scholarly journals Construction of American Hunger in Richard Wright's Novel "Black Boy"

2019 ◽  
Vol 8 (1) ◽  
pp. 38-50
Author(s):  
Febrian Ramadhani Setiaji ◽  
Mohamad Ikhwan Rosyidi
Keyword(s):  
Qualitative Analysis ◽  
Binary Operation ◽  
Black People ◽  
The Novel ◽  
Racial Oppression ◽  
White People ◽  
Black And White ◽  
Black Boy

This study aims at explaining the construction of American hunger in Richard Wright’s novel Black Boy. This study is a qualitative analysis that relies on the power of word or explanatory reasoning. The data were collected by reading, identifying, classifying and analyzed using the structualism theories which used in this study by relating to binary operation to see the gap between black and white society. The results of this study were the segregation between black and white people in terms of the treatment, power, and superiority that in the end, it  resulted that the black people are being treated different and has no right for freedom. The American Hunger is described in the novel through some events that go in the opposite between black and white people. The tention between them revealed from the different treatment, oppression, discrimination, superiority, and hunger that the black and white people or society experienced. The dominance and the power of the white people had harm the black people in some aspects in their life. Second, American Hunger that was described in the novel was regarded as the desire of the black people when they were living side by side with the white people in America. When the discrimination, segregation, and oppression occurs toward the black people, they satisfied their American hunger by standing agaisnt racial oppression, strengthen the superiority, and against the hunger.   Keywords: American hunger; construction; discrimination; structuralism

The Problematical Portrayal of Racial Discrimination in Jacqueline Woodson’s novel “The Brown Girl Dreaming”

Think India ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 865-874
Author(s):  
Mrs. Jeni . S ◽  
Dr. J.G. Duresh
Keyword(s):  
African American ◽  
American Literature ◽  
Black People ◽  
African American Literature ◽  
The United States ◽  
The Novel ◽  
White People ◽  
Phillis Wheatley ◽  
Black And White ◽  
Hearts And Minds

African American Literature can be defined as writings by people of African decent living in the United States.  The genre began during the 18th and 19th centuries with writers such as poet phillis Wheatley and Orator Frederick Douglass reached as an early highpoint with the Harlem Renaissance and continues with the authors such as Toni Morrison, Maya Angelou and Walter Mosley, James Baldwin etc.  The themes and issues explored in African American literature are tradition, culture, racism, religion, slavery, segregation, migration, and feminism and more. This paper deals with the perspectives of clashes between black and white communities through the novel The Brown Dreaming girl by Jacqueline Woodson. It clearly explains about the Whites ill-treatment and how the blacks suffer under the hands of white people. The essential part of human kind is Identification and Freedom which has been completely wiped off from the hearts and minds of the black people.

scholarly journals The Deconstruction of the Cartesian Dichotomy of Black and White in William Blake’s The Little Black Boy

2015 ◽  
Vol 4 (2) ◽  
pp. 144
Author(s):  
Ali Gunes
Keyword(s):  
Black People ◽  
World View ◽  
Western World ◽  
White People ◽  
Black And White ◽  
Romantic Poet ◽  
Egalitarian Society ◽  
The Relationship ◽  
The Universe ◽  
Black Boy

This paper discusses English Romantic Poet William Blake’s anti-racial views in his poem The Little Black Boy. In so doing, it focuses upon how Blake attempts to deconstruct the Cartesian dichotomy of Western world view, a dichotomy which has usually been based on the theory that the universe has been ruled from its origins by two conflicting powers, one good and one evil, both existing as equally ultimate first causes. In this binary and hierarchal relationship, there are two essential terms in which one term is absolutely regarded as primary or fundamental in its essence, whereas the other term is considered secondary or something that lacks originality and presence. Once this equation is applied to the relationship between black and white people, it will easily be seen in the Western world that white people are always primary or fundamental to black-skinned people, and thus the perception behind this binary and hierarchal relationship seems the root of all the racial problems between black and white. This paper argues that Blake strives to deconstruct radically in The Little Black Boy the basis of this binary and hierarchal relationship which has been carried out for centuries in the Western world to segregate and then control the lives of black people. Finally, the paper maintains that Blake also shows a strong aspiration for creating an egalitarian society free of discrimination and injustices at a time when anti-slavery campaigns hit the top on both sides of Atlantic.

Free but fragile: Human relations amidst poverty and HIV in democratic South Africa

2015 ◽  
Vol 2 (2) ◽  
pp. 85-94
Author(s):  
Christina Landman
Keyword(s):  
South Africa ◽  
Predominantly White ◽  
Black People ◽  
Hiv Treatment ◽  
Human Relations ◽  
White People ◽  
Black And White ◽  
The Past ◽  
Wide Range ◽  
Black Township

Dullstroom-Emnotweni is the highest town in South Africa. Cold and misty, it is situated in the eastern Highveld, halfway between the capital Pretoria/Tswane and the Mozambique border. Alongside the main road of the white town, 27 restaurants provide entertainment to tourists on their way to Mozambique or the Kruger National Park. The inhabitants of the black township, Sakhelwe, are remnants of the Southern Ndebele who have lost their land a century ago in wars against the whites. They are mainly dependent on employment as cleaners and waitresses in the still predominantly white town. Three white people from the white town and three black people from the township have been interviewed on their views whether democracy has brought changes to this society during the past 20 years. Answers cover a wide range of views. Gratitude is expressed that women are now safer and HIV treatment available. However, unemployment and poverty persist in a community that nevertheless shows resilience and feeds on hope. While the first part of this article relates the interviews, the final part identifies from them the discourses that keep the black and white communities from forming a group identity that is based on equality and human dignity as the values of democracy.

scholarly journals Implications of institutional racism in the therapeutic itinerary of people with chronic renal failure

2020 ◽  
Vol 38 (2) ◽  
Author(s):  
Ricardo Bruno Santos Ferreira ◽  
Climene Laura De Camargo ◽  
Maria Inês Da Silva Barbosa ◽  
Maria Lúcia Silva Servo ◽  
Marcia Maria Carneiro Oliveira ◽  
...  
Keyword(s):  
Renal Failure ◽  
Black People ◽  
Black Population ◽  
Institutional Racism ◽  
Semistructured Interview ◽  
White People ◽  
Comprehensive Health Care ◽  
Medical Specialties ◽  
Black And White ◽  
Comprehensive Health

Objective. To understand the implications of institutionalracism in the therapeutic itinerary of patients withchronic renal failure (CRF) in the search for diagnosis andtreatment of the disease. Methods. Descriptive, qualitativestudy developed with 23 people with CRF in a regionalreference hospital for hemodialysis treatment in NortheastBrazil. Two techniques of data collection were used: semistructured interview and consultation to the NEFRODATAelectronic medical record. For systematization andanalysis, the technique of content analysis was used. Results. Black and white people with CRF showedsignificant divergences and differences in their therapeuticitineraries: while white people had access to diagnosisduring outpatient care in other medical specialties, blackpeople were only diagnosed during hospitalization. Inaddition, white people had more access to private health plans when compared to black people, which doubles the possibility of access tohealth services. Moreover, even when the characteristics in the itinerary of blackand white people were convergent, access to diagnosis and treatment proved tobe more difficult for black people. Conclusion. The study showed the presence ofinstitutional racism in the therapeutic itinerary of people with kidney disease inwhich black people have greater difficulty in accessing health services. In this sense,there is a need to create strategies to face institutional racism and to consolidate theNational Policy for Comprehensive Health Care of the Black Population.

scholarly journals Racism Reflected in Heart of Darkness by Joseph Conrad

2021 ◽  
Vol 9 (5) ◽  
pp. 66-71
Author(s):  
Nikita Gupta
Keyword(s):  
Joseph Conrad ◽  
Black People ◽  
White People ◽  
Black And White ◽  
Congo River ◽  
Heart Of Darkness ◽  
The World ◽  
History Of ◽  
Racist Ideology ◽  
The 19Th Century

This paper deals with the concept of racism, which is considered as a dark topic in the history of the world .Throughout history, racist ideology widespread throughout the world especially between black people and white people. In addition, many European countries started to expand their empire and to get more territories in other countries. Joseph Conrad’s Heart of Darkness which is his experience in the Congo River during the 19th century dealt with the concept of racism, which was clear in this novel because of the conflicts that were between black and white people and it explained the real aims of colonialism in Africa, which were for wealth and power.

scholarly journals Mostly ‘black’ and ‘white’: ‘Race’, complicity and restitution in the non-fiction of Antjie Krog

Literator ◽  
2016 ◽  
Vol 37 (1) ◽  
Author(s):  
Jacomien Van Niekerk
Keyword(s):  
South Africa ◽  
Black People ◽  
Partial Answer ◽  
White People ◽  
White Race ◽  
Black And White ◽  
Non Fiction ◽  
The Way

This article analyses the role of ‘race’ in Antjie Krog’s non-fiction trilogy Country of My Skull (1998), A Change of Tongue (2003) and Begging to Be Black (2009). It explores her explicit use of terms such as ‘heart of whiteness’ and ‘heart of blackness’. Claims that Krog essentialises Africa and ‘black’ people are investigated. The article also addresses accusations of racism in Krog’s work. A partial answer to the persistent question of why Krog is so determinedly focused on ‘race’ is sought in the concept of complicity. There is definite specificity in the way Krog writes about ‘white’ perpetrators and ‘black’ victims in South Africa, but her trilogy should be read within the broader context of international restitution discourses, allowing for a somewhat different perspective on her contribution to the discussion of the issue of whether ‘white’ people belong in (South) Africa.

It's Still Slavery by Another Name

2020 ◽  
pp. 40-50
Author(s):  
Michael D. Yates
Keyword(s):  
Black Men ◽  
Social Distance ◽  
Black People ◽  
Daily Life ◽  
Black Americans ◽  
Well Being ◽  
The United States ◽  
White People ◽  
Men And Women ◽  
Black And White

As the long history, right to the present day, of police and vigilante violence against black people has shown with great clarity, the racial chasm between black and white people in the United States lives on. A few black men and women have climbed into the 1 percent, and a sizable African-American middle class now exists. But by every measure of social well-being, black Americans fare much worse than their white counterparts. Just as for the economic, political, and social distance between capitalists and workers, so too is there a differential between black and white people, for these same interconnected components of daily life continue because of the way our system is structured.

scholarly journals A Du Boisian Reading of The Bluest Eye by Toni Morrison

2015 ◽  
Vol 60 ◽  
pp. 121-127
Author(s):  
Sediqeh Hosseiny ◽  
Ensieh Shabanirad
Keyword(s):  
Toni Morrison ◽  
Black People ◽  
The Other ◽  
Double Consciousness ◽  
The Novel ◽  
White People ◽  
African American Culture ◽  
Bluest Eye ◽  
Black Characters ◽  
Different Types

Due to the color of their skins, Blacks were always subject to different types of disrespect and insecurity in their society. Among different groups of people, writers and critics knew it as their responsibility to act as Black people’s voice and talk on behalf of them, as these people were labeled as ‘The Other’ by the Whites. Du Bios created a kind of new trend of dealing with African-American culture by innovating the concept known as “double consciousness”, and arguing that these black people were trapped between dual personalities. As an American writer, Toni Morrison carried this specific burden upon her shoulders to reveal all those oppressions Blacks had to bear in their life, like what she depicted in the novel The Bluest Eyewith portrayal of the main black character Pecolla who is being blamed for the color of her skin. This article intends to elaborate some inherent postcolonial traces in Toni Morrison’s outstanding novel The Bluest Eye and examine how European power and white people were dominating the whole system of the society and what kind of regretful complications Blacks had to endure, and at the same time working on how Du Bois’s concept of double consciousness can be analyzed in black characters.

REVISITING THE BIRTH OF A NATION AT 100 YEARS

2015 ◽  
Vol 14 (4) ◽  
pp. 596-598
Author(s):  
Elaine Frantz Parsons
Keyword(s):  
New Media ◽  
Black People ◽  
White Supremacy ◽  
Technical Innovation ◽  
Racial Oppression ◽  
White People ◽  
Complete Control ◽  
The Past ◽  
Artistic Vision ◽  
The One

D. W. Griffith's seminal 1915 film The Birth of a Nation is often approached as a paradox in that it embodies both an extreme commitment to white supremacy, on the one hand, and technical innovation and artistic vision, on the other. While its technique and aesthetics reached to the modern, revealing the promise of the still-new media of film, its celebration of racial oppression reached to the past, justifying and expressing nostalgia for a world in which white people wielded complete control over black people through a tight combination of natural superiority and unapologetic violence. As the essays in this forum underline, the film's modernism and its celebration of white supremacy not only happily cohabited, but reinforced one another. The film revived elements of nineteenth-century racism, and dressed them in the clothes of the modern.

scholarly journals Language and Colour of Skin: A Frantz Fanonian Cultural Study

2021 ◽  
Vol 9 (1) ◽  
pp. 38-49
Author(s):  
Sujoy Barman
Keyword(s):  
Cultural Study ◽  
Black People ◽  
Cultural Theory ◽  
Black Culture ◽  
Frantz Fanon ◽  
White People ◽  
Cultural Revival ◽  
Black And White ◽  
Cultural Subjectivity ◽  
Language Literature

This study is an extraction from the cultural theory of Frantz Fanon, who is regarded as the father of the theory of violence. In the Frantz Fanonian cultural study, discrimination is noticed on the basis of the colour of skin and the exercise of languages and literature, and these are the proposed areas and explained in this article. In the cultural study, for the indigenous background, the black people lead an absurd life in the white cultural society and as well as in the black cultural community in the presence of their white masters. The present study attempts to find out Fanon’s ideologies on the roles of languages, literature, and colour to explain the relation between black and white people and the cultural subjectivity and objectivity. It attempts to fill the gap of the neglected areas in the Frantz Fanonian study in the Manichean society. These neglected areas are the roles of language, literature, and skin colour for the cultural discrimination in the postcolonial cultural study. It also finds out the reasons behind abolishing the black culture at the presence of the white culture and recognising the issues for the black cultural revival after its abolishment in newly liberated countries. Submitted: 26 January 2021; Revised: 28 February 2021; Accepted: 9 April 2021

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