History of radiotherapy in Poland. A brief outline of the problem

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Richard W. Gryglewski

Abstract Objectives The aim of this paper is to give brief outline on the history of radiotherapy in Poland from its beginnings until first decades of the second half of 20th century. Methods The study is based on comparative and reconstructive analyses of literature, papers and communications dealing with the history of radiotherapy in Poland. Results The history of radiotherapy in Poland can be perceived as a gradual process of shaping research centres and practical (clinical) application of radiotherapeutics. The Radium Institute in Warsaw, as well as radiotherapy centers in  Poznań and Kraków gained key importance in the period up to the outbreak of World War II. After the end of the war, Gliwice became another important place for the history of the radiotherapy and oncology in Poland. Conclusions Radiotherapy was early recognized by Polish physicians as promising in clinical treatment. It should be a subject of further studies, especially when formative period, thus before First World War, is analysed.

1989 ◽  
Vol 16 ◽  
pp. 41-70
Author(s):  
David C. Conrad

“An only son must never die in war until the end of the world.”(Seydou Camara, “Bilali of Faransekila,” 1:396)Discussing the significance of Kande Kamara's oral history of West African experiences in the First World War, Joe Harris Lunn observes that, although historians have begun to examine the effects of that war on west Africa, their studies are mostly based on written sources, “and therefore shed little light on the lived reality of the war for the African masses whose perceptions of their experiences were never recorded.” Of particular value then, is the oral history provided by the Guinean veteran Kande Kamara, offering as it does an opportunity for assessing the European war's impact on west Africans. Lunn finds, however, that west African soldiers who served in France during the First World War have left very few records of either their wartime experiences or its effects on their later lives. The text by the late Malian hunters' singer Seydou Camara that is presented here helps to redress this lamentable deficiency because, although it is a step or two removed from the sort of firsthand eyewitness account offered by Kande Kamara, it provides valuable support for and confirmation of certain elements of Kande Kamara's testimony. Composed and sung by Seydou Camara, “Bilali of Faransekila” provides us with an oral traditional counterpart to Kande Kamara's firsthand account.


2000 ◽  
pp. 67-75
Author(s):  
R. Soloviy

In the history of religious organizations of Western Ukraine in the 20-30th years of the XX century. The activity of such an early protestant denominational formation as the Ukrainian Evangelical-Reformed Church occupies a prominent position. Among UCRC researchers there are several approaches to the preconditions for the birth of the Ukrainian Calvinistic movement in Western Ukraine. In particular, O. Dombrovsky, studying the historical preconditions for the formation of the UREC in Western Ukraine, expressed the view that the formation of the Calvinist cell should be considered in the broad context of the Ukrainian national revival of the 19th and 20th centuries, a new assessment of the religious factor in public life proposed by the Ukrainian radical activists ( M. Drahomanov, I. Franko, M. Pavlik), and significant socio-political, national-cultural and spiritual shifts caused by the events of the First World War. Other researchers of Ukrainian Calvinism, who based their analysis on the confessional-polemical approach (I.Vlasovsky, M.Stepanovich), interpreted Protestantism in Ukraine as a product of Western cultural and religious influences, alien to Ukrainian spirituality and culture.


2020 ◽  
pp. 65-80
Author(s):  
Magdalena Strąk

The work aims to show a peculiar perspective of looking at photographs taken on the eve of the broadly understood disaster, which is specified in a slightly different way in each of the literary texts (Stefan Chwin’s autobiographical novel Krótka historia pewnego żartu [The brief history of a certain joke], a poem by Ryszard Kapuściński Na wystawie „Fotografia chłopów polskich do 1944 r.” [At an exhibition “The Polish peasants in photographs to 1944”] and Wisława Szymborska’s Fotografia z 11 września [Photograph from September 11]) – as death in a concentration camp, a general concept of the First World War or a terrorist attack. Upcoming tragic events – of which the photographed people are not yet aware – become for the subsequent recipient an inseparable element of reality contained in the frame. For the later observers, privileged with time perspective, the characters captured in the photograph are already victims of the catastrophe, which in reality was not yet recorded by the camera. It is a work about coexistence of the past and future in the field of photography.


Author(s):  
Felix S. Kireev

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).


2011 ◽  
Vol 70 (3) ◽  
pp. 276-289
Author(s):  
Luc Vandeweyer

Het wordt in de historiografie van de Vlaamse beweging aanvaard dat Hendrik Conscience door de Brusselse progressieve vereniging ‘De Veldbloem’ in 1872 werd gevraagd om te kandideren voor de parlementaire verkiezingen. Conscience zou dat geweigerd hebben. Dit is uiteraard geen onbetekenend feit in de biografie van de man die ‘zijn volk leerde lezen’.Dit gegeven is terug te voeren op de geschriften van Antoon Jacob (°1889) van na de Eerste Wereldoorlog. Jacob werd beschouwd als een autoriteit inzake Conscience. Maar waar is het bewijs? Hij verwees daarbij naar “uitvoerige correspondentie” maar die is niet te vinden. Het ADVN slaagde erin om de archivalische nalatenschap van de in 1947 gestorven Jacob te verwerven. Daarin bleken heel wat brieven van en aan Conscience te zitten. De briefwisseling met ‘De Veldbloem’ was onderwerp van deze bijdrage. Daarin is geen spoor te vinden van de poging om Conscience op het politieke strijdtoneel te brengen in Brussel. Daarbij moet de vraag gesteld worden hoe Jacob deze archiefstukken verzamelde en wat ermee is gebeurd tijdens zijn turbulente leven en talrijke omzwervingen. Het is best mogelijk dat er een en ander is verloren gegaan. Toch is deze nalatenschap een belangrijke aanwinst voor de studie van de geschiedenis van de Vlaamse beweging en die van Conscience in het bijzonder. ________ The Brussels association ‘De Veldbloem’ seeks contact with Hendrik Conscience. Two recently discovered letters It is an accepted fact in the historiography of the Flemish Movement that the Brussels progressive Association ‘De Veldbloem’ [=the Wildflower] asked Hendrik Conscience in 1872 to be their candidate for the parliamentary elections. It is said that Hendrik Conscience refused the request. This is of course a very significant fact in the biography of the man ‘who taught his people to read.’ This information may be inferred from the writings of Antoon Jacob (°1889) from the period after the First World War. Jacob was regarded as an authority on Conscience. But where is the evidence of this? In his claim, he referred to ‘extensive correspondence’, but that correspondence is not extant. The ADVN managed to acquire the archival legacy of Jacob who died in 1947. It turned out that it included quite a number of letters to and from Conscience. The exchange of letters with ‘De Veldbloem’ was the subject of this contribution. It contains no trace of the attempt to bring Conscience into the political arena in Brussels. It raises the question how Jacob collected these archival documents and what happened to them during his turbulent life and his many peregrinations.  It is certainly possible that some documents have been lost. However, this legacy is still an important acquisition for the study of the history of the Flemish Movement and of Conscience in particular.


2020 ◽  
Vol 9 (4) ◽  
pp. 22-33
Author(s):  
T.N. GELLA ◽  

The main purpose of the article is to analyze the views of a famous British historian G.D.G. Cole on the history of the British workers' and UK socialist movement in the early twentieth century. The arti-cle focuses on the historian's assessment and the reasons for the workers' strike movement intensi-fication on the eve of the First World War, the specifics of such trends as labourism, trade unionism and syndicalism.


2020 ◽  
Vol 33 (3) ◽  
pp. 227-250
Author(s):  
Sjang L. ten Hagen

ArgumentThis article contributes to a global history of relativity, by exploring how Einstein’s theory was appropriated in Belgium. This may sound like a contradiction in terms, yet the early-twentieth-century Belgian context, because of its cultural diversity and reflectiveness of global conditions (the principal example being the First World War), proves well-suited to expose transnational flows and patterns in the global history of relativity. The attempts of Belgian physicist Théophile de Donder to contribute to relativity physics during the 1910s and 1920s illustrate the role of the war in shaping the transnational networks through which relativity circulated. The local attitudes of conservative Belgian Catholic scientists and philosophers, who denied that relativity was philosophically significant, exemplify a global pattern: while critics of relativity feared to become marginalized by the scientific, political, and cultural revolutions that Einstein and his theory were taken to represent, supporters sympathized with these revolutions.


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