scholarly journals Session Description Protocol (SDP) Attributes for Open Mobile Alliance (OMA) Broadcast (BCAST) Service and Content Protection

2008 ◽  
Author(s):  
A. Jerichow
Keyword(s):  
Content Protection ◽  
Open Mobile Alliance

Cloud-Based Multimedia Content Protection System

2020 ◽  
pp. 164-169
Author(s):  
B. Aparna ◽  
S. Madhavi ◽  
G. Mounika ◽  
P. Avinash ◽  
S. Chakravarthi
Keyword(s):  
Large Scale ◽  
Protection System ◽  
Multimedia Content ◽  
Computationally Efficient ◽  
Content Protection ◽  
Protection Systems ◽  
Multimedia Content Protection ◽  
High Scalability ◽  
Cloud Infrastructures ◽  
Rapid Deployment

We propose a new design for large-scale multimedia content protection systems. Our design leverages cloud infrastructures to provide cost efficiency, rapid deployment, scalability, and elasticity to accommodate varying workloads. The proposed system can be used to protect different multimedia content types, including videos, images, audio clips, songs, and music clips. The system can be deployed on private and/or public clouds. Our system has two novel components: (i) method to create signatures of videos, and (ii) distributed matching engine for multimedia objects. The signature method creates robust and representative signatures of videos that capture the depth signals in these videos and it is computationally efficient to compute and compare as well as it requires small storage. The distributed matching engine achieves high scalability and it is designed to support different multimedia objects. We implemented the proposed system and deployed it on two clouds: Amazon cloud and our private cloud. Our experiments with more than 11,000 videos and 1 million images show the high accuracy and scalability of the proposed system. In addition, we compared our system to the protection system used by YouTube and our results show that the YouTube protection system fails to detect most copies of videos, while our system detects more than 98% of them.

scholarly journals Blockchain-Based Multimedia Content Protection: Review and Open Challenges

2020 ◽  
Vol 11 (1) ◽  
pp. 1
Author(s):  
Amna Qureshi ◽  
David Megías Jiménez
Keyword(s):  
Copyright Protection ◽  
Digital Rights Management ◽  
Performance Criteria ◽  
Future Research ◽  
Multimedia Content ◽  
Content Protection ◽  
Technical Aspects ◽  
Blockchain Technology ◽  
Protection Systems ◽  
Multimedia Content Protection

In this paper, we provide a holistic survey of multimedia content protection applications in which blockchain technology is being used. A taxonomy is developed to classify these applications with reference to the technical aspects of blockchain technology, content protection techniques, namely, encryption, digital rights management, digital watermarking and fingerprinting (or transaction tracking), and performance criteria. The study of the literature reveals that there is currently no complete and systematic taxonomy dedicated to blockchain-based copyright protection applications. Moreover, the number of successfully developed blockchain-based content protection systems is very low. This points towards a research gap. To fill this gap, we propose a taxonomy that integrates technical aspects and application knowledge and can guide the researchers towards the development of blockchain-based multimedia copyright protection systems. Furthermore, the paper discusses some technical challenges and outlines future research directions.

scholarly journals A new blockchain-based trusted DRM scheme for built-in content protection

2018 ◽  
Vol 2018 (1) ◽  
Author(s):  
Ma Zhaofeng ◽  
Huang Weihua ◽  
Gao Hongmin
Keyword(s):  
Content Protection

scholarly journals A Content-Protection Scheme for Multi-Layered Reselling Structures

2004 ◽  
pp. 339-349
Author(s):  
Pei-Ling Yu ◽  
Pan-Lung Tsai ◽  
Chin-Laung Lei
Keyword(s):  
Content Protection ◽  
Protection Scheme

Technology of Music Score Watermarking

2011 ◽  
pp. 24-61
Author(s):  
M. Monsignori ◽  
P. Nesi ◽  
M. Spinu
Keyword(s):  
Digital Watermarking ◽  
Multimedia Data ◽  
Data Types ◽  
Content Protection ◽  
Music Score ◽  
Current State ◽  
Media Types ◽  
Image Representations ◽  
Classical Image ◽  
Audio Files

Content protection for multimedia data is widely recognized especially for data types that are frequently distributed, sold or shared in digital and via Internet. Particularly, the music industry dealing with audio files realized the necessity for content protection. Distribution of music sheets will face the same problems. Digital watermarking techniques provide a certain level of protection for music sheets. Classical image-oriented watermarking algorithms for images suffer from several drawbacks when directly applied to image representations of music sheets. Therefore, new solutions have been developed which are designed regarding the content of the music sheets. In comparison to other media types, the development of watermarking algorithms for music scores is a rather young technology. The chapter reviews the evolution of the early approaches and describes the current state of the art in the field.

Multimedia Content Protection Technology

2009 ◽  
pp. 957-964
Author(s):  
Shiguo Lian
Keyword(s):  
Video Compression ◽  
Multimedia Data ◽  
Multimedia Content ◽  
Network Technology ◽  
Or Education ◽  
Content Protection ◽  
Tv Program ◽  
Protection Technology ◽  
Multimedia Content Protection ◽  
Media Data

Since the beginning of 1990s, some multimedia standards (Joan, Didier, & Chad, 2003) related to image compression, video compression, or audio compression have been published and widely used. These compression methods reduce media data’s volumes, and save the storage space or transmission bandwidth. After the middle of 1990s, network technology has been rapidly developed and widely spread, which increases the network bandwidth. With the development of network technology and multimedia (image, audio, video, etc.) technology, multimedia data are used more and more widely. In some applications related to politics, economics, militaries, entertainment, or education, multimedia content security becomes important and urgent. Some sensitive data need to be protected against unauthorized users. For example, only the customers paying for a TV program can watch the program online, while other customers cannot watch the content, only the administrator can update (delete, insert, copy, etc.) the TV program in the database, while others cannot modify the content, the TV program released over Internet can be traced, and so forth. Multimedia content protection technology protects multimedia data against the threats coming from unauthorized users, especially in network environment. Generally, protected properties include the confidentiality, integrity, ownership, and so forth. The confidentiality defines that only the authorized users can access the multimedia content, while others cannot know multimedia content. The integrity tells whether media data are modified or not. The ownership shows media data’s owner information that is used to authenticate or trace the distributor. During the past decade, various technologies have been proposed to protect media data, which are introduced in this chapter. Additionally, the threats to multimedia data are presented, the existing protection methods are compared, and some future trends are proposed.

Possibilities, Limitations, and the Future of Audiovisual Content Protection

2008 ◽  
pp. 1707-1748
Author(s):  
Martin Schmucker
Keyword(s):  
Value Chain ◽  
Music Industry ◽  
Digital Rights Management ◽  
Basic Knowledge ◽  
Digital Music ◽  
Content Protection ◽  
Digital Rights ◽  
Industry Value Chain ◽  
Rights Management ◽  
Basic Concepts

This chapter explains the fundamental principles of audiovisual content protection. It explains the basic knowledge that is needed to understand the fundamentals of digital rights management (DRM) systems and their problems. Starting with a general introduction about copyright and content protection, available protection technologies are described and analyzed. The basic concepts of DRM solutions are explained and problems discussed. Potentials and practical limitations are analysed based on the digital music industry value chain. An outlook is given on solutions that are under development and that stronger consider the needs of the customers. In the conclusion, future solutions are discussed.

Sign in / Sign up

Export Citation Format

Share Document