scholarly journals Recognition of the role of nature in the formation of fractal architecture

Author(s):  
Seyedeh Somayeh Mirmoradi

AbstractAfter a long period of one-way consumerist attitude toward nature, there have been some alternate perspectives on the systemic relationship between humans and nature, which have been again brought up during the past few decades. Since the late twentieth century, fractal architecture has been one of the most important themes discussed in architecture and it is based on the chaos and complexity theories. Critics often criticize this architecture due to its lack of architectural values, practicality, and attention to economy, culture, and history. The current study aims to clarify the scientific theories that are the theoretical foundations of this approach in contemporary architecture. By categorizing the practical examples of this architectural approach, they are analyzed in terms of their relationship with nature using the logical reasoning method to achieve a favorable architecture. In fact, the gap between this architecture and nature’s behavior is shown.

What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history


Author(s):  
James Tweedie

This chapter introduces the concept of the “archaeomodern” and its connection to the aging of the quintessential modern medium of film. It sketches the historical and cultural background of the archaeomodern turn in the late twentieth century, including the development of an obsession with the past in the heritage industry and the rise of postmodernism. It then discusses two phenomena from the 1980s and 1990s—a mannerist or baroque revival, and the development of media archaeology—that complicate the habitual association between tradition and the past or modernity and the future. The introduction suggests that archaeomodern cinema was characterized by the return to failed or abandoned modern experiments and other relics from the modern past.


Urban History ◽  
2014 ◽  
Vol 42 (3) ◽  
pp. 463-482
Author(s):  
SEAMUS O’HANLON

ABSTRACTOne of the world's great Victorian-era suburban metropolises, Melbourne, Australia, was transformed by mass immigration and the redevelopment of some of its older suburbs with low-rise flats and apartments in the post-war years. Drawing on a range of sources, including census material, municipal rate and valuation books, immigration and company records, as well as building industry publications, this article charts demographic and morphological change across the Melbourne metropolitan area and in two particular suburbs in the mid- to late twentieth century. In doing so, it both responds to McManus and Ethington's recent call for more histories of suburbs in transition, and seeks to embed the role of immigration and immigrants into Melbourne's urban historiography.


2018 ◽  
Vol 4 (1) ◽  
Author(s):  
Richard Schechner

This essay by Richard Schechner dedicated to a mythical figure of the theater of the late twentieth century; a work of critical reconstruction that has contributed decisively to consolidating the legacy of Grotowski, just a few months after his death. In addition to fixing some essential terms of the vocabulary, together with the contents and the periodization of the Grotowskian work (aspects that Grotowski in life were entrusted exclusively to oral transmission), the essay retraces the formation of Grotowski, the aspects linked to his character, the specific forms of his research and his transmission of knowledge, the exercise of leadership, the role of his collaborators, the sources, the mystical side, his relationship with the spirit of time, the importance (and weakness) of his opera, in the history of twentieth century theater.


1996 ◽  
pp. 415-426
Author(s):  
Joseph Dan

This chapter examines the third century of hasidism, considered the most enduring phenomenon in Orthodox Judaism in modern times. Gershom Scholem described hasidism as the ‘last phase’ in a Jewish mystical tradition that spanned nearly two millennia. Yet at the conclusion of his account of the movement in the last chapter of Major Trends in Jewish Mysticism, he appeared, with some regret, to view his subject as a phenomenon of the past. The contrast between this view of hasidic history and the reality of Jewish life in the late twentieth century could not be greater. The hasidism of today cannot be treated as a lifeless relic from the past. It appears to have made a complete adjustment to twentieth-century technology, the mass media, and the intricate politics of democratic societies without surrendering its traditional identity in the process.


Author(s):  
Mona Lynch ◽  
Anjuli Verma

This essay reviews trends since the early 1980s in the number of inmates confined in American prisons as well as possible factors contributing to the massive increase in prison admissions (ranging from highly functionalist structural accounts to more culturally embedded midrange ones). Defining features of the late twentieth century imprisonment boom are discussed, encompassing global notoriety; persistent racial disparities; the role of felony drug filings, convictions and sentences in fueling both the scale and racial disparities of imprisonment; and regional and jurisdictional variations in trends across three planes: federal-state, interstate, and intrastate. Finally, the recent “stabilization” of incarceration rates in the United States is described and possible implications considered.


2015 ◽  
Vol 7 ◽  
pp. 41-53
Author(s):  
Ilana Rosen

Contemporary Israeli literature is presently preoccupied with the past diasporic lives of the previous generation, the one that came to Israel from practically all four winds in the mid-late twentieth century. Hungarian-Israeli writers—e.g., Yoel Hoffmann, Judith Rotem, Yael Neeman and Esti G. Hayim—constitute a distinct group within this stream of 1.5 and second generation poets and novelists who have written about immigration and State foundation, often using a documentary or fictionalized memoirist mode. This article highlights the components of these writers' complex burden of a whole world destroyed, in most cases, not long before they were born and which they strive to restore or at least re-imagine in their oeuvre as contemporary Israeli writers. These components include: Holocaust trauma and its transference to the second generation, Hungarian speaking families within the Israeli multicultural setting, the ties of these families with their Hungarian foreign relatives, and household objects related to this past.


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