scholarly journals The Most Poetic Subject in the World

Author(s):  
Valerie Su-Lin Wee

THE MOST POETIC SUBJECT IN THE WORLD: OBSERVATIONS ON DEATH, (BEAUTIFUL) WOMEN AND REPRESENTATION IN BLADE RUNNER WESTERN culture has a long tradition of associating death with femininity and sex. Whether it is Snow White or Bluebeard's wives, Clarissa or Madame Bovary, Carmen or Madame Butterfly, representations of dead and dying women fascinate and disturb. A Greek motto from Palladas states that "Every woman is as bitter as gall; but she has two good moments, one in bed, the other at her death" (quoted by Mérimée, 181). According to Edgar Allan Poe, "the death of a beautiful woman is, unquestionably, the most poetic subject in the world" (19). Thomas de Quincey acknowledges ". . . with the love that burns in depths of admiration . . . that you [sister woman] can do one thing as well as the best of us men -- a greater thing than even...

Author(s):  
Alexander Podvyshennyi

The article analyses the little-studied part of the prose legacy of Ulas Samchuk — a book of memoirs ‘Five past twelve: notes at a run’. Ontological approach to the text allowes to outline the world-wide changes of the writer in the conditions of war and dehumanization of society. With the help of the imagology method, the peculiarities of Ulas Samchuk’s attempt to understand the Other (German) who became a victim of Nazi ideology, tolerance of racial superiority, but ultimately defeated. The writer relies on Western European philosophy, in particular, the ideas of O. Spengler, K. Jaspers, J. Ortega y Gasset, which refers to the decline of western culture in connection with the development of civilization, which seeks for hegemony over mankind. An important role is devoted to reflections on the role and place of the Ukrainian nation in the transcendental epic of redistribution of the world.


1959 ◽  
Vol 18 (1) ◽  
pp. 2-4 ◽  
Author(s):  
John Bennett

The papers of this Symposium share a common theme—planned change—seen in a variety of contexts and from different points of view. Three papers deal with contemporary American society; two with societies in other parts of the world. We made an effort to consider planned change in unusual contexts, and think we have succeeded to some degree. Variety, rather than consensus, was sought; in fact, we felt that the less planning we did on a subject of this kind, the more change—or at least innovation—would take place. My Introduction has no direct relationship to the other papers. It represents an attempt to look at planned change from the most general anthropological perspective: as an ideal, an attitude, and a practice in our contemporary Western culture. As such, it will stand on its own feet and will be considered by one of the commentators.


2020 ◽  
Vol 5 (2) ◽  
pp. 19-30
Author(s):  
Katarzyna Liszka ◽  
Rafał Włodarczyk

A member of the generation of student revolt ’68, Alain Finkielkraut is thought to be one of the most prominent intellectuals in France, taking part in public debates on several issues essential for Europe and the world. His assays, articles and books may be read as a complex commentary with a sound humanistic background to the condition of western culture as well as to current socio-political events. Our article focuses on revealing theoretical grounding of Finkielkraut’s reflection in the philosophies of Emmanuel Lévinas and Hannah Arendt. We attempt to reconstruct the way Finkielkraut employs his critical apparatus built on their thought to the field of educational practices in order to present the specific perspective of educational research and to contribute to the knowledge produced by widely understood critical pedagogic.


Religions ◽  
2019 ◽  
Vol 10 (11) ◽  
pp. 625
Author(s):  
Leah D. Schade ◽  
Emily Askew

This paper examines the theme of relational theology in the Blade Runner science fiction franchise by exploring the symbolism of eyes and sight in the films. Using the work of ecofeminist theologian Sallie McFague, we explore the contrast between the arrogant, detached eye of surveillance (what we call the “gods’ eye view”) which interprets the other-than-human world as instrumental object, and the possibility of the loving eye of awareness and attention (the “God’s eye view”) which views the other-than-human world as an equal subject with intrinsic value. How the films wrestle with what is “real” and how the other-than-human is regarded has implications for our present time as we face enormous upheavals due to climate disruption and migration and the accompanying justice issues therein. We make the case that the films are extended metaphors that provide a window on our own dystopian present which present us with choices as to how we will see the world and respond to the ecological and humanitarian crises already upon us.


2017 ◽  
Vol 15 (2) ◽  
pp. 377
Author(s):  
Rohanda Rohanda ◽  
Dian Nurrachman

Imperialism and colonialism have spawned research centers that examine the parts of the world that they control. Through these centers, orientalists work to discuss, write, produce and perform the Eastern world on the stage of Western culture. Authenticity, exoticism and grandeur of the East are dismantled, stripped down, doubted and elusive. Through orientalist goggles, the East is produced as a "hybrid" form; no more pure and original East. East is used as a storage or projection of their own unfamiliar (read: the West) aspects, such as crime, moral decadence, and so on. On the other hand, the East is seen as a dazzling world of exotic and full of mystical seductions. Meanwhile, unlike the orientalism that was originally intended as a serious study of the cultures to legitimize Western colonial powers in the Eastern world, occidentalism is precisely born from the methodological problems of orientalism which is said to be objective. Whereas behind the objectivity is stored Western interests to dominate, rearrange, and control the East. Orientalism has sparked nativist intellectuals to question the validity of orientalist works in constructing Eastern stereotypes. It cannot be denied then that these two discourses - Orientalism and Occidentalism - are in a position between the clashes and the global cultural dialogue.Keywords: Orientalism, oxidentalism, imperialism, colonialism, conf­­lict, dialogue Imperialisme dan kolonialisme telah melahirkan pusat-pusat studi dan kajian yang menelaah belahan dunia yang dikuasainya. Melalui pusat-pusat kajian inilah, para orientalis bekerja untuk memperbincangkan, menulis, memproduksi dan mempertunjukkan dunia Timur di atas panggung kebudayaan Barat. Keaslian, keeksotisan dan keagungan Timur dibongkar, dipreteli, diragukan dan dibuat samar-samar. Melalui kacamata orientalis, Timur diproduksi sebagai suatu bentuk “hibrida”; tidak ada lagi Timur yang murni dan orisinal. Timur dijadikan tempat penyimpanan atau proyeksi dari aspek-aspek mereka sendiri (baca: Barat) yang tidak diakuinya, seperti kejahatan, dekadensi moral, dan lain-lain. Pada sisi lain, Timur dipandang sebagai dunia mempesonakan dari yang eksotis dan penuh dengan rayuan-rayuan mistis. Sementara itu, berbeda halnya dengan orientalisme yang sejak semula dimaksudkan sebagai kajian serius politik-budaya untuk melegitimasi kekuatan-kekuatan kolonial Barat di dunia Timur, oksidentalisme justeru lahir dari problem metodologis orientalisme yang katanya obyektif. Padahal di balik keobyektifan itu tersimpan kepentingan-kepentingan Barat untuk  mendominasi, menata kembali, dan menguasai Timur. Orientalisme telah memicu para intelektual nativis untuk mempertanyakan keabsahan (validitas) karya-karya para orientalis dalam membangun stereotip-stereotip ketimuran. Maka tidak dapat dipungkiri kemudian bahwa dua wacana ini — orientalisme dan oksidentalisme — berada dalam posisi di antara benturan dan dialogisme budaya global.Kata-kata kunci: orientalisme, oksidentalisme, imperialisme, kolo­nialisme, benturan, dialog 


2017 ◽  
Vol 4 ◽  
pp. 117-129
Author(s):  
Natali Cavanagh

While infection has always haunted civilizations around the world, there are very few diseases that have had as much of an impact on Western culture as cancer has. The abundance of bereavement literature about characters with cancer begs the question; why cancer? This paper discusses ways in which cancer narratives reinforce Western obsession with control, through the lens of rhetoric and narrative structure. The author will specifically discuss how Patrick Ness’ 2011 novel, A Monster Calls, combats modern illness and cancer narratives and challenges themes of control threaded into Western culture


TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.


Author(s):  
Iia Fedorova

The main objective of this study is the substantiation of experiment as one of the key features of the world music in Ukraine. Based on the creative works of the brightest world music representatives in Ukraine, «Dakha Brakha» band, the experiment is regarded as a kind of creative setting. Methodology and scientific approaches. The methodology was based on the music practice theory by T. Cherednychenko. The author distinguishes four binary oppositions, which can describe the musical practice. According to one of these oppositions («observance of the canon or violation of the canon»), the musical practices, to which the Ukrainian musicology usually classifies the world music («folk music» and «minstrel music»), are compared with the creative work of «Dakha Brakha» band. Study findings. A lack of the setting to experiment in the musical practices of the «folk music» and «minstrel music» separates the world music musical practice from them. Therefore, the world music is a separate type of musical practice in which the experiment is crucial. The study analyzed several scientific articles of Ukrainian musicologists on the world music; examined the history of the Ukrainian «Dakha Brakha» band; presented a list of the folk songs used in the fifth album «The Road» by «Dakha Brakha» band; and showed the degree of the source transformation by musicians based on the example of the «Monk» song. The study findings can be used to form a comprehensive understanding of the world music musical practice. The further studies may be related to clarification of the other parameters of the world music musical practice, and to determination of the experiment role in creative works of the other world music representatives, both Ukrainian and foreign. The practical study value is the ability to use its key provisions in the course of modern music in higher artistic schools of Ukraine. Originality / value. So far, the Ukrainian musicology did not consider the experiment role as the key one in the world music.


CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 98-113
Author(s):  
Shaobo Xie

The paper celebrates the publication of Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents as a significant event in the age of neoliberalism. It argues that, in spite of the different premises and the resulting interpretative procedures respectively championed by the two co-authors, both of them anchor their readings of literary texts in a concept of literature that is diametrically opposed to neoliberal rationality, and both impassionedly safeguard human values and experiences that resist the technologisation and marketisation of the humanities and aesthetic education. While Ghosh's readings of literature offer lightning flashes of thought from the outside of the Western tradition, signalling a new culture of reading as well as a new manner of appreciation of the other, Miller dedicatedly speaks and thinks against the hegemony of neoliberal reason, opening our eyes to the kind of change our teaching or reading of literature can trigger in the world, and the role aesthetic education should and can play at a time when the humanities are considered ‘a lost cause’.


Author(s):  
Laura Hengehold

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.


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