scholarly journals Gelak-Tawa sebagai Sinyal Transendensi Manusia

MELINTAS ◽  
2015 ◽  
Vol 30 (3) ◽  
pp. 346
Author(s):  
Fabianus Sebastian Heatubun
Keyword(s):  
Human Condition ◽  
The Other ◽  
Human Being ◽  
Men And Women ◽  
Other Hand ◽  
The One

Comic dimension, on the one hand, is a human condition. It is a basic precondition for a human being called to be <em>humanum</em>, to be authentic, complete and true human being. ‘Comic’ (laughter) can be seen as a cultural product that has become nurtural. On the other hand, essentially comic or laughter is innate by origin. The nature of human can be conceived as a mammal that is able of distinguishing itself from other mammals. Thus human as <em>mangel wesen</em> (incomplete and weak being) by laughter has a capacity to transcend herself or himself, her or his body and whole life. It might even further to be said that that comic dimension has a capability to save humankind. In a mystical sense, when we laugh, we live through our most fundamental life. Laughter makes life more alive. Laughter becomes a sacred moment, for it is a blending event of the human with the divine, and in turn it brings back men and women to their original nature as a human being.<br /><br />

scholarly journals Doświadczenie przemijania i starości w twórczości Wiktora Paskowa i Stanisława Stratiewa

2017 ◽  
Vol 163 ◽  
pp. 701-709
Author(s):  
Dorota Gołek-Sepetliewa
Keyword(s):  
Old Age ◽  
Human Life ◽  
Human Condition ◽  
The Other ◽  
Human Being ◽  
The Novel ◽  
Human Relations ◽  
Literary Works ◽  
Other Hand ◽  
The One

The experience of passing and old agein the works of Victor Paskov and Stanislav StratievThe literary works of famous Bulgarian authors Stanislav Stratiev 1941–2000 and Victor Paskov 1949–2009 may be viewed in terms of athorough study of the human being and the multidimensionality of its existence. Their reflections about existential problems also involve the experience of passing and old age that have ontological, social, cultural, symbolic and metaphorical dimension. The novel A Ballad for George Henig 1987 by Paskov and the drama On the Other Side 1994 by Stratiev include clear and ambiguous images of the end of the human life. The experience of passing and old age affects aparticular person as apersonality and its relationship with the other people. This subject reveals, on the one hand, the crisis of human relations and values in contemporary Bulgarian society, on the other hand it emphasizes the fragility of the human condition, expressed in the experience of pain, illness, passing, old age and death.Опитът на преходност и старост в творчествотона Виктор Пасков и Станислав СтратиевТворчествотo на известнитe български автори Станислав Стратиев 1941–2000 и Виктор Пасков 1949–2009 можe да бъдe разгледанo кaто по-задълбочено изучаване на човешкото същество и на множествотo измерения на неговия живот. Интересът към екзистенциалните проблеми включва и описание на опита на преходност и старост, който притежава онтологично, социалнo, културнo, символично и метафорично измерение. Романът на Пасков Балада за Георг Хених 1987 и драмата на Стратиев От другатa страна 1994 представят изразителни и нееднозначни картини зa крайния етап от човешкия живот. Опитът на преходност и старост засяга човешкия индивид като личност и отношенията мy с близкитe и по-далечнaтa социална среда. Тeматa разкрива, от една страна, кризата на човешките отношения и на ценноститe в съвременното българското общество, от друга страна — подчертава крехкостта на човешкото съществуване, което се изразява в опита на страдание, заболяване, преходност, старост и смърт.

Gender and Social Exclusion in European Migration Crisis

2018 ◽  
pp. 658-676
Author(s):  
Marlou Schrover
Keyword(s):  
Twentieth Century ◽  
Social Exclusion ◽  
Historical Perspective ◽  
The Other ◽  
Men And Women ◽  
Refugee Women ◽  
Other Hand ◽  
Migration Crisis ◽  
The One ◽  
European Migration

This chapter discusses social exclusion in European migration from a gendered and historical perspective. It discusses how from this perspective the idea of a crisis in migration was repeatedly constructed. Gender is used in this chapter in a dual way: attention is paid to differences between men and women in (refugee) migration, and to differences between men and women as advocates and claim makers for migrant rights. There is a dilemma—recognized mostly for recent decades—that on the one hand refugee women can be used to generate empathy, and thus support. On the other hand, emphasis on women as victims forces them into a victimhood role and leaves them without agency. This dilemma played itself out throughout the twentieth century. It led to saving the victims, but not to solving the problem. It fortified rather than weakened the idea of a crisis.

scholarly journals Det globale gymet - Manligt og kvinnligt i simulakrats tidsålder

1997 ◽  
Author(s):  
Thomas Johansson
Keyword(s):  
The Other ◽  
Men And Women ◽  
Other Hand ◽  
Gender Ideals ◽  
The One ◽  
Body Ideals

The article deals with the gender ideals cultivated within contemporary fitness and gym culture - in particular the paradoxical features of this culture. On the one hand, traditional gender ideals are maintained and strengthened; on the other hand, there is a development towards an androgynous ideal. The hard and "perfect" body is gradually becoming a dial for both men and women. Men as well as women are facinated by this sculptured and well-trained body. Thus the gym and fitness culture contributes to changes in and a more reflexive attitude towards gender and body ideals.

scholarly journals El sesgo de la máquina en la toma de decisiones en el proceso penal.

2020 ◽  
Vol 6 (2) ◽  
pp. 54-71
Author(s):  
Raquel Borges Blázquez
Keyword(s):  
Artificial Intelligence ◽  
The Other ◽  
Human Being ◽  
Criminal Process ◽  
Ethical Problems ◽  
Intelligent Machines ◽  
Other Hand ◽  
Toma De Decisiones ◽  
Legal Thinking ◽  
The One

Artificial intelligence has countless advantages in our lives. On the one hand, computer’s capacity to store and connect data is far superior to human capacity. On the other hand, its “intelligence” also involves deep ethical problems that the law must respond to. I say “intelligence” because nowadays machines are not intelligent. Machines only use the data that a human being has previously offered as true. The truth is relative and the data will have the same biases and prejudices as the human who programs the machine. In other words, machines will be racist, sexist and classist if their programmers are. Furthermore, we are facing a new problem: the difficulty to understand the algorithm of those who apply the law.This situation forces us to rethink the criminal process, including artificial intelligence and spinning very thinly indicating how, when, why and under what assumptions we can make use of artificial intelligence and, above all, who is going to program it. At the end of the day, as Silvia Barona indicates, perhaps the question should be: who is going to control global legal thinking?

The Subversion of Plato's Quasi-Phenomenology and Mytho-Poetics in the Symposium

Janus Head ◽  
2009 ◽  
Vol 11 (1) ◽  
pp. 59-76
Author(s):  
Bert Olivier ◽  
Keyword(s):  
Jacques Lacan ◽  
Human Condition ◽  
The Other ◽  
Philosophical Tradition ◽  
The Unconscious ◽  
Other Hand ◽  
Significant Difference ◽  
The One

Is there a significant difference between Plato's texts and what is known as 'Platonism', that is, the philosophical tradition that claims Plato as its progenitor? Focusing on the Symposium, an attempt is made here to show that, far from merely fitting neatly into the categories of Platonism—with its neat distinction between the super-sensible and the sensible—Plato's own text is a complex, tension-filled terrain of countervailing forces. In the Symposium this tension obtains between the perceptive insights, on the one hand, into the nature of love and beauty, as well as the bond between them, and the metaphysical leap, on the other hand, from the experiential world to a supposedly accessible, but by definition super-sensible, experience-transcending realm. It is argued that, instead of being content with the philosophical illumination of the ambivalent human condition—something consummately achieved by mytho-poetic and quasi-phenomenohgical means—Plato turns to a putatively attainable, transcendent source of metaphysical reassurance which, moreover, displays all the trappings of an ideological construct. This is demonstrated by mapping Plato's lover's vision of 'absolute beauty' on to what Jacques Lacan has characterized as the unconscious structural quasi-condition of all religious and ideological illusion.

Herbert Mac Cabe’s Philosophical Anthropology

Politeia ◽  
2019 ◽  
Vol 1 (4) ◽  
pp. 238-260
Author(s):  
Franco Manni ◽  
Keyword(s):  
Philosophical Anthropology ◽  
External World ◽  
The Other ◽  
Human Being ◽  
Language System ◽  
Other Hand ◽  
The One ◽  
The Individual ◽  
The Brain ◽  
Individual Human

From the ideas of Aristotle, De Saussure and Wittgenstein, philosopher Herbert McCabe elaborated an original anthropology. 'Meaning' means: the role played by a part towards the whole. Senses are bodily organs and sensations allow an animal to get fragments of the external world which become 'meaningful' for the behaviour of the whole animal Besides sensations, humans are ‘linguistic animals’ because through words they are able to 'communicate', that is, to share a peculiar kind of meanings: concepts. Whereas, sense-images are stored physically in our brain and cannot be shared, even though we can relate to sense-images by words (speech coincides with thought). However, concepts do not belong to the individual human being qua individual, but to an interpersonal entity: the language system. Therefore, on the one hand, to store images is a sense-power and an operation of the brain, whereas the brain (quite paradoxically!) is not in itself the organ of thought. On the other hand, concepts do not exist on their own.

Some Basic Elements of Psychoanalysis According to Sigmund Freud

2017 ◽  
pp. 38-113
Keyword(s):  
Theoretical Model ◽  
Sigmund Freud ◽  
Typical Feature ◽  
The Other ◽  
Human Being ◽  
Symbolic Function ◽  
Other Hand ◽  
Human Psyche ◽  
Psychoanalytic Thought ◽  
The One

After having briefly but exhaustively recalled the main lines of Freudian psychoanalytic thought, we have discussed a possible psychoanalytic theoretical model for human symbolic function mainly centred on the action of a set of primary psychic mechanisms rejoined around the negative, in its widest sense according to the works of André Green. A chief aspect of this pattern has turned out to be an underlying, irreducible dialecticity that reflects on the one hand, the typical feature of human symbolic function, and, on the other hand, the main outcome of the unavoidable presence of a basic dichotomy formalized the so-called phallic logic, that is, that primordial, ancestral and irreducible logical nucleus inevitably present in the deepest meanders of human psyche as an inborn structure phylogenetically preformed and ontogenetically re-established during the psychic evolution of any human being.

The Genesis of Mind

1862 ◽  
Vol 7 (40) ◽  
pp. 461-494 ◽  
Author(s):  
Henry Maudsley
Keyword(s):  
The Other ◽  
Human Being ◽  
Close Resemblance ◽  
Other Hand ◽  
Being There ◽  
The One ◽  
As If

As it has ever been the custom of man to act as if he were eternal, and lavishly to scatter the limited force which he embodies as though the supply were inexhaustible, it produces no unaccustomed surprise to witness the useless expenditure of force which is so frequently made at the present time. It may even, perhaps, be deemed a token of some modesty, that the being, who since his first formation has been continually occupied in metaphysical regions with the investigation of the origin of all things, should be content for a while to amuse himself with physical theories concerning his own origin. That which is to be regretted in the new and comparatively praiseworthy occupation is the old evil of hasty theorizing on the one hand, and on the other hand, the evil, scarcely less ancient, of an impetuous eagerness to demolish any theory, however plausible, which comes athwart a favourite prejudice. What though the anatomist does discover a very close resemblance and very slight differences between the structure of a gorilla and the structure of a human being; there is no need, on that account, that mankind in a feeling of injured dignity should angrily rouse up and disclaim the undesired relationship. Whatever may be said or written, it is quite plain after all that a man is not a gorilla, and that a gorilla is not a man; it is furthermore manifest that gorillas do not breed men now-a-days, and that we have not the shadow of any evidence to guide us in forming; an opinion as to what they may have clone in times past. The negative testimony of Du Chaillu, who says that he searched in vain in the gorilla region for any intermediate race or link between it and man, scarcely adds anything to the conviction of the non-existence of any such link, which has long been universally entertained.*

scholarly journals The Unnoble Nobles: Notes on Shakespeare’s Masterful Characterization in Macbeth

2015 ◽  
Vol 52 ◽  
pp. 132-138
Author(s):  
Zohreh Ramin ◽  
Alireza Shafinasab
Keyword(s):  
The Other ◽  
Human Being ◽  
Other Hand ◽  
Commercial World ◽  
Complex Characterization ◽  
The One

When writing Macbeth, Shakespeare faced a moral and aesthetic challenge. On the one hand, he had drawn the story of Macbeth from Holinshed's Chronicles, in which Banquo is depicted as an accomplice in the murder of King Duncan. On the other hand Banquo was believed to be the ancestor of King James, Shakespeare’s patron. Shakespeare had to write a play that at once pleased King James, remained true to the spirit of history, and could be a popular hit in the commercial world of Jacobean theatre, all seemingly contradictory ends because of the problem with the character of Banquo. So Shakespeare characterizes him in a different manner from his sources. The new characterization served a number of purposes. The most important reason for the alternation was to please King James, the alleged descendant of Banquo. Other than that, there is the dramatic purpose of creating a foil character for Macbeth, who can highlight Macbeth's characteristics. The presence of a noble Banquo also shows that human being can resist evil, as does Banquo. These points have been emphasized in many writings on Macbeth, which mean that Shakespeare's Banquo is an innocent man, a seemingly deviation from history. The present paper, however, tries to examine Shakespeare's complex characterization of Banquo which must meet those seemingly contradicting ends, a characterization far more ambivalent and artful than simple political affiliations might suggest. It will be shown that Shakespeare's Banquo not only is not simply an innocent man he seems to be at the first reading, but he could be as murderous as Macbeth himself. The only difference between the two is that one acts sooner than the other.

scholarly journals Estética post-humana en la obra gráfica de Claudio Romo

2021 ◽  
pp. 199-216
Author(s):  
Claire Mercier
Keyword(s):  
Human Nature ◽  
Life Forms ◽  
The Other ◽  
Human Being ◽  
New Humanism ◽  
Other Hand ◽  
The One ◽  
Graphic Work ◽  
Post Humanism

This paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to a new understanding of modernity. After a theoretical tour of post-humanism, especially of Rosi Braidotti's philosophical nomadism, the paper will approach the post-human bestiary that elaborates Romo, on the one hand, as a questioning of access to empirical realities and, on the other hand, as a presentation of potential life forms. The paper will conclude on the presence, in Romo’s work, of a new affirmative humanism, that is, the experimentation of new modes of subjectivization, as well as the approach of new modes of knowledge.

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