scholarly journals Ajo y agua y otros acortamientos de frases en el español actual

2019 ◽  
Vol 135 (2) ◽  
pp. 469-506
Author(s):  
Antonio Lillo

Abstract This article deals with a relatively unusual word-formation process in modern Spanish whereby a new lexeme is created by shortening a phrase, clause or sentence, rather than simply clipping a single word-form. Although this process has been mentioned in passing by several authorities as merely another way of shortening words, the fact that it affects units larger than a single word has been overlooked thus far, hence this detailed consideration. Creating a new lexical item from a larger linguistic unit implies solidifying at least two of its elements into a single form, the final part of which may itself be a clipped word. The process becomes even more complex or playful when homonymy or paronymy is thrown into the mix. Drawing upon a wealth of examples from a range of sources, this study examines the motives for their use, their structure and the relationship between morphology and stress-placement patterns. The last section presents a collection of shortenings of this type which have been documented from various parts of the Spanish-speaking world.

2021 ◽  
Vol 6 (1) ◽  
Author(s):  
Shandina Megarani ◽  
Jelita Dini

Slang is a language that is used daily and continues to grow due to the development of social media among fan communities. Each fan community has used slang specific to their interests, one of them being the K-Pop fandom. Despite the international growth of the K-Pop fandom and the spread of its cultural influence over recent years, there has been a lack of discussion on the linguistic aspect of its community, on the slang generated and used by its fan community in particular. Therefore, this research aims to expound on how K-Pop fandom slang words found in the drama ‘Her Private Life’ are formed. The study based its theoretical framework on the National Institute of Korean Language’s (2014) classification of new words in Korean based on its wordformation process. Out of the 24 slang words analyzed from the drama ‘Her Private Life’, there are 3 slang words in the form of a single word and 21 slang words in the form of a complex word. In the case of single-word form slang words, all 3 are created through the borrowing process; while complex-word form slang words are mostly created through the blending process, equating to 9 words in total.


2009 ◽  
Vol 2 (1) ◽  
pp. 69-107
Author(s):  
Alexandra Soares Rodrigues

The aim of this paper is to analyse the constraints that govern the formation of Portuguese converted deverbal nouns (‘CDNs’). To this end, we have analysed a total of 1323 converted deverbal nouns. The first type of constraints investigated are those found at the prosodic level: these deal with the configurational formatting of the minimal root. We will focus on the relationship between these constraints and the semantic and phonological identification of the lexical item in perceptual terms. The second level of constraints may be characterised as morphophonological-pragmatic. Many verbs contain morphological units that block the formation of CDNs because their [+Latinate] character has a certain stylistic effect in terms of pragmatic usage. The third level of constraints pertains to lexical-conceptual structure combined with argument structure.We will show that (i) the constraints on the bases of CDNs are not exclusively founded on morphological incompatibilities between derivational affixes and other morphological units with which they join. Thus, a derivational mechanism that does not involve affixation, such as conversion, is also ruled by restrictions on the bases. (ii) Structural constraints – based on argument structures and on prosodic, morphological and lexical-semantic structures – are interwoven with processing and pragmatic conditions. (iii) Word formation is organised in structures that have interfaces with each other.


2016 ◽  
Vol 5 (1) ◽  
Author(s):  
Charles Marfo

This paper discusses compound constructions in Akan, which are mostly nouns. Compounding is generally explained as a morphosyntactic word-formation process and the resulting compound word is commonly described as a “new” linguistic unit (Haspelmath, 2002; Marfo, 2009). The paper focuses on Noun-Noun (N-N) and Noun-Adjective (N-Adj) compounds in Akan and particularly contends that, for N-N and N-Adj compounds to be realized in Akan, the compound members should map into one prosodic phrase. It is also suggested that the same mapping should be the case if there could be proper or consistent realization of some phonological changes that occur in the compound. In this direction, the paper explains that the syntactic structure of the compound (i.e., the noun phrase (NP)), does not solely ensure the domain of the Akan compound nor the domain properties that trigger the rules that apply in it, but phonological information as well; thus, prosodic constraints are observed. Furthermore, the structure of the Akan compound is illuminated in terms of Attribute-Value Matrix (e.g., Butt & King, 1998). The paper reiterates in conclusion that compounds in Akan and rules that apply in them are better accounted for through dictates of the prosodic structure.


Author(s):  
Natalia Beliaeva

Blending is a type of word formation in which two or more words are merged into one so that the blended constituents are either clipped, or partially overlap. An example of a typical blend is brunch, in which the beginning of the word breakfast is joined with the ending of the word lunch. In many cases such as motel (motor + hotel) or blizzaster (blizzard + disaster) the constituents of a blend overlap at segments that are phonologically or graphically identical. In some blends, both constituents retain their form as a result of overlap, for example, stoption (stop + option). These examples illustrate only a handful of the variety of forms blends may take; more exotic examples include formations like Thankshallowistmas (Thanksgiving + Halloween + Christmas). The visual and audial amalgamation in blends is reflected on the semantic level. It is common to form blends meaning a combination or a product of two objects or phenomena, such as an animal breed (e.g., zorse, a breed of zebra and horse), an interlanguage variety (e.g., franglais, which is a French blend of français and anglais meaning a mixture of French and English languages), or other type of mix (e.g., a shress is a type of clothes having features of both a shirt and a dress). Blending as a word formation process can be regarded as a subtype of compounding because, like compounds, blends are formed of two (or sometimes more) content words and semantically either are hyponyms of one of their constituents, or exhibit some kind of paradigmatic relationships between the constituents. In contrast to compounds, however, the formation of blends is restricted by a number of phonological constraints given that the resulting formation is a single word. In particular, blends tend to be of the same length as the longest of their constituent words, and to preserve the main stress of one of their constituents. Certain regularities are also observed in terms of ordering of the words in a blend (e.g., shorter first, more frequent first), and in the position of the switch point, that is, where one blended word is cut off and switched to another (typically at the syllable boundary or at the onset/rime boundary). The regularities of blend formation can be related to the recognizability of the blended words.


2015 ◽  
Vol 33 (1) ◽  
pp. 1-15
Author(s):  
Henrietta Bannerman

John Cranko's dramatic and theatrically powerful Antigone (1959) disappeared from the ballet repertory in 1966 and this essay calls for a reappraisal and restaging of the work for 21st century audiences. Created in a post-World War II environment, and in the wake of appearances in London by the Martha Graham Company and Jerome Robbins’ Ballets USA, I point to American influences in Cranko's choreography. However, the discussion of the Greek-themed Antigone involves detailed consideration of the relationship between the ballet and the ancient dramas which inspired it, especially as the programme notes accompanying performances emphasised its Sophoclean source but failed to recognise that Cranko mainly based his ballet on an early play by Jean Racine. As Antigone derives from tragic drama, the essay investigates catharsis, one of the many principles that Aristotle delineated in the Poetics. This well-known effect is produced by Greek tragedies but the critics of the era complained about its lack in Cranko's ballet – views which I challenge. There is also an investigation of the role of Antigone, both in the play and in the ballet, and since Cranko created the role for Svetlana Beriosova, I reflect on memories of Beriosova's interpretation supported by more recent viewings of Edmée Wood's 1959 film.


Phonetica ◽  
2021 ◽  
Vol 78 (1) ◽  
pp. 65-94
Author(s):  
Katsura Aoyama ◽  
Barbara L. Davis

Abstract The aim of the present study was to investigate relationships between characteristics of children’s target words and their actual productions during the single-word period in American English. Word productions in spontaneous and functional speech from 18 children acquiring American English were analyzed. Consonant sequences in 3,328 consonant-vowel-consonant (C1VC2) target words were analyzed in terms of global place of articulation (labials, coronals, and dorsals). Children’s actual productions of place sequences were compared between target words containing repeated place sequences (e.g., mom, map, dad, not) and target words containing variegated place sequences (e.g., mat, dog, cat, nap). Overall, when the target word contained two consonants at the same global place of articulation (e.g., labial-labial, map; coronal-coronal, not), approximately 50% of children’s actual productions matched consonant place characteristics. Conversely, when the target word consisted of variegated place sequences (e.g., mat, dog, cat, nap), only about 20% of the productions matched the target consonant sequences. These results suggest that children’s actual productions are influenced by their own production abilities as well as by the phonetic forms of target words.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Tian Shen ◽  
R. Harald Baayen

Abstract In structuralist linguistics, compounds are argued not to constitute morphological categories, due to the absence of systematic form-meaning correspondences. This study investigates subsets of compounds for which systematic form-meaning correspondences are present: adjective–noun compounds in Mandarin. We show that there are substantial differences in the productivity of these compounds. One set of productivity measures (the count of types, the count of hapax legomena, and the estimated count of unseen types) reflect compounds’ profitability. By contrast, the category-conditioned degree of productivity is found to correlate with the internal semantic transparency of the words belonging to a morphological category. Greater semantic transparency, gauged by distributional semantics, predicts greater category-conditioned productivity. This dovetails well with the hypothesis that semantic transparency is a prerequisite for a word formation process to be productive.


2014 ◽  
Vol 12 (4) ◽  
pp. 319-340
Author(s):  
Anu Koskela

This paper explores the lexicographic representation of a type of polysemy that arises when the meaning of one lexical item can either include or contrast with the meaning of another, as in the case of dog/bitch, shoe/boot, finger/thumb and animal/bird. A survey of how such pairs are represented in monolingual English dictionaries showed that dictionaries mostly represent as explicitly polysemous those lexical items whose broader and narrower readings are more distinctive and clearly separable in definitional terms. They commonly only represented the broader readings for terms that are in fact frequently used in the narrower reading, as shown by data from the British National Corpus.  


2020 ◽  
pp. 81-86
Author(s):  
Yu.G. Kabaldin ◽  
D.A. Shatagin ◽  
M.S. Anosov ◽  
A.M. Kuz'mishina

The formation of chips during the processing of various materials was studied. The relationship between the type of chips, the type of crystal lattice of the material and the number of sliding systems is shown. A neural network model of chip formation is developed, which allows predicting the type of chips. An intelligent control system for the process of chip formation during cutting is proposed. Keywords: chip formation, crystal lattice, neural network model, type of chips. [email protected]


SAGE Open ◽  
2017 ◽  
Vol 7 (4) ◽  
pp. 215824401774671
Author(s):  
Abdel Rahman Mitib Altakhaineh

This study investigates the phonological, semantic, and pragmatic features of acronyms in Arabic. Acronyms in Arabic have appeared quite recently as a result of globalization and exposure to or contact with, mainly, English via radio stations and TV channels, which are broadcasting in English and in some countries, for example, Morocco in both English and French. Through in-depth analysis, it has been observed that acronyms in Arabic are subject to different restrictions: (a) The phonological combinations are formed on the basis of Arabic templates; hence, should be compatible with Arabic phonotactics, for example, consonant clusters should be broken up by vowels; (b) the connotation of the acronyms should not be negative; and (c) in conformity with relevance theory, when the acronyms are homophonous to existing words, the former maximize contextual effects with minimum processing effort. The fact that they appear in certain contexts also reduces the processing effort. It has also become evident that the period between the establishment of the movement or party and the first use of the acronym decreases over time, provided that the acronyms are frequently mentioned in the media. The examination of acronyms in different languages shows that acronymization is quite pervasive cross-linguistically; this may suggest that not any word-formation process can easily spread; it needs to be prevalent and potentially universal.


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