scholarly journals Tendencies of the accentuation of adjectives in the written sources of the 1950s and 1960s in the West Aukštaitians of Kaunas

2020 ◽  
pp. 1-18
Author(s):  
Vilija Ragaišienė

The article analyses the dialectal material collected in the area of the West Aukštaitian of the Kaunas subdialect in the written sources of the 1950s and 1960s at the Dialect Archive of the Geolinguistic Centre of the Institute of the Lithuanian Language.        Based on the data in written sources the goal is to describe the peculiarities of the accentuation of the West Aukštaitian adjectives of this period and to discuss the tendencies of their accentuation.        The stress of the singular forms of the disyllabic u-stem adjectives of the masculine gender may have come down from old times. Maintaining the root accent of these forms is related to the forms the neuter gender of the stressed stem (suñku, šviẽsu) and the adjectives of the old o-stem (suñkas : suñkus).The pronunciation of polysyllabic adjectives in the West Aukštaitian subdialect of Kaunas is characterized by different accent tendencies. The accentuation of the derivatives with the suffix -inis, -ė varies most of the polysyllabic adjectives analysed in the article. More than a third of them are accented by two accentual paradigms – they have accentual parallel forms of the first and second accent paradigms. The accentuation of the derivatives with the suffixes -inis, -ė is only partly related to the accentuation of the root words. The accentuation of the adjectives discussed in the researched subdialects tends to be generalized by the second accent paradigm. The derivatives with the suffixes -ėtas, -a regardless of the accentuation of the root words, are usually accented by the second accent paradigm, cf. molétas, -a (: mólis 1), pūslétas, -a (: pūslẽ 4). Only the accent of the derivatives with the suffixes -uotas, -a can be linked to the accentuation status of the root words, cf. langúotas, -a (: lángas 3).The author of the article is of the opinion that the accentual variance of parallel derivatives with suffixes could have been determined not by one factor, but by a set of factors. The appearance of accentual variants is linked to semantics, the accentual and semantic model of two plurals and the accentual variance of the root words and is explained by the stress analogy of the same type of word formation.

2019 ◽  
pp. 1-19
Author(s):  
Vilija Ragaišienė

The article analyses the dialectal material collected in the area of the West Aukštaitian of the Kaunas subdialect in the written sources of the 1950s and 1960s at the Dialect Archive of the Geolinguistic Centre of the Institute of the Lithuanian Language. Based on the data of the written sources, the goal is to describe the accentuation peculiarities of the polysyllabic nouns of the West Aukštaitian of the Kaunas subdialect in the written sources of that time, to discuss their accent models and to establish the accentuation tendencies of this subdialect.           After the research was completed it was established that there is a tendency in the West Aukštaitian of the Kaunas subdialect to stress polysyllabic suffixed nouns according to three accentual models: 1) fixed, 2) mobile and 3) fixed-mobile.        The author of the article is of the opinion that the accentual variance of parallel derivatives with suffixes could have been determined not by one factor, but by a set of factors. The appearance of accentual variants is linked to semantics, the accentual and semantic model of two plurals, the accentual variance of the root words, the soft ending of the stem of words and is explained by the stress analogy of the same type of word formation.   The author surmises that the phenomena of oxytogenesis and baritogenesis in the subdialect under research could have worked by the principle of structure. The accentuation of some suffixes (e.g., -iena and -ėja) can demonstrate the change of the accentual models in the Aukštaitian subdialect – the movement of the mobile accentuation model from the South Aukštaitian subdialect in the direction of the North.


Matatu ◽  
2006 ◽  
Vol 33 (1) ◽  
pp. 115-134 ◽  
Author(s):  
Chantal Zabus

The essay shows how Ezenwa–Ohaeto's poetry in pidgin, particularly in his collection (1988), emblematizes a linguistic interface between, on the one hand, the pseudo-pidgin of Onitsha Market pamphleteers of the 1950s and 1960s (including in its gendered guise as in Cyprian Ekwensi) and, on the other, its quasicreolized form in contemporary news and television and radio dramas as well as a potential first language. While locating Nigerian Pidgin or EnPi in the wider context of the emergence of pidgins on the West African Coast, the essay also draws on examples from Joyce Cary, Frank Aig–Imoukhuede, Ogali A. Ogali, Ola Rotimi, Wole Soyinka, and Tunde Fatunde among others. It is not by default but out of choice and with their 'informed consent' that EnPi writers such as Ezenwa–Ohaeto contributed to the unfinished plot of the pidgin–creole continuum.


Muzikologija ◽  
2012 ◽  
pp. 53-77 ◽  
Author(s):  
Radina Vucetic

During the Cold War, jazz became a powerful propaganda weapon in the battle for ?hearts and minds?. As early as the 1950s, the American administration began its Cold War ?jazz campaign?, by broadcasting the popular jazz radio show Music USA over the Voice of America, and by sending its top jazz artists on world tours. In this specific cultural Cold War, Yugoslavia was, as in its overall politics, in a specific position between the East and the West. The postwar period in Yugoslavia, following the establishment of the new (socialist) government, was characterized by strong resistance towards jazz as ?decadent? music, until 1948 when ?no? to Stalin became ?yes? to jazz. From the 1950s, jazz entered Yugoslav institutions and media, and during the following two decades, completely conquered the radio, TV, and record industry, as well as the manifestations such as the Youth Day. On account of the openness of the regime during the 1950s and 1960s, Yugoslavia was frequently visited by the greatest jazz stars, such as Dizzy Gillespie, Louis Armstrong and Ella Fitzgerald. In the context of the Cold War, the promotion of jazz in Yugoslavia proved to be beneficial for both sides - by exporting jazz, America also exported its freedom, culture and system of values, while Yugoslavia showed the West to what extent its political system was open and liberal, at least concerning this type of music.


2010 ◽  
Vol 5 (2) ◽  
pp. 259-268
Author(s):  
Staša Babić

Modern academic disciplines of anthropology, history and archaeology are founded in the cultural, social, political context of the 18th and 19th centuries, at the times of the colonial expansion of the West European countries. Although demarcated by the objects of their study ("primitive societies", the past according to written sources, or material evidence), all these disciplines are grounded in the need to distinguish and strengthen the modern identity of the Europeans as opposed to the Others in space and time.


Author(s):  
Stephen Lovell

Concentrating on the political and cultural capital that various elites have extracted from notions of the West, this chapter identifies four phases in the development of the most consistently articulated binary opposition in modern Russian culture: Russia’s entry into the European state system in the late seventeenth and eighteenth centuries; the era of national awakening from the Napoleonic wars to the 1860s; the era of mass national politics and decolonization from the 1860s to the 1950s; and the era of American hegemony, globalization and European peace from the 1950s onwards which has eventually caused the Russian nation to reinvent itself in a postcommunist guise.


2018 ◽  
pp. 376-386
Author(s):  
Robert E. Lerner

This chapter details Ernst Kantorowicz's final years. Kantorowicz died of a ruptured aneurysm in September 1963. Before this, he worked on a succession of recondite articles, attended the annual meetings of the Medieval Academy and the Byzantine Institute at “Oakbarton Dumps,” vacationed on the West Coast and the Virgin Islands, and carried on earnestly with his dining and imbibing. His politics also became more leftward from the postwar years until the time of his death. For a decade and a half he was deeply worried about the possibility of nuclear war, and he held the United States responsible. During the 1950s, he was bitterly hostile to Dwight Eisenhower and Richard Nixon. On the day after Kennedy's inauguration, Kantorowicz wrote the he “couldn't be worse than Eisenhower, ” although he did change his mind.


Antiquity ◽  
2001 ◽  
Vol 75 (289) ◽  
pp. 509-510 ◽  
Author(s):  
Emma Loosley

The Limestone Massif of northwest Syria has the largest concentration of late antique churches in the world. All date from between the second half of the 4th century and the first decade of the 7th century and are remarkably consistent in their conformity to a recognizably ‘Syrian’ architectural style. Almost without exception they are apsed basilicas varying only in terms of size and the quality of decoration.This region was extensively surveyed in the 1950s by Georges Tchalenko, whose monumental three-volume study Villages antiques de la Syrie du nord remains the definitive work on the area. Of the many ecclesiastical buildings included in this survey Tchalenko identified a group of approximately 45 churches possessing a bema. The bema is a horseshoe-shaped structure in the nave that mirrors the curve of the apse. Entered via steps at the east end, it provided benches for the clergy and a pulpit at the west end that was used for scriptural expositions and homilies.


1996 ◽  
Vol 5 (2) ◽  
pp. 191-222 ◽  
Author(s):  
Axel Schildt

Little more than a decade after having lost the Second World War, the society of the western part of Germany, the Federal Republic, had changed fundamentally in the eye of the observer. The economic expert Henry C. Wallich was not the only one to speak of the ‘German miracle’. Not only had the previously achieved industrial standards long been regained and surpassed, but also a boom had set in – as in all of Western Europe – which came to an end only in the 1970s. Simultaneously, both economy and society had been modernised in the process of reconstruction. The transition to a new stage of modernity, ‘society in affluence’, was discussed animatedly. The emergence of new leisure lifestyles in particular was considered a mark of present times. However, in current reviews it is often forgotten that the West German society of the 1950s was to a far greater extent determined by continuity with the interwar period and by the consequences of the war and post-war years than a first glance at the spectacular novelties suggests.


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