scholarly journals Der Allgemeine deutsche Sprachverein und seine Zweigvereine in Mähren

Author(s):  
Libuše Spáčilová

In the first part, the study presents a brief characteristics of the development of the Modern High German language after 1650 from the point of view how other languages influenced its vocabulary and analyses numerous loan words. The second part deals with the origins and the first activities of the General German Language Society (from 1885 on) which became the leader in the field of the institutionalised ideological fight against foreign words in the central German language area. The third part introduces the research results of the affiliate societies which were founded in Moravia, one of the part of the Lands of the Bohemian Crown. Both the information in the journal of the General German Language Society and archive documents in three Moravian archives (in Brno, Jihlava and Nový Jičín – the only Moravian cities where affiliate societies were founded) show that their existence was rather a peripheral issue in these cities. As opposed to this, affiliated societies were very active in the cities of northern Bohemia. At the end of the study, the author considers the reasons which caused this kind of situation in Moravia.

2021 ◽  
pp. 327-349
Author(s):  
Zsófia Kalavszky ◽  

In my essay I trace how – by which means and through what channels – the Ukrainian song «Ĭхав козак за Дунай» (Kozak was riding beyond the Danube) reached Europe at the beginning of the nineteenth-century and then by the means of German mediation, sprang out onto Hungarian territories. In the German language area, it spread essentially as a folk song. Translated (or rather transcribed) into German by Christopher Tidge, the Ukrainian song reached the Kingdom of Hungary most likely together with the troops that took part in the Napoleon wars. At the same time, another version of the song circulated among the Hungarian elite in German culture. The latter was known as Russisches Lied in the translation of Theodor Körner – it was also in vogue and was distributed mainly in print media. The history of this song that in the first decade of the nineteenth century, gained fame in Czech, Polish, and English, has another line that may be interesting from the point of view of Russian and Hungarian literary connections. In 1814, Russian poet Wilhelm Küchelbecker translated the song into German. His translation which remained in the form of the manuscript and was not known to the reading public reveals an amazing similarity and in some places direct coincidences with the poem by the Hungarian poet Count Ferenc Teleki written presumably before 1820.


2020 ◽  
Vol 14 (4) ◽  
Author(s):  
Julijana M. Vuletić

In this study we represent the bilingual language situation in the ethnolinguistic community of Serbs in Ingolstadt, recorded over the period of time from 2010 until 2013. The paper also addresses the occurrences of bilingualism and diglossia in the context of contact linguistics, their classification, as well as the samples of bilingualism in the researched corpus, with the accompanying phenomena of language contact. The obtained cross-section of the sociolinguistic and linguistic situation of the researched ethnolinguistic community, as well as the research results, refer to the specific community and specific corpus. Nonetheless, obtained results with certainty allow introspect into the life cycle dynamics tendency for the Serbo-German bilingual communities.  Reflecting upon the research results we may conclude that our investigated sample, which can expand onto the entire research corpus, can be regarded as being almost in the second last phase of the language change process. A rather significant part of the corpus in the further development of the language change process would certainly be the third generation of working migrants. Further direction of the bilingual community development will most likely be dependent upon this generation, as well as other accompanying factors. In the researched sample we can observe different percentual representation of balanced bilinguals and dominant bilinguals, as well as passive and receptive bilinguals. The fact that there is a significant percentual presence of passive and receptive bilinguals among the third group of migrants explains the situation that one part of the second generation of working migrants in the researched community is powerless before the pressure of social networks, economic and social relations that we find in the social majority group. They abandon teaching their children the Serbian language, and they perceive the German language as the capital asset through which those who belong to the third generation of working migrants can gain top positions in the education system and in the market as well. In the language practice of bilingual speakers there is the phenomenon of language contact from the first to the third generation, specifically in the occurrence of transference (mixing of two language systems on the basis of phonetics, morphology, syntax) or in code switching (mixing of two languages from the communicative aspect). Transference, as a phenomenon in the direct and indirect language contact, may have multiple results which will be considered in future papers on the issue of language contact phenomenon. Finally, under the environmental effect (standard German language, German dialects), as well as the effect of different language community dialects the members of the first generation of working migrants come from, a new language is developed. This new language cannot be called the Serbian language spoken by the Serbs in the homeland but namely we propose a new term Serbian diaspora language in Germany. This language as such is then transferred onto the new generations and/or its use declines in one and sustains in other domains. Ultimately, at the end of this process, as many contact linguistic researches have illustrated, an inevitable situation may occur where a life cycle of the bilingual community might come to an end and there might be a complete language change of the minority with the majority community.


Author(s):  
Maria E. Brunner

Seen from the point of view of literary-sociological studies, Franco Biondi’s works are part of the migrant and foreign literatures which emerged in Germany in the wake of the recruitment of foreign labour starting in the 1950s. This literature – written by authors who are not Germans in the sense of the old German nationality and citizenship legislation, but who live in Germany and have their works published in the German language area – was formerly called ‘guest-worker literature’. Then, in the 1980s, it was referred to as a literature of ‘shock and stunned silence’, and in the 1990s as ‘migrant literature’ or ‘literature of foreign parts’. The theme in Biondi ’s works is the break with origin and the process of ‘coming-to-language’ of the identity that is forming through the medium of language in the encounter with the foreign. Immigration for Biondi becomes immigration into a new language.


2015 ◽  
Vol 21 (3) ◽  
Author(s):  
Jack F. Boss

Schoenberg’s third Piano Piece op. 11 has given rise to an international controversy regarding whether its melodic materials, harmonies and rhythms are carefully worked out according to larger patterns or are by-products of expression and improvisation. Articles and books in English use Schoenberg’s writings, particularly one of his 1909 letters to Busoni, to support the claim that op. 11, no. 3 was among the first of his pieces to exemplify an “intuitive aesthetic,” and is relatively free from overarching formal, harmonic, rhythmic or motivic patterns. Meanwhile, German-language studies focus on detailed analysis of the piece, describing networks of motivic and harmonic relationships. My article maintains the latter point of view; but it also goes beyond existing analyses to describe a large motivic process that gives op. 11, no. 3 coherence as a whole. It takes two motivic progressions that characterize op. 11, no. 1, “expanding” and “explanatory” processes, and sets them against one another in a conflict, but with no resolution—the first process simply takes over at the end. In addition, the “expanding” process can be heard as becoming more abstract as the first piece progresses, and as moving back from abstract to concrete through the third piece. This motion from concrete to abstract and back is illustrated in another way by considering the piece’s motivic progressions from the viewpoint of “minimal offset voice-leading” as described by Straus 1997 and Straus 2005.


Author(s):  
Flemming Mengel ◽  
Jeroen A. M. Van Gool ◽  
Eirik Krogstad And the 1997 field crew

NOTE: This article was published in a former series of GEUS Bulletin. Please use the original series name when citing this article, for example: Mengel, F., van Gool, J. A. M., & and the 1997 field crewE. K. (1998). Archaean and Palaeoproterozoic orogenic processes: Danish Lithosphere Centre studies of the Nagssugtoqidian orogen, West Greenland. Geology of Greenland Survey Bulletin, 180, 100-110. https://doi.org/10.34194/ggub.v180.5093 _______________ The Danish Lithosphere Centre (DLC) was established in 1994 and one of its principal objectives in the first five-year funding cycle is the study of Precambrian orogenic processes. This work initially focused on the thermal and tectonic evolution of the Nagssugtoqidian orogen of West Greenland. During the first two field seasons (1994 and 1995) most efforts were concentrated in the southern and central portions of the orogen. The 1997 field season was the third and final in the project in the Nagssugtoqidian orogen and emphasis was placed on the central and northern parts of the orogen in order to complete the lithostructural study of the inner Nordre Strømfjord area and to investigate the northern margin of the orogen (NNO in Fig. 1). This report is partly a review of selected research results obtained since publication of the last Review of Greenland activities (van Gool et al. 1996), and also partly a summary of field activities in Greenland during the summer of 1997.


2018 ◽  
Vol 69 (8) ◽  
pp. 2191-2196
Author(s):  
Cristian Constantin Budacu ◽  
Nicoleta Ioanid ◽  
Cristian Romanec ◽  
Mihail Balan ◽  
Liliana Lacramioara Pavel ◽  
...  

Canine plays an important role in the dento-maxillary system. From a functional point of view, it provides the canine guidance, by positioning it in the frontal area, has a role in facial aesthetics. It plays an important prosthetic role by having the longest root and one of the longest arcade teeth. Three molars represent the last teeth that erupt in the arches both in the jaw and in the mandible, which is why they remain the most frequently included.Canine incidence is quite common following the wisdom tooth. It can be unilateral or bilateral and is more common in the upper jaw. The canine may remain included at the vestibular, palatal or between the two bones. A separate entity is the incision of the canine in the edentulous mandible or jaw. The study included 213 cases with dento-alveolar pathology, of which 128 patients were selected with dental inclusion. Our study reports that the first three molars are frequent, followed by the canine as opposed to other studies conducted by Guzduz K in 2011 and Fardi A of the same year bringing the canines first (Fardi, Guzduz). Some studies attribute the first place to the superior canine in terms of frequency, but they are abstracted from the molar three inclusion that they consider as most frequently (Compoy). The most common tooth in inclusion is the third molar (lower and upper) followed by the upper canine; the most commonly affected are women for both canine and molar.


Author(s):  
Anatoly S. Kuprin ◽  
Galina I. Danilina

The purpose of this study is the analysis of limit situation in the narrative of war. The material of the study is the novel of Daniil Granin “My Lieutenant” and related texts. In the first part of the paper, the authors explore existing approaches to the term “limit situation” and similar concepts into scientific and philosophical traditions; limits of its applicability in literary studies and its relation to the categories of “narrative instances” and “event”. Proposed a literary-theoretical definition of the limit situation, which can be used in the analysis of fiction texts. Existing approaches to the examination of the situation of war are analyzed: philosophical-existential, psychoanalytic, sociological, literary. In the second part of the paper, the authors propose their method for analyzing limit situations in texts about war, which basis on existing approaches and preserves the text-centric principle of studying the structure of the story. Two interrelated areas of research have been identified: the study of war as a continuous limit situation in the intertextual aspect (the discourse of war); the study of limit situations (death, suffering, guilt, accident) in the narrative of war as part of a specific text. In the third part of the scientific work,the analysis of war as a continuous limit situation results in the study of the concept of “limit” (border) in a fiction text. The role of “limit” (border) concept in the texts about the war is studied, the possible types of limits in the discourse of war are examined. Limit situations in the narrative of war are analyzed on the basis of the novel “My Lieutenant” by Daniil Granin. A review of journalistic and scientific works about the novel revealed both the continuity and the differences between the novel and the “lieutenant” prose of the 20th century. An analysis of the limit situations in the novel revealed their key position in the narrative. These situations are independent of the fiction time, of the fluctuation of the point of view’; the function of the abstract author is to build the narrative as a “directive” immersion of the hero and narrator in these situations.


2014 ◽  
Vol 2 (3) ◽  
Author(s):  
Redacción CEIICH

<p class="p1">The third number of <span class="s1"><strong>INTER</strong></span><span class="s2"><strong>disciplina </strong></span>underscores this generic reference of <em>Bodies </em>as an approach to a key issue in the understanding of social reality from a humanistic perspective, and to understand, from the social point of view, the contributions of the research in philosophy of the body, cultural history of the anatomy, as well as the approximations queer, feminist theories and the psychoanalytical, and literary studies.</p>


Author(s):  
Jens Meierhenrich

This chapter turns to the gestation of the first, German-language manuscript of The Dual State, known as the Urdoppelstaat of 1938. I then chart the transformation of this unpublished manuscript into the 1941 book. To lay the foundation for this detailed reconstruction, I trace in some depth the gradual destruction of the German Rechtsstaat, presenting in an accessible manner several decades worth of material culled from the historiography of Nazi law. This illustrates the enormity—and danger—of the task that Fraenkel set himself: to serve as a participant observer in the courts of the “Third Reich.” Drawing on a series of primary documents, I piece together the incredible and untold story of the gestation of The Dual State, a tale of rare courage, acumen, and insight. I pay detailed attention to similarities and differences in recently discovered manuscript drafts.


Encyclopedia ◽  
2021 ◽  
Vol 1 (3) ◽  
pp. 542-551
Author(s):  
Mirko Vagnoni
Keyword(s):  

William II of Hauteville King of Sicily (1171–1189). William II of Hauteville was the third king of the Norman dynasty on the throne of Sicily. He ruled independently from 1171 (from 1166 to 1171 he was under the regency of his mother) to 1189. From an iconographic point of view, he is particularly interesting because he was the first king of Sicily who made use of monumental images of himself. In particular, we have five official (namely, commissioned directly by him or his entourage) representations of him: the royal bull, the royal seal, and three images from the Cathedral of Monreale (near Palermo): two mosaic panels and one carved capital.


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