On the brass ewer unearthed from the crypt of the Shang-fang Śarīra Stupa of Qingshan Monastery in Lintong District, Shaanxi

2021 ◽  
Vol 21 (1) ◽  
pp. 173-183
Author(s):  
Yusheng Li ◽  
Jianxi Li ◽  
Jiangtao Niu
Keyword(s):  
South Asian ◽  
The Body ◽  
Seventh Century ◽  
Northwestern Part ◽  
The South ◽  
Early Islamic ◽  
Made In

Abstract A cast brass ewer was unearthed from the Shangfang Śarīra Stupa crypt at Qingshan Monastery. Most likely, it was made in the northwestern part of the South Asian subcontinent in the late seventh century. Integrating ancient Roman, Sassanian, and early Islamic styles, the shape of this ewer not only is a mixture of the elements of different eras and traditions but also reflects unique attributes. The multi-headed and multi-armed deities from Hinduism, especially Skanda, may have inspired the six-faced design on the body. Eventually, the ewer was taken to Chang’an by Indian or Kashmirian monks and buried in the pagoda’s crypt.

An Initial Approach for Biofeedback-Based Stress Analysis

2021 ◽  
Vol 5 (2) ◽  
pp. 19-35
Author(s):  
Rohit Rastogi ◽  
Rohit Kumar ◽  
Prashant Kumar ◽  
Devendra K. Chaturvedi
Keyword(s):  
Stress Analysis ◽  
Present Article ◽  
South Asian ◽  
The Body ◽  
The South ◽  
Asian Continent ◽  
Initial Approach ◽  
Mental Fitness

Stress is a customary response the body has once changes happen. The body responds to progressions with physical, mental, and enthusiastic reactions. Stress could be a traditional and an everyday issue. You will be prepared to worry from your air, your body, and your thoughts. The authors explore stress through some polls. The present article is an effort to measure the mental fitness of subjects in Delhi, NCR region of India and is a representation of the South Asian continent.

Staging Diaspora: South Asian American Theater Today

2012 ◽  
Vol 46 (4) ◽  
pp. 831-854
Author(s):  
ASHIS SENGUPTA
Keyword(s):  
South Asian ◽  
Asian American ◽  
The Body ◽  
The South ◽  
Asian America ◽  
Two Cultures ◽  
South Asian American ◽  
American Theater ◽  
American Experience ◽  
Wide Range

This essay attempts to show how contemporary South Asian American theater deals with a wide range of South Asian American experience and in so doing has created a “new aesthetic” within American theater. The South Asian American experience is a diaspora experience, but in the contemporary wider sense of the term. The plays under study are about the old and new home, about people assimilating into the mainstream or navigating between two cultures or even negotiating a transnational identity. They deal with contested ideas of nation, nationality and allegiance, and also explore the South Asian female body in the new culture. Central to my study are the works of emerging South Asian American playwrights. I have carefully chosen a full-length play by each of them, two only in the case of short plays, and paired them under separate rubrics in such a way as to argue how they represent the diverse yet connected, changing yet pervasive, historical, cultural and psychological tropes of the South Asian American diaspora. The essay, however, does not claim that the body of work chosen for the current essay – or the rubrics, for that matter – fully expresses “South Asian America” or its theater.

2. The Surface Geology of Mid-Lochaber

1882 ◽  
Vol 11 ◽  
pp. 483-487
Author(s):  
Duns
Keyword(s):  
Point Of View ◽  
The Body ◽  
The South ◽  
The West ◽  
North East ◽  
The North ◽  
South West ◽  
Surface Geology ◽  
Made In

An attempt is made in this paper, mainly from the point of view of the Society's “Boulder Committee,” to examine and classify the surface-deposits of a comparatively small compact area, which is bounded on the north and north-east by the river Spean, on the south and south-west by the river Nevis, on the west and northwest by the Lochy and the Caledonian Canal, and on the east and south-east by the Nevis range of Mountains. Reference is also made to the district between the Nevis and Loch Linnhe, including Auchintore and part of Glen Nevis. The body of the paper is limited to the statement of phenomena. It is felt, however, that the chief value of a record of facts is to lead to a definite knowledge of the forces which underlie them, and of the laws of which they are the expression.

scholarly journals The Letting Die of the South Asian Body: a Foucauldian Analysis of White Hegemony in Western Cardiovascular Medicine

2020 ◽  
Vol 3 ◽  
pp. 39-46
Author(s):  
Rishi Bansal
Keyword(s):  
South Asian ◽  
South Asians ◽  
Population Level ◽  
The Body ◽  
Future Research ◽  
The South ◽  
Cvd Risk ◽  
Asian Patients ◽  
Letting Die ◽  
Equitable Treatment

Cardiovascular disease is the second leading cause of death in Canada and disproportionately affects those of South Asian ancestry. Anecdotally, stories of missed signs and emergency bypass surgeries are abound; empirically, medical research has identified a series of distinct risk factors for South Asian individuals. However, these factors are typically unrecognized by healthcare workers who are typically trained to use recommendations that are founded research done using Caucasian participants. The consequence of this omission is the normalization of the Caucasian body as 'the body' in medicine through disciplinary and regulatory mechanisms, and the 'letting die' of the South Asian body as a result. In taking a Foucauldian approach to this issue, this essay first maps the empirical evidence for the heightened CVD risk in South Asians, namely their predisposition to developing type 2 diabetes mellitus, metabolic syndrome, and dyslipidemia, among other factors. Disciplinary mechanisms to enforce social cohesion discount these differences as exceptions, and attempt to rehabilitate the South Asian body towards the Caucasian norm. These actions are often subconscious, but result in real actions like spending less time with South Asian patients, misuse of assessment metrics, and lower cardiac rehabilitation referral rates. On a population level, research funding is rarely given to studies investigating disease in particular ethnic groups. Hence, clinical practice guidelines must rely on incomplete data to create population-level recommendations. These guidelines act as if they apply to all individuals, but are in fact partisan; thus, the biopolitical control of populations is made apparent through the racist undertones that thrum beneath the veneer of an equal society.  Ultimately, this essay serves a counterhistorical function, and demands recognition of the South Asian body in the medical literature. The current medical regime routinely discounts populations who exist outside the norm. Future research and acknowledgement of these groups is necessary to ensure equitable treatment of all patients, regardless of their background.

Labels, Histories, Politics: Indian/South Asian Dance on the Global Stage

2008 ◽  
Vol 26 (2) ◽  
pp. 223-243 ◽  
Author(s):  
AVANTHI MEDURI
Keyword(s):  
South Asian ◽  
First Century ◽  
Nation State ◽  
The South ◽  
Global Networks ◽  
Indian Nation ◽  
The 1950S ◽  
Twenty First Century ◽  
The Uk

In this paper, I discuss issues revolving around history, historiography, alterity, difference and otherness concealed in the doubled Indian/South Asian label used to describe Indian/South Asian dance genres in the UK. The paper traces the historical genealogy of the South Asian label to US, Indian and British contexts and describes how the South Asian enunciation fed into Indian nation-state historiography and politics in the 1950s. I conclude by describing how Akademi: South Asian Dance, a leading London based arts organisation, explored the ambivalence in the doubled Indian/South Asian label by renaming itself in 1997, and forging new local/global networks of communication and artistic exchange between Indian and British based dancers and choreographers at the turn of the twenty-first century.

Heritage

2018 ◽  
Author(s):  
Omar Shaikh ◽  
Stefano Bonino
Keyword(s):  
Facial Expressions ◽  
South Asian ◽  
Online Video ◽  
The South ◽  
Men And Women ◽  
The Public ◽  
Video Footage ◽  
Community Heritage ◽  
Personal Accounts ◽  
The Way

The Colourful Heritage Project (CHP) is the first community heritage focused charitable initiative in Scotland aiming to preserve and to celebrate the contributions of early South Asian and Muslim migrants to Scotland. It has successfully collated a considerable number of oral stories to create an online video archive, providing first-hand accounts of the personal journeys and emotions of the arrival of the earliest generation of these migrants in Scotland and highlighting the inspiring lessons that can be learnt from them. The CHP’s aims are first to capture these stories, second to celebrate the community’s achievements, and third to inspire present and future South Asian, Muslim and Scottish generations. It is a community-led charitable project that has been actively documenting a collection of inspirational stories and personal accounts, uniquely told by the protagonists themselves, describing at first hand their stories and adventures. These range all the way from the time of partition itself to resettling in Pakistan, and then to their final accounts of arriving in Scotland. The video footage enables the public to see their facial expressions, feel their emotions and hear their voices, creating poignant memories of these great men and women, and helping to gain a better understanding of the South Asian and Muslim community’s earliest days in Scotland.

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