The Tribulations of a Postcolonial Writer in New York

PMLA ◽  
2007 ◽  
Vol 122 (1) ◽  
pp. 336-337
Author(s):  
Maryse Condé ◽  
Ronnie Scharfman

I belong to a region of the world where there are efforts to dictate to writers their choice of language, the material they should treat, and the way in which they should approach it. Where I come from, the writer is constantly summoned, called on, to put forth edifying, uplifting opinions on everything, so as to raise the morale of the people. For example, after the victory of the Antillean athlete Marie-José Pérec at the Olympic games, when I declared to France-Antilles that I considered it an individual success and not a victory for Caribbean woman and a celebration of her power, I was vilified, dragged through the mud for months.

2014 ◽  
Vol 19 (1) ◽  
pp. 121-128 ◽  
Author(s):  
Andrew Shears ◽  
Emily Fekete

The 2012 Olympic Games was an event watched on television by billions of viewers worldwide. In the United States, approximately 40 million people viewed a tape-delayed opening ceremony of the games on the NBC network. With such a high viewership, NBC was in a position of power to influence and educate their audience on the various countries across the globe who participated in the Olympic Games and opening ceremony. Drawing on Gregory's notion of a ‘geographic imagination’, we suggest NBC editors put their version of the world on display to the American audience, thus influencing the way in which American viewers may understand the world. In this paper, we have constructed a map to provide a visual representation of NBC's geographic imagination. We find this map, based on total screen time the countries received during the ‘Parade of Nations’ segment of the opening ceremony, to suggest a unique geographic imagination worthy of further study because of its potential wide influence.


2021 ◽  
Author(s):  
◽  
George Ahern

<p>The Olympic Games are celebrated around the world; however, each Games puts pressure on the host city and its infrastructure as well as the people that reside there, which was evident for the latest host country Brazil. This is a global and political topic and my design aims to provide a solution to the unsustainable construction of sporting infrastructure every four years. This thesis will investigate atmosphere through the design of an artificial Olympic island and the resulting architecture resolved within this artificial environment. The proposition that structures this thesis is how to amplify atmosphere within an artificial environment. The proposition of this research was resolved through materiality, light and threshold in order to amplify the atmospheric qualities of the architecture. This was explored through three scales; a design investigation, a domestic scale, and a public scale, using a ‘design as research’ methodology allocated to the research stream. The result of this research came through the development of a boat club for the Olympic Island, showing the rowing and canoe events at the Games. The architecture was resolved through the composition of atmospheric techniques from Zumthor and the formal strategies of Eisenman. The material qualities, juxtaposed with the formal structures generated thresholds through the change in material and lighting qualities. To conclude, it was found that amplifying atmosphere was achieved through a generative process based on the composition of design techniques.</p>


2021 ◽  
Author(s):  
◽  
George Ahern

<p>The Olympic Games are celebrated around the world; however, each Games puts pressure on the host city and its infrastructure as well as the people that reside there, which was evident for the latest host country Brazil. This is a global and political topic and my design aims to provide a solution to the unsustainable construction of sporting infrastructure every four years. This thesis will investigate atmosphere through the design of an artificial Olympic island and the resulting architecture resolved within this artificial environment. The proposition that structures this thesis is how to amplify atmosphere within an artificial environment. The proposition of this research was resolved through materiality, light and threshold in order to amplify the atmospheric qualities of the architecture. This was explored through three scales; a design investigation, a domestic scale, and a public scale, using a ‘design as research’ methodology allocated to the research stream. The result of this research came through the development of a boat club for the Olympic Island, showing the rowing and canoe events at the Games. The architecture was resolved through the composition of atmospheric techniques from Zumthor and the formal strategies of Eisenman. The material qualities, juxtaposed with the formal structures generated thresholds through the change in material and lighting qualities. To conclude, it was found that amplifying atmosphere was achieved through a generative process based on the composition of design techniques.</p>


2018 ◽  
Vol 2 (1) ◽  
pp. 1494
Author(s):  
David Bert Joris Dhert

"One World, One Dream". "For The Game, For The World". "All in One Rhythm." The World Cup and the Olympic Games usually announce themselves in terms of dreams and opportunities for the people of the host country.Along three years of navigating through the daily lives of three Brazilians - one of Indigenous, one of African and one of European descent - the film WE MUST BE DREAMING explores how the 2014 FIFA World Cup and the 2016 Rio Olympic Games have affected the lives of the people of Rio de Janeiro and to what degree the two biggest sport events of the planet have brought the dreams and opportunities they promise.


2016 ◽  
Vol 6 (2) ◽  
pp. 386-389
Author(s):  
Eduardo Oliveira

Evinç Doğan (2016). Image of Istanbul, Impact of ECoC 2010 on The City Image. London: Transnational Press London. [222 pp, RRP: £18.75, ISBN: 978-1-910781-22-7]The idea of discovering or creating a form of uniqueness to differentiate a place from others is clearly attractive. In this regard, and in line with Ashworth (2009), three urban planning instruments are widely used throughout the world as a means of boosting a city’s image: (i) personality association - where places associate themselves with a named individual from history, literature, the arts, politics, entertainment, sport or even mythology; (ii) the visual qualities of buildings and urban design, which include flagship building, signature urban design and even signature districts and (iii) event hallmarking - where places organize events, usually cultural (e.g., European Capital of Culture, henceforth referred to as ECoC) or sporting (e.g., the Olympic Games), in order to obtain worldwide recognition. 


Author(s):  
Anwar Ibrahim

This study deals with Universal Values and Muslim Democracy. This essay draws upon speeches that he gave at the New York Democ- racy Forum in December 2005 and the Assembly of the World Movement for Democracy in Istanbul in April 2006. The emergence of Muslim democracies is something significant and worthy of our attention. Yet with the clear exceptions of Indonesia and Turkey, the Muslim world today is a place where autocracies and dictatorships of various shades and degrees continue their parasitic hold on the people, gnawing away at their newfound freedoms. It concludes that the human desire to be free and to lead a dignified life is universal. So is the abhorrence of despotism and oppression. These are passions that motivate not only Muslims but people from all civilizations.


2011 ◽  
Vol 19 (4) ◽  
pp. 563-577 ◽  
Author(s):  
Luke McKernan

The title of Allen Guttmann's landmark study of sports history,From Ritual to Record, captures the way cinematic treatments of the Olympic Games, Europe's most resonant sporting invention, developed in the early twentieth century. Projected film and the modern Olympic Games began in the same year, 1896, and the way the two phenomena have grown together demonstrates a progression from formality and ritual to an ever-increasing emphasis on individual, nation and achievement. This transition from ritual to record is demonstrated by two Olympic films from the European Games of Paris 1924 and Amsterdam 1928,Les Jeux Olympiques Paris 1924andDe Olympische Spelen. These cinematic records are not only documentary records of the events they portray, but are an important reminder that modern sports are witnessed by most not as stadium spectators but as viewers – in the case of the 1924 and 1928 films, as members of a cinema audience. The film record is essential to our understanding of the popularisation of modern sports, while through their contrary impulses to document and to idealise (particularly through the use of slow-motion photography), the two films demonstrate what is meaningful about Olympic sport.


KALPATARU ◽  
2015 ◽  
Vol 24 (1) ◽  
pp. 61
Author(s):  
Retno Handini

Abstrak. Tulisan ini merupakan kajian tentang “balung buto”, sebuah mitos atau kepercayaan masyarakat yang menghuni wilayah penemuan fosil-fosil purba di Jawa. Penelitian ini difokuskan di Situs Sangiran sebagai Situs Warisan Dunia untuk memahami pola pikir dan persepsi masyarakat penghuni situs dalam memandang keberadaan fosil yang banyak ditemukan di sekitar lahan tegalan atau pekarangan mereka. Metode yang digunakan adalah wawancara mendalam pada masyarakat yang  tinggal di Sangiran. Hasil penelitian menunjukkan walaupun saat ini sudah semakin ditinggalkan dan tidak lagi diturunkan pada generasi muda, namun mitos “balung buto” masih mempengaruhi pola pikir dan perilaku kalangan tertentu yang mempercayainya. Hal tersebut secara langsung ataupun tidak berdampak pada pencarian fosil dan pelestarian situs.Abstract. This article is a study on ‘balung buto’ (which means giant’s bone), a myth or belief shared by the communities that live in areas where prehistoric fossils are found in Java. The study is focused at the World Heritage Site of Sangiran to understand the way of thinking and perception of the inhabitants around the site in viewing the existence of fossils, which are found in abundance on their agricultural fields or house yards. The method used here is insightful interview with the people who live at Sangiran. The study reveals that although believed by less and less people and no longer inherited to the young generation, there are some people who still believe the myth. To them the myth of ‘balung buto’ still influences their pattern of thoughts and behaviour so that directly or indirectly it has impacts on fossil-collecting behaviour and site preservation. 


2021 ◽  
Vol 2 (1) ◽  
pp. 2.1-2.12
Author(s):  
Daniel Kauwila Mahi

Waikīkī is a world-renowned leisure destination; at least, that is the image flung vehemently around the world about Hawaii. This framing of Hawaii as paradisiac is parasitic, it eats away and denigrates the enduring relationship that Hawaii the land and the people have. During the COVID-19 pandemic, we have seen a shift in the way our home feels. Tourism, a self-proclaimed necessity of Hawaii’s economy, was not only put on hold, it was essentially eliminated. Through this project I would like to present pre/post-colonialist modalities of Hawaii, to contest and disarm this space densely affected by militourism. Hawaii has been framed as a leisure destination first by colonialists and much later by hip hop music. My approach to contesting these projections is to refuse this notion and feature lines from songs, chants and prayers related to Waikīkī which are pre/postcolonial and have been influenced by colonialism through hip hop.


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