scholarly journals Are there Slavonic features in the syntax of Romanian? Two case studies

Diacronia ◽  
2015 ◽  
Author(s):  
Adina Dragomirescu

The present paper discusses the issue of the Old Church Slavonic influence on the syntax of (old) Romanian. The starting point is the hypothesis that many of the syntactic features of Romanian previously explained by postulating the influence of (Old Church) Slavonic (especially in studies strongly influenced by ideological issues, published during the Communist period) are actually either regular transformations which occurred in the transition from Latin to Romanian, common to the other Romance languages as well, or the output of more general tendencies manifested in the history of Indo-European languages. In order to check the role of the Slavonic influence in the syntax of Romanian, we have established a working algorithm, which is applied to two phenomena from old Romanian: (i) the position of relative adjectives, and (ii) scrambling in compound verbal forms in correlation with auxiliary inversion.

2021 ◽  
Vol 27 (2) ◽  
pp. 258-269
Author(s):  
Camila Pérez ◽  
Giuseppina Marsico

Indigenous territorial claims are a long-standing concern in the history of Latin America. Land and nature have profound meaning in indigenous thinking, which is neither totally understood nor legitimized by the rest of society. This article is aimed at shedding light on this matter by examining the meanings at stake in the territorial claims of the Mapuche people. The Mapuche are an indigenous group in Chile, who are striving to recover their ancestral land. This analysis will be based on the concept of Umwelt, coined by von Uexküll to refer to the way in which species interpret their world in connection with the meaning-making process. Considering the applications of Umwelt to the human being, the significance assigned to land and nature by the Mapuche people emerges as a system of meaning that persists over time and promotes interdependence between people and the environment. On the other hand, the territorial claim of the Mapuche movement challenges the fragmentation between individuals and their space, echoing proposals from human geography that emphasize the role of people in the constitution of places.


Author(s):  
Mª Isabel Romero Ruiz

The presence of Empire in the Victorian period and its aftermath has become a new trope in neo-Victorian studies, introducing a postcolonial approach to the re-writing of the Victorian past. This, combined with the metaphor of the sea as a symbol of British colonial and postcolonial maritime power, makes of Joseph O’Connor’s novel Star of the Sea a story of love, vulnerability and identity. Set in the winter of 1847, it tells the story of the voyage of a group of Irish refugees travelling to New York trying to escape from the Famine. The colonial history of Ireland and its long tradition of English dominance becomes the setting of the characters’ fight for survival. Parallels with today’s refugees can be established after Ireland’s transformation into an immigration country. Following Judith Butler’s and Sarah Bracke’s notions of vulnerability and resistance together with ideas about ‘the other’ in postcolonial neo-Victorianism, this article aims to analyse the role of Empire in the construction of an Irish identity associated with poverty and disease, together with its re-emergence and reconstruction through healing in a contemporary globalised scenario. For this purpose, I resort to Edward Said’s and Michael Hardt and Antonio Negri’s ideas about imperialism and new imperialism along with Elizabeth Ho’s concept of ‘the Neo-Victorian-at-sea’ and some critics’ approaches to postcolonial Gothic. My main contention throughout the text will be that vulnerability in resistance can foster healing.


2017 ◽  
Vol 16 (16) ◽  
pp. 87
Author(s):  
Patricia Fernández Martín

El objetivo del presente trabajo es profundizar en la historia del funcionamiento de las construcciones castellanas {tener/llevar} + participio, tomando como centro de estudio la lengua de los siglos xvi y xvii y estableciendo ciertas comparaciones, a lo largo del texto, con otras lenguas romances, en especial el asturiano. El punto de partida se encuentra en la idea de que los problemas que crean estas construccionesse deben esencialmente a la doble naturaleza del participio (adjetival y verbal), solo comprensible inserta en un continuum entre el puro adjetivo y el puro verbo. Para ello, comenzaremos estableciendo, en el marco teórico, nuestro concepto de perífrasis verbal de participio y su aplicación a las construcciones que nos ocupan en el español de los Siglos de Oro. En una segunda parte, analizaremos el funcionamiento de dichas estructuras en el español clásico, empleando un corpus formado por tres génerosdiscursivos, escritos entre 1519 y 1656, que componen sendos subapartados (novelas picarescas, epístolas y crónicas de Indias). La principal conclusión es que los géneros discursivos no afectan a las construcciones de participio en la misma medida en que puede afectar a otros fenómenos gramaticales, como los pronombres personales.The aim of this work is to deepen in the history of the Spanish structures{tener/llevar} + participle, taking into account the language of the 16th and 17th centuries and offering certain comparisons with other Romance languages, specially Asturian. The starting point lies in the idea that the problems that create these constructions are essentially due to the dual nature of the participle (between a verb and an adjective), which can be only understood into a continuum, whose ends are the pure adjective and the pure verb. For that, we will start setting our concept of participial periphrases in the theoretical framework, as well as its applicationto the Spanish language spoken in the Golden Age. Then, we analyze how these structures work in that Spanish, using a corpus formed by three discourse genres (picaresque novels, letters and chronicles of the Indies), whose texts were written between 1519 and 1656. Finally, all of which allows to conclude that the discourse genres do not affect the appearance of the constructions of participle in the same extent that it may affect other grammatical phenomena, such as personal pronouns.


Author(s):  
Delyash N. Muzraevа ◽  

Introduction. The written heritage of Kalmyk Buddhist priests, their daily practices, liturgical repertoire still remain a poorly studied page in the history of Buddhism among Mongolic peoples in the 20th century. The survived collections, clusters of religious texts prove instrumental in revealing most interesting aspects of their activities, efforts aimed at preservation of Buddhist teachings, their popularization and dissemination among believers. Goals. The paper examines two Oirat copies of the Precepts of the Omniscient [Manjushri] from N. D. Kichikov’s collection, transliterates and translates the original texts, provides a comparative analysis, and notes differences therein that had resulted from the scribe’s work, thereby introducing the narratives into scientific circulation. Materials. The article describes two Oirat manuscripts bound in the form of a notebook and contained in different bundles/collections of Buddhist religious texts stored at Ketchenery Museum of Local History and Lore. As is known, the collection is largely compiled from texts that belonged to the famous Kalmyk Buddhist monk Namka (N. D. Kichikov). Results. The analysis of the two Oirat texts with identical titles — Precepts of the Omniscient [Manjushri] — shows that their contents coincide generally but both the texts contain fragmented omissions (separate words, one or several sentences) that are present in the other. At the same time, when omitting fragments of the text addressed to the monastic community, the scribe was obviously guided by that those would be superfluous for the laity. Thus, our comparative analysis of the two manuscript copies demonstrates the sometimes dramatic role of the scribe in transmitting Buddhist teachings.


2019 ◽  
Vol 27 (1) ◽  
pp. 57-63
Author(s):  
R. Watling

A brief history of the early days of mycology in Scotland is given to act as a starting point from which to view the fungal records made in the gardens at Sandyford and Kelvinside. The former was vacated in 1842 and the garden transferred to the present site at Kelvinside under the authority of the Glasgow City Council. The role of J.F. Klotzsch in generating the earliest records is emphasised and the compilation of fungal records, mainly of macrofungi, until the present day is discussed. A short account of the microfungi is given. A complete list of the fungi recorded from the two gardens is provided.


Author(s):  
Elke Van Nieuwenhuyze

The aim of this article is to trace the referential value of juffrouw Lina (1888)as part of its narrative organisation by means of the narrativist historical theoryof Frank Ankersmit. This starting point demands a confrontation of thisnaturalist novel by Marcellus Emants with the contemporary medical biographyof the French writer and politician Chateaubriand by the Belgian physicianErnest Masoin on the one hand and with some case studies of hystericsby the famous French docter Jean-Martin Charcot on the other hand. lt willbe argued that the narrativity of the novel plays a key-role in the constructionof its referential value on various levels.


2021 ◽  
Vol 3 (2) ◽  
pp. 141-144
Author(s):  
Gegen

History was always written by the winners. Despite the fact that the history of the War on Terror is relatively new, Hollywood is quick to develop a visual history of the conflict. Hollywood’s excellent realism aesthetics were successful in justifying the goal and method of the “war on terror,” interrupting ongoing reality to influence and reconstruct public memory about what happened. This dissertation will use three awarded and influential case studies: The Hurt Locker, Zero Dark Thirty and American Sniper to demonstrate the fragmentation of film representation, that the film only speaks for “us.” The dissertation aims to uncover the hidden political unawareness behind film representations, the manner in which those films provide limited versions of what happened, and how the films emphasise the self-subjectivity while objectifying the other.


2020 ◽  
Vol 17 (3) ◽  
pp. 377-382
Author(s):  
Dunja Fehimović ◽  
Ruth Goldberg

Carlos Lechuga’s film Santa y Andrés (2016) has enjoyed worldwide acclaim as an intimate, dramatic portrayal of the unlikely friendship that develops in rural Cuba between Andrés, a gay dissident writer, and Santa, the militant citizen who has been sent to surveil him. Declared to be extreme and/or inaccurate in its historical depictions, the film was censored in Cuba and was the subject of intense controversy and public polemics surrounding its release in 2016. Debates about the film’s subject matter and its censorship extend ongoing disagreement over the role of art within the Cuban Revolution, and the changing nature of the Cuban film industry itself. This dossier brings together new scholarship on Santa y Andrés and is linked to an online archive of some of the original essays that have been written about the film by Cuban critics and filmmakers since 2016. The aim of this project is to create a starting point for researchers who wish to investigate Santa y Andrés, evaluating the film both for its contentious initial reception, and in terms of its enduring contribution to the history of Cuban cinema.


This monographic issue of History of Universities presents new materials and case studies in order to deepen our understanding of the role of the academic milieu in the early modern reshaping of natural philosophy. The contributions included in this volume aim to pursue two main axes of research: (1) the reconstruction and exploration of the dialectics between tradition and innovation in the reshaping of natural philosophy; (2) the attempt to constitute and consolidate new traditions in natural philosophy. This introduction presents the general topic of the volume, the methodological approach developed by the contributors and the contents of each contribution.


Author(s):  
Christina Howells

Sartre was a philosopher of paradox: an existentialist who attempted a reconciliation with Marxism, a theorist of freedom who explored the notion of predestination. From the mid-1930s to the late-1940s, Sartre was in his ‘classical’ period. He explored the history of theories of imagination leading up to that of Husserl, and developed his own phenomenological account of imagination as the key to the freedom of consciousness. He analysed human emotions, arguing that emotion is a freely chosen mode of relationship to the outside world. In his major philosophical work, L’Être et le Néant(Being and Nothingness) (1943a), Sartre distinguished between consciousness and all other beings: consciousness is always at least tacitly conscious of itself, hence it is essentially ‘for itself’ (pour-soi) – free, mobile and spontaneous. Everything else, lacking this self-consciousness, is just what it is ‘in-itself’ (en-soi); it is ‘solid’ and lacks freedom. Consciousness is always engaged in the world of which it is conscious, and in relationships with other consciousnesses. These relationships are conflictual: they involve a battle to maintain the position of subject and to make the other into an object. This battle is inescapable. Although Sartre was indeed a philosopher of freedom, his conception of freedom is often misunderstood. Already in Being and Nothingness human freedom operates against a background of facticity and situation. My facticity is all the facts about myself which cannot be changed – my age, sex, class of origin, race and so on; my situation may be modified, but it still constitutes the starting point for change and roots consciousness firmly in the world. Freedom is not idealized by Sartre; it is always within a given set of circumstances, after a particular past, and against the expectations of both myself and others that I make my free choices. My personal history conditions the range of my options. From the 1950s onwards Sartre became increasingly politicized and was drawn to attempt a reconciliation between existentialism and Marxism. This was the aim of the Critique de la raison dialectique (Critique of Dialectical Reason) (1960) which recognized more fully than before the effect of historical and material conditions on individual and collective choice. An attempt to explore this interplay in action underlies both his biography of Flaubert and his own autobiography.


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