Study on Street Spaces of Urban Interior Design and Experience Design -Focused on Samchung-dong street and Dalmaji street-

2010 ◽  
Vol 10 (4) ◽  
pp. 11-21 ◽  
Author(s):  
Lee, Yeonsil ◽  
오선애
Keyword(s):  
Interior Design ◽  
Experience Design

(more)SoftAssertions

2020 ◽  
pp. 315-354
Author(s):  
Peter A. Di Sabatino
Keyword(s):  
Interior Design ◽  
Experience Design ◽  
Knowledge And Skills ◽  
Professional Boundaries ◽  
Body Of Knowledge ◽  
Interior Designers ◽  
The City

This chapter examines the shifting landscape of disciplines and professions, with particular focus towards “Spatial and Experience Design.” In spite of trends and increasing examples of the erosion and overlapping of disciplinary and professional boundaries, there is a need for some sort of disciplinary and professional definition. There needs to be a body of knowledge and skills defined and practiced and routes to circumvent them. This is especially relevant in a world of inter-, multi-, and trans-disciplinary work and comprehensive creative practices. The chapter examines core aspects of spatial/interior design and how this may intersect with other related disciplines and practices. An articulated interior urbanism creates clear areas of contribution from “interior” designers within the city. The chapter explores these cross-fertilizations through the curricular use of intensive design workshops (often of one-week duration) with a singular focus of the student's attention; selected student works from two such workshops at Politecnico di Milano are included.

scholarly journals Implementation of Experience Design on Museum Interiors. Case Study: East Java Cultural Museum

2021 ◽  
Vol 4 (1) ◽  
pp. 1-11
Author(s):  
Allicia Sandra Meirissa ◽  
Titihan Sarihati ◽  
Vika Haristianti
Keyword(s):  
Interior Design ◽  
Qualitative Method ◽  
Interactive Media ◽  
Traditional Culture ◽  
Future Research ◽  
Experience Design ◽  
Three Stages ◽  
The Times ◽  
Room Lighting

This study examines the involvement of interior design with the museum purpose in terms of education and recreation. The purpose of this study is to provide effective solutions in museum interior design to attract attention, education, and recreation to visitors and form the basis for future research. This research creates a design that forms a spatial experience, with a focus on cultural museums. The method used in this study is a qualitative method with three stages of triangulation (interviews, observations, and documents). The case study in this study is the East Java Cultural Museum because the phenomenon that occurs is that traditional culture has begun to erode due to the times, especially in East Java, and the absence of research on the interior design of cultural museums. This study shows that there are five aspects in supporting the creation of a visitor's space experience in the museum, including the atmosphere of the room, lighting, collection displays, storylines, and interactive media. These five aspects are united in an "Experience Design".

Cognitive Science Applied to Interior Design

PsycCRITIQUES ◽  
2006 ◽  
Vol 51 (32) ◽  
Author(s):  
Paula Goolkasian
Keyword(s):  
Cognitive Science ◽  
Interior Design

Experience Design Applied to Research

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Andrea CAPRA ◽  
Ana BERGER ◽  
Daniela SZABLUK ◽  
Manuela OLIVEIRA
Keyword(s):  
Information Technology ◽  
Product Development ◽  
Design Process ◽  
Development Process ◽  
Product Development Process ◽  
Experience Design ◽  
Low Resolution ◽  
Design Concepts ◽  
Innovative Products ◽  
Technological Products

An accurate understanding of users' needs is essential for the development of innovative products. This article presents an exploratory method of user centered research in the context of the design process of technological products, conceived from the demands of a large information technology company. The method is oriented - but not restricted - to the initial stages of the product development process, and uses low-resolution prototypes and simulations of interactions, allowing users to imagine themselves in a future context through fictitious environments and scenarios in the ambit of ideation. The method is effective in identifying the requirements of the experience related to the product’s usage and allows rapid iteration on existing assumptions and greater exploration of design concepts that emerge throughout the investigation.

INTERIOR DESIGN AND ARCHITECTURE THROUGH THE PRISM OF TIME: FROM CONFLICT TO COOPERATION

2020 ◽  
Vol 1 (1) ◽  
pp. 32-37
Author(s):  
I. Naydenova
Keyword(s):  
Interior Design ◽  
Mutual Influence ◽  
Time Frame ◽  
Research Area ◽  
Point Of View ◽  
Living Space ◽  
Self Sufficiency ◽  
Functional Zoning ◽  
Architecture And Design ◽  
Xix Century

As a research area, interior design took shape in the 20s of the last century, despite the fact that the practice of decorating living spaces dates back many hundreds of years. However, the "self-sufficiency" of design and its connection with architecture to this day is the subject of scientific discussions of urban specialists, historians, art historians, and anthropologists. The article discusses the leading artistic styles and trends that prevailed in architecture and design from the point of view of their mutual influence on each other. Time frame of the research: from the middle of XIX century to the first half of XX century. As a result of the research of foreign experience in the formation of interior design, the main stages of the movement development and its relationship with architecture in two formations were identified: activities directly dependent on architectural decisions, activities that determine the entire design process to a large extent: from the functional zoning of the premises to the features of the placement of utilities in the building. Entering the information era in art as a whole is characterized by the rejection of slogans that clearly delineate stylistic boundaries and determine the role of a designer in creating the living space. The determining factor influencing the integrity of the building’s appearance in a modern view is the harmony of the facade and the internal content, which was made possible thanks to the equal interaction of the architect and designer, starting from the first half of the 20th century.

EXPLORING INTERIOR DESIGN CRITERIA FOR DIFFERENT ATMOSPHERIC SPACES

2019 ◽  
Author(s):  
Xue-Min Xu ◽  
◽  
Sheng-Jung Ou ◽  
Wei Wei ◽  
◽  
...  
Keyword(s):  
Interior Design ◽  
Design Criteria
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