Introduction. A History of Tuberculosis in Modern Buenos Aires

2020 ◽  
pp. 1-22
Keyword(s):  
2018 ◽  
Vol 36 (2) ◽  
pp. 173-197
Author(s):  
Juliet McMains

This paper interrogates the history of same-sex dancing among women in Buenos Aires' tango scene, focusing on its increasing visibility since 2005. Two overlapping communities of women are invoked. Queer tangueras are queer-identified female tango dancers and their allies who dance tango in a way that attempts to de-link tango's two roles from gender. Rebellious wallflowers are women who practice, teach, perform, and dance with other women in predominantly straight environments. It is argued that the growing acceptance of same-sex dancing in Argentina is due to the confluence of four developments: 1) the rise of tango commerce, 2) innovations of tango nuevo, 3) changing laws and social norms around lesbian, gay, bisexual, and transgender rights, and 4) synergy between queer tango dancers and heterosexual women who are frustrated by the limits of tango's gender matrix. The author advocates for increased alliances between rebellious wallflowers and queer tangueras, who are often segregated from each other in Buenos Aires' commercial tango industry.


Moreana ◽  
2005 ◽  
Vol 42 (Number 164) (4) ◽  
pp. 187-206
Author(s):  
Clare M. Murphy

The Thomas More Society of Buenos Aires begins or ends almost all its events by reciting in both English and Spanish a prayer written by More in the margins of his Book of Hours probably while he was a prisoner in the Tower of London. After a short history of what is called Thomas More’s Prayer Book, the author studies the prayer as a poem written in the form of a psalm according to the structure of Hebrew poetry, and looks at the poem’s content as a psalm of lament.


2021 ◽  
Vol 24 (1) ◽  
Author(s):  
Matías Maggio-Ramírez

El objetivo es analizar cómo el texto fundacional y el reglamento de la Biblioteca Pública de Buenos Aires interpelaron a los usuarios y cuál fue la reacción del público una vez que la institución abrió sus puertas. Por lo tanto, se rastreó la tensión entre un paradigma bibliotecológico que apelaba al fomento del saber y al bien público como objetivo institucional y las demandas de los usuarios por el horario restringido de la biblioteca. Se analizaron desde la historia de la cultura impresa las representaciones de la lectura y de la sociabilidad letrada al leer la correspondencia entre Bernardino Rivadavia y Luis José de Chorroarín, el reglamento de la Biblioteca Pública de Buenos Aires y los periódicos porteños. Se concluyó que la negativa en ampliar el horario de atención al público conspiró con el acceso a la biblioteca de los empleados. The objective is to analyze how the founding text and regulations of the Buenos Aires Public Library challenged users and what the public's reaction was once the institution opened its doors. Therefore, we traced the tension between a library paradigm that appealed to the promotion of knowledge and the public good as an institutional objective and the demands of users due to the restricted library hours. From the history of printed culture, the representations of reading and the sociability of the reader when reading the correspondence between Bernardino Rivadavia and Luis José de Chorroarín, the regulations of the Buenos Aires Public Library and the Buenos Aires newspapers were analyzed. It was concluded that the refusal to extend the opening hours to the public conspired with the access to the library of the employees. A fundação da Biblioteca Pública de Buenos Aires em 1810, pelo Primeiro Conselho de Governo, foi um marco no panorama cultural da cidade. A promoção do conhecimento esclarecido em busca do "bem público" e da "felicidade dos povos" foi um ponto crucial na cultura colonial tardia em Buenos Aires. Os leitores enviaram livros de redação como uma doação à Biblioteca, mas nem todos puderam acessá-los. A regulamentação de 1812 foi o surgimento de uma idéia da biblioteca e das práticas culturais a ela ligadas. O objetivo do artigo é investigar, a partir da análise comparativa dos regulamentos da biblioteca, a configuração da biblioteca pública durante o processo revolucionário. O leitor presente no regulamento, ao qual foi concedido acesso, não representava os moradores da cidade, devido ao horário de funcionamento restrito ao público.


2021 ◽  
pp. 67
Author(s):  
Natalya Rozenberg

The history of art in Argentina in the XX-XXI centuries is studied mainly in three directions: the genre system, the spiritual and content aspect of works and creative biographies of outstanding masters. Special attention is paid to the links between the art of the Old and New World. Nowadays, the issue of connecting the artistic culture of the regions of Argentina — the center of the country, the northeast, and the northwest - is becoming urgent. The provinces not only perceived the trends of the capital's cultural policy, but also built their own cultural institutions that contributed to the creation and translation of the meanings of works about the uniqueness of human and nature connections far from Buenos Aires, and what is especially significant - about the diversity of ethnic types and characters. Such outstanding masters as Lino Enea Spilimbergo, Antonio Berni, Raul Monsegur, Eddie Torre taught in provincial art schools. They moved quite often from city to city, from province to province. We can assume that in the 40-50s of the XX century. in Cordoba, Mendoza, Tucuman and Resistencia, there were already professionals in all kinds of art. Argentine domestic scientists began to study these processes not so long ago. In this article, special attention is paid to the analysis of cultural heritage and the museum collection of the association El Fogón de los Arrieros (EFA, "Hearth of teamsters", hereinafter - Fogón), located in Resistencia, the capital of the province of Chaco, now known in the country as the City of Sculptures. Fogón became famous for its diverse cultural, educational activities, which began in 1943 and continues to this day. In the history of Fogón, a new type of educator has developed in the person of Aldo Boletti, Juan de Dios Mena, Hilda Torres Varela. The study used the historical and typological method and the method of art criticism analysis.


PMLA ◽  
2019 ◽  
Vol 134 (1) ◽  
pp. 157-163
Author(s):  
William G. Acree

Between November 1879 and January 1880, the argentine author Eduardo Gutierrez published a serialized narrative of the life of Juan Moreira in the Buenos Aires newspaper La Patria Argentina. Titled simply Juan Moreira, the heroic tale of the real-life outlaw went like this: Moreira was a good gaucho gone bad, who fought to preserve his honor against the backdrop of modernizing forces that were transforming life in this part of South America. His string of crimes and ultimate downfall resulted from his unjust persecution by corrupt state officials. The success of the serial surpassed all expectations. The paper's sales skyrocketed, and the melodramatic narrative soon appeared in book form. Enterprising printers produced tens of thousands of authorized and pirated editions to sell in the Rio de la Plata (Argentina and Uruguay), making Juan Moreira a leading example of everyday reading for the region's rapidly growing literate population and one of Latin America's pre-twentieth-century bestsellers (Acree, Everyday Reading; Gutiérrez, The Gaucho Juan Moreira).


Author(s):  
Benjamin Bryce

The introduction discusses the importance of the future in shaping ethnic communities in Buenos Aires. Underlining the significance of temporality and the future for the social history of migration offers new perspectives on how state institutions developed, how a culturally plural society formed, and how immigrants and families participated in that society. Ethnicity is an unstable category worthy of analysis in itself, and that, as a result, ethnic communities should similarly be studied with that point in mind. The introduction also discusses the transnational turn in German historiography, which has highlighted how people and ideas outside the nation-state influenced conceptions of the nation during the Imperial and Weimar periods. German-speaking immigrants in Buenos Aires actively embraced the transatlantic relationship that groups in central Europe sought to establish, but they had their own ideas about their relationship with their nation of heritage and their nation of residence.


2014 ◽  
Vol 42 (2) ◽  
pp. 12-29 ◽  
Author(s):  
Cora Cecilia Arias ◽  
Nicolás Diana Menéndez ◽  
Paula Dinorah Salgado

Social conflicts in Argentina over the past decade have retrieved the essence of the capitalist dispute: the struggle between capital and labor as situated in the workplace and no longer across urban space as it was in the 1990s. In this context, both institutionalized and alternative union expressions regained their centrality for analyzing social reality. The revitalization of collective bargaining and the consequent repositioning of unions on the labor and political scene activated grassroots dynamics that sometimes challenged existing union structures. Few experiences of resistance were able to alter the balance of power as much as the workers’ organization of the Buenos Aires subway. This organization was able to achieve such gains because of a combination of the strategic importance of the subway to the city’s production and reproduction, the fact that the privatization of the firm was a time-limited concession rather than a direct sale, the union tradition and workers’ awareness of lost rights, and the incorporation of new workers with a history of political militancy. Los conflictos sociales en Argentina durante la última década han recuperado la esencia de la disputa capitalista: la lucha entre el capital y los trabajadores como situado en el lugar de trabajo y ya no a través del espacio urbano, como lo fue en la década de 1990. En este contexto, las dos expresiones sindicales institucionalizadas y alternativas recuperaron su centralidad para el análisis de la realidad social. La revitalización de la negociación colectiva y la consecuente reposición de los sindicatos sobre el escenario laboral y político activan dinámicas de base que a veces desafiaban las estructuras sindicales existentes. Pocas experiencias de resistencia fueron capaces de cambiar al equilibrio de poder tanto como la organización de trabajadores del metro de Buenos Aires. Esta organización fue capaz de lograr tales ganancias debido a una combinación de la importancia estratégica del metro para la producción y reproducción de la ciudad, el hecho de que la privatización de la empresa fue una concesión de tiempo limitado más bien que una venta directa, la tradición sindical y la conciencia de los trabajadores de los derechos perdidos, y la incorporación de nuevos trabajadores con antecedentes de militancia política.


2020 ◽  
Vol 77 (1) ◽  
pp. 73-99
Author(s):  
Magdalena Candioti

AbstractThis article analyzes in depth the history of Petrona, an enslaved woman sold in Santa Fe (Argentina), sent to Buenos Aires and later possibly to Montevideo (Uruguay). By reconstructing her case, the article demonstrates how the legal status of enslaved persons was affected by the redefinitions of jurisdictions and by the forced or voluntary crossings between political units. This study also shows the circulation and uses of the Free Womb law in Argentina and Uruguay and traces legal experts’ debates over its meaning. At the same time, it reflects on the knowledge enslaved people had of those abolitionist norms and how they used them to resist forced relocations, attempt favorable migrations, or achieve full freedom. The article crosses analytical dimensions and historiographies—legal, social, and political— and articulates them by reflecting more broadly on these factors: the impact of the revolution of independence on enslaved persons’ lives, the scarce circulation of abolitionist public discourse in Río de la Plata, the gendered bias of the process, and the central yet untold uses of antislavery rhetoric in the national narratives.


2014 ◽  
Vol 70 (a1) ◽  
pp. C1306-C1306
Author(s):  
Ricardo Baggio ◽  
Pablo Botta ◽  
Florencia Di Salvo ◽  
Sebastián Klinke ◽  
Griselda Narda ◽  
...  

"The history of Crystallography in Argentina is very rich, probably starting with the pioneer work of Prof. Ernesto Galloni in the decade of the `40s. Thanks to Prof. Galloni, the National Committee of Crystallography was founded in 1958 and recognized by the IUCr in 1960. This committee organized several scientific meetings and was in good contact with the Ibero American Crystallography Group during about 35 years. After some crisis in the late `90s, some young crystallographers decided to reorganize the activities and form the Argentinian Association of Crystallography (AACr), which was finally founded on October 30th, 2004, on the occasion of the ""National Workshop on Crystallography"" held in Villa Giardino, Province of Córdoba. Therefore, in the International Year of Crystallography, the AACr is also celebrating its tenth anniversary. The regular annual events of the AACr are a scientific meeting, a school on Crystallography and a workshop. This year, they will be held in Mar del Plata (Province of Buenos Aires) in the period of October 27th-Novembre 7th. In addition, many other academic activities such workshops or postgraduate courses are being organized in the whole country. It is worth to remark the School on Fundamental Crystallography to be held in La Plata, followed by an Agilent-UNESCO-IUCr OpenLab in La Plata and Buenos Aires, in April-May. Moreover, taking into account that Crystallography is a field that needs more promotion in our country, the AACr decided to propitiate several educational and dissemination activities. They include a national crystal growing contest, promotion of Crystallography in high and primary schools through the National Fairs of Science of the Ministry of Education, dissemination talks for different audiences, exhibitions, etc. Acknowledgements: The AACr thanks all the crystallographers that are working hard in these activities: G. Echeverría, O. Piro, S. Suárez, M. Saleta, D. Tobía, R. Carbonio, G. Aurelio, J. Pedregosa, F. Doctorovich, S. Conconi, L. Baqué, F. Napolitano, S. Alconchel, C. Alvarez, A. Ares, C. Bernini, S. Brühl, M. Dailoff, M.A. Foi, M. Harvey, M.S. Lassa, S. Montoro, E. Pannunzio Miner, etc."


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