Historical overview of the development of jazz in Portugal, in the first half of the twentieth century

2016 ◽  
Vol 10 (1-2) ◽  
pp. 75-108
Author(s):  
Pedro Cravinho
Keyword(s):  
Twentieth Century ◽  
Historical Overview

scholarly journals The use of clay as a medium in contemporary sculpture (1980- 2003)

2004 ◽  
Author(s):  
◽  
Carla Da Cruz
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Large Scale ◽  
Fine Art ◽  
Significant Shift ◽  
Historical Overview ◽  
Size Scale ◽  
Contemporary Sculpture ◽  
Clay Materials ◽  
Functional Ceramics

This dissertation investigates the use of clay as a medium in contemporary sculpture made between 1980 and 2003. This research focuses specifically on discussing the artists' (both sculptors and ceramists) different approaches and attitudes to working with clay, from construction, manipulation, firing and glazing techniques through to their personal aesthetics and ideas. This dissertation examines how and why the contemporary sculptor trained in Fine Art is increasingly using clay as a medium in which to work. In addition, the candidate discusses the work of ceramic artists that have moved away from the constraints of earlier, more traditional, functional ceramics and have sought to push the boundaries of clay usage in terms of size, scale, mass and concept. Chapter One presents a broad historical overview of the use of clay in sculpture. This overview illustrates the depth and breadth of the use of clay in the making of sculpture, spanning the Nineteenth Century to the Twentieth Century, in order to highlight the significant shift in the use of clay in contemporary sculpture. Chapter Two introduces and discusses a number of contemporary sculptors who work in clay in different ways. Section One examines artists using clay and other materials in the creation of installations. These include Antony Gormley and Andy Goldsworthy. Section Two discusses those artists working with clay in large-scale, including Jun Kaneko and Wilma Cruise. The architectural and environmental use of clay materials is discussed in Section Three; this includes artists John Roloff, who works with the kiln as sculpture and Joyce Kohl, who works with adobe assemblages and steel.

Angelopoulos and the Lingua Franca of Modernism

2015 ◽  
Author(s):  
Angelos Koutsourakis ◽  
Mark Steven
Keyword(s):  
Twentieth Century ◽  
World History ◽  
Historical Overview ◽  
The Past ◽  
Crisis Of Representation ◽  
Economic Migration ◽  
Firm Commitment ◽  
To Come ◽  
The Individual ◽  
Representing History

This book examines the oeuvre of Theo Angelopoulos, whose films are deeply immersed in the historical experiences of his homeland, Greece, while the international appeal of his work can be attributed to his firm commitment to modernism as a formal response to the crises and failures of world history in the twentieth and twenty-first centuries. It considers some of the main themes in Angelopoulos' filmography, including the crisis of representation and the force of mediation; the question of representing history and how to come to terms with the past; the failures of the utopian aspirations of the twentieth century; issues of forced political or economic migration and exile; and the persistence of history in a supposedly post-historical present. This introduction discusses the lack of critical attention that Angelopoulos' cinema has received in the Anglophone scholarship and provides a historical overview of Angelopoulos' modernist cinema. It also summarises the individual chapters that follow.

Introduction: Onna Monogatari

Tanaka Kinuyo ◽  
2018 ◽  
pp. 1-35
Author(s):  
Irene González-López ◽  
Michael Smith
Keyword(s):  
Professional Development ◽  
Twentieth Century ◽  
World History ◽  
Gender And Sexuality ◽  
Historical Overview ◽  
Economic Changes ◽  
The World ◽  
Female Authorship ◽  
History Of ◽  
Studio System

The introduction presents an overview of Tanaka’s life and career vis-a-vis the history of twentieth-century Japan, emphasising how women participated in and were affected by legal, political and socio-economic changes. Through Tanaka’s professional development, it revisits the evolution of the Japanese studio system and stardom, and explains the importance of women as subjects within the films, consumers of the industry, and professionals behind the scenes. This historical overview highlights Japan’s negotiation of modernity and tradition, often played out through symbolic dichotomies of gender and sexuality. By underscoring women’s new routes of mobility, the authors challenge the simplified image of Japanese oppressed women. The second part of the introduction posits director Tanaka as an outstanding, yet understudied, figure in the world history of women filmmaking. Her case inspires compelling questions around labels such as female authorship, star-as-author, and director-as-star and their role in advancing the production and acknowledgement of women filmmaking.

An Introduction to Tourism Policing and a Brief History

2019 ◽  
pp. 1-30
Keyword(s):  
Twentieth Century ◽  
Community Policing ◽  
Private Security ◽  
First Century ◽  
Historical Overview ◽  
Late Twentieth ◽  
Similarities And Differences ◽  
Specific Material ◽  
Late Twentieth Century

Chapter 1 explores what tourism policing and private security are and how they differ from other forms of policing. The chapter provides a brief historical overview of American tourism policing in the late twentieth century and twenty-first century. The chapter addresses the similarities and differences between tourism policing and community policing, how they influence each other and where they separate. Finally, this chapter provides a literary overview of the pertinent literature that regarding tourism policing and addresses the lack of specific material in this field.

Scottish Conservatism and Northern Ireland: Mapping an Ambivalent Relationship

2020 ◽  
pp. 154-168
Author(s):  
Jonathan Evershed
Keyword(s):  
Twentieth Century ◽  
Northern Ireland ◽  
Peace Process ◽  
First Century ◽  
Historical Overview ◽  
Political Force ◽  
Political Forces ◽  
Ambivalent Relationship ◽  
Scottish Independence ◽  
The Relationship

This chapter explores shifting and often contradictory dynamics which have manifested themselves in the relationship between Scottish Conservatism and Ulster Unionism. It provides a brief historical overview of this relationship which, it argues, has been highly salient in the consolidation of Conservatism as a political force in Scotland during the twentieth century, but which has become more ambiguous as understandings of ‘Union’, processes of secularisation, patterns of integration and differentiation, as well as the nature of centre-periphery relations in Northern Ireland and Scotland have increasingly diverged. The chapter also looks at how this relationship has continued to be reshaped into the twenty-first century by a potent mix of political forces which has included the Irish peace process, the Scottish independence referendum and Brexit.

Part I Historical Overview, Ch.2 Intellectual Cooperation Organisation, Unesco, And The Culture Conventions

2020 ◽  
Author(s):  
Vrdoljak Ana Filipa ◽  
Meskell Lynn
Keyword(s):  
Twentieth Century ◽  
Cultural Heritage ◽  
Legal Protection ◽  
Second World War ◽  
League Of Nations ◽  
Historical Overview ◽  
World War ◽  
Cultural Field ◽  
Adoption And Implementation ◽  
Second World

This chapter provides an overview of multilateral interventions in the field of cultural heritage and its legal protection over the last century by focusing on the work of specialist cultural international organizations that have spearheaded the adoption and implementation of the leading treaties. The first part examines the early work of the League of Nations’ Intellectual Cooperation Organisation from the 1920s to the Second World War. The second part considers the work of its successor, UNESCO from the mid-twentieth century to the present day. The concluding observations consider the challenges which both organizations faced in realizing their mission in the cultural field. A deeper understanding of the ideals, challenges, and tensions which have marked the internal workings of UNESCO, its forerunner, and their Members States is fundamental to appreciating the instruments and initiatives in the cultural field that they adopted and seek to implement.

scholarly journals A Reading of Bhabendra Nath Saikia's Films from Feminist Lens

2020 ◽  
Vol 8 (2) ◽  
pp. 247-274
Author(s):  
Minakshi Dutta
Keyword(s):  
Twentieth Century ◽  
Film Industry ◽  
Feminist Movement ◽  
Historical Overview ◽  
Representation Of Women ◽  
Indian Cinema ◽  
The Third ◽  
Women’S Representation ◽  
The World ◽  
Images Of Women

Feminist movement deconstructs the constructed images of women on the screen as well. The gap between real and reel woman is a vibrant topic of discussion for the feminist scholars. As a regional genre of Indian film industry Assamese film flourished during the third decades of twentieth century. Like the films of other parts of the world, Assamese films also constructing the image of woman, particularly Assamese women, in its own way of projection. Hence, this article is an attempt to explore the questions related to women’s representation by taking the films of Assamese director Dr. Bhabendra Nath Saikia as reference. Moreover, as per the demand of the article it will cover a historical overview of the representation of women in Indian cinema and Assamese cinema. Different theories from psychoanalysis and feminism will be applied to analyze the select movies.

scholarly journals Terra firma : contemporary representations of the South African landscape

2004 ◽  
Author(s):  
◽  
Clinton De Menezes
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
South African ◽  
Physical Space ◽  
Historical Overview ◽  
Terra Firma ◽  
The South ◽  
Post Colonial ◽  
History Of ◽  
Contemporary Practice

This research aims to critically investigate the changing colonial and post-colonial attitudes towards the South African landscape, as physical space and its representation, through a post-colonial and Post-Modern critique. Chapter One explores the shifting colonial attitudes toward the landscape from the middle of the eighteenth century to the middle of the twentieth century, to provide an historical overview and context for contemporary practice. Section One defines colonialism for the purposes of this study and provides a brief history of colonialism in South Africa. Section Two provides a concise history of European visual representation from the middle of the eighteenth century to the middle of the twentieth century in order to contextualize the development of South African landscape painting. Section Three analyzes and evaluates changing colonial attitudes and their representation through a discussion of the work of Francois Le Vaillant (1753-1842), Thomas Baines (1820-1875) and J.H. Pierneef (1886-1957). Chapter Two explores attitudes towards the South African landscape between 1948 and 1994 in order to provide a link between colonial representation and post-colonial contemporary practice.

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