John Dryden's Use of Classical Rhetoric
In The Senecan Amble (London, 1951), George Williamson, attempting to account for the innovations in prose style in seventeenth-century England, uses the term “anti-Ciceronianism” to describe the movement toward the new simplicity. Yet more than thirty years ago, Morris Croll, in one of his essays on this subject, made it clear that the term “anti-Ciceronianism” is “open to several objections,” one of which is that “it may be taken as describing a hostility to Cicero himself, in the opinion of the new leaders, instead of to his sixteenth-century ‘apes,‘ whereas in fact the supreme rhetorical excellence of Cicero was constantly affirmed by them, as it was by the ancient anti-Ciceronians whom they imitated.” Certainly Cicero and Quintilian were read and studied in the seventeenth century. Their influence continued to be a strong one during the very period in which the new critical movement was directed against those of their followers who, during the Middle Ages and Renaissance, had debased the study of oratory to a mere concern with the tricks of declamation.