Focus on Yerby

2020 ◽  
pp. 3-26
Author(s):  
Catherine L. Adams
Keyword(s):  
Twentieth Century ◽  
Alma Mater ◽  
Teaching And Research ◽  
Fertile Ground ◽  
New Generation

This chapter explores teaching Yerby at his alma mater, a project rooted in a necessity to positively impact and inspire a new generation of students to read, write, and research the school’s most famous literary alumnus. The multi-year engagement with Yerby’s work involved students, faculty, and the community. With a writing career that spanned more than half of the twentieth century, Frank Yerby’s work has sporadically emerged as fertile ground for teaching and research at Paine College. The archives at Paine include correspondence between Yerby and his editor, Bob Cornfield, at Dial Press. Also included are programs and articles that document Yerby’s early connections to his former English professor, Emma C. W. Gray, Paine College’s President, E.C. Peters, and then reconnections that begin with President E. Clayton Calhoun (the last white president of the Paine College) in the mid-60s.

Studying Modern Arabic Literature

2015 ◽  
Keyword(s):  
Twentieth Century ◽  
Arab World ◽  
Public Intellectual ◽  
Arabic Literature ◽  
Global Culture ◽  
The West ◽  
Teaching And Research ◽  
The Face ◽  
The 1960S ◽  
Modern Arabic

This book is devoted to the life and academic legacy of Mustafa Badawi who transformed the study of modern Arabic literature in the second half of the twentieth century. Prior to the 1960s the study of Arabic literature, both classical and modern, had barely been emancipated from the academic approaches of orientalism. The appointment of Badawi as Oxford University's first lecturer in modern Arabic literature changed the face of this subject as Badawi showed, through his teaching and research, that Arabic literature was making vibrant contributions to global culture and thought. Part biography, part collection of critical essays, this book celebrates Badawi's immense contribution to the field and explores his role as a public intellectual in the Arab world and the west.

Unrevolutionary Mexico

2021 ◽  
Author(s):  
Paul Gillingham
Keyword(s):  
Twentieth Century ◽  
Latin America ◽  
Mexican Revolution ◽  
Cultural Control ◽  
Partido Revolucionario Institucional ◽  
Authoritarian State ◽  
Entry Points ◽  
Low Culture ◽  
New Generation

Unrevolutionary Mexico addresses how the Mexican Revolution (1910-1940) turned into a capitalist dictatorship of exceptional resilience. While soldiers seized power across the rest of Latin America, in modern Mexico the civilians of a single party moved punctiliously in and out of office for seventy-one years. The book uses the histories of the states of Guerrero and Veracruz as entry points to explore the origins and consolidation of this unique authoritarian state on both provincial and national levels. An empirically rich reconstruction of over sixty years of modernization and revolution (1880-1945) revises prevailing ideas of a pacified Mexico and establishes the 1940s as a decade of faltering governments and enduring violence. The book then assesses the pivotal changes of the mid-twentieth century, when a new generation of lawyers, bureaucrats and businessmen joined with surviving revolutionaries to form the Partido Revolucionario Institucional, which held uninterrupted power until 2000. Thematic chapters analyse elections, development, corruption and high and low culture in the period. The central role of military and private violence is explored in two further chapters that measure the weight of hidden coercion in keeping the party in power. In conclusion, the combination of provincial and national histories reveals Mexico as a place where soldiers prevented coups, a single party lost its own rigged elections, corruption fostered legitimacy, violence was concealed but decisive, and ambitious cultural control co-existed with a critical press and a disbelieving public. In conclusion, the book demonstrates how this strange dictatorship thrived not despite but because of its contradictions.

SENTIMENT AND MATERIALITY IN LATE VICTORIAN BOOK COLLECTING

2015 ◽  
Vol 43 (4) ◽  
pp. 785-820
Author(s):  
David C. Hanson
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Systematic Study ◽  
Book Collecting ◽  
The Mind ◽  
New Generation ◽  
Bibliographic Study

In the first half of the twentieth century, analytic bibliographers in Britain turned their attention to the systematic study of the nineteenth-century book. Developing their subject, they felt compelled to distance themselves from the Victorian book collector, who touched off a “suspicion . . . deeply ingrained in the mind of scholars and librarians” (Sadleir, “Development” 147). A new generation of bibliographers – Michael Sadleir, John Carter, and Graham Pollard – acknowledged that Victorian collecting had laid the foundations for the bibliographic study of books by “modern” (i.e., nineteenth-century) writers, as opposed to incunabula, the traditional focus of British book collecting. The contribution was regarded as fundamentally flawed, however, owing to a “sentimental element” in Victorian collecting (Carter and Pollard 101).

Conclusion

2021 ◽  
pp. 147-160
Author(s):  
Julie Golia
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Collective Communication ◽  
World War ◽  
Popular Discourse ◽  
Newspaper Industry ◽  
Digital Communities ◽  
Personal Interaction ◽  
Early Twentieth Century ◽  
New Generation

After World War II, transformations in the newspaper industry, in mainstream gender values, and in the nature of popular discourse again reshaped Americans’ experience with advice. The rise in the 1950s of a new generation of advice columns, led by Ann Landers and Abigail Van Buren, also marked the decline of local, participatory columns like the Detroit News’ “Experience” and the Chicago Defender’s “Advice to the Wise and Otherwise.” Yet early twentieth-century advice columns set key precedents of collective communication that continue to shape the digital communities that serve as our primary modes of personal interaction today.

Scholarly Families of Odessa Historians (XIX – First Third of XX Century): Typology, Periodization, Personnel, Peculiarities

2018 ◽  
Vol 11 (1) ◽  
pp. 91-133
Author(s):  
Valerii Valer’evich Levchenko
Keyword(s):  
Twentieth Century ◽  
Teaching And Research ◽  
Early Twentieth Century

This article analyzes the genesis and role of fifteen families of historians from the nineteenth- to the early twentieth century. It identifies these families, periodizes their appearance and advances a typology for their study; the article concludes by characterizing their scholarly activities, teaching and research in the century since their origins.

The Origin Myths of Computing in Historical Research

2021 ◽  
pp. 17-45
Author(s):  
Adam Crymble
Keyword(s):  
Twentieth Century ◽  
Social Science ◽  
Poor Quality ◽  
Historical Research ◽  
Humanities Computing ◽  
Multiple Origin ◽  
New Knowledge ◽  
Mass Digitization ◽  
Origin Myths ◽  
New Generation

This chapter outlines the multiple origin myths of “digital” historical research, arguing that social science inspired cliometricians and linguistically inclined humanities computing scholars working on textual collections were both using computers from the mid-twentieth century, but with very different intellectual agendas and only occasionally crossing paths. With the rise of mass digitization in the 1990s, both groups inspired a new generation of “digital” historians who worked to unlock the potential of the newly digitized archives. Wrestling with practical and intellectual challenges ranging from poor-quality transcription to dealing with incomplete data, this group generated new knowledge and answered new questions such as “what do you do with a million books?” but were not necessarily contributing directly to the existing conversations of the historiography

scholarly journals MODERN CONSTRUCTION TECHNOLOGIES AS A TOOLKIT OF THE TRANSITION FROM TRADITION TO MODERNISM IN CHURCH ARCHITECTURE

2021 ◽  
pp. 39-49
Author(s):  
S. V. PASTUKHOVA ◽  
K. N. MISHUK
Keyword(s):  
Twentieth Century ◽  
Structural Design ◽  
Construction Projects ◽  
Church Architecture ◽  
Building Technology ◽  
The World ◽  
New Thinking ◽  
Main Components ◽  
Architectural Modernism ◽  
New Generation

Purpose. Consideration and analysis of twentieth-century church architecture in which the modernist style and their modern building technology was applied, using nine churches from different countries as examples. Methodology. The use of critical analysis of scientific and methodological literature of architectural modernism of churches, virtual analysis of architectural and construction projects of modernism and their use in the construction of churches, the method of systemic, structural and activity approach. Findings. The scientific formation of the concept of architectural and church modernism has been performed. The main components of architectural and church modernism and the use of the latest architectural and construction technologies are revealed. Reasonable reasons for the slow use of Architectural Church Modernism in modern times. Examples of twentieth-century architectural church modernism are provided. Originality. An analysis of the use of twentieth-century architectural-church modernism in the world is offered. An analysis of the use of architectural and church modernism in the architectural and structural design of churches has been conducted. Practical value. The rationale for the use of architectural and church modernism in the architectural and structural design of churches has been carried out. The components of church modernism are disclosed. The result is the creation of conditions for the harmonious interaction of customers-churchmen and executors-architects in the use of modernism. There were many arguments about what the temple and temple complex should be – modern or a copy of the canonical model – it all depends on the views of the customer and the architect, their views on religion and its purpose in modern life. The dispute can be long, but creativity is unstoppable, and in the world of temple construction has always kept up with current trends in architecture and construction, using new materials, designs and technology. Understandably, there are concerns that innovations in architecture may be followed by undesirable changes in the whole church tradition, but there is no stopping the new thinking. The new generation must step forward to embrace new trends, architectural modernism of churches, also search for new trends and embody them.

Introduction

Uruguay, 1968 ◽  
2016 ◽  
Author(s):  
Vania Markarian
Keyword(s):  
Twentieth Century ◽  
Historical Context ◽  
Complex Interactions ◽  
New Generation

The introduction provides in-depth historical context on Uruguay in the mid-twentieth century in order to better understand the specifics of what happened in 1968. It also situates the complex interactions between culture and politics that led to the emergence of a new generation of leftist activists under the influence of global youth trends, while providing an overview of the relevant schorlarship on these topics.

Introduction

2017 ◽  
Author(s):  
Lawrence S. Kaplan
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Republican Party ◽  
The United States ◽  
Party Leadership ◽  
White House ◽  
College Age ◽  
The Great Depression ◽  
History Of ◽  
New Generation

Bursting into fame toward the end of the Great Depression, Harold Stassen—elected governor of Minnesota at age thirty-one in 1938--excited a new generation of Republicans who enthusiastically supported his run for the presidency. After failing to win the nomination in 1948—a goal he believed his early successes merited—he repeatedly chased the nomination over the next generation. He became a figure of mockery as a perennial also-ran on the margins of the history of the twentieth century. He sought the Republican nomination for president of the United States twelve times between 1944 and 1992. Given his youth and enthusiasm, it was not surprising that he attracted supporters who were college age and younger. He broke with Republican Party leadership to engage in grassroots campaigning, bringing a corps of youthful admirers into his fold. He was a vigorous and articulate spokesman for a new generation ready to take over a demoralized party in the wake of Franklin D. Roosevelt’s election to an unprecedented third term in the White House.

Power and Place

2020 ◽  
pp. 186-233
Author(s):  
Erika Hanna
Keyword(s):  
Twentieth Century ◽  
Social Justice ◽  
Documentary Photography ◽  
Irish Society ◽  
The People ◽  
History Of ◽  
Societal Problems ◽  
New Generation ◽  
The Impact ◽  
The Relationship

Chapter 6 surveys the history of documentary photography in twentieth-century Ireland. In particular, it examines the emergence of a new generation of documentary photographers and their role in debates about the nature of Irish society from the 1970s to the 1990s. Self-consciously radical, these photographers aimed to use their work to expose injustice and ‘reveal’ the hidden side of Irish life. In particular, the chapter focuses on the career of three photographers: Derek Speirs, Joanne O’Brien, and Frankie Quinn. It uses close readings of the work of these photographers, contemporaneous photography magazines, coupled with the extensive use of oral histories to explore the impact of documentary photography on Ireland in the later twentieth century. In their depiction of poverty as both visceral and uncomfortable, they challenged the traditional iconography of Ireland which had aestheticized or even eulogized these themes. Moreover, these photographers were often self-conscious and reflective regarding the relationship between themselves and the people—often in difficult circumstances—whom they portrayed. Nevertheless, they were often forced to make difficult choices about the depiction of poverty, violence, and injustice which attempted to expose societal problems without being voyeuristic. An exploration of choices they made regarding how they engaged with their subjects, what they photographed, and where they published provides a way of exploring the visual economies of social justice in later twentieth-century Ireland.

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