scholarly journals Is There Such a Thing as “Religion”? In Search of the Roots of Spirituality

Open Theology ◽  
2020 ◽  
Vol 6 (1) ◽  
pp. 693-705
Author(s):  
Bruce Ellis Benson

AbstractThat there exists something like religion seems self-evident. Anthropologists, we are told, have discovered that all cultures have a religion of some kind. But what is “religion”? If we trace the concept to its origins in religio, we see that our current definition of the term is considerably different. The Latin term religio has to do with virtue or fulfilling one’s obligations to one’s family and community. It has nothing immediately to do with gods, the supernatural, and the afterlife. In contrast, “religion” – something to do with a kind of belief or faith – took about a millennium to take shape. At stake here is a distinction that continues to grow in importance with the increasing number of “nones,” people who consider themselves “non-religious” but are sometimes willing to label themselves “spiritual.” Such a distinction is only meaningful to the extent there is a difference. My paper begins by establishing the nature and the scope of the question. Then I consider Husserl’s idea of returning to the origin – the Ursprung. In effect, Husserl’s quest can be considered an archaeology. Yet an archaeology of religion or even “spirituality” turns out to be impossible. In light of that, I ask: Is there something like primordial religion – something that we could likewise experience today? I suggest that we can find it in Plato, Aristotle, and Kant – an awe or wonder in face of the complexity of the universe. William Cantwell Smith speaks of “the archaic meaning of religio as that awe that men felt in the presence of an uncanny and dreadful power of the unknown.” That awe in religio and philosophy seem to be fundamentally the same. But, if that is the case, then the distinction between “religious” and “spiritual” may not have any real basis.

2021 ◽  
Vol 16 (1) ◽  
pp. 92-101
Author(s):  
Marina V. Pimenova ◽  
◽  
Aigul A. Bakirova ◽  

The article analyzes the cognitive signs of the macroconcept universe in Russian linguoculture. The relevance of the research is determined by the prospect of studying a new type of mental structures - symbolic macroconcepts. The purpose of the article is to describe the specifics of the macroconcept universe structure formation from the standpoint of the definition of syncretic primordial signs. The main methods in the work are the historical and etymological analysis of the studied macroconcept representative, descriptive and interpretive methods. During the study, seven motivating signs of the macroconcept universe were noted: 'earth', 'live', ‘world’,‘inhabit’,‘inhabited’,‘settlement’,‘light’. All identified motivating signs are syncretic symbolic primordial signs 'house' (conceptum, according to V. V. Kolesov). Motivating signs express two main symbolic meanings of Russian linguoculture: home is a place where people live, settle; home is the world of people and all living beings, this world-light (unlike that world-light where the souls of the dead go: that world-light is located in the sky), it is built on earth. The macroconcept universe is objectified by erased metaphors of a closed space (in particular, the metaphor of a key), which has an internal volume, center-middle, limits, parts, edges, corners, people live in this house, they live and exist in it, it is inhabited and settle down in Russian linguoculture. The model of the universe in the Russian language picture of the world is three-parted: the middle part in it represents the human world, in which the principle of anthropocentrism is manifested - a person measures space and chooses himself as a reference point. The syncretic primary sign ‘house’ unites in itself all the motivating signs of the studied macroconcept, keeping their relevance to our days. Keywords: macroconcept, motivating signs, first sign, language picture of the world, linguoculture, comparative studies


Entropy ◽  
2018 ◽  
Vol 20 (8) ◽  
pp. 572
Author(s):  
Pier Bissiri ◽  
Stephen Walker

The current definition of a conditional probability enables one to update probabilities only on the basis of stochastic information. This paper provides a definition for conditional probability with non-stochastic information. The definition is derived by a set of axioms, where the information is connected to the outcome of interest via a loss function. An illustration is presented.


Author(s):  
A. Yu. Kosenkov

In the article, based on the analysis of the definition of the category of reality, as well as the main trends in the development of non­classical philosophy, the legitimacy of introducing the concept of digital reality into the scientific and philosophical language is substantiated. The basis for asserting the existence of digital reality in the structure of the universe is a specific set of properties of digital technologies (digital objects), which distinguishes them from other objects of the universe and determines their special existence. In the article, based on the highlighted properties of digital technologies, they are defined as functional objects that perform operations with information presented in discrete form (measured in bits) by executing programs (algorithm) on a physical medium.


2020 ◽  
Vol 15 (4) ◽  
Author(s):  
Milan Tomašević

The paper offers a definition of cosmology and its connections with mythology, and presents contemporary theories as a secular mythical narrative suitable for anthropological analysis. The paper is dedicated to emphasizing the folklore characteristics of modern cosmology and points to the importance of popular cosmological narratives as reading that contains culturally, philosophically and even religiously relevant elements. Special attention is paid to cosmogonic myths that describe the state of the universe before the creation of space and time. A parallel has been drawn between modern cosmology and conventional cosmogonic myths. In the end, the paper offers a concise definition of popular cosmology and recalls the most important authors and popularizers of modern theories. The main task of the paper is to present the basic concepts that can contribute to a complete understanding of the anthropological character of the presentation of contemporary cosmology that we encounter in popular narratives. The aim of such an analysis is to observe the depth of the significance of modern science for creating a philosophical picture of the world that inherits secular worldviews. By treating popular cosmology as a modern myth, the paper presents a new dimension of the significance of scientific theories for today's civilization. Such an approach unravels the strictly positivist halo of cosmology and points to its anthropological character. The concepts highlighted in the paper serve as an illustration of the significance that the image of the universe and the position of the Earth has for the history of civilization. By presenting the cultural dimension of cosmology, it opens a space for dialogue between different branches of scientific research, i.e. it contributes to the communication of philosophy and science. Equally important, by illuminating the folklore character of the narrative of the origin and history of the universe, a training ground is created for philosophers and theologians who, in their own ways, interpret the creation of everything around us. By drawing attention to authors such as Neil deGrasse Tyson, Lawrence Kraus, Stephen Hawking, Michio Kaku and others, as contemporary bards and narrators, the paper seeks to contribute to the understanding of popular cosmology as an expression of modern man's need for great stories, for narratives that transcend the spatial and temporal frames of one generation, and that is exactly what myths do.


Author(s):  
Alireza Jamali

It is known since Madelung that the Schrödinger equation can be thought of as governing the evolution of an incompressible fluid, but the current theory fails to mathematically express this incompressibility in terms of the wavefunction without facing problem. In this paper after showing that the current definition of quantum-mechanical momentum as a linear operator is neither the most general nor a necessary result of the de Broglie hypothesis, a new definition is proposed that can yield both a meaningful mathematical condition for the incompressibility of the Madelung fluid, and nonlinear generalisations of Schrödinger and Klein-Gordon equations. The derived equations satisfy all conditions that are expected from a proper generalisation: simplification to their linear counterparts by a well-defined dynamical condition; Galilean and Lorentz invariance (respectively); and signifying only rays in the Hilbert space.


2009 ◽  
Vol 42 (8) ◽  
pp. 674-686 ◽  
Author(s):  
Barbara E. Wolfe ◽  
Christina Wood Baker ◽  
Adrian T. Smith ◽  
Susan Kelly-Weeder

2021 ◽  
pp. 223-238
Author(s):  
VESNA GAJIĆ

The paper explores the wide distribution of symbols whose religious and folklore interpretations are the same or similar among different cultures. The definition of symbols and their origin are considered, with reference to the theory of the "Mundus Imaginalis" of the orientalist Henry Corben, and its similarity with the "active imagination" of the psychoanalyst Carl Gustav Jung. The resemblances of the legends about the Cosmic man and the Centre of the world are followed through various mythologies, folklore traditions and cults. The Cosmic man – the first human being – who usually makes a sacrifice in order for the world to emerge and survive, in many cultures represents the embodiment of the highest virtues, towards which one should strive. The human form as the basis for temples or various sacral diagrams can be found in all ancient religious traditions and always symbolizes Imago Mundi – image of the world. At its center is the "navel" of the world, the Pillar of the Universe, Axis Mundi, which connects the earth with the sky and the underworld, and represents the axis around which the world revolves. Exploring these sets of symbols, we see that their essential aspect should not be understood as geographical places to be located, or personifications of some historical figures whose true identity needs to be interpreted. On the contrary, the symbols indicate that the search for meaning is, above all, internal; immersing ourselves in the domain of the archetype, we reflect on the essential questions of the purpose and origin of the universe, the nature of the self, kinship with the rest of humanity, which is why the symbolic layer of the human psyche helps us fight against the general alienation of the modern world.


2021 ◽  
pp. 1-6
Author(s):  
Akshay R. Maggu ◽  
Tobias Overath

Purpose In the field of audiology, auditory processing disorder (APD) continues to be a topic of ongoing debate for clinicians and scientists alike, both in terms of theory and clinical practice. In the current viewpoint, we first lay out the main issues that are central to the controversy surrounding APD, and then suggest a framework toward their resolution. Method The current viewpoint is informed by reviewing existing studies in the field of APD to better understand the issues contributing to the controversies in APD. Results We found that, within the current definition of APD, the two main issues that make the APD diagnosis controversial are (a) comorbidity with other disorders and (b) the lack of domain specificity. These issues remain unresolved, especially with the use of the existing behavioral APD test batteries. In this viewpoint, we shed light on how they can be mitigated by implementing the administration of an objective, physiological test battery. Conclusions By administering an objective test battery, as proposed in this viewpoint, we believe that it will be possible to achieve a higher degree of specificity to the auditory domain that will not only contribute towards clinical practice but also contribute towards strengthening APD as a theoretical construct.


Author(s):  
Sinem Siyahhan ◽  
Elisabeth Gee

In this chapter, we bring everything together and provide guidance on how educators and game designers can facilitate productive family engagement around video games. We discuss activity structures we designed and tested in after school and home environments that help connect school, home, and community learning. We also draw upon two design-based research projects to examine how to develop video games for families that expand the current definition of “family-friendly games.”


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