Cultural Motifs Persist

Author(s):  
Jenny M. Luke

After a general overview of childbirth’s shift to hospital in the early decades of the twentieth century from a national perspective, the chapter narrows its focus to the Jim Crow South. The cultural motifs established during slavery are highlighted as features of African American lay midwifery. A religious calling, an intergenerational female connectedness, and authority to practice were inherent characteristics of the midwife’s role.

Author(s):  
Jenny M. Luke

As one explanation for the longevity and centrality of lay midwifery in southern childbirth culture, chapter 11 focuses on the lack of medical support and hospital facilities available to African Americans in the Jim Crow South. It reaches back to the early twentieth century and examines the challenges faced by black medical schools and hospitals, and the establishment of the National Medical Association. The problems associated with segregated facilities and the consequences of the Hill-Burton Act failed to ease the pressures on the black medical profession. The Slossfield Community Center in Birmingham Alabama is used as a case study to emphasize the both the obstacles faced by black hospitals and physicians, and the benefits of a holistic, interdisciplinary approach to wellness.


Author(s):  
Will Cooley

This chapter examines the historical evolution of Chicago’s African American underground economy. During the first decades of the twentieth-century games of chance associated with cards and dice were the primary source of gambling revenue in black Chicago. By the early 1930s, this facet of the underground economy had been surpassed by policy, also referred to as “the numbers game.” An important linkage between these two periods was that gambling proprietors funneled some of their profits back into the larger community. Later in the twentieth century, gang-controlled drug trafficking became the primary manifestation of black Chicago’s underground economy. Unlike the earlier period’s relatively violence-free focus on games of chance, the selling of illicit drugs by street gangs turned black Chicago into a battleground.


2019 ◽  
Vol 54 (1) ◽  
pp. 51-58
Author(s):  
PATRICIA A. CAHILL

This essay examines the political significance of the career of Atlanta-based Shakespearean Adrienne McNeil Herndon in the early twentieth century. It contextualizes Herndon's writing in the activist journal Voice of the Negro and elucidates the radicalism of Herndon's Shakespeare work at Atlanta University and beyond. More broadly, the essay shows how Herndon's performances and pedagogy – especially her focus on elocution work, bodily expressivity, domestic spaces, and visual culture – repeatedly challenged the white supremacist culture of the Jim Crow South, offering black Americans a way to resist racial terrorism and endure racial trauma.


Author(s):  
Karen L. Cox

In 1932, the city of Natchez, Mississippi, reckoned with an unexpected influx of journalists and tourists as the lurid story of a local murder was splashed across headlines nationwide. Two eccentrics, Richard Dana and Octavia Dockery—known in the press as the “Wild Man” and the “Goat Woman”—enlisted an African American man named George Pearls to rob their reclusive neighbor, Jennie Merrill, at her estate. During the attempted robbery, Merrill was shot and killed. The crime drew national coverage when it came to light that Dana and Dockery, the alleged murderers, shared their huge, decaying antebellum mansion with their goats and other livestock, which prompted journalists to call the estate “Goat Castle.” Pearls was killed by an Arkansas policeman in an unrelated incident before he could face trial. However, as was all too typical in the Jim Crow South, the white community demanded “justice,” and an innocent black woman named Emily Burns was ultimately sent to prison for the murder of Merrill. Dana and Dockery not only avoided punishment but also lived to profit from the notoriety of the murder by opening their derelict home to tourists. Strange, fascinating, and sobering, Goat Castle tells the story of this local feud, killing, investigation, and trial, showing how a true crime tale of fallen southern grandeur and murder obscured an all too familiar story of racial injustice.


2018 ◽  
Vol 44 (2) ◽  
pp. 153-168
Author(s):  
Julie Davidow

As the twentieth century dawned, social and political reformers increasingly identified the growing black population in Philadelphia as an important underpinning of the city’s corrupt Republican political machine. This article explores the ways in which Philadelphia’s urban political corruption narrative, with its pointed attacks on black partisanship and electoral participation, developed in dialogue with white southerners’ campaigns to frame Reconstruction as a perversion of democracy. Rather than simply solidifying Jim Crow in the South, northern reformers and southern moderates borrowed from each other to shape and articulate an emerging national consensus that African Americans were unfit for full participation in the body politic.


Author(s):  
Seth Kotch

focuses on the transition from local public hangings to state-controlled electrocutions in North Carolina in the early twentieth century. The chapter addresses the impact of this shift on African American communities. Although the death penalty had long served as an instrument of racial control, the ritual of a local hanging nevertheless had allowed the condemned and black witnesses a public space to express religious convictions and honor the condemned’s suffering. Once the state seized control of this ritual, African Americans were largely excluded as witnesses. The modern death penalty thus came to represent the racial subjugation of Jim Crow, indeed having more in common with lynchings than legal hangings had.


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