scholarly journals Fragments of a Hungarian Past in the Literature of 1.5 and Second-Generation Austro-Hungarian Immigrants in Israel

2015 ◽  
Vol 7 ◽  
pp. 41-53
Author(s):  
Ilana Rosen

Contemporary Israeli literature is presently preoccupied with the past diasporic lives of the previous generation, the one that came to Israel from practically all four winds in the mid-late twentieth century. Hungarian-Israeli writers—e.g., Yoel Hoffmann, Judith Rotem, Yael Neeman and Esti G. Hayim—constitute a distinct group within this stream of 1.5 and second generation poets and novelists who have written about immigration and State foundation, often using a documentary or fictionalized memoirist mode. This article highlights the components of these writers' complex burden of a whole world destroyed, in most cases, not long before they were born and which they strive to restore or at least re-imagine in their oeuvre as contemporary Israeli writers. These components include: Holocaust trauma and its transference to the second generation, Hungarian speaking families within the Israeli multicultural setting, the ties of these families with their Hungarian foreign relatives, and household objects related to this past.

What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history


Author(s):  
James Tweedie

This chapter introduces the concept of the “archaeomodern” and its connection to the aging of the quintessential modern medium of film. It sketches the historical and cultural background of the archaeomodern turn in the late twentieth century, including the development of an obsession with the past in the heritage industry and the rise of postmodernism. It then discusses two phenomena from the 1980s and 1990s—a mannerist or baroque revival, and the development of media archaeology—that complicate the habitual association between tradition and the past or modernity and the future. The introduction suggests that archaeomodern cinema was characterized by the return to failed or abandoned modern experiments and other relics from the modern past.


1996 ◽  
pp. 415-426
Author(s):  
Joseph Dan

This chapter examines the third century of hasidism, considered the most enduring phenomenon in Orthodox Judaism in modern times. Gershom Scholem described hasidism as the ‘last phase’ in a Jewish mystical tradition that spanned nearly two millennia. Yet at the conclusion of his account of the movement in the last chapter of Major Trends in Jewish Mysticism, he appeared, with some regret, to view his subject as a phenomenon of the past. The contrast between this view of hasidic history and the reality of Jewish life in the late twentieth century could not be greater. The hasidism of today cannot be treated as a lifeless relic from the past. It appears to have made a complete adjustment to twentieth-century technology, the mass media, and the intricate politics of democratic societies without surrendering its traditional identity in the process.


Author(s):  
Graham Parkes

Nishitani Keiji is generally regarded as the leading light of the ‘second generation’ Kyoto School of modern Japanese philosophy. Influenced by Zen thinkers from Chinese and Japanese Buddhism as well as by figures from the Western mystical and existential traditions, he is a pre-eminent voice in East–West comparative philosophy and late twentieth-century Buddhist–Christian dialogue. Primarily a philosopher of religion, Nishitani strove throughout his career to formulate existential responses to the problem of nihilism.


Author(s):  
Jordi Cat

How should our scientific knowledge be organized? Is scientific knowledge unified and, if so, does it mirror a unity of the world as a whole? Or is it merely a matter of simplicity and economy of thought? Either way, what sort of unity is it? If the world can be decomposed into elementary constituents, must our knowledge be in some way reducible to, or even replaced by, the concepts and theories describing such constituents? Can economics be reduced to microphysics, as Einstein claimed? Can sociology be derived from molecular genetics? Might the sciences be unified in the sense of all following the same method, whether or not they are all ultimately reducible to physics? Considerations of the unity problem begin at least with Greek cosmology and the question of the one and the many. In the late twentieth century the increasing tendency is to argue for the disunity of science and to deny reducibility to physics.


Hydrofictions ◽  
2020 ◽  
pp. 69-107
Author(s):  
Hannah Boast

This chapter examines the changing meanings of swamp drainage in Israel’s national mythology. Swamp drainage was undertaken in the early twentieth century by the Jewish National Fund and again after the establishment of the State of Israel. Once seen as a triumph of Zionist ingenuity, draining swamps was redefined in the late twentieth century as an emblem of Zionism’s environmental hubris. This chapter assesses this history through Meir Shalev’s magical realist novel The Blue Mountain (1988), situating Shalev’s text in its contemporary contexts of environmentalism and post-Zionism.


1987 ◽  
Vol 46 (1) ◽  
pp. 106-121 ◽  
Author(s):  
J. C. Hall

To re-open problems of the past and to rake up arguments long since laid to rest may seem a singularly pointless exercise for a family lawyer of the late twentieth century. Yet the controversy which raged in the 1840s over the requirements for common law marriage was never satisfactorily resolved; and even today the question could still arise and an authoritative answer be required.


1999 ◽  
Vol 12 (1) ◽  
pp. 7-32 ◽  
Author(s):  
Tal Golan

The ArgumentThis paper provides a historical perspective to one of the liveliest debates in common law courts today — the one over scientific expert testimony. Arguing against the current tendency to present the problem of expert testimony as a late twentieth-century predicament which threatens to spin out of control, the paper shows that the phenomena of conflicting scientific testimonies have been perennial for at least two centuries, and intensely debated in both the legal and the scientific communities for at least 150 years.


Author(s):  
Sanford Levinson

This introductory chapter sets out the book’s purpose, which is to clarify the ambiguities of constitutional faith, i.e., wholehearted attachment to the Constitution as the center one’s (and ultimately the nation’s) political life. The book argues that there is an important conversation to be initiated about what it means to be an “American” in the late twentieth century. This conversation is not merely historical, to be safely distanced somewhere in the past. It assumes that there are many persons who share a very strong sense of “being” American, but are without an equally confident sense of what it means, especially in regard to what, if any, political commitments that identity entails.


Arts ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 132
Author(s):  
Philip J. Deloria

How might we understand the art—and perhaps something of the life—of Kiowa/Caddo artist T.C. Cannon by centering his engagement with music and in particular with a meditation on Cannon’s 000-18 Martin guitar, which greeted visitors to the landmark exhibition, T.C. Cannon: At the Edge of America? In the form of a personal reflective essay, T.C. Cannon’s Guitar contemplates my own history with similar guitars, songs from the folk-songwriter tradition, and questions of multi-media crossings—art, music, text, object—that demonstrate revealing stylistic affinities. The essay explores intergenerational relations between myself, Cannon, and my father Vine Deloria, Jr., the three of us evenly spaced over the course of the late twentieth century, and it does so in an effort to understand something about the historical impulses of the period between 1965 and 1978. In that moment—accessible to me through memories of affects more than memories of actions—Native politics and art were both figuring out ways to honor the past while making it new, creating distinctive forms that we can recognize around concepts such as survivance, sovereignty, and indigenous modernism.


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