scholarly journals CULTURAL MEANING OF JAZZ (THROUGH THEODOR ADORNO’S CONCEPTION)

2021 ◽  
Vol 20 (3) ◽  
pp. 36-41
Author(s):  
Ekaterina Rusanova
Keyword(s):  
Twentieth Century ◽  
Rock Music ◽  
Industrial Society ◽  
Cultural Meaning ◽  
Musical Aesthetics ◽  
Musical Space ◽  
Spiritual Culture ◽  
Western European ◽  
Mechanisms Of Development ◽  
Post Industrial

The article examines the patterns of development of one of the important musical trends in the XX and the XXI centuries in terms of its socio-cultural and socio-philosophical characteristics. The analysis takes into account Russian and Western (European and American) trends and assessments. The article captures the methodology of Theodor Adorno’s position, his political and musicological views. Attention is paid to the mechanisms of development of spiritual culture in a post-industrial society. The author substantiates the hypothesis and elaborates the idea of the great potential of jazz as a productive form of development and improvement of culture. The musical trends of the mid-twentieth century demonstrated radical transformations of jazz and rock music under the influence of commercialization, which demanded the simplification of the figurative system and language, active use of technical achievements, and mediation of musical space. The transformation of music and musical space contributed to the restructuring of society’s existence and consciousness, which in turn influenced the change of musical aesthetics and consumerized it.

A Collective Consciousness Model in a Post-Media Society

2018 ◽  
pp. 25-49
Author(s):  
Sherry Mayo
Keyword(s):  
Twentieth Century ◽  
Social Network ◽  
First Century ◽  
Industrial Society ◽  
Collective Consciousness ◽  
Modern Media ◽  
Aesthetic Consciousness ◽  
Media Society ◽  
Media Condition ◽  
Post Industrial

During the twentieth century, the modern media was born and viewed as an industrial factory-model machine. These powerful media such as film, radio, and television transmitted culture to the passive masses. These art forms were divorced of ritual and authenticity and were reproduced to reinforce their prowess. In the twenty-first century post-media condition, a process of convergence and evolution toward a social consciousness, facilitated by a many-to-many social network strategy, is underway. Web 2.0 technologies are a catalyst toward an emergence of a collectivist aesthetic consciousness. As the prophecy of a post-industrial society becomes fulfilled, a post-media society emerges whose quest is for knowledge dependent upon economy that barters information. This chapter identifies a conceptual model of this recent paradigmatic shift and to identify some of the possibilities that are emerging.

scholarly journals FORMATION INNOVATIVE PARADIGM: RETROSPECTIVE AND PRESENT

2016 ◽  
Vol 1 (127) ◽  
pp. 138-148
Author(s):  
N. Rylach
Keyword(s):  
Twentieth Century ◽  
Industrial Society ◽  
Innovation Activity ◽  
Science And Education ◽  
Late Twentieth ◽  
The Subject ◽  
Science Innovation ◽  
Post Industrial ◽  
Late Twentieth Century ◽  
Commercialization Of Science

In the current conditions of the world economy, an increasing emphasis on the in- novative direction of development, covering all sectors of the economy, a prerequisite for the development of post-industrial society. A prerequisite for this process is the modern scientific and technological revolution that provides productivity growth, accelerated development of science and education. Scientific and technical progress provides innovative process that is multi-path of development, implementation to the commercialization of science. Innovation activity means innovation and dissemination of scientific and technological progress to meet the changing needs of society. The result of this process is an innovation. Although innovative practice is thousands of years, the subject of special scientific study innovations were only in the XX century. In the evolution of forming a system of knowledge about the development of innovation theory, scientists [18] are the following important steps: the first third of the twentieth century – the formation of the fundamentals of the theory (the period of basic innovation in this area of scientific knowledge); the second third of the twentieth century – the development of basic and detail the innovative ideas of the previous period; since the mid-1970s – a new theoretical breakthrough associated with a wave of epochal and basic innovations in the period of post-industrial society of the late twentieth century – the use of systems analysis, the study of national innovation systems.

scholarly journals Information civilization and religion

2009 ◽  
pp. 97-105
Author(s):  
Serhii Viktorovych Svystunov
Keyword(s):  
Twentieth Century ◽  
Information Society ◽  
Code Of Conduct ◽  
Industrial Society ◽  
Central Importance ◽  
Regional Diversity ◽  
Industrial Civilization ◽  
Post Industrial ◽  
Near Future ◽  
Main Factor

The dramatic changes in the life of the twentieth-century society associated with the development of the information sphere led to the emergence of the concept of an information society, which has identified as the main factor of development the production and use of information. This concept is a variant of the theory of post-industrial society, based on Z. Brzezinski, D. Bell and O. Toffler. According to the latter, this society will emerge as the most technically advanced and at the same time as an anti-industrial civilization, which will bring with it a new code of conduct. The peculiarity of the information society was noted by N. Luman. "If the concept of society presupposes the central importance of domination or values," he notes, "in this case, not only the obvious regional diversity and complexity of communication, but also, first and foremost, the extent to which the" information society "decentralized but interconnected communication across the globe through its networks - a trend that will certainly only increase with the help of computerization in the near future"

Rock-Culture as a Method of Entering into Post-Industrial Culture

2020 ◽  
Vol 12 (4-2) ◽  
pp. 394-411
Author(s):  
Sergey Dyukin ◽  
Keyword(s):  
Rock Music ◽  
Industrial Society ◽  
Daily Routine ◽  
Industrial Culture ◽  
The Status ◽  
Group Identities ◽  
Private And Public ◽  
Post Industrial ◽  
Normative Attitude

Rock-music and rock-culture, which is formed on its basis, are methods of entering into culture of post-industrial society described by D. Bell, E. Toffler, F. Fukuyama and others. The correlation between rock-culture and post-industrial culture is established in the aspects of values, rules, practices and identities. In rock culture we can see the formation of the following values: creativity, initiative and individualism. Independence of creativity becomes an ethic imperative. It is more important than techniques and professionalism, which are characteristic of industrial culture. Exaggerated prevalence of innovation over playing tradition strengthens the status and role of the author striving for the permanent re-creation of his own image and style. Another quality, which helps rock culture penetrate into postindustrial society, is assimilation of daily routine by creative activity. This factor initiates consciousness emancipation and breakdown of hierarchical social structures. Rock-culture, as well as post-industrial society, experiences decentralization, de-synchronization and de-standardization. Such social-cultural disorder correlates with marginalization of rock-culture. It forms amateurism as a normative attitude that is opposed to professionalism. Finally the above-mentioned changes entail the collapse of the existing “big” identities, which are substituted by “small group” identities in rock-culture characterized by small potential for internalization. This change of identities, their overlapping triggers the formation of mental plurality, tolerance to mutually exclusive values, normative settings, practices and symbols. Mental pluralism allows a person to change quickly life strategies, respond to external challenges. The stable boundaries between private and public, between art and everyday life are being destroyed in the rock-culture. At the same time, the author highlights the fact that within rock culture entering post-industrial culture is carried out by non-linear way, with expenses and contradictions.

Conditions for the Hi-tech Complex Development

2003 ◽  
pp. 26-39
Author(s):  
V. Maevsky ◽  
B. Kuzyk
Keyword(s):  
Economic Development ◽  
Central Bank ◽  
Developed Countries ◽  
Industrial Society ◽  
Monetary Base ◽  
Complex Development ◽  
Bank System ◽  
Post Industrial

A project for the long-term strategy of Russian break-through into post-industrial society is suggested which is directed at transformation of the hi-tech complex into the leading factor of economic development. The thesis is substantiated that there is an opportunity to realize such a strategy in case Russia shifts towards the mechanism of the monetary base growth generally accepted in developed countries: the Central Bank increases the quantity of "strong" money by means of purchasing state securities and allocates the increment of money in question according to budget priorities. At the same time for the realization of the said strategy it is necessary to partially restore savings lost during the hyperinflation period of 1992-1994 and default of 1998 and to secure development of the bank system as well as an increase of the volume of long-term credits on this base.

Post-industrial Society: Structure, Features, Mechanism and Regularities of Formation

2019 ◽  
Vol 10 (6) ◽  
pp. 531-539
Author(s):  
Domakur Olga ◽  
Keyword(s):  
Industrial Society ◽  
Post Industrial

The paper presents the main points of the theory of post-industrial society, its methodology, the definition, criteria and features of the transformation of society from a pre-industrial, industrial to post-industrial society, the mechanism is defined and the legal conformities of post-industrial society formation are formulated.

scholarly journals The Evaluation of Transport Exclusion in the Peripheral Cross-Border Areas of Central Europe in the Context of Applicability of Information-Based Carpooling

2021 ◽  
Vol 13 (6) ◽  
pp. 3440
Author(s):  
Michał Baran ◽  
Duszan Józef Augustyn
Keyword(s):  
Transport System ◽  
Public Transport ◽  
Service Providers ◽  
Negative Impact ◽  
Industrial Society ◽  
Public Transport System ◽  
Development Plans ◽  
Border Areas ◽  
Peripheral Areas ◽  
Post Industrial

The phenomenon of social exclusion caused by transport exclusion is one of the main causes of social problems in peripheral areas, as well as a major organizational challenge for public service providers and all organizations operating in the areas where this problem occurs. Transport exclusion has a negative impact on the dynamics of socioeconomic processes and may interfere with sustainable development plans of stakeholders operating in a given area. The phenomenon is characterized by particular intensity in peripheral border localities with a low population density and outdated public transport system (established in the past to meet the needs of industrial society). The aim of this analysis is to present the basic principles of a conceptual model that combines the estimation of the scale of the transport exclusion phenomenon (in accordance with the specificity of peripheral border areas) with the idea of institutionalized carpooling based on effective information management. The usefulness of the said model underwent verification with respect to the possibility of estimating the scale of transport exclusion in peripheral border areas based on the example of the Polish–Slovak border area (Lesko Commune and Snina District). During the course of the research, factors characterizing the currently functioning public transport system were also indicated. They proved the system’s inadequacy for the challenges faced by the post-industrial society.

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