scholarly journals Imaginary World of Post-Byzantine Chronicle-Writing (The Case of the Ekthesis Chronica from the First Half of the Sixteenth Century)

2020 ◽  
Vol 48 ◽  
pp. 172-188
Author(s):  
Lev V. Lukhovitskiy ◽  
Keyword(s):  
Sixteenth Century ◽  
Distinctive Feature ◽  
Contemporary History ◽  
Imaginary World ◽  
Ottoman History ◽  
New Type ◽  
Points Of View ◽  
Chivalric Romances ◽  
The City

This paper addresses the Ekthesis Chronica (Ἔκθεσις χρονική), a Greek chronicle compiled by an anonymous cleric of the Patriarchate of Constantinople in the first half of the sixteenthcentury, which encompassed the events of the Late Byzantine and Early Ottoman history. Its distinctive feature is a recurrent alternation of seemingly mutually excluding points of view. Its neighboring chapters comply with the demands of different genres, accepting the set of values associated with them. The imaginary world of the chapters dealing with the events prior to 1453 reminds the reader of the heroic world of chivalric romances. The chapters describing the fall of Constantinople are may be read as a prosaic lamentation of the loss of the city which embodied the Byzantine civilization as a whole. In the post-Byzantine section, there appeared three approaches to the Ottoman rule over the Greeks. Whenever the chronicle-writer switches to the apocalyptic mode, the sultan becomes an infidel murderer of Christians. If, by contrast, he adopts the aretalogic (hagiographic) mode, the same sultan transforms into a philosopher on the throne. Finally, the pragmatic mode makes him a self-serving albeit sympathetic moderator in the conflicts inside the Patriarchate of Constantinople. The closer is the author to contemporary history, the more unfitting he feels the generic forms inherited from the age of the fall of Constantinople. Eventually, the chronicle-writer makes an attempt to create a new type of narrative with the characters on the foreground, which will allow his reader to feel empathy for them notwithstanding their language and faith.

Features of Development of the Black Sea Village in 1920s: Materials from the Black Sea Party Obkom Fond in the Documentation Center for Contemporary History of the Krasnodar Krai

2018 ◽  
pp. 1128-1136
Author(s):  
Olga V. Bershadskaya ◽  
Keyword(s):  
Rural Communities ◽  
Black Sea ◽  
Distinctive Feature ◽  
Agricultural Production ◽  
Political Development ◽  
The Black Sea ◽  
Contemporary History ◽  
Krasnodar Krai ◽  
Geographical Environment ◽  
History Of

The article studies features of socio-economic and socio-political development of the Black Sea village in 1920s. Documents from the fond of the Black Sea District Committee (Obkom) of the RCP (b) -VKP (b) stored in the Center for Documentation of the Modern History of the Krasnodar Krai allow not only to reconstruct the developments in the Black Sea village in the NEP days, but also to understand the nature of its evolution. Uniqueness of the Black Sea village was greatly determined by its geographical environment. There had formed a sectoral makeup of agricultural production: fruit-farming, viticulture, tobacco growing. Rugged relief forced peasants to form holdings or farms; therefore rural communities were rare. Its another distinctive feature was its motley national composition. Over 50 ethnic groups inhabited the district, among most numerous were the Russians, the Ukrainians, the Armenians, and the Greeks. In the first years of the NEP, the main tasks facing district authorities were to develop ‘high-intensity’ industries and to shape local peasant farms into food base for cities and resorts. While tackling these tasks, they had to deal with shortages of land and poor communications and to bring lease relations and work-hands employment up to scratch. The situation was complicated by socio-political inertia of rural population of the district that came from the absence of community tradition. Study of the documents from the fond of the Black Sea party obkom shows that local authorities were well aware of the peculiarity of their region, but in most cases had to follow guidelines set ‘from above’ to introduce all-Russian standards.

scholarly journals Guilds, Social Mobility and Status in Sixteenth-Century Ghent

1998 ◽  
Vol 43 (1) ◽  
pp. 31-78 ◽  
Author(s):  
Johan Dambruyne
Keyword(s):  
Sixteenth Century ◽  
Social Mobility ◽  
Upward Mobility ◽  
Social Promotion ◽  
Social Position ◽  
The Political ◽  
Political Situation ◽  
Democratic Character ◽  
The Relationship ◽  
The City

This article investigates the relationship between social mobility and status in guilds and the political situation in sixteenth-century Ghent. First, it argues that Ghent guilds showed neither a static picture of upward mobility nor a rectilinear and one-way evolution. It demonstrates that the opportunities for social promotion within the guild system were, to a great extent, determined by the successive political regimes of the city. Second, the article proves that the guild boards in the sixteenth century had neither a typically oligarchic nor a typically democratic character. Third, the investigation of the houses in which master craftsmen lived shows that guild masters should not be depicted as a monolithic social bloc, but that significant differences in status and wealth existed. The article concludes that there was no linear positive connection between the duration of a master craftsman's career and his wealth and social position.

scholarly journals A Dynamic Information-Based Parking Guidance for Megacities considering Both Public and Private Parking

2017 ◽  
Vol 2017 ◽  
pp. 1-19 ◽  
Author(s):  
Jong-Ho Shin ◽  
Namhun Kim ◽  
Hong-bae Jun ◽  
Duck Young Kim
Keyword(s):  
Intelligent Transportation System ◽  
Guidance System ◽  
Simulation Test ◽  
Dynamic Information ◽  
Public And Private ◽  
Parking Management ◽  
Points Of View ◽  
Spatial Resources ◽  
The City ◽  
Infant Stage

The constantly increasing number of cars in the megacities is causing severe parking problems. To resolve this problem, many cities adopt parking guidance system as a part of intelligent transportation system (ITS). However, the current parking guidance system stays in its infant stage since the obtainable information is limited. To enhance parking management in the megacity and to provide better parking guidance to drivers, this study introduces an intelligent parking guidance system and proposes a new methodology to operate it. The introduced system considers both public parking and private parking so that it is designed to maximize the use of spatial resources of the city. The proposed methodology is based on the dynamic information related parking in the city and suggests the best parking space to each driver. To do this, two kinds of utility functions which assess parking spaces are developed. Using the proposed methodology, different types of parking management policies are tested through the simulation. According to the experimental test, it is shown that the centrally managed parking guidance can give better results than individually preferred parking guidance. The simulation test proves that both a driver’s benefits and parking management of a city from various points of view can be improved by using the proposed methodology.

The Political Thought of Montaigne

2016 ◽  
Author(s):  
Biancamaria Fontana
Keyword(s):  
Sixteenth Century ◽  
Political Institutions ◽  
Political Thought ◽  
Control Individual ◽  
Old Regime ◽  
Royal Authority ◽  
Degree Of Certainty ◽  
New Type ◽  
New Vision ◽  
Religious Dogma

Presenting Montaigne’s “political” thought is in itself a problematic exercise. While the Essays are relevant to our understanding of sixteenth-century political discourse, and to the broader reflection of political philosophy, Montaigne did not see politics as a separate domain of human activity; indeed, he questioned the possibility to predict with any degree of certainty, and to control individual and collective human behavior. In the Essays the author developed a full-scale critique of Old Regime society, a system built upon relations of personal dependence and servitude: his attack focused on contemporary social practices and on their founding principles: tradition, the law, royal authority, and religious dogma. Montaigne did not advocate the establishment of a new type of regime, as he was convinced that the form of political institutions was largely dependent on habit and custom. He did suggest the possibility of a new vision of community, one based upon greater equality, toleration, communication, and economic exchange.

scholarly journals THE TURN OF THE SCREW: HENRY JAMES AS AN AUTHOR AND A CRITIC

2020 ◽  
pp. 55-67
Author(s):  
M.B. Rarenko ◽  
Keyword(s):  
Henry James ◽  
William James ◽  
Absolute Truth ◽  
The Core ◽  
Works Of Art ◽  
Starting Point ◽  
The World ◽  
New Type ◽  
Points Of View ◽  
The Absolute

The article considers the story by Henry James (1843 – 1916) «The Turn of the Screw» (1898 – first edition, 1908 – second edition) in connection with the emergence of a new type of narrator in the writer's late prose. The worldview and creative method of H. James are formed under the influence of the philosophy of pragmatism, which became widespread at the turn of the XIX-XX centuries thanks to the works of the writer's elder brother, the philosopher William James (1842 – 1910). The core of pragmatism is the pluralistic concept of William James based on the assumption that knowledge can be realized from very limited, incomplete, and inadequate «points of view» and this leads to the statement that the absolute truth is essentially unknowable. The epistemological statements of William James's theory is that the content of knowledge is entirely determined by the installation of consciousness, and the content of the truth in this case depends on the goals and experience of the human, i.e. the central starting point is the consciousness of the person. Henry James not only creates works of art, but also sets out in detail the principles of his work both on the pages of fiction works of small and large prose, putting them in the mouths of their characters – representatives of the world of art, and in the prefaces to his works of fiction, as well as in critical works.

scholarly journals Cultural Memory and Urban Space in Shaping Cultural Identity

2019 ◽  
pp. 160-183
Author(s):  
Valentyna Bohatyrets ◽  
Liubov Melnychuk
Keyword(s):  
Urban Space ◽  
Cultural Memory ◽  
Urban Landscape ◽  
Late 20Th Century ◽  
The Past ◽  
Historical Archives ◽  
City Space ◽  
New Type ◽  
The City ◽  
Historic Cities

Nowadays, in the age of massive spatial transformations in the built environment, cities witness a new type of development, different in size, scale and momentum that has been thriving since late 20th century. Diverse transformation of historic cities under modernisation has led to concerns in terms of the space and time continuity disintegration and the preservation of historic cities. In a similar approach, we can state that city and city space do not only consist of present, they also consist of the past; they include the transformations, relations, values, struggles and tensions of the past. As it could be defined, space is the history itself. Currently, we would like to display how Chernivtsi cultural and architectural heritage is perceived and maintained in the course of its evolution. Noteworthy, Chernivtsi city is speculated a condensed human existence and vibes, with public urban space and its ascriptions are its historical archives and sacred memory. Throughout the history, CHERNIVTSI’s urban landscape has changed, while preserving its unique and distinctive spirit of diversity, multifacetedness and tolerance. The city squares of the Austrian, Romanian and Soviet epochs were crammed with statuary of royal elites and air of aristocracy, soviet leaders and a shade of patriotic obsession, symbolic animals and sacred piety – that eventually shaped its unique “Bukovynian supranational identity”. Keywords: Chernivtsi, cultural memory, memory studies, monuments, squares, identity.

The ‘Closed/Open’ Duality in Contemporary Urban Form

2010 ◽  
Vol 35 (3) ◽  
pp. 47-55
Author(s):  
Melinda Benko
Keyword(s):  
Urban Form ◽  
Urban System ◽  
Urban Structure ◽  
Master Plan ◽  
Open Spaces ◽  
Conceptual Tool ◽  
New Type ◽  
The City ◽  
Time Density ◽  
System Today

One of the innumerable ways to systemise contemporary European urban projects is to analyse the urban form originates from the master-plan concept. The duality of closed and open urban situations is an excellent conceptual tool for classification. This classification helps us to recognise, understand and represent the diversity of the city, as it is present on each level of a settlement and architecture. In the case of “Solid-oriented” projects construction and emplacement of buildings are the main goals. The principle of “Solid-oriented” projects are based on two very different, still existing traditions One is the classical European closed block structure, while the other one is the Modernist open urban system. Today we can identify two new approaches combining those two traditions in different ways. Urban transparency preserves streets, the effect of enclosure, and the dominance of buildings. At the same time density is coupled with spaciousness, blocks are fractured and the environment becomes more complex even within one block. The in-between method, based on the idea of structuralism, attempts to balance the importance of mass and space and creates permeable blocks in a new open urban structure. Besides creating urban volumes or buildings in the city, there is a new type of challenge in contemporary urban design. Since the 1990's attention has shifted to cityscape, i.e. to re-interpreting and reforming open spaces. The international literature calls this un-volumetric architecture. The duality of openness and closedness also appears here. While openness seems to dominate urban situations in contemporary cities, buildings are predominantly used in a closed manner.

The influence of the regional culture of Argentina in the 30—60s of the twentieth century on nationwide artistic culture and arts

2021 ◽  
pp. 67
Author(s):  
Natalya Rozenberg
Keyword(s):  
Cultural Policy ◽  
Art Criticism ◽  
Buenos Aires ◽  
Regional Culture ◽  
Cultural Institutions ◽  
History Of ◽  
New Type ◽  
Human And Nature ◽  
The City ◽  
Art Schools

The history of art in Argentina in the XX-XXI centuries is studied mainly in three directions: the genre system, the spiritual and content aspect of works and creative biographies of outstanding masters. Special attention is paid to the links between the art of the Old and New World. Nowadays, the issue of connecting the artistic culture of the regions of Argentina — the center of the country, the northeast, and the northwest - is becoming urgent. The provinces not only perceived the trends of the capital's cultural policy, but also built their own cultural institutions that contributed to the creation and translation of the meanings of works about the uniqueness of human and nature connections far from Buenos Aires, and what is especially significant - about the diversity of ethnic types and characters. Such outstanding masters as Lino Enea Spilimbergo, Antonio Berni, Raul Monsegur, Eddie Torre taught in provincial art schools. They moved quite often from city to city, from province to province. We can assume that in the 40-50s of the XX century. in Cordoba, Mendoza, Tucuman and Resistencia, there were already professionals in all kinds of art. Argentine domestic scientists began to study these processes not so long ago. In this article, special attention is paid to the analysis of cultural heritage and the museum collection of the association El Fogón de los Arrieros (EFA, "Hearth of teamsters", hereinafter - Fogón), located in Resistencia, the capital of the province of Chaco, now known in the country as the City of Sculptures. Fogón became famous for its diverse cultural, educational activities, which began in 1943 and continues to this day. In the history of Fogón, a new type of educator has developed in the person of Aldo Boletti, Juan de Dios Mena, Hilda Torres Varela. The study used the historical and typological method and the method of art criticism analysis.

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