scholarly journals A Study on the Regional culture of ‘Hu Lan He Zhuan’’s Literary Works - Focused on Regional language and Regional Custom

2016 ◽  
Vol null (40) ◽  
pp. 247-267
Author(s):  
김순금
2021 ◽  
pp. 493-504
Author(s):  
Tadeusz Lewaszkiewicz ◽  

The linguistic biography of Adam Mickiewicz and the problem of a monograph on his language Summary The academic level of the future monograph on the language and style of Mickiewicz will be largely dependent on utilising knowledge on the poet’s linguistic biography. I mean here the influence of domestic and regional language on the idiom of the author of “Pan Tadeusz”, his education and the impact of literary works on his linguistic development, knowledge of foreign languages, linguistic interests, and familiarity with Linde’s dictionary. The author recalls, reviews, and complements previous results of studies on Mickiewicz’s linguistic biography carried out by J. Trypućko and Z. Klemensiewicz.


Author(s):  
Ernesto Gustavo Tahu

Indonesia is an archipelago which consists of various ethnic groups. Each ethnic group has a regional language as its group identity. Regional languages ​​have a very important role in social and cultural life. The people of Umato'os Village who generally use the local language of Tetun as a means of interaction, the formation process that occurs in Tetun in Umato'os Village is a change if the root word undergoes a process of forming a Tetun word. This type of research is descriptive qualitative. Data collection techniques were carried out by observation and interviews. Data analysis using the equivalent method. To test the validity of the data, researchers used source triangulation. The result of this research is that Tetum is one of the regional languages ​​in the archipelago which is in the administrative area of ​​Malacca district, East Nusa Tenggara province. Tetun language has its own uniqueness in the affixation process, the affixation process in Tetun not only undergoes a change but also the affixation process has shown a person's activity. Language can be used as a means of communication that is alive and fostered by the Tetum-speaking community as well as a means of developing regional culture. Tetun also serves as the Mother Language (first language) for the Tetun speaking community.


HUMANIKA ◽  
2019 ◽  
Vol 26 (1) ◽  
pp. 24
Author(s):  
Titik Apriliyani

A culture in Javanese society that is still widely believed that there is a connection between dreams, prayer and its reality. The relation of the three elements in life is expressed by the author into one literary text. Literary works which are full of one regional culture are interesting to study, because through the literary text, readers and authors are able to see a diverse perspective on the situation and issues related to their society. This study tries to compare two literary works which are loaded with Javanese culture, especially Javanese people's beliefs with dreams and their implications for life. By utilizing the literature comparison method, the results obtained from the comparison of two novels by Ayu Utami and Goenawan Mohamad resulted in the conclusion that Javanese people's trust in dreams related to the reality of life can create a reality that is relevant to dreams that arise. This belief ultimately becomes a new stigma in society.


2020 ◽  
pp. 108-126 ◽  
Author(s):  
V. A. Bryzgalin ◽  
Е. N. Nikishina

The paper investigates cross-cultural differences across Russian regions using the methodology of G. Hofstede. First, it discusses the most common approaches in measuring culture and the application of the Hofstede methodology in subnational studies. It identifies the critical issues in measuring culture at the regional level and suggests several strategies to address them. Secondly, the paper introduces subregional data on individualism and uncertainty avoidance using a survey of students across 27 Russian universities. The data allow to establish geographical patterns of individualism in Russia. It is demonstrated that collectivism is most prevalent in the Volga region, while individualism characteristic becomes stronger towards the Far East. The findings are robust to the inclusion of various controls and different specifications of the regression model. Finally, the paper provides a discussion about the potential of applying the sociocultural approach in economics.


2014 ◽  
Vol 16 (3) ◽  
pp. 126-104
Author(s):  
M.A.S. Abdel Haleem

With a rich, productive career spanning over 60 years, culminating in the award of the Nobel Prize for Literature in 1988, Naguib Mahfouz's literary works have naturally attracted numerous studies and critiques. These studies have covered a great many aspects of Mahfouz's creative writing, but, perhaps because of the secular, modern education Mahfouz received (both at school and in the Department of Philosophy in Cairo University), and his personal lifestyle, they have concentrated on the socialist, materialist, and structural aspects of his work. Perhaps because of this, one important aspect of his writing has largely escaped attention: his artistic use of the language of the Qur'an. Mahfouz does not signal that a given phrase or reference is Qur'anic, leaving it to blend with the text, and making it easy to miss the fact that the Qur'an played any part in Mahfouz's use of language. However, to a reader who knows the Qur'an by heart the presence of Qur'anic language in his works is obvious, and equally obvious is Mahfouz's artistic talent in using it. Eventually, he himself announced at the end of his life that he had always had an intimate interest in the Qur'an, read it daily, and benefited from it. This article seeks to demonstrate the ubiquitous presence of Qur'anic language in Mahfouz's works, and the skill and subtlety with which he used it.


2014 ◽  
Vol 11 (2-3) ◽  
pp. 378-396 ◽  
Author(s):  
Robert Murphy

Tony Richardson's major contribution to British and international cinema has been obscured by jejune prejudices over his small-town, north of England origins, his parallel career as a theatre director and his eclectic choice of film subjects. This article concentrates on his two most important contributions to the ‘British New Wave’ – A Taste of Honey and The Loneliness of the Long Distance Runner – in order to demonstrate Richardson's ability to recreate dramatic and literary works as dynamic and innovative films.


2014 ◽  
Vol 55 (1-2) ◽  
pp. 17-26
Author(s):  
Paul W. Merrick

The influence of Byron on Liszt was enormous, as is generally acknowledged. In particular the First Book of the Années de pèlerinage shows the poet’s influence in its choice of Byron epigraphs in English for four of the set of nine pieces. In his years of travel as a virtuoso pianist Liszt often referred to “mon byronisme.” The work by Byron that most affected Liszt is the long narrative poem Childe Harold’s Pilgrimage which was translated into many languages, including French. The word “pèlerinage” that replaced “voyageur” is a Byronic identity in Liszt’s thinking. The Byronic hero as Liszt saw him and imitated him in for example Mazeppa and Tasso is a figure who represented a positive force, suffering and perhaps a revolutionary, but definitely not a public enemy. Liszt’s life, viewed as a musical pilgrimage, led of course to Rome. Is it possible that Byron even influenced him in this direction? In this paper I try to give a portrait of the real Byron that hides behind the poseur of his literary works, and suggest that what drew Liszt to the English poet was precisely the man whom he sensed behind the artistic mask. Byron was not musical, but he was religious — as emerges from his life and his letters, a life which caused scandal to his English contemporaries. But today we can see that part of the youthful genius of the rebel Byron was his boldness in the face of hypocrisy and compromise — his heroism was simply to be true. In this we can see a parallel with the Liszt who left the piano and composed Christus. What look like incompatibilities are simply the connection between action and contemplation — between the journey and the goal. Byron, in fact, can help us follow the ligne intérieure which Liszt talked about in the 1830s.


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