scholarly journals Civilisation, Protection, Restitution: A Critical History of International Cultural Heritage Law in the 19th and 20th Century

Author(s):  
Sebastian M. Spitra

Abstract This article provides a new narrative for the history of cultural heritage law and seeks to contribute to current legal debates about the restitution of cultural objects. The modern protection laws for cultural objects in domestic and international law evolved in the 19th and 20th century. The article makes three new arguments regarding the emergence of this legal regime. First, ‘civilisation’ was a main concept and colonialism an integral part of the international legal system during the evolution of the regime. The Eurocentric concept of civilisation has so far been an ignored catalyst for the international development of cultural heritage norms. Second, different states and actors used cultural heritage laws and their inherent connection to the concept of civilisation for different purposes. Third, the international legal system of cultural heritage partly still reflects its colonial roots. The current restitution discussions are an outcome of this ongoing problematic legal constellation.

2018 ◽  
Vol 13 (3-4) ◽  
pp. 62-75
Author(s):  
Yulia V. Lobacheva

This article aims to consider how Serbian scholars/historians approach to the study of Serbian women in the history of the independent Serbian state and the Serbian society in 1878–1918 at the current stage of the research (from the beginning of 1990th until 2017). This paper will give an overview of some of the main areas of historical studies considering Serbian women’s “being and life”. For example the historiography on history of “women’s question” including women’s movement and/or feminism will be considered as well as biographical research, the study of women’s position through the lens of the modernization process in Serbia in the 19th and 20th Century, Serbian women’s issues in gender studies and through the history of everyday and private life and family, the analysis of the perception of Serbian woman by outside observers including the study of the image of Serbian woman created/constructed by “others”.


2014 ◽  
Vol 15 (1) ◽  
pp. 40-55
Author(s):  
E. Haven Hawley

Curators are partners with printing historians, collectors, and conservators, as well as with communities, in selecting, preserving, and interpreting cultural heritage. Uncovering the role of a technology such as mimeography reveals more than a history of a specific machine or technical process. It secures a better understanding about social experience by authenticating accounts about how diverse groups communicated with their own communities and to others. Special collections professionals need to be archaeologists to recover evidence from and to best preserve 20th-century publications. Current tools for studying recent print artifacts are insufficient. Thus, collaborating to generate methods for analysis is an . . .


Author(s):  
O’Keefe Patrick J

This chapter focuses on underwater cultural heritage. This form of heritage is important because it constitutes what has been called a ‘time capsule’—meaning everything on a site may well be as it was when it disappeared beneath the water’s surface. It may be the wreck of a ship, the remains of a town, or a prehistoric settlement where land has subsided. There is general agreement that what remains is important to humanity. As such, protection and preservation of the underwater cultural heritage is a significant objective of the international legal system. The UNESCO Convention of 2001 is illustrative of this. However, the Convention exists within the international political and legal framework. In negotiating it, States were constrained by what they felt this framework required. Many were prepared to be generous in how they interpreted those requirements—others not so. The result is a complex agreement requiring care in implementation.


Author(s):  
Antra Medne

Evaluating and grouping the literature historical relics, including the correspondences by letters between famous people, for a ground (base) we could take categories which demonstrate the qualities which have elements from the material world in an anent with a human. The cultural historian Fridrich Waidacher by researching the interconnection and selective values between material and spiritual world classified the evidences of material world in several chapters which are not strictly caged in permanent schemes (patterns). The division was made by taking F. Waidacher conception as a base and researching the correspondence by letters of Latvian poets and cultural workers: The potential value of the memory, the meaning which we ascribe to a concrete object (epistle). The historical value (a reference to a concrete period of time). The value of variability (a reference to the changes in the world). Rarity (singularity). The valueofarts. The correspondence in the Latvian literature – history is not a rarity. There are published several letters, for an example, between Mirdza Kempe and Eric Adamson; collected and are waiting for publishing – Raina and Aspazijas letters in the time from 1894 to 1929. This correspondence is made from 2499 letters in Latvian, Russian and German: 1154 letters are from Aspazija to Rainis and 1345 – from Rainis to Aspazija. The correspondence by letters for Alexandrs Chaks is more modest. There are just some letters, which were written by the poet. In collections in the Museum of Alexandr Chak and in the Museum of Literature and Music are approximately 40 letters written by other persons, which written to Alexandr Chak. For reasons of clearliness, they can be devided in: Letters of friends and greeting cards, which were sent to the poet in annual increment and also on birthdays. The letters from colleagues in which are analyzed the creative literature works. Official letters and reports which were sent from the State authorities and public organizations. Invitations and encouragements to start a literary work. This part refers to the period of time after the war when poets were „propelled“ to write more and appropriate to the leading instructions. Requests of help and money loans were always an issue, because A. Chak was not closefisted and gave the money to many suppliants. Letters from admirers. The most pleasant part of the correspondence. The correspondence by letters in nowadays is a rarity. It is a unique evidence of the beginning of 20th century which supplemented and enriched the history of Latvian literature and culture, by marking a very personal lines in lives of writers and poets. In this research are included just the main thoughts and waypoints in the diversity in A. Chak’s correspondence. The left written message by the poet – correspondence is deliberate and easy to access for researcher. The aim of the research: the evaluating the cultural heritage of the correspondence of Alexander Chak. The method of the research: the used method includes life stories, historical content and researching of the letters and personal documents from people who are involved in this research. In the history of literature are used not only such nomenclatures like biographical method, but also the method of oral history. The exploratory material – correspondence – is acquired during the biographical research and interviews. The biographical access, in general, is typical accent on a life of a person and also on the most significant stages and expression of it. Also, if the goal of a research is to analyze various life aspects or life stages of a person, these are looked up in a biographical context. The main question in those biographical researches is about interrelations between individual and the World. Material: the exploratory material is the correspondence of Alexander Chak which is collected and summed up from various museum holdings of Latvia, publications in books and private collections. Outcome: Are collected all written letters by Alexander Chak which are extant. Are collected and grouped all letters which Alexander Chak has received from other addressees. These letters are grouped and analyzed, by considering the topical principle. Conclusions: The culture of letter writing disappears. In the 20th century people wrote letters to each other which are extant and usable for the basis of source information in the exploratory work. Nowadays it is an exclusive thing, letters to be written in paper form, which helps to form and strengthen people relationship. The lifespan of an electronically letters are just so long, till they are moved to the recycle bin and completely deleted from the computer. The researchers of the next century will face the lack of documental material. The researchers of literature history in next hundred years will face the lack of documental material which will partly disturb to trace the development of a poets or a story writers character.


2012 ◽  
Vol 22 (1) ◽  
pp. 245-275 ◽  
Author(s):  
Tamara Myers

This article examines images of children and youth taken in connection with the Miles for Millions walkathon, a wildly popular charity event in 1960s and 70s Canada. It argues that as cultural objects, images of children accomplished several things: they delivered potent messages about the country’s present and future, mobilized adults around Canada’s relatively new role in international development, and reassured the nation that the kids were all right. Images of Canadian youth were used alongside those of the sentimentalized, racialized Third World child, a juxtaposition that ultimately helped spark enthusiasm for the walkathon and engender a consciousness among Canadian youth of their own able-bodiedness. The visual culture of the Miles for Millions provides an excellent example of the ‘knowing child’ and of the popular contemporary style of representing children ‘in their own worlds.’ While focused on the semiotics of the Miles for Millions pictorial, this article also explores the possibility of reading the images of youth for what they can tell us about the social history of the event.


2014 ◽  
Vol 15 ◽  
pp. 223-237
Author(s):  
Michèle Hofmann

As in other countries, history of education in Switzerland is faced with a number of challenges (e.g. job cuts, questioning of the discipline’s role and function). This paper argues that the disci-pline’s current situation can only be adequately understood in light of its eventful history. In a first step this paper therefore deals with the historic development of the history of education in Switzerland. Particular focus is placed on the establishment of the history of education as a part of pedagogy at the institutions of teacher education during the first half of the 19th century and the discipline’s further development over the course of the late 19th and 20th century. In a se-cond step, this paper discusses the consequences for the discipline’s present and future that arise from its specific, historically evolved situation. DOI: http://dx.doi.org/10.15572/ENCO2014.12


2017 ◽  
pp. 16-33
Author(s):  
Inna Põltsam-Jürjo

From “heathens’ cakes” to “pig’s ears”: tracing a food’s journey across cultures, centuries and cookbooks It is intriguing from the perspective of food history to find in 19th and 20th century Estonian recipe collections the same foods – that is, foods sharing the same names – found back in European cookbooks of the 14th and 15th centuries. It is noteworthy that they have survived this long, and invites a closer study of the phenomenon. For example, 16th century sources contain a record about the frying of heathen cakes, a kind of fritter, in Estonia. A dish by the same name is also found in 18th and 19th century recipe collections. It is a noteworthy phenomenon for a dish to have such a long history in Estonian cuisine, spanning centuries in recipe collections, and merits a closer look. Medieval European cookbooks listed two completely different foods under the name of heathen cakes and both were influenced from foods from the east. It is likely that the cakes made it to Tallinn and finer Estonian cuisine through Hanseatic merchants. It is not ultimately clear whether a single heathen cake recipe became domesticated in these parts already in the Middle Ages. In any case, heathen cakes would remain in Estonian cuisine for several centuries. As late as the early 19th century, the name in the local Baltic German cuisine referred to a delicacy made of egg-based batter fried in oil. Starting from the 18th century, the history of these fritters in Estonian cuisine can be traced through cookbooks. Old recipe collections document the changes and development in the tradition of making these cakes. The traditions of preparing these cakes were not passed on only in time, but circulated within society, crossing social and class lines. Earlier known from the elites’ culture, the dish reached the tables of ordinary people in the late 19th and early 20th century. In Estonian conditions, it meant the dish also crossed ethnic lines – from the German elite to the Estonian common folk’s menus. In the course of adaptation process, which was dictated and guided by cookbooks and cooking courses, the name of the dish changed several times (heydenssche koken, klenätid, Räderkuchen, rattakokid, seakõrvad), and changes also took place in the flavour nuances (a transition from spicier, more robust favours to milder ones) and even the appearance of the cakes. The story of the heathen cakes or pig’s ears in Estonian cuisine demonstrates how long and tortuous an originally elite dish can be as it makes its way to the tables of the common folk. The domestication and adaptation of such international recipes in the historical Estonian cuisine demonstrates the transregional cultural exchange, as well as culinary mobility and communication.


2020 ◽  
Vol 16 (1) ◽  
pp. 50-57
Author(s):  
Krzysztof Janus

This article presents the history of the manor house in Brzezice in the municipality of Piaski as an unusual example of changing the function of a manor house/production facility into a residence/ manor house. Even nowadays, the transformation from a productive to a residential function is not a frequent occurrence and this change took place at the turn of the 19th and 20th century. The building originally had a single-space interior with a vaulted ceiling hidden in a mansard roof measuring 7.5×23 m and 7 m high. The walls and vaults were entirely made of brick, and not of the commonly occurring limestone, which is quite unique on a local scale. The adaptation probably took place due to the insufficient area of the original manor house, but with the owners' considerable income, the reason why they adapted the existing production building and did not erect a new palace as it used to be at the time is not certain.


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