Exiles on Main Street

2017 ◽  
Author(s):  
Robin Whelan
Keyword(s):  
The Self ◽  
The Other ◽  
Main Street ◽  
Mutual Antagonism ◽  
Authority Figures ◽  
The Relationship ◽  
Do So

This chapter reconsiders the relationship between the Vandal kings and the Nicene Church, which has often been seen as an obstacle to effective Vandal rule. The self-portrayal of Nicene bishops as martyrs suffering in an age of heretical persecution—and the self-portrayal of Hasding dynasts as pious defenders of true (Homoian) Christianity—seems to commit them to mutual antagonism. Yet both parties also had interests in compromises, which are revealed by recurrent interactions between bishops and the court at Carthage. Even as they decried heretical Vandal tyranny, Nicene bishops petitioned their rulers to improve their church’s lot, using obsequious courtly language and the appropriate bureaucratic channels to do so. Vandal kings sometimes granted these petitions; even when refused, the possibility of compromise was retained for as long as possible. The result was tacit or even explicit acknowledgment of the legitimacy of the other parties, whether as rulers or Christian authority figures.

scholarly journals Metafore sebstva u autobiografskom diskursu Vesne Parun

2016 ◽  
Vol XIV (2) ◽  
pp. 184-184
Author(s):  
Kornelija Kuvač-Levačić
Keyword(s):  
Narrative Identity ◽  
The Self ◽  
The Other ◽  
Factual Information ◽  
Human Personality ◽  
The World ◽  
Literary Device ◽  
The Relationship ◽  
Symbolic Number ◽  
Do So

By using the concept of the Self as the human personality in its totality, as defined by Carl Gustav Jung and furthered by P. Ricoeur (the theory of narrative identity, the Self defined as an identity constructed by narrative configuration, the dialectics of the discovery of the other in one’s own Self and one’s own Self in the Other), this work will focus in the analysis of metaphors which express the Self of the auto-diegetic narrator as can be found in the autobiographical discourse of Vesna Parun. The corpus of this research is to be found in selected texts from her volume Noć za pakost. Moj život u 40 vreća (2001). From the first chapter of this volume [which consists of the following works of autobiography and essays: Poljubac života (1993), Do zalaska sunca hodajući za kamilicom (1958), Pod muškim kišobranom (1986)] the reader comes to realise that, for this author, the writing of autobiography is itself a problem of self-expression and that she had constantly deferred it, while, on the other hand, feeling a great compulsion from within to do so. This sense of paradox finds its reflection in some of the constitutive elements which can be found in her autobiographical discourse. In the relationship between literature and reality, which is something which the genre of autobiography questions in its own way, the author noticeably distances herself from the mere documentary transmission of factual information from her life. A reflection of this can be seen in the negation of a strict chronology of events and confessions, as she makes recourse to a technique which uses collage and appears fragmentary; furthermore, here prose here has a lyrical quality, negating "metaphor as a literary device" and transforming it into "literature as metaphor". The autobiographical prose of Vesna Parun is especially dense with metaphor, and it can be concluded that it expresses her Self. Attention is directed here to three metaphors in particular – the umbrella, which can be both "masculine" and "feminine", a map of the world, on the wall of every house in Vesna’s community, as well the sack, which is followed by the symbolic number 40, as many in which she could fill her life in. Besides the metaphors mentioned here, what will be proposed here is that in the autobiographical discourse of Vesna Parun literature itself is presented as metaphor of her Self, appearing to the reader as significantly (auto)meta-textual.

From Container to Claustrum: Projective Identification in Couples

2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Tamara Feldman
Keyword(s):  
Psychological Health ◽  
Projective Identification ◽  
The Self ◽  
The Other ◽  
Intimate Partners ◽  
And Control ◽  
The Relationship ◽  
As If

This paper is a contribution to the growing literature on the role of projective identification in understanding couples' dynamics. Projective identification as a defence is well suited to couples, as intimate partners provide an ideal location to deposit unwanted parts of the self. This paper illustrates how projective identification functions differently depending on the psychological health of the couple. It elucidates how healthier couples use projective identification more as a form of communication, whereas disturbed couples are inclined to employ it to invade and control the other, as captured by Meltzer's concept of "intrusive identification". These different uses of projective identification affect couples' capacities to provide what Bion called "containment". In disturbed couples, partners serve as what Meltzer termed "claustrums" whereby projections are not contained, but imprisoned or entombed in the other. Applying the concept of claustrum helps illuminate common feelings these couples express, such as feeling suffocated, stifled, trapped, held hostage, or feeling as if the relationship is killing them. Finally, this paper presents treatment challenges in working with more disturbed couples.

Tactile Vision and Enworlded Being

2017 ◽  
Author(s):  
Cleo Hanaway-Oakley
Keyword(s):  
The Self ◽  
The Other ◽  
Fin De Siecle ◽  
Gestalt Theory ◽  
Fin De Siècle ◽  
Phenomenal Field ◽  
The Relationship

Stephen’s musings on the pre-cinematic ‘stereoscope’ are discussed in relation to Bloom’s contemplation of parallax and his mention of the ‘Mutoscope’. The three-dimensionality, tangibility, and tactility of stereoscopic perception is analysed alongside Bloom’s and Gerty’s encounter in ‘Nausicaa’ and the Merleau-Pontian concepts of ‘flesh’ and ‘intercorporeity’. The bodily effects of projected cinema—achieved through virtual film worlds, virtual film bodies, and the intercorporeity of film and spectator—are discussed through reference to panorama, phantom ride, and crash films. The dizzying effects of some of these films are compared to the vertiginous nature of the ‘Wandering Rocks’ episode of Ulysses; these cinematic and literary vestibular disturbances are elucidated through gestalt theory and the phenomenological concepts of ‘intention’, ‘attention’, and the ‘phenomenal field’. Finally, the relationship between the self and the other is considered, through a discussion of cinematic mirroring in Ulysses and in Mitchell and Kenyon’s fin de siècle Living Dublin films.

A Voice Takes Form

2020 ◽  
pp. 161-176
Author(s):  
Ian Maclachlan
Keyword(s):  
The Other ◽  
Degree Zero ◽  
Poetic Form ◽  
Final Phase ◽  
Authorial Identity ◽  
The One ◽  
Level Of Experience ◽  
The Relationship ◽  
Authorial Voice ◽  
Do So

This chapter focuses on Louis-René des Forêts’s poetic sequence, Poèmes de Samuel Wood (1988) in order to highlight the relationship between poetic form, authorial voice and the genre of autobiography. Des Forêts’s sequence comprises a 559-line poem divided into thirteen sections, attributed by its title to the heteronymous author-figure Samuel Wood. Notwithstanding its form and authorial disguise, the poem is obliquely autobiographical and forms part of the overall project of the long, final phase of his writing, best exemplified by the fragmentary work of 1997, Ostinato. My analysis seeks to stake out a distinctive way of conceiving the relation of poetic form to autobiographical genre (taking a distance, notably, from Lejeunian typological approaches), and in order to do so endeavours, on the one hand, to work with the idea of form as active, dynamic and mobile, a process of forming, deforming and reforming which is always temporally emergent and variable, rather than a structure that might simply contain something like content or experience, and on the other hand, to connect that mobility of form to des Forêts’s pursuit of a distinctive autobiographical mode. Far from reflecting and securing authorial identity, this mode might be considered as one that concerns an impersonal or anonymous level of experience that is fundamentally insecure and ultimately inappropriable; we might think of this mode as a kind of degree zero of autobiography, an autobiography in the neuter, or an ‘autobiographie intérieure’.

Levinas and the Responsibility to Provide in Southeast Asia

2019 ◽  
pp. 153-178
Author(s):  
See Seng Tan
Keyword(s):  
Southeast Asia ◽  
Southeast Asian ◽  
The Self ◽  
The Other ◽  
Moral Force ◽  
Communitarian Ethics ◽  
Key Features ◽  
Asian Context ◽  
The Relationship

Firstly, this chapter introducesLevinas’ ‘responsibility for the other’ notion as an alternative to the liberal and communitarian conceptions of responsibility and sovereignty. Both liberal and communitarian ethics are problematic because of theirshared assumption that responsibility is first and foremost to the self. The chapter introduces key features of Levinas’ ethics – the place and role of hospitality, reciprocity and justice in the responsibility for the other. It also examines how friendly critiques by interlocutors(Derrida, Ricoeur, Caputo, etc.) help moderate Levinas’ idealism without necessarily taking things in overly pragmatic or realist directions or, worse, blunting its moral force. Secondly, the chapter assesses the relevance of Levinas’ ethics to the questions of responsible sovereignty and the R2Provide in Southeast Asia. With reference to the regional conduct described in Chapters 4, 5 and 6, it is argued that Levinas’ ideas redefine the terms of the relationship between responsible providers and their recipients in three key ways: one, our assumptions and expectations over one’s extension of hospitality to one’s neighbours; two, the rethinking of mutuality and reciprocity between providers and recipients; and three, the ways in which the considerations for justice play out within the Southeast Asian context are concerned.

scholarly journals The distortion of crystals of aluminium under compression. Part III.―Measurements of stress

1927 ◽  
Vol 116 (773) ◽  
pp. 39-60 ◽  
Keyword(s):  
Shear Stress ◽  
Large Range ◽  
Experimental Results ◽  
The Other ◽  
Shear Stresses ◽  
Measurable Difference ◽  
The Relationship ◽  
Do So

Several experiments were devised to find out whether it is possible to measure the internal shearing stresses in a compressed disc, and the conditions under which it is possible to do so. Equations are developed for analysing shear stresses parallel to planes of slip and distortion due to double and single slipping. The relationship between shear stress and amount of shear is found for tensile and for compression specimens, when slipping is confined to one plane. The experimental results in the two cases are identical. The fact that the component of force normal to plane of slip is a pressure in one case and a tension in the other makes no measurable difference to resistance to slipping for given amount of slip. During double slipping resistance to shear increases more rapidly for a given total amount of slipping than when all slip is confined to one plane. The experiments cover a large range and show that resistance to shear goes on increasing up to greatest amounts of distortion used.

The Tolstoy Connection in Bakhtin

PMLA ◽  
1985 ◽  
Vol 100 (1) ◽  
pp. 68-80 ◽  
Author(s):  
Caryl Emerson
Keyword(s):  
The Self ◽  
The Other ◽  
Good Reader ◽  
Death In Literature ◽  
Binary Model ◽  
Starting Point ◽  
Good Starting Point ◽  
Relationship Of ◽  
The Relationship

Mikhail Bakhtin's work on Dostoevsky is well known. Less familiar, perhaps, is Bakhtin's attitude toward the other great Russian nineteenth-century novelist, Leo Tolstoy. This essay explores that “Tolstoy connection,” both as a means for interrogating Bakhtin's analytic categories and as a focus for evaluating the larger tradition of “Tolstoy versus Dostoevsky.” Bakhtin is not a particularly good reader of Tolstoy. But he does make provocative use of the familiar binary model to pursue his most insistent concerns: monologism versus dialogism, the relationship of authors to their characters, the role of death in literature and life, and the concept of the self. Bakhtin's comments on these two novelists serve as a good starting point for assessing the strengths and weaknesses of the Bakhtinian model in general and suggest ways one might recast the dialogue between Tolstoy and Dostoevsky on somewhat different, more productive ground.

The Time Perception in Contemporary

2017 ◽  
Vol 41 (S1) ◽  
pp. S717-S717
Author(s):  
D.F. Burgese ◽  
D.P. Bassitt ◽  
D. Ceron-Litvoc ◽  
G.B. Liberali
Keyword(s):  
New Technologies ◽  
New Technology ◽  
The Self ◽  
The Other ◽  
The Past ◽  
The World ◽  
Relationship Processes ◽  
Competing Interest ◽  
New Phenomena ◽  
The Relationship

With the advent of new technologies, the man begins to experience a significant change in the perception of the other, time and space. The acceleration of time promoted by new technology does not allow the exercise of affection for the consolidation of ties, relations take narcissists hues seeking immediate gratification and the other is understood as a continuation of the self, the pursuit of pleasure. It is the acceleration of time, again, which leads man to present the need for immediate, always looking for the new – not new – in an attempt to fill an inner space that is emptied. The retention of concepts and pre-stressing of temporality are liquefied, become fleeting. We learn to live in the world and the relationship with the other in a frivolous and superficial way. The psychic structure, facing new phenomena experienced, loses temporalize capacity and expand its spatiality, it becomes pathological. Post-modern inability to retain the past, to analyze the information received and reflect, is one of the responsible for the mental illness of today's society. From a temporality range of proper functioning, the relationship processes with you and your peers will have the necessary support to become viable and healthy.Disclosure of interestThe authors have not supplied their declaration of competing interest.

The linguistic marking of agentivity and control in child language

1989 ◽  
Vol 16 (2) ◽  
pp. 263-284 ◽  
Author(s):  
Nancy Budwig
Keyword(s):  
Functional Analysis ◽  
The Self ◽  
The Other ◽  
Subject Position ◽  
Use Of Self ◽  
Self And Other ◽  
Reference Form ◽  
And Control ◽  
The Relationship ◽  
Self Reference

ABSTRACTThe present study examines the relationship between linguistic forms and the functions they serve in children's early talk about agentivity and control. The spontaneous linguistic productions of six children ranging between 1;8 and 2;8 served as the data base. Preliminary analyses of who the children referred to and what forms were used in subject position suggest that the children could be divided into two groups. Three children primarily referred to Self and relied on multiple Self reference forms in subject position, while the other children referred to both Self and Other and primarily used the Self reference form, I. A functional analysis was carried out to examine whether the seemingly interchangeable use of Self reference forms could be related to semantic and pragmatic patterns. The findings indicate that at a time before they regularly refer to others, the children systematically employed different Self reference forms to mark distinct perspectives on agency.

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