scholarly journals Henrik Hajdus (1890–1969) Rolle I Udbredelsen Af Det 19. Og 20. Århundredes Danske Litteratur I Ungarn

2017 ◽  
Vol 23 (1) ◽  
pp. 46-59
Author(s):  
Gábor Attila Csúr

Abstract The Hungarian literary translator Henrik Hajdu (1890–1969) was one of the most extraordinary persons in the history of translating Scandinavian literature into Hungarian. Aside his activity as a translator from Norwegian and Swedish, Hajdu was also an important promoter of Danish authors of the 19th and 20th century. He held lectures on Nordic culture and literature, wrote reviews in prominent Hungarian journals and maintained regular contact to many of the Scandinavian publishers, writers, dramatists and poets. He translated novels by Henrik Pontoppidan, Martin Andersen Nexø and Sigrid Undset, made an edition of Ibsen's complete works and a great amount of short stories and poems. His oeuvre numbers about a hundred separate publications. This paper focuses on how he contributed to the general acceptance and reception of Danish literary works written between 1850 and 1930 among the Hungarian readers.

2018 ◽  
Vol 13 (3-4) ◽  
pp. 62-75
Author(s):  
Yulia V. Lobacheva

This article aims to consider how Serbian scholars/historians approach to the study of Serbian women in the history of the independent Serbian state and the Serbian society in 1878–1918 at the current stage of the research (from the beginning of 1990th until 2017). This paper will give an overview of some of the main areas of historical studies considering Serbian women’s “being and life”. For example the historiography on history of “women’s question” including women’s movement and/or feminism will be considered as well as biographical research, the study of women’s position through the lens of the modernization process in Serbia in the 19th and 20th Century, Serbian women’s issues in gender studies and through the history of everyday and private life and family, the analysis of the perception of Serbian woman by outside observers including the study of the image of Serbian woman created/constructed by “others”.


2018 ◽  
Vol 57 (1-2) ◽  
Author(s):  
László Bengi

Publication practices during the early decades of the 20th century had a significant impact on the approach to literary works for both writers and readers. The majority of authors, including Kosztolányi, published the same work several times in different papers. The genealogy of texts is pervaded by the effects of contingency and unintentionality due to the lack of authorial, and sometimes editorial, control in the extensive and variable dissemination of works. Nevertheless, since the interaction of variants and their contexts can be conceived of as a mutual process, the mentioned publication practices also give rise to the possibility that a textual frame can be built around a work by re-publishing connected writings of the author’s oeuvre in the same paper within a short period. As an example, i show how Kosztolányi compiled an almost invisible series of short stories about death and suicide around the publication of one of his novels in the middle of the 1920s.


2014 ◽  
Vol 15 ◽  
pp. 223-237
Author(s):  
Michèle Hofmann

As in other countries, history of education in Switzerland is faced with a number of challenges (e.g. job cuts, questioning of the discipline’s role and function). This paper argues that the disci-pline’s current situation can only be adequately understood in light of its eventful history. In a first step this paper therefore deals with the historic development of the history of education in Switzerland. Particular focus is placed on the establishment of the history of education as a part of pedagogy at the institutions of teacher education during the first half of the 19th century and the discipline’s further development over the course of the late 19th and 20th century. In a se-cond step, this paper discusses the consequences for the discipline’s present and future that arise from its specific, historically evolved situation. DOI: http://dx.doi.org/10.15572/ENCO2014.12


2017 ◽  
pp. 16-33
Author(s):  
Inna Põltsam-Jürjo

From “heathens’ cakes” to “pig’s ears”: tracing a food’s journey across cultures, centuries and cookbooks It is intriguing from the perspective of food history to find in 19th and 20th century Estonian recipe collections the same foods – that is, foods sharing the same names – found back in European cookbooks of the 14th and 15th centuries. It is noteworthy that they have survived this long, and invites a closer study of the phenomenon. For example, 16th century sources contain a record about the frying of heathen cakes, a kind of fritter, in Estonia. A dish by the same name is also found in 18th and 19th century recipe collections. It is a noteworthy phenomenon for a dish to have such a long history in Estonian cuisine, spanning centuries in recipe collections, and merits a closer look. Medieval European cookbooks listed two completely different foods under the name of heathen cakes and both were influenced from foods from the east. It is likely that the cakes made it to Tallinn and finer Estonian cuisine through Hanseatic merchants. It is not ultimately clear whether a single heathen cake recipe became domesticated in these parts already in the Middle Ages. In any case, heathen cakes would remain in Estonian cuisine for several centuries. As late as the early 19th century, the name in the local Baltic German cuisine referred to a delicacy made of egg-based batter fried in oil. Starting from the 18th century, the history of these fritters in Estonian cuisine can be traced through cookbooks. Old recipe collections document the changes and development in the tradition of making these cakes. The traditions of preparing these cakes were not passed on only in time, but circulated within society, crossing social and class lines. Earlier known from the elites’ culture, the dish reached the tables of ordinary people in the late 19th and early 20th century. In Estonian conditions, it meant the dish also crossed ethnic lines – from the German elite to the Estonian common folk’s menus. In the course of adaptation process, which was dictated and guided by cookbooks and cooking courses, the name of the dish changed several times (heydenssche koken, klenätid, Räderkuchen, rattakokid, seakõrvad), and changes also took place in the flavour nuances (a transition from spicier, more robust favours to milder ones) and even the appearance of the cakes. The story of the heathen cakes or pig’s ears in Estonian cuisine demonstrates how long and tortuous an originally elite dish can be as it makes its way to the tables of the common folk. The domestication and adaptation of such international recipes in the historical Estonian cuisine demonstrates the transregional cultural exchange, as well as culinary mobility and communication.


2020 ◽  
Vol 16 (1) ◽  
pp. 50-57
Author(s):  
Krzysztof Janus

This article presents the history of the manor house in Brzezice in the municipality of Piaski as an unusual example of changing the function of a manor house/production facility into a residence/ manor house. Even nowadays, the transformation from a productive to a residential function is not a frequent occurrence and this change took place at the turn of the 19th and 20th century. The building originally had a single-space interior with a vaulted ceiling hidden in a mansard roof measuring 7.5×23 m and 7 m high. The walls and vaults were entirely made of brick, and not of the commonly occurring limestone, which is quite unique on a local scale. The adaptation probably took place due to the insufficient area of the original manor house, but with the owners' considerable income, the reason why they adapted the existing production building and did not erect a new palace as it used to be at the time is not certain.


Philosophy ◽  
2019 ◽  
Author(s):  
Jessica Carter

In contemporary philosophy, “visual thinking in mathematics” refers to studies of the kinds and roles of visual representations in mathematics. Visual representations include both external representations (i.e., diagrams) and mental visualization. Currently, three main areas and questions are being investigated. The first concerns the roles of diagrams, or the diagram-based reasoning, found in Euclid’s Elements. Second is the epistemic role of diagrams: the question of whether reasoning based on diagrams can be rigorous. This debate includes the question of whether beliefs based on visual input can be justified, and whether visual perception may lead to mathematical knowledge. The third observes that diagrams abound in (contemporary) mathematical practice, and so tries to understand the role they play, going beyond the traditional debates on the legitimacy of using diagrams in mathematical proofs. Looking at the history of mathematics, one will find that it is only recently that diagrammatic proofs have become discredited. For about 2,000 years, Euclid’s Elements was conceived as the paradigm of (mathematical) rigorous reasoning, and so until the 18th century, Euclidean geometry served as the foundation of many areas of mathematics. One includes the early history of analysis, where the study of curves draws on results from (Euclidean) geometry. During the 18th and 19th centuries, however, diagrams gradually disappear from mathematical texts, and around 1900 one finds the famous statements of Pasch and Hilbert claiming that proofs must not rely on figures. The development of formal logic during the 20th century further contributed to a general acceptance of a view that the only value of figures, or diagrams, is heuristic, and that they have no place in mathematical rigorous proofs. A proof, according to this view, consists of a discrete sequence of sentences and is a symbolic object. In the latter half of the 20th century, philosophers, sensitive to the practice of mathematics, started to object to this view, leading to the emergence of the study of visual thinking in mathematics.


Author(s):  
Sebastian M. Spitra

Abstract This article provides a new narrative for the history of cultural heritage law and seeks to contribute to current legal debates about the restitution of cultural objects. The modern protection laws for cultural objects in domestic and international law evolved in the 19th and 20th century. The article makes three new arguments regarding the emergence of this legal regime. First, ‘civilisation’ was a main concept and colonialism an integral part of the international legal system during the evolution of the regime. The Eurocentric concept of civilisation has so far been an ignored catalyst for the international development of cultural heritage norms. Second, different states and actors used cultural heritage laws and their inherent connection to the concept of civilisation for different purposes. Third, the international legal system of cultural heritage partly still reflects its colonial roots. The current restitution discussions are an outcome of this ongoing problematic legal constellation.


2021 ◽  
pp. 41-66
Author(s):  
Mauro Antonelli ◽  
Siegfried Ludwig Sporer

Although little known, the theoretical and methodological roots of lie detection, in particular of the development of the so-called "lie detector", must be placed in central Europe, in particular in Germany, Austria, and later in Italy at the turn of the 19th and 20th century. Focusing on Austria and Italy, we trace this development from Hans Gross in Austria to Vittorio Benussi and his pupil Cesare L. Musatti in Italy. Benussi, initially active at the University of Graz and later at the University of Padua, was the mediating link between the Austrian and Italian legal psychology tradition.


Sign in / Sign up

Export Citation Format

Share Document