History of America and the World examines the heights of American global power in the mid-twentieth century and how challenges from at home and abroad altered the United States and its role in the world. The second half of the twentieth century marked the pinnacle of American global power in economic, political, and cultural terms, but even as it reached such heights, the United States quickly faced new challenges to its power, originating both domestically and internationally. Highlighting cutting-edge ideas from scholars from all over the world, this volume anatomizes American power as well as the counters and alternatives to 'the American empire.' Topics include US economic and military power, American culture overseas, human rights and humanitarianism, third-world internationalism, immigration, communications technology, and the Anthropocene.

Redefining Censorship

2018 ◽  
Vol 51 (2) ◽  
pp. 134-142
Author(s):  
Esther B. Schupak
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Emotional Valence ◽  
The United States ◽  
Educational Choice ◽  
Merchant Of Venice ◽  
The Past ◽  
The Merchant Of Venice ◽  
Film Images ◽  
History Of

Abstract Because of its potential for fostering antisemitic stereotypes, in the twentieth century The Merchant of Venice has a history of being subject to censorship in secondary schools in the United States. While in the past it has often been argued that the play can be used to teach tolerance and to fight societal evils such as xenophobia, racism and antisemitism, I argue that this is no longer the case due to the proliferation of performance methods in the classroom, and the resultant emphasis on watching film and stage productions. Because images – particularly film images – carry such strong emotional valence, they have the capacity to subsume other pedagogical aspects of this drama in their emotional power and memorability. I therefore question whether the debate over teaching this play is truly a question of ‘censorship’, or simply educational choice.

Introduction

2018 ◽  
pp. 1-16
Author(s):  
Laura Harris
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Middle Class ◽  
Social Theory ◽  
The United States ◽  
Theory And Practice ◽  
Aesthetic Theory ◽  
Avant Garde ◽  
History Of ◽  
Visual Artist

In Experiments in Exile, I explore and compare projects undertaken by two twentieth-century American intellectuals while they lived in voluntary exiles in the United States: the Trinidadian writer and revolutionary C. L. R. James and the Brazilian visual artist and counterculturalist Hélio Oiticica. James and Oiticica never met. They lived and worked in the United States at different moments. My focus is on James’s stay during the 1940s and on Oiticica’s stay during the 1970s. Given the significant differences between them—not just at the level of nationality but at the level of race (James was black, Oiticica was white), class (James was situated within a precarious middle class, Oiticica was firmly established within an upper middle class), sexuality (James was straight, Oiticica was gay), and disciplinary locations (James is generally situated in the history of radical social theory and practice, and Oiticica is generally situated in the history of avant-garde aesthetic theory and practice)—this is surely an unlikely combination. This study is itself an experiment, one that goes beyond the usual parameters of comparativist or transnational research, to identify, in the surprising resonances between the projects pursued by these two very disparate figures, a common project I believe they, together, bring into relief....

Butter Sculpture: The History of an Unconventional Medium

2019 ◽  
Vol 68 (4) ◽  
pp. 40-59
Author(s):  
Pamela H. Simpson
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Dairy Industry ◽  
The United States ◽  
National Brands ◽  
History Of ◽  
Ancient Food

With its roots in ancient food molds and table art for Renaissance banquets, butter sculpture in the United States debuted during the centennial and flourished in the first quarter of the twentieth century. As the dairy industry moved from farm to regional cooperative creameries and eventually to national brands, butter sculpture appeared at fairs and expositions. Both amateur and professional sculptors used this unusual medium for busts and portraits, dairy-related subjects, and models of buildings. The ephemeral nature of the medium and the novelty of food as art drew crowds to exhibits advertising butter as the natural, healthy alternative to oleomargarine.

scholarly journals The Secret Life of Statutes: A Century of the Trading with the Enemy Act

2018 ◽  
Vol 1 (2) ◽  
pp. 151-172 ◽  
Author(s):  
Benjamin A. Coates
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Economic Sanctions ◽  
The United States ◽  
War And Peace ◽  
American Power ◽  
History Of ◽  
The Law ◽  
National Emergency ◽  
American State

In 1917 Congress passed the Trading with the Enemy Act to prevent trade with Germany and the Central Powers. It was a wartime law designed for wartime conditions but one that, over the course of the following century, took on a secret, surprising life of its own. Eventually it became the basis for a project of worldwide economic sanctions applied by the United States at the discretion of the president during times of both war and peace. This article traces the history of the law in order to explore how the expansion of American power in the twentieth century required a transformation of the American state and the extensive use of executive powers justified by repeated declarations of national emergency.

Operation Pedro Pan: The Migration of Unaccompanied Cuban Children to the United States, 1960–1962

2017 ◽  
Author(s):  
Anita Casavantes Bradford
Keyword(s):  
United States ◽  
Cold War ◽  
Catholic Church ◽  
The United States ◽  
Federally Funded ◽  
Difficult Decision ◽  
History Of ◽  
Children’S Homes ◽  
Pedro Pan ◽  
The Cold War

Between the autumn of 1960 and October of 1962, the parents of more than fourteen thousand Cuban children made the difficult decision to send their children alone to the United States, where a young Irish immigrant priest, Father Bryan O. Walsh, arranged for them to be cared for by U.S. foster homes and in Catholic children’s homes and orphanages. The Cuban children’s exodus would later become known as Operation Pedro Pan; the federally funded and Catholic Church–administered program that was established to care for these children would be called the Cuban Children’s Program. Their interconnected trajectories are central to the history of post-revolutionary Cuba and of the Miami Cuban exile community, and shed important light on U.S.-Cuba and U.S.-Latin America relations during the height of the Cold War.

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