scholarly journals La noción de cultura popular: Interés de los debates entre los 80 y 90 del siglo XX para reflexionar sobre la contemporaneidad

2017 ◽  
Vol 12 (2) ◽  
pp. 112
Author(s):  
Manuel Kingman
Keyword(s):  
Public Space ◽  
Political Action ◽  
Collective Work ◽  
Starting Point ◽  
The Social ◽  
Cultura Popular ◽  
The Status ◽  
Siglo Xx ◽  
The City ◽  
Arte Contemporáneo

ResumenEl presente artículo referencia teorías sobre la cultura popular ubicadas en las décadas del 80 y el 90 del siglo pasado, un período de reflexión pertinente y profunda en torno al término. Se visibiliza la complejidad de la noción de cultura popular, así como las distintas significaciones y sentidos que ha tenido el concepto. También se estudian ciertas entradas teóricas que son útiles para analizar la cultura popular. Se piensa en estos insumos teóricos como herramientas para reflexionar sobre las representaciones, diálogos y tensiones entre el arte contemporáneo y las manifestaciones estéticas populares.Palabras clavesCultura popular; arte contemporáneo; teoría cultural; antropologíaWork, Dialogue, Occupation and Cooperativism at Casa TomadaVictoria Rodríguez do CampoAbstractThe interdisciplinary art project Casa Tomada operates as a trigger for addressing issues of the social and artistic contemporary juncture. The fiction created by the National House of the Bicentennial, cultural space of the City of Buenos Aires, opens the way to consider alternative forms of creation in which the status of the artist's work is put in check and renewed interstices are glimpsed through the action of the multiple actors that surround the project. With illegal political action as a starting point – the forced occupation of a public space, Casa Tomada is committed to showing a multiplicity of conflicts, tensions, questions as well as possible answers, which are always contingent and applicable both to the social and the artistic spheres.KeywordsContemporary art; occupation, politics; collective work; interdisciplinarity La noción de lectura popular  interés debatekunape entre 80 y 90 siglo XX iuiarengapa contemporaniedadmandaManuel kiingman Maillallachiska:Kai articulok referenciame teoriakuna cultura kaska decadape posagchunga y  iskun chunga ialiska siglomanda, sug suma iuiarei entorno  terminomanda. Kauarenme complejidad nocionpe cultura popularpe chasallata sug rigcha significación y sentido iukarka chi concepto. Chasallata analizare sug entradakuna  teóricas valenkuna analizangapa cultura popular. Iuairenme  kai insumo teóricos herramientasina iuiarengapa representacionkunamanda, rimai tensiones arte contemporaneanope y manifestación estéticas populares. Rimangapa Ministidukuna:Cultura popular; arte contemporáneo; teoría cultural; antropologíaLa notion de culture populaire : intérêts des débats entre les années 80 et 90 du XXe siècle pour réfléchir sur la contemporanéitéManuel KingmanRésuméCet article se réfère à des théories sur la culture populaire dans les années 80 et 90 du siècle dernier, une période de réflexion pertinente et profonde sur le terme. Il présente la complexité de la notion de culture populaire, ainsi que les différentes significations et usage du concept. Il étudie également certains éléments théoriques utiles à l'analyse de la culture populaire. Nous pensons à ces apports théoriques comme outils pour réfléchir sur les représentations, les dialogues et les tensions entre l'art contemporain et les manifestations esthétiques populaires.Mots clésCulture populaire; art contemporain; théorie culturelle; anthropologie

scholarly journals Trabajo, cotidianeidad, ocupación y cooperativismo en Casa Tomada

2017 ◽  
Vol 12 (2) ◽  
pp. 131
Author(s):  
Victoria Rodríguez do Campo
Keyword(s):  
Public Space ◽  
Political Action ◽  
Buenos Aires ◽  
Collective Work ◽  
Starting Point ◽  
The Social ◽  
The Status ◽  
Champ Social ◽  
Comme Point ◽  
Espace Public

ResumenEl proyecto artístico interdisciplinario Casa Tomada opera como disparador para el abordaje de problemáticas propias de la coyuntura social y artística contemporánea. La ficción creada por la Casa Nacional del Bicentenario, espacio cultural de la Ciudad de Buenos Aires, abre el camino a considerar formas de creación alternativas en las que se pone en jaque el estatuto del trabajo del artista y se vislumbran renovados intersticios a través de la acción de los múltiples actuantes que circundan el proyecto. Con la acción política ilícita como puntapié inicial –la ocupación forzada de un espacio público– Casa Tomada apuesta por la mostración de una multiplicidad de conflictos, tensiones, preguntas, así como posibles respuestas, siempre contingentes, aplicables tanto al ámbito social como al artístico. Palabras claves Arte contemporáneo; ocupación; política; trabajo colectivo; interdisciplinariedad Work, Dialogue, Occupation and Cooperativism at Casa TomadaAbstractThe interdisciplinary art project Casa Tomada operates as a trigger for addressing issues of the social and artistic contemporary juncture. The fiction created by the National House of the Bicentennial, cultural space of the City of Buenos Aires, opens the way to consider alternative forms of creation in which the status of the artist's work is put in check and renewed interstices are glimpsed through the action of the multiple actors that surround the project. With illegal political action as a starting point – the forced occupation of a public space, Casa Tomada is committed to showing a multiplicity of conflicts, tensions, questions as well as possible answers, which are always contingent and applicable both to the social and the artistic spheres.KeywordsContemporary art; occupation; politics; collective work; interdisciplinarityTrabajo, cotidianeidad, ocupación cooperativismo sug uasipe iaikuska kaskaMaillallachiska:Chi proyecto artístico interdisciplinario sug uasipe iaikuska kaska sug  togiachidorsina abordajepe problematikakuna chi coyuntura social y artística contemporánea. Chi ficción uiñachiska uasi nacional Bicenterariopa, luar cultural Buenos Aires ciudadmanda,mpaskan ñambe consideraspa sug uiñachiskakuna alternativa churra jaque  estatuto trabajope artistapa y vislumbrarse renovado intersticiokuna multiple  actuantekuna que circundadn el proyecto. Chi acción política ilicitak sug artagsina inicial- chi ocupación fuerzaskak sug luar  publicocasa tomada apuesta, kauachiska sug multiplicidad de conflictos, tensiones, tapuchiikuna , chasallata sug aineikuna, siempre contingente aplicables tanto al ámbito social como artístico.Rimangapa Ministidukuna:Arte contemporáneo; ocupación; política; trabajo colectivo; interdisciplinariedadTravail, dialogue, occupation et coopératisme à Casa TomadaRésuméLe projet d'art interdisciplinaire Casa Tomada fonctionne comme un déclencheur pour résoudre les problèmes dérivés de la situation social et artistique contemporaine. La fiction créée par la Maison Nationale du Bicentenaire, espace culturel de la Ville de Buenos Aires, ouvre la voie à la recherche de formes alternatives de création dans lesquelles le statut de l'œuvre de l'artiste est mis en échec et des interstices renouvelés sont visibles par action des acteurs multiples qui entourent le projet. Avec l'action politique illégale comme point de départ –l'occupation forcée d'un espace public– Casa Tomada est engagée à montrer une multiplicité des conflits, des tensions, des questions et de possibles réponses, toujours contingentes, applicables à la fois au champ social et à l’artistique.Mots clésArt contemporain; profession; politique; travail collectif; interdisciplinarité

scholarly journals The judiciary system and the social care system policy on contractual capacity: Overview of research conducted in the City of Belgrade

2020 ◽  
Vol 59 (88) ◽  
pp. 135-156
Author(s):  
Marta Sjeničić ◽  
Sandra Perić ◽  
Dragana Marčetić
Keyword(s):  
Social Care ◽  
Care Service ◽  
Competent Authority ◽  
Social Model ◽  
Social Care Service ◽  
Starting Point ◽  
The Social ◽  
The Status ◽  
The Right ◽  
The City

Contractual capacity is the starting point for exercising most human rights. It entails the capacity to sign contracts and enter into the legal transactions, and it is a gateway to exercising a range of labour, voting, family, property, succession (etc.) rights envisaged by the law. The full deprivation of contractual capacity leads to the deprivation of most other capacities. Thus, a person is de iure and de facto excluded from societal life. The mechanism for deprivation of contractual capacity exists in both domestic and foreign jurisprudence, as a way of protecting individual rights. The deprivation of contractual capacity in adults is applicable when the competent authority determines one's mental or intellectual impairment. In the past, the prevailing approach to establishing such disability was the medical approach, which is largely the same today, while the social model is seldom applied. The issue of protection of the right to contractual capacity has seldom been comprehensively analyzed, either from the standpoint of social care services or from the standpoint of jurisprudence. Yet, they are both equally relevant in the process of assessing contractual capacity. This paper presents the results of research conducted in social care centers and courts in the territory of the City of Belgrade (Serbia). The research was aimed at establishing whether the status and position of social care service users has improved after introducing the legal mechanism authorizing the courts to assess (within a specific time limit) if there are reasons for continuing the imposed measure of deprivation of contractual capacity, as well as to analyze the major reasons for initiating the legal action for reassessment of contractual capacity.

Management Problems and Countermeasures of City Outdoor Advertising - Taking Jinan as an Example

2012 ◽  
Vol 450-451 ◽  
pp. 999-1003
Author(s):  
Peng Chen ◽  
Jun Min Zhang ◽  
Ji Nan
Keyword(s):  
Social Life ◽  
Present Situation ◽  
Economic Prosperity ◽  
Outdoor Advertising ◽  
Starting Point ◽  
The Social ◽  
Management Problems ◽  
Advertising Management ◽  
The City ◽  
Great Development

Along with the progress of society, the development of the city and economic prosperity, outdoor advertising has achieved great development and plays an increasingly prominent role in the social life. In this paper, the development present situation of outdoor advertising management of Jinan as the starting point, we analyze the problems in the management of outdoor advertising and put forward corresponding countermeasures.

Tolerance zones: a pragmatic approach to respond to problems related to open alcohol and drug scenes in Bremen/Germany

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Susanna Prepeliczay ◽  
Henning Schmidt-Semisch
Keyword(s):  
Public Space ◽  
Drug Users ◽  
Qualitative Methodology ◽  
Related Disorder ◽  
Content Type ◽  
The Social ◽  
Local Actors ◽  
Tolerance Zones ◽  
Drug And Alcohol ◽  
The City

Purpose This study aims to describe and analyse an approach in the city of Bremen (Germany) to establish streetwork-supported tolerance zones for local open drug and alcohol scenes to reduce related disorder and nuisance in public spaces. Design/methodology/approach The qualitative methodology included systematic participant observations at public sites of drug and alcohol use, and problem-centred interviews with different groups of respondents (residents, passers-by, trades people, drug users, experts from addiction help and police). Findings In residential districts, tolerance zones were well accepted by their target group and found to reduce perceived disorder and nuisance in public space. However, their success depends on the social and spatial conditions of the chosen location, its surrounding urban infrastructure, cooperation among local actors and characteristics of drug using groups. Originality/value Usually, policing of open drug scenes focuses on repression and law enforcement. The example of Bremen suggests that streetwork-supported tolerance zones dedicated to the drug scene can substantially reduce disorder and nuisance in public space.

scholarly journals Poetic Examination of Spatial Experience: Suprematist Composition No. 1, Black on Grey by Kristina Leko

2018 ◽  
Vol 12 (1) ◽  
pp. 163-176
Author(s):  
Katarina Rukavina
Keyword(s):  
Public Space ◽  
Contemporary Art ◽  
Virtual Space ◽  
Spatial Experience ◽  
The Public ◽  
Social Sphere ◽  
The Social ◽  
Material Goods ◽  
Art Intervention ◽  
The City

The paper analyses the concept of space in contemporary art on the example of Suprematist Composition No. 1, Black on Grey by Kristina Leko from 2008. Referring to Malevich’s suprematism, in December 2008 Leko initiated a project of art intervention in Ban Jelačić Square in Zagreb, where she intended to cover in black all commercials, advertisements, signs and names of various companies. This poetic intervention, as the artist calls it, was intended to prompt people to relativise material goods in the pre-Christmas period. However, despite the authorisation obtained from the city authorities, the companies concerned refused to remove their respective advertisements, be it for only for 24 hours, so this project has never been realised. The project, however, does exist in the virtual space, which is also public, and continues to act in the form of documentation. The non-feasibility of the intervention, or rather its invisibility on Jelačić Square, makes visible or directly indicates the ordering of the powers and the constellation of values in the social sphere, thus raising new questions. Indeed, in this way it actually enters the public space, sensitising and expanding it at the same time.

scholarly journals ANALYSIS ON 3D RECONSTRUCTION OF THE MONUMENT TO HEROES AS A TOOL FOR A CONCEPTUAL AND METHODOLOGICAL APPROACH IN THE PATRIMONIZATION AND EVALUATION OF CULTURAL INTEREST GOODS

2019 ◽  
Vol XLII-2/W17 ◽  
pp. 279-286
Author(s):  
M. I. Rodriguez-Laiton ◽  
H. A. León-Vega ◽  
E. Upegui
Keyword(s):  
Public Space ◽  
Low Cost ◽  
Methodological Approach ◽  
The Public ◽  
Future Developments ◽  
The North ◽  
North Side ◽  
Starting Point ◽  
Simon Bolivar ◽  
The City

Abstract. The following article describes the implementation of a methodology for the structural reconstruction of the Heroes monument and the statue on the north side of Simon Bolivar Ecuestre located between the intersection of the north highway and 80th Street in Bogota (Colombia) from the acquisition of SFM photogrammetry methods and images, using low-cost sensors for this process and making use of drones from the obtaining of frames of a video to for areas with lower altimetric reach, and thereby creating an analysis in their accuracy, sizing and quality within the framework of appropriation and documentation of the cultural assets in the public space of the city Bogotá taking this data as a starting point for future developments in the process of 3D reconstructions Colombia.

scholarly journals Wpływ kapitału społecznego mieszkańców na kształtowanie przestrzeni wspólnych w środowisku mieszkaniowym

2020 ◽  
pp. 42-54
Author(s):  
Anna Cudny
Keyword(s):  
Social Capital ◽  
Built Environment ◽  
Public Space ◽  
Development Strategy ◽  
Urban Space ◽  
National Development ◽  
Local Communities ◽  
Aesthetic Quality ◽  
The Social ◽  
The City

Influence of social capital of inhabitants on shaping common spaces in a housing environment The last two decades of the century have brought unusually many changes in the built environment. These include not only changes directly related to the emergence of a new urban fabric, but also changes in social attitudes towards common spaces located in residential areas. The built environment has never been evaluated so strongly. This assessment translates not only into the everyday outdoor activities of residents (necessary, optional and social activities), but also to economic projects (purchase, sale and rental of real estate). At the same time, the city ceases to be, as it has been so far, mainly subjected to criticism, and the residents are gradually changing their demanding attitude concerning the development of space to participate in the process of its creation. Society wants to have a real impact on urban space, especially on the space closest to them. Thus, the right to the city is no longer a privilege or a duty, but it becomes a need. Trying to meet this need results in a phenomenon which we can increasingly observe in Poland, and which we have been witnessing abroad for many years: activities in public space are changing into activities for public space. They include the transformation of common spaces related to the place of residence—improving their aesthetic quality, functional changes, modernization of development elements. Observing numerous examples of public participation in shaping public spaces, it was noticed that the initiation, course and effects of activities largely depend on the social capital of the group undertaking said activity. Accordingly, there is a need for research on the mutual relation between the level of social capital and the issue of shaping and managing public space with the participation of local communities, which will be the main topic of the paper. To investigate the above-mentioned issue, qualitative research methods were used in relation to the relationship: site visit, non-participant observation and focus interviews. This contributed to a comparative study of three selected Warsaw case studies. They were analysed in terms of meeting the qualitative criteria selected for the study. These criteria have been indicated on the basis of the Social Capital Development Strategy 2020, which is one of the parts of the Medium-Term National Development Strategy. The result of the analyses is an indication of derived factors from within the group of space users and external factors that have a positive and negative impact on initiating, carrying out and maintaining the effects of changes in common spaces developed with the participation of local communities in Polish conditions. The conclusions can be used to improve future participation processes related to urban space - both by non-professionals participating in them, as well as experts - architects and town planners.

scholarly journals CDMX Resilient Code: Water Commons in Mexico City

ZARCH ◽  
2021 ◽  
pp. 138-153
Author(s):  
Lorena Bello Gómez
Keyword(s):  
Risk Reduction ◽  
Public Space ◽  
Mexico City ◽  
Environmental Risks ◽  
Social Infrastructure ◽  
Common Goal ◽  
The Social ◽  
Strategic Program ◽  
The Government ◽  
The City

Using Mexico City (CDMX) as a paradigmatic example of seriously unbalanced water regimes, our project Resilient Code helps strengthen and communicate CDMX’s government efforts toward risk reduction and water resilience in marginal communities. Our project does so by bridging otherwise separate agents in the government towards a common goal: equitable resilience. Resilient Code provides design solutions that link the social infrastructure of PILARES (a network of 300 vocational schools distributed throughout the city) to CDMX’s environmental and risk reduction initiatives, including their Risk Atlas. This strategic program of design-based solutions began with “water resilience” as a Pilot to repurpose public space throughout underserviced barrios as a network of “water-commons”. Resilient Code helps partners in CDMX implement projects to reduce environmental risks and complement socio-economic programs, fostering growth of the “water-commons”. Resilient Code is socialized through a participatory game-based workshop, and through an online Atlas of Risk Reduction.

scholarly journals Exploring the spatial tools to generate social inclusive and empowered space for people living in margins

2020 ◽  
Author(s):  
Charles Porwal ◽  
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Informal Economy ◽  
Urban Poor ◽  
Social Impact ◽  
Informal Settlement ◽  
Social Benefit ◽  
Social Infrastructure ◽  
The Social ◽  
The City

A good public space must be accommodative for everyone including the marginal, the forgotten, the silent, and an undesirable people. With the process of development, the city leaves behind the marginalized section of the society especially urban poor, who constitute about 20-30 percent of the urban population and are majorly involved in informal settlement like congested housing typologies and informal economy in which they face the everyday social, physical and economic exclusion. Thus, the informal sector and the marginalized becomes the forgotten elements in urban space. ‘Cities for the Citizen’ a slogan described by Douglas address the same issues of democratization, multicultural/gender difference between humans. Though these people have strong characteristics and share a unique pattern and enhances the movement in the city which makes a city a dynamic entity. The lack of opportunities and participation to such section leaves the city divided and generates the negative impacts in the mind of victims which further leads to degradation of their mental health and city life because of their involvement in crime, unemployment, illiteracy and unwanted areas. The physical, social, cultural and economic aspects of space should accommodate the essential requirements for the forgotten and provide them with inclusive public environment. It is very necessary that they generate the association and attachment to the place of their habitation. We can easily summarize that the city which used to be very dynamic and energetic is now facing the extreme silence in the present pandemic times. The same people are returning back to their homes after facing the similar problems of marginalization and exclusion even during hard times where they had no place to cover their heads. So, we have to find the way in which they can be put into consideration and make them more inclusive and self-sustaining. With the economic stability, social stability is also equally necessary for the overall development of an individual. So, the paper tries to focus upon the idea of self-sustaining livelihood and social urbanism which talks about development of cities aiming to the social benefit and upliftment of their citizen. The social urbanism strategy in any project tries to inject investment into targeted areas in a way that cultivates civic pride, participation, and greater social impact. Thus, making the cities inclusive and interactive for all the development. The paper will tries to see such spaces as a potential investment in term of city’s finances and spaces to generate a spatial & development toolkit for making them inclusive by improving the interface of social infrastructure.

scholarly journals Women of Fes

2010 ◽  
Vol 27 (1) ◽  
pp. 119-122
Author(s):  
Emilio Spadola
Keyword(s):  
Middle East ◽  
Middle Class ◽  
Public Space ◽  
North Africa ◽  
Public Life ◽  
Urban Life ◽  
The Social ◽  
The City ◽  
Family Code ◽  
Mega Cities

The city of Fes, the once “bourgeois citadel” (J. Berque’s words) of Moroccoand once the world’s most populous city (1170-80), has in modernity beenunhappily bypassed for coastal trading hubs and global mega-cities. Materialand symbolic elements of Fassi power persist, however, and anthropologistRachel Newcomb’s finely researched and written ethnography identifies them in upper-middle-class women’s gender identity. In so doing, Women ofFes helps the fields of anthropology, sociology, gender studies, and Islamicstudies to illuminate the often-neglected power of class to shape gender in theMuslim Middle East and North Africa, demonstrating, not pointedly, thatclass divides women within as much as across cultures.Newcomb’s book concerns women of, not merely in, Fes, namely, a classof women of “original” Fassi families navigating the social ruins and newopportunities of daily urban life. Its disparate topics – urban rumors, women’sNGOs, reforms of the Moroccan Muslim family code (mudawanah), flexiblekinship, public space, a dépassé lounge singer – shift the book’s centerfrom class to gender and public life. Her skillful identification of class issueswithin the latter, however, gives the book a necessary coherence ...

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