scholarly journals Epifania twarzy czy iluzja maski? O zmaganiu się człowieka w ujęciu filozofii dramatu Józefa Tischnera

2021 ◽  
pp. 255-269
Author(s):  
Inga Mizdrak
Keyword(s):  
Human Condition ◽  
The Other ◽  
Human Being ◽  
Other Hand ◽  
The Face ◽  
Freedom And Responsibility ◽  
Condition Today ◽  
The Human Condition ◽  
At Home

The aim of the article is to present human issues in the context of the face and the mask as its negative. This is to bring us closer to a better diagnosis of the human condition today and the changes that can be articulated on its basis. Both the face and the mask are multi-context, and any attempt to define them encounters a number of difficulties. In Józef Tischner’s philosophy of drama, the face is a condition for the essence of the meeting. On the other hand, the mask, as an appearance and falsification of the truth of the face, is placed in the ambiguous perspective of hiding, concealing, mystifying or obscuring or obscuring the image of the face. Thanks to the face, man is somehow “at home”, and in the bonds of the mask he is somewhat “out of place”, he is lying. The face is relational and the mask is reactionary. Inquiries about whether the face brings closer and reveals the naked being of a human intensified questions about the nature of the face itself and whether it is possible to reach the pure phenomenon of the face as such. Both the face and the mask reveal important moments in the characteristics of a human being as a dramatic being, in which questions about meaning, identity, freedom and responsibility, as well as what is “between” I and You, gain in intensity and imply new attempts to reveal who is a human.

scholarly journals A condição humana e a condição docente: das ilusões de onipotência ao reconhecimento do desamparo

2021 ◽  
Vol 34 (71) ◽  
pp. 679-704
Author(s):  
Diogo Bogéa
Keyword(s):  
Educational Process ◽  
Human Condition ◽  
The Other ◽  
Human Being ◽  
Western Tradition ◽  
Other Hand ◽  
Palabras Clave ◽  
De Se ◽  
Human Teacher ◽  
The Human Condition

A condição humana e a condição docente: das ilusões de onipotência ao reconhecimento do desamparo Resumo: Partindo do princípio de que todo processo educacional é aberta ou veladamente guiado por uma determinada maneira de se compreender o ser humano, procuramos nesse artigo colocar em questão os ideais de “humano”, e consequentemente, de humano-professor, que a tradição ocidental nos legou. Em seguida, tentamos indicar alguns caminhos para repensarmos contemporaneamente o que significa ser humano e, por conseguinte, o que significa ser professor. Enquanto os antigos ideais insistem em projeções de poder e invulnerabilidade ao assumir uma essência imaterial para o humano, apostamos numa concepção de humano encarnado, afetivo e desejante que envolve, em contrapartida, a disposição para assumirmos o irremediável desamparo e a incontornável vulnerabilidade que são intrínsecos à condição humana. Palavras-chave: condição humana; ilusões de onipotência; desamparo The human condition and the teacher condition: from the illusions of omnipotence to the recognition of helplessness Abstract: Assuming that every educational process is openly or veiled guided by a certain way of understanding the human being, we seek in this article to question the ideals of "human," and consequently of human-teacher, that the Western tradition bequeathed to us. Next, we try to indicate some ways to rethink contemporaneously what it means to be human and, therefore, what it means to be a teacher. While the old ideals insist on projections of power and invulnerability by assuming an immaterial essence for the human, we bet on an incarnate, affective and desiring human conception that involves, on the other hand, the disposition to assume the irremediable helplessness and the unavoidable vulnerability that are intrinsic to the human condition. Keywords: human condition; omnipotence illusions; helplessness La condición humana y la condición docente: de las ilusiones de omnipotencia al reconocimiento del desamparo Resumen: A partir del principio de que todo proceso educativo es abierto o veladamente guiado por una determinada manera de comprenderse el ser humano, buscamos en ese artículo plantear en cuestión los ideales de "humano", y consecuentemente, de humano-profesor, que la tradición occidental en legó. A continuación, intentamos indicar algunos caminos para repensar contemporáneamente lo que significa ser humano y, por lo tanto, lo que significa ser profesor. Mientras los antiguos ideales insisten en proyecciones de poder e invulnerabilidad al asumir una esencia inmaterial para lo humano, apostamos en una concepción de humano encarnado, afectivo y deseante que envuelve, en contrapartida, la disposición para asumir el irremediable desamparo y la ineludible vulnerabilidad que son intrínsecos a la condición humana. Palabras clave: condición humana; ilusiones de omnipotencia; desamparo Data de registro: 20/05/2020Data de aceite: 02/10/2020

scholarly journals The Joy of Being as Anthropological Practice

2021 ◽  
Vol 16 (2) ◽  
pp. 66-73
Author(s):  
Agapov Oleg D. ◽  
Keyword(s):  
Human Life ◽  
Human Condition ◽  
The Other ◽  
Human Being ◽  
Human Beings ◽  
Human Subjectivity ◽  
The World ◽  
The Subject ◽  
The Absolute ◽  
The Human Condition

The joy of being is connected with one’s activities aimed at responding to the challenges of the elemental forces and the boundlessness of being, which are independent of human subjectivity. In the context of rising to the challenges of being, one settles to acquire a certain power of being in themselves and in the world. Thus, the joy of being is tied to achieving the level of the “miraculous fecundity” (E. Levinas), “an internal necessity of one’s life” (F. Vasilyuk), magnanimity (M. Mamardashvili). The ontological duty of any human being is to succeed at being human. The joy of being is closely connected to experiencing one’s involvement in the endless/eternity and realizing one’s subjective temporality/finitude, which attunes him to the absolute seriousness in relation to one’s complete realization in life. Joy is a foundational anthropological phenomenon in the structure of ways of experiencing the human condition. The joy of being as an anthropological practice can appear as a constantly expanding sphere of human subjectivity where the transfiguration of the powers of being occurs under the sign of the Height (Levinas) / the Good. Without the possibility of transfiguration human beings get tired of living, immerse themselves in the dejected state of laziness and the hopelessness of vanity. The joy of being is connected to unity, gathering the multiplicity of human life under the aegis of meaning that allows us to see the other and the alien in heteronomous being, and understand the nature of co-participation and responsibility before the forces of being, and also act in synergy with them.The joy of being stands before a human being as the joy of fatherhood/ motherhood, the joy of being a witness to the world in creative acts (the subject as a means to retreat before the world and let the world shine), the joy of every day that was saved from absurdity, darkness and the impersonal existence of the total. Keywords: joy, higher reality, anthropological practices, “the height”, subject, transcendence, practice of coping

“Words crumbled in my mouth like rotten mushrooms”

2018 ◽  
Vol 62 (2) ◽  
pp. 521-549
Author(s):  
Jana V. Schmidt ◽  
Keyword(s):  
Human Condition ◽  
The Other ◽  
Ingeborg Bachmann ◽  
Major Work ◽  
Other Hand ◽  
Hermann Broch ◽  
The One ◽  
Exclusive Focus ◽  
The Human Condition

A near exclusive focus on Hannah Arendt’s concept of forgiveness from her major work The Human Condition has obscured the equally important model of reconciliation in her writings on aesthetics and in her Thought Notebook. By engaging Arendt in a dialogue with her contemporaries and friends Ingeborg Bachmann and Hermann Broch, on the one hand, and with the classic thinkers of tragedy, Aristotle and Goethe, on the other hand, I show how reconciliation responds to the situation of fatherlessness after 1945 and, as a “reconciliation with reality,” offers a new basis for intersubjectivity. Having, as Arendt writes, “enough of origin within” ourselves to do without pre-established categories cannot mean that we must begin to “father” ourselves but that, on the contrary, our inception as beings born to begin anew leaves us radically forlorn and yet equipped with everything we need to “make world” with one another. The essay contends that imagination, judgment, and understanding build a network of thought figures in Arendt that are tied to reality through the work of reconciliation.

scholarly journals Doświadczenie przemijania i starości w twórczości Wiktora Paskowa i Stanisława Stratiewa

2017 ◽  
Vol 163 ◽  
pp. 701-709
Author(s):  
Dorota Gołek-Sepetliewa
Keyword(s):  
Old Age ◽  
Human Life ◽  
Human Condition ◽  
The Other ◽  
Human Being ◽  
The Novel ◽  
Human Relations ◽  
Literary Works ◽  
Other Hand ◽  
The One

The experience of passing and old agein the works of Victor Paskov and Stanislav StratievThe literary works of famous Bulgarian authors Stanislav Stratiev 1941–2000 and Victor Paskov 1949–2009 may be viewed in terms of athorough study of the human being and the multidimensionality of its existence. Their reflections about existential problems also involve the experience of passing and old age that have ontological, social, cultural, symbolic and metaphorical dimension. The novel A Ballad for George Henig 1987 by Paskov and the drama On the Other Side 1994 by Stratiev include clear and ambiguous images of the end of the human life. The experience of passing and old age affects aparticular person as apersonality and its relationship with the other people. This subject reveals, on the one hand, the crisis of human relations and values in contemporary Bulgarian society, on the other hand it emphasizes the fragility of the human condition, expressed in the experience of pain, illness, passing, old age and death.Опитът на преходност и старост в творчествотона Виктор Пасков и Станислав СтратиевТворчествотo на известнитe български автори Станислав Стратиев 1941–2000 и Виктор Пасков 1949–2009 можe да бъдe разгледанo кaто по-задълбочено изучаване на човешкото същество и на множествотo измерения на неговия живот. Интересът към екзистенциалните проблеми включва и описание на опита на преходност и старост, който притежава онтологично, социалнo, културнo, символично и метафорично измерение. Романът на Пасков Балада за Георг Хених 1987 и драмата на Стратиев От другатa страна 1994 представят изразителни и нееднозначни картини зa крайния етап от човешкия живот. Опитът на преходност и старост засяга човешкия индивид като личност и отношенията мy с близкитe и по-далечнaтa социална среда. Тeматa разкрива, от една страна, кризата на човешките отношения и на ценноститe в съвременното българското общество, от друга страна — подчертава крехкостта на човешкото съществуване, което се изразява в опита на страдание, заболяване, преходност, старост и смърт.

scholarly journals Gelak-Tawa sebagai Sinyal Transendensi Manusia

MELINTAS ◽  
2015 ◽  
Vol 30 (3) ◽  
pp. 346
Author(s):  
Fabianus Sebastian Heatubun
Keyword(s):  
Human Condition ◽  
The Other ◽  
Human Being ◽  
Men And Women ◽  
Other Hand ◽  
The One

Comic dimension, on the one hand, is a human condition. It is a basic precondition for a human being called to be <em>humanum</em>, to be authentic, complete and true human being. ‘Comic’ (laughter) can be seen as a cultural product that has become nurtural. On the other hand, essentially comic or laughter is innate by origin. The nature of human can be conceived as a mammal that is able of distinguishing itself from other mammals. Thus human as <em>mangel wesen</em> (incomplete and weak being) by laughter has a capacity to transcend herself or himself, her or his body and whole life. It might even further to be said that that comic dimension has a capability to save humankind. In a mystical sense, when we laugh, we live through our most fundamental life. Laughter makes life more alive. Laughter becomes a sacred moment, for it is a blending event of the human with the divine, and in turn it brings back men and women to their original nature as a human being.<br /><br />

The Modern Privilege of Life

2014 ◽  
Vol 44 (1) ◽  
pp. 28-49
Author(s):  
Krzysztof Ziarek
Keyword(s):  
Human Action ◽  
Human Condition ◽  
The Other ◽  
Privileged Position ◽  
Modern Age ◽  
Other Hand ◽  
The World ◽  
The Human Condition

Abstract This essay reconsiders the notion of “world” by looking critically at the idiom of life dominating current critical debates. Showing how and why life should be displaced from the privileged position it has assumed in modernity, it examines Arendt’s and Heidegger’s comments on the world. In The Human Condition, Arendt provides an interesting philosophical and cultural account of the rise of life to prominence in the modern age, pointing out its detrimental effects on the understanding of the world and human action. Heidegger, on the other hand, executes, through his idiomatic approach to mortality, perhaps the most radical displacement of life in an attempt to rethink and bring to eminence being and the event of the world. At stake is a different experience of the world and a change in the understanding of the human, situating the human (and) life always already in response to the nonrepeatable event of being.

Pessimistischer Liberalismus

2021 ◽  
Keyword(s):  
Political Philosophy ◽  
Human Condition ◽  
The Other ◽  
Political Thinking ◽  
Law And Politics ◽  
Other Hand ◽  
Realistic View ◽  
The Human Condition

Arthur Schopenhauer's influence on philosophy, art and psychology is indisputable. His political thinking, on the other hand, has remained almost completely unnoticed and insignificant up to the present day. Yet, the ‘thinker against the tide’ (Hübscher) creates a remarkable connection between pessimistic philosophy and liberal thinking in the field of politics. Schopenhauer's sceptical account of humanity and existence leads him to a political philosophy that highlights the limits of politics and statehood, taking into account the unalterable depths of life and thereby providing a realistic view of the human condition. This volume’s aim is threefold: to rediscover Schopenhauer for political philosophy, to reflect on the potential of a pessimistic philosophy for questions relating to society, law and politics, and finally to examine the connection between pessimistic anthropology and liberal thinking. With contributions by Dieter Birnbacher, Jutta Georg, Oliver Hallich, Henrik Holm, Dominik Hotz, Per Jepsen, Christina Kast, Jan Kerkmann, Thorsten Lerchner, Manja Kisner, Gabriele Neuhäuser and Christoph Sebastian Widdau.

scholarly journals Gud og menneske – Skabelsesbegrebet i moderne jødisk tænkning

2014 ◽  
Vol 77 (4) ◽  
pp. 276-296
Author(s):  
Claudia Welz
Keyword(s):  
20Th Century ◽  
Emmanuel Levinas ◽  
Image Of God ◽  
Human Condition ◽  
Jewish Tradition ◽  
Human Being ◽  
Franz Rosenzweig ◽  
Hans Jonas ◽  
Freedom And Responsibility ◽  
The Human Condition

This article explores the meaning of the notion of ‘creation’ inthe Jewish tradition of the 20th century – both in regard to God as creatorand the human being as creature. With reference to Franz Rosenzweig,Margarete Susman and Hans Jonas, the first part of the articlefocuses on the question of whether God, after Auschwitz, can still beunderstood as an omnipotent and righteous creator of the All, while thesecond part investigates the human condition as described by HannahArendt and Emmanuel Levinas: what does it mean to be created as or inthe image of God? In particular, creaturely freedom and responsibility,natality and creativity are highlighted and discussed in the context ofpost-Holocaust theology.

scholarly journals Understanding the Human Condition through the Depiction of Protagonists in Crime and Mystery Novels

MANUSYA ◽  
2021 ◽  
Vol 24 (1) ◽  
pp. 87-105
Author(s):  
Kevalin Kaewruean
Keyword(s):  
Free Will ◽  
Essential Element ◽  
Human Condition ◽  
The Other ◽  
Theoretical Frameworks ◽  
Jean Paul ◽  
Authentic Existence ◽  
Mystery Novels ◽  
Freedom And Responsibility ◽  
The Human Condition

Abstract Extant criticism of crime and mystery fiction has indicated how protagonists have freedom of choice in dealing with difficult situations in different forms of risky or challenging settings. In this article, previous criticism is evaluated in terms of its reflection of an essential element of the human condition: the Self’s free will to construct the existential and spatial meanings of its phenomenological existence in relation to the Other. The article further indicates that protagonists tend to disregard their freedom and responsibility for their actions, especially when they make existential choices in traumatic or critical situations. Additionally, the dominance of others and variously suppressive spatial contexts can inhibit the protagonists from acknowledging their free will to act responsibly in order to reach their authentic existence. This article integrates Jean Paul Sartre’s concept of the human condition and the corresponding interpretative framework of spatial concepts from different thinkers, such as Edward Relph, Arnold van Gennep, Victor W. Turner and Mikhail M. Bakhtin, who emphasize the significance of places in the meaning-construction of the Self’s identity and its existence in relation to the Other. Through the integration of these theoretical frameworks, the portrayal of protagonists in contemporary crime and mystery novels is examined in order to illustrate individuals’ senses of freedom and responsibility for their own actions in existential and spatial contexts.

scholarly journals Mimesis, interpretation and the human condition

Ars Aeterna ◽  
2015 ◽  
Vol 7 (2) ◽  
pp. 1-22
Author(s):  
Mária Kiššová
Keyword(s):  
Visual Arts ◽  
Vladimir Nabokov ◽  
Real Life ◽  
Human Condition ◽  
The Other ◽  
The Novel ◽  
Artistic Creativity ◽  
The Real ◽  
Other Hand ◽  
The Human Condition

Abstract One of the most fundamental questions in the discourse on artistic creativity and interpretation is that of mimesis or representation; the relation and the ‘tension’ between experiential reality on one hand and an artistic construct on the other hand. In the present study, mimesis and the discussion about the connection between the experiential and the imaginary are understood as major characteristics by which man and the human condition are defined. From the context of the visual arts, the study proceeds to literature and, specifically, to an analysis of the novel The Real Life of Sebastian Knight (1941) by Vladimir Nabokov (1899-1977). The main aim of the study is to show the questions of representation and interpretation as part of the universal inquiry about humanity and the human condition.

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